I work with different ways of fragmenting cinematic language. Using 35-mm film in installations gives the subject of 'time' a more layered narrative, as opposed to the sculptural works that experiment with words and objects. I am always searching for new ways of dealing with my subjects, and orchestrating them together in the same space makes the most sense.

— Rosa Barba, Time As Perspective, Kunsthaus Zürich, Hatje Cantz, 2012, p. 13