By changing the appearance of the column in accordance with one’s point of view, Bulloch plays with our perception of sculpture while orchestrating our experience as gallery visitors.

In order to envision the work in its entirety the viewer has to turn around it, which at times seems graphic—almost abstract—shifting between two and three dimensions. Here, the artist transfers major themes of Minimalism into the present, and more specifically the aesthetic exploration of objects’ influence on spatial perception.