• Performance and Artist Talk with Ari Benjamin Meyers

    Schering Stiftung, Berlin January 18 – 19, 2020, 12 – 6 pm www.scheringstiftung.de
    Performance and Artist Talk with Ari Benjamin Meyers

    Exhibition view: Ari Benjamin Meyers, Solo for Ayumi, Esther Schipper, Berlin, 2017
    Violin: Ayumi Paul
    Photo © Andrea Rossetti

     

     

    Ari Benjamin Meyers⁠
    Performance: Solo for Ayumi⁠
    January 18 – 19, 2020, 12 – 6 pm⁠

    Book Launch: Tacet in Concert⁠
    January 18, 2020, 6:15 pm⁠
    at Schering Stiftung, Berlin⁠

     

    More information on the performance and book launch can be found HERE.

  • Out of Order | Works from the Haubrok Collection Part 2

    Neues Museum–Staatliches Museum für Kunst und Design Nürnberg, Nuremberg January 17 – March 1, 2020 www.nmn.de
    Out of Order | Works from the Haubrok Collection Part 2

    Ari Benjamin Meyers, The Lightning and its Flash, 2011, digital print on natural paper, thread bound, music stand, 22 pages, 32 x 45 cm
    Photo © Sebastiano Pellion di Persano

     

    Opening Performance
    Ari Benjamin Meyers
    The Lightning and its Flash (Solo for Conductor)
    Thursday, January 16, 2020, 6 pm

     

    Barbara and Axel Haubrok began collecting professionally at the end of the 1980s, and their collection now contains over 1000 works. Their focus is on international conceptual art at the turn of the millennium, covering the contemporary art of the last three decades. With their keen eye for thoughtful artists, they have made a name for themselves.

    Neues Museum has invited the Haubroks to develop a highly personal presentation for the main exhibition hall. The title Out of Order reflects the humor and non-conformity of these collectors who have a special appreciation for “untidy”, ambiguous and enigmatic work.

    In two parts following on from one another, the exhibition showcases the main focuses of the collection: sculpture, painting, drawings and photography. As Axel Haubrok explains, "Part 1 features only free-standing readymades and sculptures, Part 2 only hanging pictures, both underlining the conceptual approach of the collection and creating many new links between the works, especially since several artists are represented in both parts of the exhibition".

     

    More information can be found HERE.

  • Symposium with Ari Benjamin Meyers

    HGB Gallery, Academy of Fine Arts, Leipzig November 26 – 30, 2019 www.hgb-leipzig.de
    Symposium with Ari Benjamin Meyers

    Photo © Michael Chiu

     

    Ari Benjamin Meyers

    Symposium: Show and Try Again – Curatorial Program

     

    More information HERE

  • Film Screening with Ari Benjamin Meyers

    Babylon, Berlin November 15, Midnight www.videoart-at-midnight.de
    Film Screening with Ari Benjamin Meyers

    Image: Ari Benjamin Meyers, Four Liverpool Musicians (Bette, Budgie, Ken, Louisa), 2018

    Film still © Ari Benjamin Meyers⁠

     

    Screening: Four Liverpool Musicians (Bette, Budgie, Ken, Louisa), 2018⁠

     

    For the 2018 Liverpool Biennial, Ari Benjamin Meyers created a series of musical compositions that form the basis for film portraits of four musicians from Liverpool, or with musical ties to the city: Bette Bright (Deaf School), Budgie (Siouxsie and the Banshees/Big in Japan), Ken Owen (Carcass) and Louisa Roach (She Drew The Gun). ⁠

     

    More information can be found HERE.

  • Ari Benjamin Meyers at MCASB

    MCASB–Museum of Contemporary Art, Santa Barbara September 21 – November 3, 2019 www.mcasantabarbara.org
    Ari Benjamin Meyers at MCASB

    Ari Benjamin Meyers, Anthem, 2017
    Exhibition view: Tacet, Kasseler Kunstverein, Kassel, 2019
    Photo © Andrea Rossetti

     

    Museum of Contemporary Art Santa Barbara (MCASB) is pleased to announce the United States solo institutional debut of Ari Benjamin Meyers. Kunsthalle for Music, co-founded with the Witte de With Center of Contemporary Art, Rotterdam and Spring Workshop, Hong Kong, is an itinerant institution dedicated to the presentation of music and music performance within the histories and environments of the visual arts.

    For Kunsthalle for Music, an especially selected ensemble performs an on-site exhibition of musical works, which are drawn from a repertoire or “collection” that includes existing and newly commissioned solos, duets, and group pieces composed by Meyers as well as other artists. Ari Benjamin Meyers: Kunsthalle for Music at MCASB will transform the museum into a contemporary space for live performance of musical work, eluding the barriers between rehearsal and performance, performers and audience.

  • Lecture with Ari Benjamin Meyers

    Musik-Akademie Basel (Main Building Z. 6-301), Basel June 18, 2019, 7 pm www.zeitraeumebasel.com
    Lecture with Ari Benjamin Meyers

    Photo © Michael Chiu⠀

     

    Ari Benjamin Meyers

    Lecture: On the Kunsthalle for Music

     

    More information HERE

     

     

     

     

  • Ari Benjamin Meyers at OGR

    OGR, Turin March 1 – April 14, 2019 www.ogrtorino.it
    Ari Benjamin Meyers at OGR

    Image: Ari Benjamin Meyers, K Club (Logo), 2019
    Graphic design: Mirjam Schlottner

     

    Ari Benjamin Meyers’ first institutional solo exhibition in Italy, In Concert, curated by Valentina Lacinio and Judith Waldmann, fills the space of OGR - Officine Grandi Riparazioni from March 1 to April 14, 2019 with something that goes beyond music: a variety of social interactions and experiences.

     

    Read more

  • Ari Benjamin Meyers at Kasseler Kunstverein

    Kasseler Kunstverein, Kassel Opening January 17, 2019 www.kasselerkunstverein.de
    Ari Benjamin Meyers at Kasseler Kunstverein

    Ari Benjamin Meyers, Duet, 2014, 2 scores on paper, 2 music stands, pdf file, instructions

    Photo © Paula Winkler

     

    Tacet, from Latin tacere, is a playing instruction in music. If it appears in a score, the instrumentalist or singer is required to pause during the marked interval – to remain silent. 

    Absence, silence and the idiosyncratic power of imagination and memory are performed in the first institutional solo survey exhibition of the American artist and composer – Ari Benjamin Meyers – in Germany. In Meyers’ enactment, the visitor enters a staged situation rather than an exhibition space. She or he inevitably becomes part of the scenario invoked in Tacet. Meyers – who in his work explores, transgresses and shifts the boundaries between the disciplines of music and art – combines in the Kasseler Kunstverein aspects of immersive theater with questions of contemporary art and music. 

    The installation refers to a selection of performances by the artist, all of which are missing the corresponding characteristics of music, sound and movement. Two voices eventually break through the silence in Tacet: the voice of the peculiar archivist performed by art historian Jörn Schafaff, and that of the visitor her or himself. 

  • Kunsthalle for Music featured in The New York Times

    January 24, 2018
    Kunsthalle for Music featured in The New York Times

    Kunsthalle for Music at Witte de With in Rotterdam was the subject of a recent feature by Nina Siegal in the New York Times. Led by Artistic Director Ari Benjamin Meyers, this exhibition includes a newly commissioned work by Dominique Gonzalez-Foerster, as well as a repetoire of existing pieces collected from Anri Sala and Tino Sehgal, among other artists and composers. The exhibition also includes three of Meyers’ works: Serious ImmobilitiesDuet, and Anthem.

     

    Read more

     

    Find more about the exhibition here: www.kunsthalleformusic.org

  • Ari Benjamin Meyers: Music Is Not!

    Witte de With Centre for Contemporary Art, Rotterdam May 26-27, 2017 www.kunsthalleformusic.org
    Ari Benjamin Meyers: Music Is Not!

    Graphic: © Ari Benjamin Meyers/Kunsthalle for Music

     

     

    Kunsthalle for Music and its Artistic Director Ari Benjamin Meyers continue the unfolding of Kunsthalle for Music by addressing fundamental questions through a symposium of multiple modes: lectures, auditions, open workshops, and performances.

     

    The two-day symposium at Witte de With Center for Contemporary Art in Rotterdam will feature international practitioners from the fields of contemporary art, music, and theory. As part of the symposium, Witte de With will host a casting of the Kunsthalle for Music's future ensemble, which will invite selected performers to collaborate with composers towards the creation of music and performance works.

     

    The program was conceived by Ari Benjamin Meyers, Armen Avanessian, and Witte de With's Defne Ayas, Samuel Salemakers, and Rosa de Graaf.

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