Press Release
The exhibition's initial piece is a two-part photo work picturing broken glass – at least that's what it seems, for it is a trompe-l'oeil. In order to display the central piece of the exhibition, the 35mm film Hof/Yard (2002), Thomas Demand has altered the gallery's topography. The move of the entrance and the installation of a recess through which the visitor has to pass leads to the perception of audible signals, of camera flash lights...
