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Anri Sala at Centro Botín
Centro Botín, Santander December 14, 2019 – May 3, 2020Anri Sala, Take Over, 2017, back-to-back HD video projections, colour, 8-channel sound, glass elements, duration 7:56 min, 258 x 873 x 873 cm.
Exhibition view: Anri Sala, Take Over, Esther Schipper, Berlin, 2017
© VG Bild-Kunst, Bonn, 2019
Photo © Andrea RossettiOpening on December 14, Centro Botín in Santander presents AS YOU GO (Châteaux en Espagne), by Anri Sala.
The title of the exhibition, AS YOU GO, implies the idea of movement: that of a time-based work, informed by music and moving images; and that of the visitors, who Sala implicitly encourages to keep moving and hence partake in the making of their own individual experience of an exhibition that bears a certain resemblance to a performative stage.More information HERE.
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Artist Talk with Anri Sala
Mudam Luxembourg Sunday October 20, 2019, 3:30 pm www.mudam.comPhoto © Jutta Benzenberg
On the occasion of his exhibition Le Temps coudé, and the launch of the catalogue Coudées : Quatre variations sur Anri Sala, Anri Sala will be discussing his work with Suzanne Cotter, director of Mudam and curator of the exhibition. The talk will be held in French.
To book tickets for the talk please click HERE.
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Film Screening with Anri Sala
Bar Laika, 224 Greene Ave, Brooklyn, New York October 17, 2019, 9 pm www-e-flux.comAnri Sala, Dammi i Colori, 2003, single-channel video and stereo sound, duration: 15 min 25 sec
© VG Bild-Kunst, Bonn, 2019
Film still © Anri SalaBar Laika presents: one year old and a screening of Anri Sala, Dammi i Colori
Anri Sala, Dammi I Colori, 2003, chronicles the work of Sala’s friend and former artist Edi Rama as Mayor of Tirana, Albania. Dammi i Colori evokes the city as canvas and champions art as a means for social transformation. Edi Rama became mayor of Tirana in 2000, and quickly went about re-painting the capital’s decaying buildings in brilliant, provocative colors and patterns. His aesthetic and political act was a powerful visualization of change—a source of both public debate and renewed civic pride.
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Anri Sala at MUDAM
MUDAM – Musée d’Art Moderne Grand-Duc Jean, Luxemburg October 12, 2019 – January 5, 2020 www.mudam.comAnri Sala, The Last Resort, 2017, 42-channel sound installation including 38 altered snare drums, loudspeaker parts, snare stands, drumsticks, soundtrack and 4 speakers, duration 58:28 min., looped, ø 850 cm. Exhibition view: The Last Resort, Garage Museum of Contemporary Art, Moscow, 2018. The Last Resort originally premiered at Kaldor Public Art Projects, Sydney
© VG Bild-Kunst, Bonn, 2019. Photo © Ivan ErofeevOver the past two decades Anri Sala has created an exceptional body of films and installations in which sound, music and the projected image come together to express themes of lived and historic time. This exhibition presents major installations, film works and drawings by Sala from the past five years. The title Le Temps coudé, borrows from the French phrase ‘faire un coude’ and refers to warps or bends in our experience of what we see, hear and know.
More information HERE -
Simon Fujiwara, Ryan Gander, Liam Gillick, Pierre Huyghe and Anri Sala at MO.CO
MO.CO. – Montpellier Contemporain, Hôtel de Collections, Montpellier June 29 – September 29, 2019 www.moco.artPierre Huyghe, Zoodrum 4, 2011, live marine ecosystem, resin shell after Constantin Brancusi’s Sleeping Muse (1910) Ishikawa Foundation, Okayama, Japan. © Pierre Huyghe
Photo © Guillaume ZiccarelliCoinciding with the inauguration of the Hôtel des Collections on June 29, the MO.CO. unveils the first public presentation of masterpieces from the Ishikawa Collection. This outstanding and relatively recent private collection begun in 2011 by Yasuharu Ishikawa, a Japanese entrepreneur born in 1970 at Okayama, is characterized by exceptional coherence and a Japanese feel that derives primarily from its emphasis on minimal, understated, subtle forms.
The exhibition Intimate Distance, curated by Yuko Hasegawa, Artistic Director of the Museum of Contemporary Art, Tokyo (MOT) features nearly 30 works by artists such as Simon Fujiwara, Ryan Gander, Liam Gillick, Pierre Huyghe, and Anri Sala.
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Dominique Gonzalez-Foerster & Anri Sala at Centre Pompidou-Metz
Centre Pompidou-Metz, Metz June 22, 2019 – January 27, 2019 www.centrepompidou-metz.frDominique Gonzalez-Foerster, Helen & Gordon, Safety Curtain, Vienna State Opera, 2015/2016
© museum in progress (www.mip.at) © Adagp, Paris 2019
Photo © Andreas ScheibleckerOpera as the World is a journey through the history of opera in the 20th and 21st centuries, and specifically its relations with the visual arts. Anything but a conventional reading of its subject and much more than a presentation of set designs by artists, it seeks to relate – either echoing or in opposition to the legacy of Wagner’s Gesamtkunstwerk – how the visual arts and opera have nurtured and, on occasion, radically influenced each other. From the experimental staging of the first avant-garde production to the works of contemporary artists such as Dominique Gonzalez-Foerster and Anri Sala, the exhibition maps interdisciplinarity from a different perspective.
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Anri Sala in conversation with Marcella Beccaria and Carolyn Christov-Bakargiev
Castello di Rivoli, Turin May 12, 2019, 11 am www.castellodirivoli.orgPhoto © Jutta Benzenberg
A public talk with Anri Sala about the exhibition AS YOU GO, which was specifically designed for the spaces on the third floor of the Castello di Rivoli, will be the starting point for the conversation.⠀
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Anri Sala at Castello di Rivoli
Castello di Rivoli, Turin February 26 – June 23, 2019 www.castellodirivoli.orgAnri Sala, Take Over (Marseillaise), 2017, HD video projection, color, stereo sound, duration 7:56 min
Film still © Anri Sala -
Anri Sala and N1N4E win the European Prize for Urban Public Space
June 19, 2018Skanderbeg Square, Tirana
Photo © Filip Dujardin
Esther Schipper congratulates Anri Sala and the architecture firm 51N4E, who have won the European Prize for Urban Public Space for their renovation of Skanderbeg Square in Sala's native Tirana, Albania.
Like no other public space, Skanderbeg Square, Tirana’s nerve centre and symbolic site for the whole country, reflects Albania’s complex, convulsive history. Finalised in 2017, the rennovation has turned Skanderbeg Square into a public space of more than ten hectares exclusively for the pedestrian use. In the centre of the square there is a clear esplanade of almost 40,000 square metres. Rather than being flat, the esplanade is shaped like a four-sided Roman pyramid with a slope of 2.5% and a height of two metres at its tip. A fountain at the top lets water trickle down the sides, thus bringing out the colours of the mosaic paving which is made from stones from all over Albania.
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Kunsthalle for Music featured in The New York Times
January 24, 2018Kunsthalle for Music at Witte de With in Rotterdam was the subject of a recent feature by Nina Siegal in the New York Times. Led by Artistic Director Ari Benjamin Meyers, this exhibition includes a newly commissioned work by Dominique Gonzalez-Foerster, as well as a repetoire of existing pieces collected from Anri Sala and Tino Sehgal, among other artists and composers. The exhibition also includes three of Meyers’ works: Serious Immobilities, Duet, and Anthem.
Find more about the exhibition here: www.kunsthalleformusic.org
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Anri Sala in conversation with Maud Page
Courtyard Marquee, Sydney Observatory, Millers Point October 14, 2017, 12pm www.kaldorartprojects.org.auAnri Sala, The Last Resort, 2017
42-channel sound installation including 38 altered snare drums, loudspeaker parts, snare stands, drumsticks, soundtrack and 4 speakers
Duration 58:28 min, dimensions ø 850 cm
Photo © Peter Greig
On October 14, Anri Sala will share his insights into the conceptual and creative development of The Last Resort in a conversation with Maud Page, Deputy Director and Director of Collections, Art Gallery of New South Wales.
Read more about the event here
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Viva Arte Viva: The 57th Venice Biennale, with Liu Ye, Philippe Parreno, Anri Sala
Venice, Italy May 13 – November 26, 2017 www.labiennale.orgThe 57th International Art Exhibition, VIVA ARTE VIVA, will take place at the Giardini and the Arsenale in Venice, from May 13 to November 26, 2017. Curated by Christine Macel, it will feature 120 artists from 51 countries, including Liu Ye, Philippe Parreno, and Anri Sala.
The exhibition will offer a route that unfolds over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. Each of the nine chapters or families of artists of the Exhibition will represent a Pavilion in itself, or rather a Trans-Pavilion as it is trans-national by nature but echoes the Biennale's historical organization into pavilions, the number of which has never ceased to grow since the end of the 1990s. From the "Pavilion of Artists and Books" to the "Pavilion of Time and Infinity", these nine episodes will tell a story that is often discursive and at times paradoxical, with detours that mirror the world's complexities, a multiplicity of approaches and a wide variety of practices.