In the course of researching buildings, visiting sites, and sifting through the visual material, the artist explores her own relationship to the particular edifice. Since the found photographs on which some of her works are based often are in black and white, the artist effectively reimagines the colors of the buildings and their interiors, unrestrained by the strictures of verisimilitude.

Her glazed ceramics find another kind of representation of architectural structures that depart in scale, material and color from the sources. Although their scale recalls the miniaturized and schematic appearance of preliminary architectural models, the material and colors add a fantastic, playful aspect, and even let the works appear akin to individual personages.