When viewed as a grouping in an exhibition context — as they were in his 2016 solo exhibitions Becoming Soil at the Carré d'art, in Nîmes, France — it is as though the fish are set within an imaginary aquatic landscape.
当被作为展览环境中的一个系列展出时——正如在2016年法国尼姆当代艺术博物馆的个展《变为泥土》中——通过不同动物,展览空间的体验比例也发生变化:鱼似乎创造了一个水生的广阔区域。