In the subsequent rooms, these topics unfold in a series of specifically themed spaces. Who’s negotiation of identity is explored in two sections through collages and modified images and objects that combine traditional and contemporary representations of feminine and masculine stereotypes.

Constantly encountering and performing different identities, we watch Who the Bær as they try, fail, and try again to enact, perform or embody the various lifestyles and identity choices on offer, mostly online. Seen through the distorted lens of a cartoon character, Who the Bær offers a tender but at times disturbing, dada-esque response to a contemporary society possessed with spectacle and identity performance. Nostalgia, anxiety, an inability to commit and a longing for authenticity mark the journey of Who the Baer, a story that seemingly oscillates between the extremes of joy, hedonism and melancholy and loneliness.