Born 1938 in Craiova, Romania.

Died 2002 in Bucharest, Romania.


1955-1961 Bachelor of Arts, Nicolae Grigorescu Institute of Fine Arts, Bucharest


1985 Jury Prize of the Sofia Triennale
1983 Italian Government Grant
1978 Painting Prize, The Union of Romanian Artists

Solo Exhibitions

2018 Florin Mitroi, Craiova Art Museum, Craoiva
2014 Florin Mitroi: Cuts, Johnen Galerie, Berlin
2011 Florin Mitroi, Johnen Galerie, Berlin
2008 Florin Mitroi, Contemporary Art Gallery of Brukental National Museum, Sibiu
1993 Florin Mitroi, Catacomba Gallery, Bucharest

Group Exhibitions

2019 La Brique, The Brick, Cărămida, La Kunsthalle, Mulhouse
Ex-East. Past and recent stories of the Romanian avant-gardes, Espace Niemeyer – Siège du Parti communiste français, Paris
2018 Hell’s Heaven, MARe – Muzeul de Artă Recentă, Bucharest
Lolo’s Entanglements, de Warande, Turnhout
2013 Salon der Angst, Kunsthalle, Vienna
2012 Biennial of Painting: The Image of Man, Museum Dhont-Dhaenens
2009 The self-punishing one. Stefan Bertalan, Florin Mitroi, Ion Grigorescu: Art and Romania, 1980-1990, Mogoşoaia Palace, Bucharest; The Museum of Art, Timişoara; The Museum of Art, Cluj

Florin Mitroi was born in the south-western part of Romania, in Craiova, in 1938. He lived and worked in the country's capital, Bucharest, until he died in 2002 at the age of 64.


Mitroi received his BA in painting from the Nicolae Grigorescu Institute of Fine Arts, Bucharest, in 1961. This university in particular, and teaching in general, have been a constant in Mitroi’s life: he enrolled as a student in 1955, received a job as an assistant in 1961 and in 1992 he finally became a professor, a role he carried out until his final days. Some of the best-known Romanian artists active today were his students.


Florin Mitroi was a passionate teacher, but a reserved individual. His role in the arts school was well known by the local scene, but few knew his art too-he had only one solo exhibition during his lifetime, in 1993 at Catacomba in Bucharest. Only after his death did it become apparent how productive he had actually been.


Mitroi’s body of work seems very organized both in terms of medium as well as subject of representation. It consists mostly of paintings and drawings, as well as zinc cut outs of some of his usual graphic elements. He was very interested in the human figure and produced mainly portraits with an illustrative character, iconographic even: strong dark lines construct the faces and heads, which are usually bigger than the bodies, set on dense monochrome backgrounds.