Die reine Notwendigkeit

David Claerbout
September 28 – October 23, 2016

Exhibition view

Die reine Notwendigkeit, 2016

Städel Museum, Frankfurt

 

Photo © Städel Museum

Exhibition view

Die reine Notwendigkeit, 2016

Städel Museum, Frankfurt

 

Photo © Städel Museum

Exhibition view

Die reine Notwendigkeit, 2016

Städel Museum, Frankfurt

 

Photo © Städel Museum

Exhibition view

Die reine Notwendigkeit, 2016

Städel Museum, Frankfurt

 

Photo © Städel Museum

Die reine Notwendigkeit

David Claerbout
St├Ądel Museum, Frankfurt
September 28 – October 23, 2016
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From September to October 2016 – on the occasion of the Frankfurt Book Fair, whose guests of honour will be the Netherlands and Flanders – the Städel will present a new work by the Belgian artist David Claerbout within the framework of the series In the Städel Garden.

 

At first sight, the sixty-minute video Die reine Notwendigkeit developed especially for the Städel Museum by David Claerbout (b. 1969) looks like a direct appropriation of the popular animated film The Jungle Book by Wolfgang Reithermann from 1967. For his work, Claerbout had the drawings re-created in an elaborate process – the major difference being that he eliminated the humanized character of the familiar animals the Bear, the Panther, the Snake, the Tiger etc. and therefore all narrative thread. They now move through the jungle like members of their species in an animal documentary, undisturbed by humanity’s stories. Rather than telling the tale of a young boy, the video culminates every hour on the hour in the final scene of the 1967 original: the singing girl who has come to the jungle to fetch water. For Claerbout, this scene serves as the beginning and end of the loop dividing time into one-hour units on a large LED screen in the Städel Garden.

 

In his photographic and filmic installations, David Claerbout employs visual material ranging from found historical photographs and reconstructed images to films shot according to his instructions. He processes this material digitally in such a way that the boundary between photography and film becomes fluid. Claerbout deconstructs linear courses of time, thus inquiring into how we tell stories with images. 

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