Working in a diverse range of media including film, sculpture, drawing, and text, Philippe Parreno conceives his exhibitions as a scripted space where a series of events unfold. He seeks to transform the exhibition visit into a singular experience that plays with spatial and temporal boundaries and the sensory experience of the visitor. For the artist, the exhibition is less a total work of art than a necessary interdependence that offers an ongoing series of open possibilities.
Iceman in Reality Park was first created for the 1995 group exhibition Ripple Across the Water—curated by Jan Hoet—which turned Aoyama city center, Japan into an outdoor art gallery.
帕雷诺 以展览为媒介,将展览构建作为他创作过程的核⼼,从根本上重新定义了展览体验。透过探讨它作为⼀ 个统⼀的“对象”,⽽⾮个⼈作品的集合的可能性,他将他的展览设想为⼀个名副其实的开放空间,每 次都不同的格式,以及物体出现和消失的框架。
《情景公园里的冰人》最初是为1995年由Jan Hoet策划的群展“水上涟漪”(Ripple Across the Water)创作的,该展览将日本青山市中心变成了户外美术馆。