Hito Steyerl at Neuer Berliner Kunstvereinn.b.k. – Neuer Berliner Kunstverein, Berlin November 23, 2019 – January 26, 2020 www.nbk.org
MISSION ACCOMPLISHED: BELANCIEGE
Stream of the lecture by Giorgi Gago Gagoshidze, Hito Steyerl, and Miloš Trakilović
November 21, 2019, 7 pm
Stream at www.nbk.org
Image and Representation in the Work of Hito Steyerl
With Nora M. Alter (Professor of Film and Media Art, Temple University, Philadelphia) and Klaus Theweleit (Cultural theorist, Freiburg), moderated by Doreen Mende (Curator and theorist, Harun Farocki Institute, Berlin / University of Art and Design, Geneva)
In German and English
November 28, 2019, 7 pm
Hito Steyerl, who artistically and socially reflects our world in times of hypercapitalism, digital lifestyles, globalization, and growing political crises, is one of the most influential artists of our time. In 2009, she presented her first solo exhibition in a German institution at Neuer Berliner Kunstverein (n.b.k.).
In 2019, which marks the 50th anniversary of the founding of the institution, n.b.k. is again dedicating a solo exhibition to her work, presenting the video installation This is the Future (2019) together with the large-scale site-specific installation MISSION ACCOMPLISHED: BELANCIEGE. In cooperation with the artists Giorgi Gago Gagoshidze and Miloš Trakilović, Steyerl has developed a new lecture, in which her preoccupation with the conditions of capitalist production, consumer culture, and the mechanisms of commodification is continued.
In the Spotlight of the Night – Life in the Gloom with Martin Boyce, Rodney Graham & Philippe ParrenoMarta Herford Museum for Art, Architecture, Design, Herford October 26, 2019 – February 9, 2020 www.marta-herford.de
The invention of the light bulb is an achievement of the 19th century which, particularly in the pulsating metropolises of the world, put an end to the natural alternation of day and night. Glaringly illuminated filling stations, shopping centers, shift work and night clubs are just some aspects of this development.
The night without boundaries is the focus of this major exhibition, presenting works from early modernism to the present in pursuit of the question of how the natural order of bright and dark, of activity and sleep has been turned on its head, how perception and everyday routine change fundamentally and intermediate worlds are created. In pictures, sculptures and installations, visitors can experience how the twilight can inspire the imagination and how the masquerade of nocturnal actors is brightly exposed in the glare of artificial light.
For more information click HERE.
Hito Steyerl at Art Gallery of OntarioArt Gallery of Ontario, Toronto October 24, 2019 – February 23, 2020 www.ago.ca
with Hito Steyerl
Wednesday October 23, 2019, 6:30 pm
Hito Steyerl is an artist, theorist and acute observer of our contemporary world. This survey exhibition, the largest of its kind in Canada, brings together a significant number of her works from the last 15 years.
Steyerl's playful explorations of technology and power structures result in darkly ironic cultural critiques that feel particularly relevant today. She blends the personal with the political, the satirical with the serious, while addressing a range of topics from economic collapse to globalization. Steyerl draws us into her world, asking us to reflect on our own roles in shaping the not-so-distant future.
Ryan Gander at Kunsthalle BernKunsthalle Bern, Bern October 19 – December 8, 2019 www.kunsthalle-bern.ch
The title Ryan Gander has chosen for his exhibition asserts an inconceivable temporal dimension. A collaboration over 500 million years? Between man and earth? Is it a look into the past or to the future? “Stone upon Stone upon Fallen Stone”, Lawrence Weiner wrote on the building of the Kunsthalle in 1983. In view of such dimensions, the rich hundred-year history of the Kunsthalle Bern is infinitesimally nothing.
Read more about the exhibition HERE.
Angela Bulloch at Museum Art. PlusMuseum Art. Plus, Donaueschingen October 17, 2019 – November 17, 2019 www.museum-art-plus.com
Complementing the Donaueschingen Music Festival, Museum Art.Plus is showing works by Angela Bulloch in the 2-Raum. Bulloch will present a number of sound-activated drawing machines that respond to the sound of music.
More information can be found HERE.
Anri Sala at MUDAMMUDAM – Musée d’Art Moderne Grand-Duc Jean, Luxemburg October 12, 2019 – January 5, 2020 www.mudam.com
Over the past two decades Anri Sala has created an exceptional body of films and installations in which sound, music and the projected image come together to express themes of lived and historic time. This exhibition presents major installations, film works and drawings by Sala from the past five years. The title Le Temps coudé, borrows from the French phrase ‘faire un coude’ and refers to warps or bends in our experience of what we see, hear and know.
More information HERE
Esther Schipper congratulates Philippe ParrenoMoMA, New York October 21, 2019 www.moma.org
Esther Schipper congratulates Philippe Parreno for his MoMA commission.
Re-opening to the public on October 21st, after undergoing substantial renovation and a major expansion, The Museum of Modern Art in New York will present six site-specific commissions including Echo (Danny the Street), a large-scale installation by Parreno for the museum’s main lobby.
Read more about the re-opening HERE.
More–Than–Humans with Dominique Gonzalez-Foerster & Tomás SaracenoEl Museo Nacional Thyssen-Bornemisza, Madrid September 25 – December 1, 2019 www.museothyssen.org
Ari Benjamin Meyers at MCASBMCASB–Museum of Contemporary Art, Santa Barbara September 21 – November 3, 2019 www.mcasantabarbara.org
Museum of Contemporary Art Santa Barbara (MCASB) is pleased to announce the United States solo institutional debut of Ari Benjamin Meyers. Kunsthalle for Music, co-founded with the Witte de With Center of Contemporary Art, Rotterdam and Spring Workshop, Hong Kong, is an itinerant institution dedicated to the presentation of music and music performance within the histories and environments of the visual arts.
For Kunsthalle for Music, an especially selected ensemble performs an on-site exhibition of musical works, which are drawn from a repertoire or “collection” that includes existing and newly commissioned solos, duets, and group pieces composed by Meyers as well as other artists. Ari Benjamin Meyers: Kunsthalle for Music at MCASB will transform the museum into a contemporary space for live performance of musical work, eluding the barriers between rehearsal and performance, performers and audience.
AA Bronson at the Toronto Biennial of Art59 Lake Shore Blvd E, Toronto September 21 – December 1, 2019 www.torontobiennial.org
A Public Apology to Siksika Nation, AA Bronson's project for the first Toronto Biennial of Art, originates in family stories about his great-grandfather, the first missionary to the Siksika (Blackfoot) Nation, stories that do not agree with recorded (white) history. Many years of research have resulted in a book, a performance and an installation that together explore the generational trauma that has resulted from the colonization of the Canadian Prairies. Adrian Stimson is the great-grandson of Old Sun, the famous chief of the same period; he responds to AA Bronson's Apology with an installation and sculptures, generated in close dialogue with residential school survivors and leaders, to reveal the layers of colonization and Indigenous resistance in his community.
More information can be found HERE.
Simon Fujiwara at the 16th Istanbul BiennialVarious venues, Istanbul September 14 – November 10, 2019 www.bienal.iksv.org
It’s a Small World, Simon Fujiwara's project for the 16th Istanbul Biennial, began after he discovered a large quantity of semi-ruined figures of pop icons in the trash of an attractions’ manufacturer near Istanbul. He salvaged these figures and combined them with thirteen architectural miniatures. A prison revolving around Batman’s the Joker’s face, a museum built among the ruins of Disney characters or a hospital buried in the legs of Iron Man. In these sculptural works, the functions of everyday civic architecture are blended with symbols from the mass-entertainment world. Fujiwara’s miniature city draws attention to the ways in which fantasy and escapism have bled into the core structures of our everyday lives, often masking the brutal pragmatism of globalized capitalism.
More information on the 16th Istanbul Biennial can be found HERE.
Daniel Steegmann Mangrané at Pirelli HangarBicoccaPirelli HangarBicocca, Milan September 12, 2019 – January 19, 2020 www.pirellihangarbicocca.org
Opening at Pirelli HangarBicocca on September 11, Daniel Steegmann Mangrané's first exhibition in Italy will present more than twenty works made from 1998 to the present time, ranging from films, virtual reality devices, 3D holograms, sculptures, and installations. The artist will place the physical and sensory dimension of the viewer at the heart of the exhibition project, offering new visions of his entire corpus of works as they dialogue with one another.
The exhibition will be characterized by a shift between material and immaterial experiences, expanded further through a site-specific intervention that will redefine the industrial quality of Pirelli HangarBicocca, while both concealing and revealing the exhibited works.
More information about the exhibition can be found HERE.
Tino Sehgal – This ProcessAccelerator, Frescativägen 26A, Stockholm University September 06, 2019 – October 20, 2019 www.acceleratorsu.art
Gabriel Kuri at WIELSWIELS – Contemporary Art Centre, Brussels September 6, 2019 – January 5, 2020 www.wiels.org
Gabriel Kuri creates sculptures that embody questions of value, arresting usually intangible flows of information in witty and engaging forms. His exhibition at WIELS — his first institutional solo show in Brussels, where he has lived for the past 16 years — highlights the hybrid nature of his playful work. sorted, resorted will comprise over 60 works, including new pieces produced for the occasion, revealing both the diversity of Kuri’s formal approach and the consistency of his underlying themes: notions of commercial and cultural value as well as material and its poetic (mis)use.
Simon Fujiwara at ARKEN Museum of Modern ArtARKEN Museum of Modern Art, Ishøj August 31 – February 2, 2020 www.uk.arken.dk
From August 31 Simon Fujiwara's Joanne is on view for the first time in Denmark at ARKEN Museum of Modern Art.
Presented as film and image environment, Joanne depicts the many faces of Joanne Salley, Simon Fujiwara’s former secondary school teacher. Winner of the 1998 Miss Northern Ireland beauty pageant, artist, teacher and champion boxer, Joanne Salley had a formative influence on Fujiwara as a scholarship student at the prestigious Harrow School for boys in Britain. Several years later, she became the victim of a tabloid newspaper scandal after students discovered and circulated topless photographs of her that had been taken privately. The ongoing media campaign that followed destroyed her career and public image.
In 2016, Fujiwara and Salley embarked on the production of a short film that aimed, through the use of advertising and marketing techniques, to restore her image.
More information HERE.
Simon Fujiwara at Hamburger Bahnhof – Museum für GegenwartHamburger Bahnhof – Museum für Gegenwart, Berlin August 16, 2019 – February 16, 2020 www.preisdernationalgalerie.de
Simon Fujiwara has been nominated for the Preis der Nationalgalerie 2019 by an international jury. The museum prize is awarded every two years and pays tribute to artists under 40 who live and work in Germany. The four artists will be presented in a joint exhibition at the Hamburger Bahnhof – Museum für Gegenwart – Berlin from August 16, 2019 to February 16, 2020. All four artists show spatial ensembles in which they combine existing and new works. The tonality and handwriting of the four spatial work presentations is very different; what they have in common is an explicit reference to aspects of our contemporary European society.
More information on the prize can be found HERE.
Ugo Rondinone at GuildhallGuild Hall, East Hampton, New York August 10 – October 14, 2019 www.guildhall.org
Opening on August 10, Guild Hall presents sunny days, a solo exhibition by Ugo Rondinone featuring sun-themed sculpture and paintings, as well as a collaboration with area school children. The exhibition, which explores the sun as a motif and metaphor, is divided into three parts: paintings, sculptures, and a community art project.
More information can be found HERE.
Stinking Dawn with Liam GillickKunsthalle Wien, Vienna July 5 – October 6, 2019 www.kunsthallewien.at
Stinking Dawn is a movie by Gelitin and Liam Gillick that will be filmed at the Kunsthalle Wien. Monumental modular architecture sets the location. Directed by Gillick and based on his script, Gelitin will play the leading roles in this experimental film that explores the limits of human tolerance in the face of oppression, political crises and excessive self-deception.
More information can be found HERE.
Simon Fujiwara, Ryan Gander, Liam Gillick, Pierre Huyghe and Anri Sala at MO.COMO.CO. – Montpellier Contemporain, Hôtel de Collections, Montpellier June 29 – September 29, 2019 www.moco.art
Coinciding with the inauguration of the Hôtel des Collections on June 29, the MO.CO. unveils the first public presentation of masterpieces from the Ishikawa Collection. This outstanding and relatively recent private collection begun in 2011 by Yasuharu Ishikawa, a Japanese entrepreneur born in 1970 at Okayama, is characterized by exceptional coherence and a Japanese feel that derives primarily from its emphasis on minimal, understated, subtle forms.
The exhibition Intimate Distance, curated by Yuko Hasegawa, Artistic Director of the Museum of Contemporary Art, Tokyo (MOT) features nearly 30 works by artists such as Simon Fujiwara, Ryan Gander, Liam Gillick, Pierre Huyghe, and Anri Sala.
Hito Steyerl at Park Avenue ArmoryPark Avenue Armory, New York June 20 – July 21, 2019 www.armoryonpark.org
Artist Talk: Drill
Park Avenue Armory, New York
June 20, 2019, 6 pm
This summer, Hito Steyerl reveals her most recent installation in the U.S. to date, commissioned by the Armory and curated by Park Avenue Armory’s visual arts curator Tom Eccles. ⠀
Steyerl utilizes both the Wade Thompson Drill Hall and historic interiors of the building in mounting both pre-existing works as well as new projects commissioned by the Armory in her ongoing illumination of the world’s power structures, inequalities, obscurities, and delights. When viewed collectively, this material allows the viewer to zoom in on and out from some of the most complex and pressing issues of our time.⠀
For more information and tickets click HERE.
Dominique Gonzalez-Foerster & Anri Sala at Centre Pompidou-MetzCentre Pompidou-Metz, Metz June 22, 2019 – January 27, 2019 www.centrepompidou-metz.fr
Opera as the World is a journey through the history of opera in the 20th and 21st centuries, and specifically its relations with the visual arts. Anything but a conventional reading of its subject and much more than a presentation of set designs by artists, it seeks to relate – either echoing or in opposition to the legacy of Wagner’s Gesamtkunstwerk – how the visual arts and opera have nurtured and, on occasion, radically influenced each other. From the experimental staging of the first avant-garde production to the works of contemporary artists such as Dominique Gonzalez-Foerster and Anri Sala, the exhibition maps interdisciplinarity from a different perspective.
Ceal Floyer at UMMAUniversity of Michigan Museum of Art, Michigan June 15 – September 22, 2019 www.umma.umich.edu
Upon entering the large-scale installation, visitors encounter a collection of identical plinths that would ordinarily be used to display art objects in a museum. In place of visible objects, each plinth is equipped with a speaker from which visitors can hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is a playful and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.
Liam Gillick at MadreMadre · museo d’arte contemporanea Donnaregina, Naples June 22 – October 14, 2019 www.madrenapoli.it
Standing on Top of a Building: Films 2008-2019 is the first retrospective dedicated exclusively to Liam Gillick’s film production. The exhibition, curated by Alberto Salvadori and Andrea Viliani, presents for the first time a selection of the most important videos and films made by the artist, in a setting specifically designed to integrate the vision of his works in the architecture of the museum. Each room will be marked by different but mutually connected works (posters, wall paintings and the soundtracks of the films that randomly switch among the galleries), outlining a real cognitive journey. A fully illustrated book documenting the films and the installation will be published on the occasion of the exhibition.
More information on the exhibition HERE.
Matti Braun & Ugo Rondinone at The Fellbach Small Sculpture Triennial 2019Fellbach Triennial, Fellbach June 1 – September 29, 2019
The 14th Small Sculpture Triennial will take place in Fellbach from June 1 through September 29, 2019. Titled 40,000 – A Museum of Curiosity this year's Triennial draws inspiration from the spectacular findings of the prehistoric figurines in the caves of the nearby Swabian Jura, which, dating back some 40,000 years, include the lion-man and the Venus of Hohle Fels. Curated by Dr Brigitte Franzen, the triennial includes works by more than 50 artists, including Matti Braun and Ugo Rondinone.
Martin Boyce at Mount StuartMount Stuart, Isle of Bute May 26 – November 18, 2019 www.mountstuart.com
Inspired by the memory of a tennis court long since dismantled, Martin Boyce's ongoing interest in abandoned and disused spaces is awakened in An Inn For Phantoms of the Outside and In Mount Stuart.
Philippe Parreno at Espace Louis Vuitton VeneziaEspace Louis Vuitton Venezia, Venice May 11 – November 24, 2019 www.labiennale.org
As part of the Collateral Events of the 58th International Art Exhibition – La Biennale di Venezia, Elsewhen has been produced in the framework of the Fondation Louis Vuitton “Hors-lesmurs” programme. This programme, inaugurated in 2014, showcases previously unseen holdings of the Collection in the Espaces Louis Vuitton in Tokyo, Munich, Beijing and Venice, thus realizing the Fondation’s commitment to mount international projects and make them accessible to a broader public.
In Elsewhen, Philippe Parreno creates an experience where memory of the past comes together in a disruptive temporality. The familiar markers of perception are annihilated in favour of a stimulating process of inventing new ways of understanding, defying rational categories and the established order.
May You Live in Interesting Times with Dominique Gonzalez-Foerster, Tomás Saraceno and Hito Steyerl58th International Art Exhibition – La Biennale di Venezia, Venice May 11 – November 24, 2019 www.labiennale.org
Dominique Gonzalez-Foerster, Tomás Saraceno and The Work of Hito Steyerl, are participating in the 58th International Art Exhibition - La Biennale di Venezia, May You Live in Interesting Times, curated by Ralph Rugoff.
Karin Sander and Harald Welzer: Telling Art and Futures – Die Dialektik des UtopischenAkademie der Künste, Hanseatenweg, Berlin April 28 – June 2, 2019 www.adk.de
The utopian is at the centre of the exhibition project by concept artist Karin Sander. There is a lot of unfulfilled future in the past, and visions of the future grow on the layers of the past. Together with sociologist Harald Welzer, the results of two surveys pointing both to the past and to the future will be presented and staged. In the process, scientific and artistic classifications cross over, taking on new and unexpected roles.
Hito Steyerl at Serpentine GalleriesSerpentine Galleries, London April 11 – May 6, 2019 www.serpentinegalleries.org
Hito Steyerl’s new project for the Serpentine Galleries considers power and inequality in society, mapping unequal wealth distribution in the communities surrounding the Serpentine which has been recorded as one of the most socially uneven areas in Europe. Power Plants will see an augmented reality app designed to expand our social vision of some local communities to reveal what Steyerl calls Actual Reality, a series of guided neighbourhood ‘power walks’, and a new video installation created using artificial intelligence trained to predict the future.
Beginning with the premise that "power’" is the necessary condition for any digital technology’, Steyerl considers the multiple meanings of the word, including electrical currents, the ecological powers of plants or natural elements, and the complex networks of authority that shape our environments.
Animal – Human – Robot with the Work of Hito SteyerlMO Museum, Vilnius April 6 – August 25, 2019 www.mo.lt
Animal – Human – Robot will explore explores the ever-changing relationship between humans and other beings: from animal species to organic and mechanical entities created by humans, such as genetically modified organisms or artificial intelligence.
Read more about the exhibition here.
An Opera for Animals with Tao HuiPara Site, Hong Kong March 23 – June 9, 2019 www.para-site.art
An Opera for Animals, curated by Cosmin Costinas and Claire Shea, explores the way in which the future is now projected less as the rational thinking commonly remembered from the post-war era – advanced machinery, design, and social forms – but once more as a place of amorphous fear, of animals that might take over in artificial landscapes. The future it seems, will again be an opera for animals.
Legislating Architecture: Architecting After Politics. A project by Brandlhuber+ and Christopher RothAut. Architecture and Tyrol, Innsbruck March 14 – June 8, 2019 www.aut.cc
Read more about the exhibition here.
Ari Benjamin Meyers at OGROGR, Turin March 1 – April 14, 2019 www.ogrtorino.it
Ari Benjamin Meyers’ first institutional solo exhibition in Italy, In Concert, curated by Valentina Lacinio and Judith Waldmann, fills the space of OGR - Officine Grandi Riparazioni from March 1 to April 14, 2019 with something that goes beyond music: a variety of social interactions and experiences.
Anri Sala at Castello di RivoliCastello di Rivoli, Turin February 26 – June 23, 2019 www.castellodirivoli.org
Hito Steyerl Receives the Käthe Kollwitz Prize, 2019Akademie der Künste, Berlin February 21 – April 14, 2019 www.adk.de
We are delighted to announce the exhibition opening and award ceremony of Hito Steyerl for the Käthe Kollwitz Prize 2019 at the Akademie der Künste, Berlin.
Read more about the exhibition here.
Christoph Keller at Gropius BauGropius Bau, Berlin February 21, 2019, 7.30pm https://www.berlinerfestspiele.de/
For one night only on February 21, 2019, at 7.30pm, Christoph Keller will present Ceppo sradicato in the group exhibition Villa Massimo zu Gast im Gropius Bau at Gropius Bau, Berlin.
Daniel Steegmann Mangrané at Institut d'Art ContemporainInstitut d'Art Contemporain, Villeurbanne/Rhône-Alpes February 20 – April 28, 2019 www.i-art-c.org
Daniel Steegmann Mangrané intends to totally and profoundly transform the space of the IAC. And so, the path of the exhibition, Ne voulais prendre ni forme, ni chair, ni matière, generates new vanishing lines. Defined by a sensitive geometry, driven only by rays of natural light that penetrate the gloom, it encourages exploration and groping and fumbling.
This path through the exhibition also translates the artist’s fascination for the notion of dissolution of the self in its surroundings. By placing all of these relationships in space, the artist provides us with a sharp and critical tool: “if there are no more subjects nor objects, then there are no longer spectators or works of art, but rather processes of relationships of mutual transformation. Combinations of agents which influence one another”.
Daniel Steegmann Mangrané at Nottingham ContemporaryNottingham Contemporary, Nottingham February 16 – May 6, 2019 https://www.nottinghamcontemporary.org
Through a new immersive installation, architectural interventions, a 16mm film and a virtual reality work, the Rio-based Catalan artist looks at how diverse mediums and technologies can represent aspects of the Mata Atlântica.
Mata Atlântica, a rainforest stretching along the Atlantic coast of Brazil, is one of the most important biodiverse areas on Earth, yet is highly endangered, with only 7% of its original surface left. Steegmann Mangrané looks at how this complex environment has been subjected to conflicting pressures: economic, ecological, geographic, scientific, historical and territorial.
More information on the exhibition here.
Is This Tomorrow? with Simon FujiwaraWhitechapel Gallery, London February 14 – May 12, 2019 www.whitechapelgallery.org
Opening on February 14, Is This Tomorrow? takes as its model Whitechapel Gallery’s landmark exhibition This Is Tomorrow (1956), which featured 37 British architects, painters and sculptors working collaboratively in small groups.
Whitechapel Gallery has invited ten groups of artists, architects and other cultural practitioners, including Simon Fujiwara, to explore the potential of collaboration and offer their visions of the future.
Read more about the exhibition here.
Tino Sehgal at Stedelijk MuseumStedelijk Museum, Amsterdam February 4 – March 3, 2019 www.stedelijk.nl
Opening on February 4, the Stedelijk Museum presents Tino Sehgal’s 2012 work This Variation. Originally conceived for Documenta 13 and recently acquired by the Stedelijk Museum, This Variation will be on view through March 3, 2019.
Karin Sander at Haus am WaldseeHaus am Waldsee, Berlin January 26 – March 3, 2019 www.hausamwaldsee.de
On the occasion of Haus am Waldsee’s re-opening, the institution presents a comprehensive and site-specific solo exhibition by Karin Sander. Sander often works with the spatial and historical conditions of her exhibition venues. Not only does her upcoming exhibition at Haus am Waldsee document the evolution of her work since the early 1990s, but it also addresses its location, the building itself, which has been freshly renovated 73 years after its inauguration.
Artist Talk with Karin Sander and Prof. Dr. Philip Ursprung, ETH Zurich
Haus am Waldsee, Berlin
February 25, 2019, 7:30pm
Read more about the exhibition here.
Apologia della storia - The Historian's Craft with Ryan GanderICA Milano January 24 – March 15, 2019 www.icamilano.it
Works by Ryan Gander will be on view until March 15, 2019, in the group exhibition "Apologia della storia - The Historian's Craft" at the ICA Milano.
Ann Veronica Janssens at Musée de l’OrangerieMusée de l’Orangerie, Paris January 23 – April 29, 2019 www.musee-orangerie.fr
Through various media (installations, projections, immersive environments, urban interventions, sculptures), Ann Veronica Janssens invites the viewer to cross into a new sensory space on the borderline of dizziness and dazzlement in the solo exhibition Contemporary Counterpoint.
In a register inspired by cognitive processes (perception, sensation, memory, representation), her works tend towards minimalism, emphasising the fleeting, ephemeral and fragile nature of the environments she invites us to enter.
In her desire to create a dialogue with Monet’s work, the artist will create a specific luminous immersive environment for the exhibition Contemporary Counterpoint at the Musée de l’Orangerie, Paris.
Ari Benjamin Meyers at Kasseler KunstvereinKasseler Kunstverein, Kassel Opening January 17, 2019 www.kasselerkunstverein.de
Tacet, from Latin tacere, is a playing instruction in music. If it appears in a score, the instrumentalist or singer is required to pause during the marked interval – to remain silent.
Absence, silence and the idiosyncratic power of imagination and memory are performed in the first institutional solo survey exhibition of the American artist and composer – Ari Benjamin Meyers – in Germany. In Meyers’ enactment, the visitor enters a staged situation rather than an exhibition space. She or he inevitably becomes part of the scenario invoked in Tacet. Meyers – who in his work explores, transgresses and shifts the boundaries between the disciplines of music and art – combines in the Kasseler Kunstverein aspects of immersive theater with questions of contemporary art and music.
The installation refers to a selection of performances by the artist, all of which are missing the corresponding characteristics of music, sound and movement. Two voices eventually break through the silence in Tacet: the voice of the peculiar archivist performed by art historian Jörn Schafaff, and that of the visitor her or himself.
Ugo Rondinone at MICASMICAS, Malta October 13 – March 31, 2019 www.micas.art
Pierre Huyghe Named Artistic Director of the 2019 Okayama Art SummitIshikawa Foundation, Okayama Fall 2019
Okayama Art Summit 2019, the second iteration of the large-scale international art exhibition, will be held in the fall of 2019.
Pierre Huyghe, a participant of the Okayama Art Summit 2016, has been appointed artistic director. The exhibition will be produced by Ishikawa Foundation’s president, Yasuharu Ishikawa.
Roman Ondak included in Sequences VIII: Elastic HoursThe Living Art Museum, Reykjavik October 6–15, 2017 www.sequences.is
We're pleased to announce Roman Ondak's participation in the eigth edition of Sequences.
While Sequences uses the term “real time” to refer to time-based media, Sequences VIII: Elastic Hours considers how the term might be applied to the experience of art making, exploring how artists manipulate time as a raw material. Stretching, echoing, and inverting hours, the works included in Sequences VIII often go beyond standardized metrics such as clocks to investigate alternative systems for measuring and experiencing time.
Find out more about the festival here: sequences.is
David Claerbout at BFI London Film Festival 2017BFI Southbank, NFT3 London October 14, 2017 at 9:20pm www.bfi.org.uk
David Claerbout's work Die Reine Notwendigkeit/The Pure Necessity is included in this year's BFI London Film Festival.
"A hypnotic and lyrical reworking of The Jungle Book, that removes its anthropomorphism and its human characters to give the animals back their dignity. The artist redrew all the animated animals and deconstructed the narrative arc to render it eventless, thus giving the impression of watching the animals in their natural surroundings and unaware of any human presence. The effect is one of rekindling a fond memory of childhood, but with the shades of commercial and cultural exploitation removed."
Helen de Witt, bfi.org.uk
V-A-C Live: Tino SehgalMoscow August 1 – September 14, 2017 www.v-a-c.ru
V-A-C Foundation presents V-A-C Live: Tino Sehgal, an exhibition of seven works by Tino Sehgal. From 1 August to 14 September 2017, the New Tretyakov Gallery and Schusev State Museum of Architecture will host works by the internationally renowned artist, who de es art as material production and constructs immersive situations that reinvent the traditional museum environment. This will be the first large-scale appearance of Sehgal’s work in Russia and parallel to the exhibition, an educational programme exploring the exhibition themes will run at the New Tretyakov Gallery and the Solyanka State Gallery.
FRONT International: Cleveland Triennial for Contemporary Art with Dominique Gonzalez-FoersterCleveland July 14 – September 30, 2018 www.frontart.org
We congratulate Dominique Gonzalez-Foerster and Tino Sehgal for their inclusion in the upcoming FRONT International: Cleveland Triennial for Contemporary Art.
FRONT's first edition, titled An American City: Eleven Cultural Exercises, will run from July 14, 2018 through September 30, 2018. Conceived by FRONT’s Artistic Directors Michelle Grabner and Jens Hoffmann, this multipart presentation of interconnected “cultural exercises” will investigate the significance and meaning of staging a large-scale international triennial in the contemporary context. Bringing together more than 55 local, national and international artists across mediums and disciplines, FRONT will partner with sites throughout the city of Cleveland and beyond to explore artistic collaborations, intellectual exchanges and curatorial dialogues connecting the city and the Great Lakes region to broader global, political and economic networks. FRONT’s ambitious program will weave critical approaches to museum exhibitions, public and educational programs, residencies, publications and research strategies in a complex presentation.
Prabhavathi Meppayil participating in 21st Biennale of SydneySydney March 15 – June 11, 2018 www.biennaleofsydney.com.au
We congratulate Prabhavathi Meppayil for her participation in the 21st Biennale of Sydney!
Artistic Director of the 21st Biennale of Sydney Mami Kataoka has announced the title of the 2018 Biennale of Sydney is SUPERPOSITION: Art of Equilibrium and Engagement and shared the names of additional artists from Asia selected to present their works in the multi-venue event.
Viva Arte Viva: The 57th Venice Biennale, with Liu Ye, Philippe Parreno, Anri SalaVenice, Italy May 13 – November 26, 2017 www.labiennale.org
The 57th International Art Exhibition, VIVA ARTE VIVA, will take place at the Giardini and the Arsenale in Venice, from May 13 to November 26, 2017. Curated by Christine Macel, it will feature 120 artists from 51 countries, including Liu Ye, Philippe Parreno, and Anri Sala.
The exhibition will offer a route that unfolds over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. Each of the nine chapters or families of artists of the Exhibition will represent a Pavilion in itself, or rather a Trans-Pavilion as it is trans-national by nature but echoes the Biennale's historical organization into pavilions, the number of which has never ceased to grow since the end of the 1990s. From the "Pavilion of Artists and Books" to the "Pavilion of Time and Infinity", these nine episodes will tell a story that is often discursive and at times paradoxical, with detours that mirror the world's complexities, a multiplicity of approaches and a wide variety of practices.
Tomás Saraceno: Aerosolar JourneysHaus Konstruktiv, Zurich Through September 3, 2017 www.hauskonstruktiv.ch
Tino SehgalFondation Beyeler Through October 31, 2017 www.fondationbeyeler.ch
Pierre Huyghe: Skulptur Projekte Münster 2017Eis Palast Münster, Münster June 10 – October 1, 2017 www.skulptur-projekte.de
General Idea: Photographs (1962-1982)MAMCO, Geneva Through January 28, 2018 www.mamco.ch
Duet With Artists: with Angela Bulloch, Rodney Graham, Pierre Huyghe, and Tino SehgalMuseum Morsbroich, Leverkusen Through August 27, 2017 www.museum-morsbroich.de
David Claerbout: OlympiaSchaulager, Basel Through October 22, 2017 www.schaulager.org
Karin Sander: Identities on DisplayKunstmuseum Villa Zanders, Bergisch Gladbach Through June 18, 2017 www.villa-zanders.de
Ugo Rondinone: let's start this day againCAC–Contemporary Arts Center, Cincinnati May 6 – August 20, 2017 www.contemporaryartscenter.org
Starting May 6, 2017, CAC–Contemporary Arts Center in Cincinnati will present let's start this day again, a solo exhibition by Ugo Rondinone. This hypnotic installation will be carefully layered in groups that include a neon rainbow, colored gels on the windows, floating mandalas, blurred target paintings, painted windows, gradient color walls and a surreal cast of life-size, clown sculptures. Presented as a constellation, Rondinone marries elements he has used in the past to “bring all those groups together in a colorful symphony.”
Ryan Gander: These wings aren't for flyingThe National Museum of Art, Osaka April 29–July 2, 2017 www.nmaogo.jp
Ryan Gander's solo exhibition These wings aren't for flying (April 29 – July 2, 2017) will present approximately 60 new works at the National Museum of Art, Osaka. At the same time, Gander will curate an exhibit made up of works from the museum collection. Using the human tendency to think in comparisons as a premise, Gander will present the works in numerous pairs. Though the pairings will be based on a physical resemblance, they will be derived from different genres and eras.
Christopher Roth: The Property Drama (Trailer)Chicago Architecture Biennial 2017 September 16, 2017 – January 7, 2018 www.chicagoarchitecturebiennial.org
Zwischen Räumen, with Isa Melsheimer and Tomás SaracenoZKR Schloss Biesdorf, Berlin April 28 – October 8, 2017 www.zkr-berlin.de
The Transported Man, with Ceal Floyer, Ryan Gander and Ugo RondinoneBroad Art Museum, Michigan State University, Lansing, MI April 29 – October 22, 2017 www.broadmuseum.msu.edu
Socle du Monde Biennale 2017, with Tomás SaracenoHeart-Herning Museum of Contemporary Art, Herning April 21 – August 27, 2017 www.socledumonde.org
Shanghai Project Chapter 2: Seeds of Time, with Liam Gillick and Dominique Gonzalez-FoersterShanghai Himalayas Museum, Shanghai April 22 – July 30, 2017 www.shanghai-project.org
Performance by Researchers
April 22, 2017 at 6pm
Ryan Gander: These wings aren't for flyingThe National Museum of Art, Osaka April 29 – July 2, 2017 www.nmao.go.jp
Roman OndakVilla Tugendhat, Brno May 1 – 7, 2017 www. tugendhat.eu
Meeting Points 8: Both Sides of the Curtain, with Jean-Pascal FlavienBeirut Art Center, Beirut April 12 – June 4, 2017 www.mophradat.org
Fully Awake, with Andrew Grassieblip blip blip, Leeds April 6 – 21, 2017 www.blipblipblip.co.uk
David Claerbout: OlympiaMUHKA, Antwerp From April 28, 2017 www.muhka.be
Tomás Saraceno: How To Entangle The Universe In A Spider WebMuseo de Arte Moderno, Buenos Aires From April 7, 2017 www.buenosaires.gob.ar