马丁·博伊斯(生于1967年)重新创作并再现了标志性设计作品,通过在对设计、建筑和城市规划的形式与概念历史的解读基础上,开发了自己的图画语言。
这些作品为其2018年在画廊的个展《光倾泻而出》而构思,来自彩色多孔钢板制成的系列,其中包括了由链条和小灯笼组成的元素。通过油漆和墨染后的单色面板发出光泽。色彩具有水墨或水彩的流动性,使穿孔表面显现出精致的层叠图案。博伊斯对中国艺术的具有浓厚的兴趣,在这个前提下,其作品让人联想到中国山水画的特色构图。附加的灯笼和链条加强了这种联想,这是博伊斯作品中反复出现的主题,金属灯笼既指传统的中国灯具形状,也暗指了他与马特尔兄弟的作品“树木”的接触。雕塑元素的稀疏与图像主题之间的张力平衡,进一步呼应了中国和日本传统绘画的风格。
Martin Boyce (b. 1967) has reworked and reformulated iconic design objects, developing his own pictorial language based on a reading of the formal and conceptual histories of design, architecture and urban planning.
Conceived for The Light Pours Out, Martin Boyce’s 2018 solo exhibition at the gallery, the work is from a series made from colored perforated steel panels with elements consisting of chains and small lanterns. Painted and stained, the monochromatic panels have a luminous quality. The color has a fluidity reminiscent of ink or watercolor, staining the perforated surface with delicate cascading pattern.