• Pierre Huyghe Named Artistic Director of the 2019 Okayama Art Summit

    Ishikawa Foundation, Okayama Fall 2019
    Pierre Huyghe Named Artistic Director of the 2019 Okayama Art Summit

    Pierre Huyghe.


    Okayama Art Summit 2019, the second iteration of the large-scale international art exhibition, will be held in the fall of 2019.


    Pierre Huyghe, a participant of the Okayama Art Summit 2016, has been appointed artistic director. The exhibition will be produced by Ishikawa Foundation’s president, Yasuharu Ishikawa.


  • Conversation with Felix Utting and Jean-Pascal Flavien

    Heidelberger Kunstverein March 14, 2018, 6pm www.hdkv.de
    Conversation with Felix Utting and Jean-Pascal Flavien

    Felix Utting is the inhabitant of the house with things behind. The public is invited to meet with him on March 14th at 18:00. He will prepare tea and introduce them to the house.

  • Myth, Music & Electricity

    Herkulessaal, Residenstraße 1, 80333 Munich November 29, 8pm www.artgeneve.ch
    Myth, Music & Electricity

    artgenève presents, Myth, Music and Electricity, part of “contemporary art as concert”, a series of events focused on musical and ephemeral works by artists invited by Augustin Maurs.


    This event will take place at Munich's Herkulessaal and plays with the adventurous and puzzling construction of myths. The concert hall will host a series of musical and perfomative works, including a bass guitar ensemble by Angela Bulloch and performances by Karin Sander.


    Doors: 7pm

    Admission: 8 EUR / 12 EUR

    Tickets: julia.etter@palexpo.ch

  • Liam Gillick in conversation with Nicola Ricciardi

    OGR–Officine Grandi Riparazioni, Turin November 4, 2017, 11:30am www.amaci.org



    Liam Gillick in conversation with Nicola Ricciardi

    Exhibition view ...


    The Association of Italian Contemporary Art Museums (AMACI) and OGR–Officine Grandi Riparazioni in Turin announce Museums at The ‘Post-Digital’ Turn, the first major symposium conceived by AMACI.


    Museums at the ‘Post-Digital’ Turn will take place at the OGR in Turin over two days, November 3–4, and will encompass seven panels including a conversation between Liam Gillick and Nicola Ricciardi (Artistic Director, OGR, Turin).


    Read more about the symposium here


    This event is concurrent to Like a Moth to a Flame, an exhibition curated by Tom Eccles, Mark Rappolt and Liam Gillick at OGR–Officine Grandi Riparazioni and Fondazione Sandretto Re Rebaudengo in Turin (November 4, 2017 – January 14, 2018).

    Find out more about the exhibition here.

  • An Evening with Gabriel Kuri

    Harold M. William Auditorium, Getty Center, Los Angeles November 14, 2017, 7pm www.getty.edu
    An Evening with Gabriel Kuri

    Gabriel Kuri working in his studio.



    This special event will explore the work of two artists with a cutting edge, experimental practice: Analia Saban and Gabriel Kuri. The evening will begin with viewing of two short documentaries featuring each artist, created as part of the Artist Dialogues series, followed by a conversation among the artists and Rachel Rivenc.


    The movies and conversation will focus on the artists' material practice and how it relates to meaning, their approach to making and finding objects, their playful use or misuse of materials, as well as their thoughts on longevity, the future of their work, and the role of conservation.


    Presented as part of Pacific Standard Time: LA/LA

  • DRAMASTICS Revue Rock Concert and Film Screening

    The Grapevine Bar, Dallas October 27, 2017, 9PM
    DRAMASTICS Revue Rock Concert and Film Screening

    Flyer © Nathan Carter



    Mixing fictional representation and real-life celebration, on October 27 a screening of The DRAMASTICS are Loud (2016) will be followed by the Dramastics Revue, a live concert by Nathan Carter and The DRAMASTICS at the legendary Grapevine Bar, as featured in his film and dioramas.

    The presentation will include hand-made Dramastics t-shirts and performace capes produced in collaboration with the artist Dan Estabrook and Featherweight Studio.

  • Angela Bulloch & David Grubbs: The Wired Salutation

    Museu Serralves, Serralves Auditorium, Porto October 26, 2017, 10pm–11:30pm www.serralves.pt
    Angela Bulloch & David Grubbs: The Wired Salutation
    The Wired Salutation results from a collaboration between Angela Bulloch and composer and musician David Grubbs.
    Bulloch sets into motion the process by which images and ideas degrade–decline, simplify–while expanding to encompass video, live performance, and a composition for theatre lighting, taking the audience on a trip inside the image.  David Grubbs stresses and strains an initially coherent piece of music until its constituent parts agree to peacefully disassemble.  The live musical component is undertaken by a group featuring Grubbs (electric guitar and voice) and Italian musicians Andrea Belfi (drums and electronics) and Stefano Pilia (electric guitar).
    Find more about this event here
  • Anri Sala in conversation with Maud Page

    Courtyard Marquee, Sydney Observatory, Millers Point October 14, 2017, 12pm www.kaldorartprojects.org.au
    Anri Sala in conversation with Maud Page

    Anri Sala, The Last Resort, 2017

    42-channel sound installation including 38 altered snare drums, loudspeaker parts, snare stands, drumsticks, soundtrack and 4 speakers

    Duration 58:28 min, dimensions ø 850 cm


    Photo © Peter Greig



    On October 14, Anri Sala will share his insights into the conceptual and creative development of The Last Resort in a conversation with Maud Page, Deputy Director and Director of Collections, Art Gallery of New South Wales.


    Read more about the event here

  • Tomás Saraceno in conversation with Yasmil Raymond

    Chicago Cultural Center, Randolph Square, 78 E. Washington, Chicago October 5, 2017, 6pm www.arts.uchicago.edu
    Tomás Saraceno in conversation with Yasmil Raymond

    Exhibition view

    Our Interplanetary Bodies, 2017

    Asia Culture Center, Gwangju


    Photo © Andrea Rossetti



    On Thursday, October 5 at 6pm, Tomás Saraceno will be joined in convesation by Yasmil Raymond, Associate Curator at the Museum of Modern Art.


    This event is presented by Arts, Science + Culture Initiative and the Gray Center for Arts and Inquiry at the University of Chicago, the Chicago Architecture Biennial, and the Goethe Institut.


    Find out more about this event here.

  • Tomás Saraceno at Columbia University New York

    The Lantern, Lenfest Center for the Arts October 10, 2017, 6:30pm to 8pm www.lenfest.arts.columbia.edu
    Tomás Saraceno at Columbia University New York

    Tomás Saraceno Eclipse of the Aerocene Explorer, 2016

    Photo: © Studio Tomás Saraceno



    Join Tomás Saraceno for a lecture at The Lantern, Lenfest Center for the Arts in New York.


    This Event is co-presented by Columbia University School of the Arts; the Fu Foundation School of Engineering and Applied Science; and the School of International and Public Affairs as part of Saraceno’s Fall 2017 visit to at Columbia University.


    Read more here: lenfest.arts.columbia.edu

  • Roman Ondak included in Sequences VIII: Elastic Hours

    The Living Art Museum, Reykjavik October 6–15, 2017 www.sequences.is
    Roman Ondak included in Sequences VIII: Elastic Hours

    We're pleased to announce Roman Ondak's participation in the eigth edition of Sequences.


    While Sequences uses the term “real time” to refer to time-based media, Sequences VIII: Elastic Hours considers how the term might be applied to the experience of art making, exploring how artists manipulate time as a raw material. Stretching, echoing, and inverting hours, the works included in Sequences VIII often go beyond standardized metrics such as clocks to investigate alternative systems for measuring and experiencing time.


    Find out more about the festival here: sequences.is

  • David Claerbout at BFI London Film Festival 2017

    BFI Southbank, NFT3 London October 14, 2017 at 9:20pm www.bfi.org.uk
    David Claerbout at BFI London Film Festival 2017

    Film still: David Claerbout, Die Reine Notwendigkeit/The Pure Necessity, 2016



    David Claerbout's work Die Reine Notwendigkeit/The Pure Necessity is included in this year's BFI London Film Festival.


    "A hypnotic and lyrical reworking of The Jungle Book, that removes its anthropomorphism and its human characters to give the animals back their dignity. The artist redrew all the animated animals and deconstructed the narrative arc to render it eventless, thus giving the impression of watching the animals in their natural surroundings and unaware of any human presence. The effect is one of rekindling a fond memory of childhood, but with the shades of commercial and cultural exploitation removed."

    Helen de Witt, bfi.org.uk

  • Conversation with Ryan Gander

    Laguna Gloria, The Contemporary Austin September 23, 2017 at 12pm www.thecontemporaryaustin.org



    Conversation with Ryan Gander

    Ryan Gander, Earnest Hawker (performance detail), 2015. Artwork and image © Ryan Gander. Image courtesy the artist.



    The Contemporary Austin presents new outdoor works by Ryan Gander. On occasion his permanent exhibition The Day to Day Accumulation of Hope, Failure and Ecstasy, the artist and Senior Curator Heather Pesanti will talk about Gander's work, his evasion of visual style, and his voracious practice ranging across styles and forms.


    Read more here

  • Talk with Isa Melsheimer: Fading Architectures

    ZKR–Center for Art and Public Space, Schloss Biesdorf Berlin August 10, 2017, 6:30 PM


    Talk with Isa Melsheimer: Fading Architectures

    Exhibition view: Between Spaces, ZKR, Berlin

    Photo: Frank Sperling


    Join Isa Melsheimer for an artist talk at ZKR–Center for Art and Public Space, Schloss Biesdorf in Berlin. Entitled "Fading Architectures, Melsheimer will talk about the present and future of urban cityscapes and architectures. Read more about the event here: zkr-berlin.de

  • Christoph Keller receives scholarship of German Academy Rome Villa Massimo

    Villa Massimo, Rome www.villamassimo.de
    Christoph Keller receives scholarship of German Academy Rome Villa Massimo

    Christoph Keller will receive the prestigious scholarship of German Academy Rome Villa Massimo. The artist has been awarded numerous grants and residencies and will begin his stipend in September 2017.


    Read more

  • Roman Ondak to receive 2018 Lovis Corinth Prize

    Kunstforum Ostdeutsche Galerie Regensburg www.kunstforum.net
    Roman Ondak to receive 2018 Lovis Corinth Prize

    Roman Ondak

    Photo © Benoit Linero


    Esther Schipper congratulates Roman Ondak, recipient of the 2018 Lovis Corinth Prize.


    Read more

  • Screening of David Claerbout's Die Reine Notwendigkeit/The Pure Necessity

    Cinema Zuid, Antwerp August 5, 2017 at 7 PM www.cinemazuid.be
    Screening of David Claerbout's Die Reine Notwendigkeit/The Pure Necessity

    Film still: David Claerbout, Die Reine Notwendigkeit/The Pure Necessity, 2016


    Cinema Zuid in Antwerp will present an exclusive screening of David Claerbout's work Die Reine Notwendigkeit/The Pure Necessity, 2016.


    Die reine Notwendigkeit/The Pure Necessity is a color animated cartoon by David Claerbout, based on the classic 1967 animated adaptation of Rudyard Kipling's Jungle Book. The 60-minute-long film follows the tradition of the frame-by-frame animation, re-creating the historical characters with the most faithful precision. Claerbout's film focuses exclusively on the animals: Bagheera the panther, Baloo the bear, Kaa the snake, among others. Although the 1967 film depicted them as speaking animals, well-known for their witty dialogues, dances and jokes, they are here seen as “realistic” animals without any anthropomorphic characteristics. Claerbout represents them wandering in the jungle, drinking from a water spring, sleeping on tree branches, observing one another. Each of their movements is followed with precision and duration, giving the spectator the opportunity to observe every detail of the drawings. The title of Clearbout's work refers to the famous song, Bare Necessities, performed by Baloo in the 1967 film.


  • Viva Arte Viva: The 57th Venice Biennale, with Liu Ye, Philippe Parreno, Anri Sala

    Venice, Italy May 13 – November 26, 2017 www.labiennale.org


    The 57th International Art Exhibition, VIVA ARTE VIVA, will take place at the Giardini and the Arsenale in Venice, from May 13 to November 26, 2017. Curated by Christine Macel, it will feature 120 artists from 51 countries, including Liu Ye, Philippe Parreno, and Anri Sala.


    The exhibition will offer a route that unfolds over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. Each of the nine chapters or families of artists of the Exhibition will represent a Pavilion in itself, or rather a Trans-Pavilion as it is trans-national by nature but echoes the Biennale's historical organization into pavilions, the number of which has never ceased to grow since the end of the 1990s. From the "Pavilion of Artists and Books" to the "Pavilion of Time and Infinity", these nine episodes will tell a story that is often discursive and at times paradoxical, with detours that mirror the world's complexities, a multiplicity of approaches and a wide variety of practices.

  • Ugo Rondinone Included In Art Basel Film Program

    Stadtkino Basel June 14, 10 Pm www.artbasel.com
  • Dominique Gonzalez-Foerster Included In Art Basel Conversations

    Messe Basel Auditorium June 16, 11:30 Am www.artbasel.com
  • David Claerbout And Gabriel Kuri Included In Art Basel Unlimited 2017

    Messe Basel, Basel June 15 – 18, 2017 www.artbasel.com
  • Ari Benjamin Meyers: Music Is Not!

    Witte de With Centre for Contemporary Art, Rotterdam May 26-27, 2017 www.kunsthalleformusic.org
    Ari Benjamin Meyers: Music Is Not!

    Graphic: © Ari Benjamin Meyers/Kunsthalle for Music



    Kunsthalle for Music and its Artistic Director Ari Benjamin Meyers continue the unfolding of Kunsthalle for Music by addressing fundamental questions through a symposium of multiple modes: lectures, auditions, open workshops, and performances.


    The two-day symposium at Witte de With Center for Contemporary Art in Rotterdam will feature international practitioners from the fields of contemporary art, music, and theory. As part of the symposium, Witte de With will host a casting of the Kunsthalle for Music's future ensemble, which will invite selected performers to collaborate with composers towards the creation of music and performance works.


    The program was conceived by Ari Benjamin Meyers, Armen Avanessian, and Witte de With's Defne Ayas, Samuel Salemakers, and Rosa de Graaf.

  • Karin Sander: Cappadox Festival 2017

    Cappadox 2017, Cappadocia, Turkey May 18–21, 2017

    Karin Sander will participate in Cappadox Festival 2017

    Karin Sander’s practice has consistently explored the intersection between art and the public realm, revealing nuanced reflections of spaces and situations through subtle alterations that expose new perspectives for viewers. In rendering often invisible aspects that escape perception, she draws attention to other ways of seeing. Beyond formal aesthetics, Sander’s work can be seen as a reduction or distillation process that heighten our senses, ushering viewers into a new experience of familiar environments.

    Sander’s project for the Cappadox Contemporary Art programme aspires to play with the perception and preconceptions of the audiences of a concert, gathering or a festival. Her performance Project, “Hitting the Highest Notes” will be realized in collaboration with the Nevşehir Hacı Bektaş Veli University, Music and Performing Arts Department.


    Performance: Karin Sander / Blitz Concert, Incollaboration with the Nevşehir Hacı Bektaş Veli Üniversitesi Painting Department

    May 19, 2017

    5:30 PM to 6:00 PM

    Bezirhane, Argos


    Blitz Concert

    Total darkness on stage and in the audience. The musicians quietly take position on stage, each holding a camera with a flashlight. The audience sits quietly, awaiting the performance. Now the musicians start to photograph in the direction of the viewers, each following the rhythm of a children’s song that they remember. Countless flashes are sent into the dark, as seen in a thunderstorm or on the red carpet around pop stars. No sound is audible except the rustling of the camera shutters. Sharp flashes hit the eyes of the audience, while the players are simultaneously documenting it on their cameras.


    Performance: Karin Sander / Hitting the Highest Notes, Incollaboration with the Nevşehir Hacı Bektaş Veli Üniversitesi Music and Performing Arts Department

    May 20, 7PM – 7:30PM

    İbrahimpaşa Bridge


    Hitting the highest notes

    The performance consists of a piece of music played by as many professional musicians as possible – an orchestra or an ensemble in which each member strives to elicit from whatever instrument he or she is playing the highest notes of which it is capable. Using the lower notes as a kind of springboard, the musicians aim to play ever higher notes, perhaps even exceeding the normal technical range of their instruments. The music is created both by this desire to achieve an impossibly high range of notes and by the different rhythms of the musical sequences that arise.


    Source: cappadox.com

    Karin Sander: Cappadox Festival 2017

    Hitting the highest notes on the Highest Peaks, 2017

    Cappadox 2017, Cappadocia, Turkey

    Musical piece, played by a number of professional musicians, an ensemble or an orchestra, in which everyone strives to elicit the highest possible notes from his or her instrument.

    Visualization © Studio Karin Sander


  • David Claerbout in conversation with J.J. Charlesworth

    Fundació Antoni Tàpies, Barcelona March 15, 2017 at 3pm www.fundaciotapies.org
    David Claerbout in conversation with J.J. Charlesworth

    David Claerbout

    Olympia (The Real Time Disintegration Into Ruins Of The Berlin Olympic Stadium Over The Course Of A Thousand Years), 2016
    Two-channel video installation (color, stereo sound, HD animation)

    Duration: 1000 years
    Exhibition view: KINDL Centre for Contemporary Art, Berlin, 2016

  • Shanghai Project Chapter 2: Seeds of Time, with Liam Gillick and Dominique Gonzalez-Foerster

    Shanghai Himalayas Museum, Shanghai April 22 – July 30, 2017 www.shanghai-project.org

    Performance by Researchers

    April 22, 2017 at 6pm

    Shanghai Project Chapter 2: Seeds of Time, with Liam Gillick and Dominique Gonzalez-Foerster

    Liam Gillick

    Construcción de Uno (A Prequel), 2006

    Volkswagen (Golf Mk 1 or equivalent), texts, participants

    Exhibition view: Tate, London, 2006

  • Christopher Roth: J.G. Ballard Screening and Conversation with Christopher Petit

    Decad, Berlin April 29, 2017 at 3pm www.decad.org
    Christopher Roth: J.G. Ballard Screening and Conversation with Christopher Petit


    Christopher Roth and Armen Avanessian

    Hyperstition, 2015, HD film, Blueray player and non-removable disc

    Duration: 113 minutes with an eight-minute break

    Photo © Christopher Roth