乌戈·罗迪纳(1964年生)作品同时参照自然世界、浪漫主义和存在主义,包含了一种“精神三位一体”,这是他过去三十多年来作品的精髓。
《二零一七年四月二号》以作品完成之日的德语命名,是一件极为朴素的作品。乌戈·罗迪纳使用公认的砖墙图像,创作了穿越雕塑和绘画边界的作品。
Referring concurrently to the natural world, romanticism and existentialism, the works of Ugo Rondinone (b. 1964) encapsulate a “mental trinity” that has underpinned his art for thirty years.
Taking the universally recognized motif of a brick wall as a point of departure, Ugo Rondinone's large scale zweiteraprilzweitausendundsiebzehn traverses the boundary between sculpture and painting.
The work presents a pattern of horizontal rectangles—a visual shorthand for a brick wall. The oil paint has been applied with thick, robust brush strokes, while the edges of the painted “wall” have been left casually unfinished so that glimpses of the rough burlap underlayer can be seen.