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Boundaries of Consumption, 2012
Two metal balls move unpredictably on top of a stack of film cans. Their choreography is documented by two restless shadows contrasted with a colored film strip projected onto the wall. The celluloid passes through the pile of cans, randomly lifting and destabilizing it.
Within the interplay between instability and balance, the projector illuminates the balls and causes their movement and thereby exists as phenomenon and idea simultaneously.
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