• All Access – Schinkel Pavillon, Berlin

    Schinkel Pavillon, Berlin
    All Access – Schinkel Pavillon, Berlin

    Photo © Rex Chu

     

    All Access is a series of online visits to exhibitions which currently have restricted public access. As museums and galleries around the world are mostly closed, the series takes us into these spaces with the artists and curators as guides.

    Here, curator Agnes Gryczkowska introduces a section of the exhibition Sun Rise | Sun Set at the Schinkel Pavillon Berlin.

    Sun Rise | Sun Set brings together contemporary and 20th century artists to form a multi-layered response to the fast unfolding ecocatastrophe. The selected works permeate one another, creating small organisms and turning Schinkel Pavillon into a surreal landscape, highlighting the interconnectivity between humans, animals, plants, inanimate objects, technologies and non-beings.

    The exhibition includes two works by Pierre Huyghe. The video tour below focuses on the room in which "Circadian Dilemma (Dia del Ojo)" is installed. The work is part of a series of aquarium works in which the artist creates cyclically-oriented underwater scenarios. The landscape of the water basin is modelled on a Mexican cave and is populated by six fish of the species Astyanax mexicanus, along with microscopic bacteria and algae.

     

    Click here to watch the tour

  • Lecture Livestream with Hito Steyerl

    Friday, January 22, 2021 at 12:00 P.M. EST, 6 P.M. CET
    Lecture Livestream with Hito Steyerl

    Hito Steyerl, SocialSim, 2020 Single channel HD video and live computer simulation Dancing Mania Duration: 18:19 min (single channel), Dancing Mania duration variable.  © VG Bild-Kunst, Bonn, 2021. Film still © Hito Steyerl

     

    On Friday, January 22, 2021, artist, filmmaker, and media theorist Hito Steyerl joins the Dramaturgies of Resistance collective for a discussion of recent work, including a live Q&A with the Zoom webinar audience.

     

    Hito Steyerl is an internationally renowned artist, filmmaker and scholar whose deft navigation of the disparate modes of art-making and theorizing continues to expand the ways we experience and examine the social roles of art and museums, experimentation with media and forms of presentation, and our interactions with realized and potential uses of artificial intelligence. At this unprecedented time, when it seems as if “everything is canceled,” Steyerl’s most recent work explores the complex relation between spread (of conspiracy theories no less than viral contagion) and simulation (from the automization of performance to our capacities for virtual interaction with statistical probability of human risk).

     

     

    Click here to watch!

  • Hito Steyerl's "We Will Survive TV"

    November 15, 19, 21, 26, 2020 www.e-flux.com
    Hito Steyerl's

    Hito Steyerl, SocialSim, 2020, single channel HD video and live computer simulation Dancing Mania, duration: 18:19 min (single channel), Dancing Mania duration variable

    © VG Bild-Kunst, Bonn, 2020
    Film still © Hito Steyerl

     

    What happens to the art at the museum at night? 
    A weird-ass visual podcast

     

    During the corona-related shutdown in November 2020, Hito Steyerl’s exhibition I Will Survive at K21 (September 26, 2020—January 10, 2021) transforms into a livestream format. The project 4 Nights at the Museum developed by the artist, filmmaker, and author Hito Steyerl, provides some background and conversations about the works in the exhibition.

     

    In five episodes (each lasting ca. 45 minutes), selected works and themes in I Will Survive will be discussed in more detail. Participants in the works, such as the New York-based graphic designer Ayham Ghraowi or the Hamburg-based actress Heja Netirk, will talk about their perspectives. In addition, Steyerl will present alternative versions of exhibited works and previously unedited archival material. Short guided tours by the curators will accompany visitors into the exhibition spaces, which are abandoned at night. They will take a look at some of the works and prove that there is nothing going on inside the museum during the shutdown. 

     

    The episodes will livestream on e-flux Video & Film starting Sunday, November 15. All episodes air at 8pm CET, 2pm EST.

     

    More information here

  • Artist Talk with Philippe Parreno

    MoMA Online Wednesday, October 14, 2020, 12 pm (EST) www.moma.org
    Artist Talk with Philippe Parreno

    Photo © Ola Rindal

     

    Enjoy a discussion with artist Philippe Parreno, creator of the installation Echo, a "sensible and sentient automaton" that "lives" in MoMA's lobby and interacts with visitors, and hear about what he's working on and thinking about these days.

     

    An online lecture/panel discussion with Philippe Parreno
    Wednesday, October 14, 2020, 12 pm (EST)

    MoMA

     

    Join the discussion

  • Cooking with Artists – Nathan Carter

    Cooking with Artists – Nathan Carter

    “When I was a kid, I drew and built my worlds. I would make maps and models of places. I would mix toys together and there was a lot of masking tape, pencils, matchboxes, thread, string, and Elmer’s glue—sticking legos to pine cones and things like that. As an adult, as a childish adult, I’m still doing that storytelling through drawing maps and world-building.”⁠

    Nathan Carter shared his recipe for a refreshing, tangy salad of cucumbers, mangoes, pineapples, lime, and spicy Thai chilis for MoMA PS1's new instalment of Cooking with Artists with Chef Mina Stone⁠

    Click the link for the full recipe!

  • Tune In – Gabriel Kuri – Bedtime Stories, The New Museum

    Tune In – Gabriel Kuri – Bedtime Stories, The New Museum

    Only a few weeks ago, Gabriel Kuri wrote in our Letter from Berlin about his love of books. Now he has recorded a story by Umberto Eco as part of the New Museum's series Bedtime Stories (in English and in Spanish).

     

    Listen to the story here

  • Guess Whose Studio Pt.5

    Guess Whose Studio Pt.5

    Welcome to the next instalment of the series where our artists open their studio doors and invite you to guess whose studio.⁠

     

    To give a helping hand to figure out whose studio you’re peeking into, we’ve put together a number of clues to get you on the right track: 1

    1. Everything on their desktop⁠

    2. A Scotsman in London⁠

    3. Only thing missing are the eggs⁠

    4. Worlds within worlds⁠

     

    Click here to find out the answer!

  • Messages from Home – Francesco Gennari

    Messages from Home – Francesco Gennari

    Photo © Francesco Gennari, 15 aprile 2020⁠

     

    VIAGGI DA CAMERA is the new online project from the Fondazione Nicola Trussardi. "Viaggi da camera" collects and distributes daily images, videos and texts, chosen by artists invited to tell their home and private space. Every day a new contribution will be published on the Foundation's website and social channels.⁠

    Inspired by Xavier de Maistre's famous 18th century novel "Journey around my room" - written during a 42-day obligatory stay in a room in Turin - "Viaggi da camera" invites artists to open the doors of their real and imaginary rooms. Taken from day #39, Francesco Gennari shared a glimpse into his home life in the midst of lockdown.⁠

  • Guess Whose Studio Pt.4

    Guess Whose Studio Pt.4

    Welcome to the next instalment of the series where our artists open their studio doors and invite you to guess whose studio.⁠

    To give a helping hand to figure out whose studio you’re peeking into, we’ve put together a number of clues to get you on the right track:

     

    ⁠⁠1. Has been with the gallery for over 30 years
    ⁠2. The sky's the limit⁠
    3. Loves rules
    ⁠4. Enjoys heavy metal⁠

     

    Click here to find out the answer!

  • Journey Through the Gallery – Tomás Saraceno, Algo-r(h)i(y)thms

    Journey Through the Gallery – Tomás Saraceno, Algo-r(h)i(y)thms

    Exhibition view: Tomás Saraceno, Algo-r(h)i(y)thms, Esther Schipper, Berlin, 2019⁠
    Photo © Andrea Rossetti

     

    In this next instalment of Journey Through the Gallery, we look back to November 2019 where we presented Algo-r(h)i(y)thms, Tomás Saraceno's third solo exhibition with the gallery. ⁠

     

    See inside the exhibition here

  • Journey Through the Gallery – Ugo Rondinone, Slow Graffiti

    Journey Through the Gallery – Ugo Rondinone,  Slow Graffiti

    Ugo Rondinone, If there were anywhere but desert, Monday, 2000, fiberglass, paint, clothing, glitter, 86 x 76 x 122 cm. Photo © Studio Rondinone

     

    Ugo Rondinone's 2001 exhibition Slow Graffiti consisted of two new works. The exhibition space was dominated by a tessellated mirror partition (5 x 5 meters) which is positioned in a way to reflect the whole room in fragments, or rather to display a distorted picture of the room in which the sculpture, a clown figure made of polyester, leans passively against the wall.

    Integrated into the partition there were four loudspeakers playing a dialogue typical of Rondinone. To be heard is a woman's voice from the left and a man's voice from the right channel. The Beckett-like one-minute dialogue of the two voices talking at cross-purposes, fitted together to make a loop, expresses a depressing purposelessness, regarding content as well as formal aspects.

     

    See inside the exhibition here

  • Messages from Home – A Recipe from Tao Hui

    Messages from Home – A Recipe from Tao Hui

    Under the heading Messages from Home artists are sharing videos from their (temporary) studios or homes.⁠

     

    Here, Tao Hui shares a recipe of his take on a Chinese-style ice plant salad!

     

    See the full recipe here!

  • The Reading Corner with Gabriel Kuri pt.2

    The Reading Corner with Gabriel Kuri pt.2

    Gabriel Kuri, Reduce to Improper Fraction, 2018. 32 x 24 cm. Published by Three Star Books, Paris

     

    "I love books. By making my own, I learned that they do not have to be second to nor a derivative of my sculptural practice. Whether they are linked to a body or period of work, or exist completely independently, I always make an effort for them to have a life of their own. Books are material memory and register, key concepts in my understanding of what art is and what art can do. Books allow me to see my work as a collection of images. Images as pieces of evidence, metaphors, or signs, or simply—but no less importantly—as an essay of colour. I can see my practice through the narrative resulted from turning pages, which is quite different to pacing around a space.⁠

    Books have clear boundaries of size, format, material and binding that I always find helpful rather than limiting. I like to look at my practice through the limited structure of a book format. This shift of mind frame and optics is always helpful and never constraining. After the visible choices of colour, paper and layout in a few of my books, I guess one can see an inclination towards an aesthetics that embraces ordering and didactic principles. Making books is methodical, like my work. The methodology, the technique and of course the teamwork they involve, give me great pleasure, topped by the always welcome sense of surprise of finally holding the embodiment of an idea. I love it that books are mostly consumed intimately. And of course, I love paper." – Gabriel Kuri

  • Journey Through the Gallery – Ugo Rondinone, two men contemplating the moon 1830

    Journey Through the Gallery – Ugo Rondinone, two men contemplating the moon 1830

    Exhibition view: Ugo Rondinone, two men contemplating the moon 183, Esther Schipper, Berlin⁠⠀
    Photo © Andrea Rossetti

     

    In 2016, Esther Schipper presented two men contemplating the moon 1830, Ugo Rondinone’s fifth solo exhibition with the gallery. 

     

    Taken from a painting by Caspar David Friedrich, the exhibition’s title makes manifest Rondinone’s long-standing indebtedness both to the iconography and philosophy of German Romanticism. “The German Romantic movement was the first to blur the line between reality and illusion. In this sense I’m very attached to the idea of art and art making as an environment that is itself outside of time and inaccessible to a linear logic.“ (The Brooklyn Rail, 2013).

     

    Rondinone modified the exhibition space to create a self-contained environment: new walls cover the existing windows. The works themselves index architectural barriers between outside and inside—a monumental new series of aluminum-cast windows, a large-scale brick-wall painting and a new series of concrete sculptures cast from the corners of urban buildings—collectively comprising the space of an inner world. 

     

    See inside the exhibition here

  • Guess Whose Studio Pt.3

    Guess Whose Studio Pt.3

    Welcome to the next instalment of the series where our artists open their studio doors and invite you to guess whose studio.⁠

     

    To give a helping hand to figure out whose studio you’re peeking into, we’ve put together a number of clues to get you on the right track: 

     

    - mollusks galore

    - lock up your wedges

    - everything’s sorted

    - no Marie Kondo

     

    Click here to find out the answer!

  • Messages from Home – Tao Hui

    Messages from Home – Tao Hui

    Under the heading Messages from Home artists are sharing videos from their (temporary) studios or homes.

     

    Here, Tao Hui shares snapshots of his life from his hometown, Yunyang, Chongqing, as well as his journey back to Beijing.

  • Journey Through the Gallery – Ugo Rondinone, primal

    Journey Through the Gallery – Ugo Rondinone, primal

    Exhibition view: Ugo Rondinone, primal, Esther Schipper, Berlin, 2013

    Photo © Andrea Rossetti

     

    In the next instalment of our team's favorite exhibitions from the history of the gallery, Tara K.Reddi, Senior Sales Director, shares why Ugo Rondinone’s 2013 exhibition primal stands out for her:

     

    "In 2013 for the exhibition of Ugo Rondinone’s primal the gallery space which was then at Schoeneberger Ufer became the stage for a series of new sculptures by Ugo Rondinone: 34 cast bronze horses, each individual in their form and size. The space was transformed with the installation of plywood flooring spread across the rooms of the gallery, uniting the space and introducing an active natural element into the white-cube environment. The white washed windows diffused the daylight and isolated the exhibition from the world outside. Suspended translucent discs of stained-glass clocks hung over the window panes. These colored, perfectly divided stained glass clock-faces, stripped of their hands, augmented the impression of an isolated environment, arrested in time and space.⁠

     

    The gallery, appeared to be transformed into a time capsule, occupied by small cast bronze horses not more than 20 cm in height, each of them spread across the wood flooring and each facing in a different direction. Each horse was modelled in clay by the artist and then cast in bronze leaving the surface raw and unfinished after the casting. Both the uniqueness and the rough, hand-made character of the sculptures are emphasized by the titles given to each of the works, introducing a romantic undertone to the exhibition. The horses “names” rather than “titles”, refer to primordial natural phenomena: the lava, the cosmos, the foliage, the sunrise etc."⁠⠀

     

    See inside the exhibition here.

  • Behind the Scenes – Jac Leirner

    Behind the Scenes – Jac Leirner

    Jac Leirner has been working from her home in Sao Paulo on a new body of work. Fascinated by often overlooked objects and materials, she recently embraced pens from museums, airlines, and hotels, which had been left aside until the last couple of weeks, creating humorous and peculiar sculptures. Clay forms the base of several of these new pieces and is embedded with pen tops, springs, and cartridges.

     

    Here, Jac reminds us that there are inherent, magical qualities even in the most seemingly banal of materials. Along with artist Adriano Costa, the #quarantineshow project was launched on Instagram, and every single day they each post a new work. Follow Jac Leirner (@jacleirner) and Adriano Costa (@adrianocostaluis) to visit their everyday #quarentineshow

  • Journey Through the Gallery – General Idea, ¥en Boutique

     Journey Through the Gallery – General Idea, ¥en Boutique

    On the occasion of the re-launch of our website with extensive archive material celebrating over 230 exhibitions in 30 years, over the next weeks we will be sharing archival material from some of our past exhibitions!⁠

     

    To begin, we're starting with General Idea's ¥en Boutique exhibition from 1989.⁠

     

    Under the guise of pseudonyms, 3 Canadian artists called AA Bronson, Felix Partz and Jorge Zontal work together in the group 'General Idea'.

     

    Read more here

     

  • Guess Whose Studio Pt.2

    Guess Whose Studio Pt.2

    Welcome to the second instalment of our new series where our artists open their studio doors and invite you to guess whose studio.⁠

     

    To give a helping hand to figure out whose studio you’re peeking into, we’ve put together a number of clues to get you on the right track: 

     

    1. Kids are frequent inspiration⁠

    2. Plants have been art too⁠

    3. The studio has a proper name⁠

    4. I... I... I…⁠

     

    Click here to find out the answer!

  • Connections – Gabriel Kuri

    Connections – Gabriel Kuri

    "Looking at the bookshelf across my table I noticed Gabriel Kuri’s catalogue Sorted/Resorted published for his Wiels exhibition. Home office has advantages and disadvantages. As work is for the most part done remotely, on a computer far from the offices, my surroundings have become richer, alive. All the objects collected in more than a decades start to speak again.

     

    I like to listen to these objects – to reconnect with the reality in which I found them. It is something I’ve always liked since I was going to the beach in summer: I found the things people left in the sand very fascinating – especially because they were also completely out of context. It was an idiosyncratic place, a desert land.

     

    When I met Gabriel in 2015 for his most recent solo exhibition at the gallery, this sense of research was activated in the same way. Among the works he made, there was a series of sculptures that were hosting found objects. In the heat of the summer, I was looking for a coffee cup, the one you use to take the coffee with you, and you realize that a plain one, the one that contains just the right sense he was looking for did not exist in Kreuzberg, at least in the surrounding 10 blocks or so of his studio at the time.

     

    This research became a way to map the city and ordering a coffe-to-go was no longer about the taste of the coffee but about the shape of the cup." – Emiliano Pistacchi

  • Journey Through the Gallery – Gabriel Kuri, carbon index compost copy

    Journey Through the Gallery – Gabriel Kuri, carbon index compost copy

     

    In the second installment of our team's favorite exhibitions from the history of the gallery, Andrea Rossetti, photographer and dear friend, speaks about why the 2011 Gabriel Kuri exhibition carbon index compost copy is particularly special to him.⁠

     

    “This was the very first exhibition I documented at Esther Schipper, so I have very special feelings when I think about it and remember the installations and artworks very vividly. It was also the very first show at the Schöneberger Ufer location, and I like the idea that both myself and the gallery have a shared milestone together.”

     

    In carbon index compost copy Gabriel Kuri fused formal and material aspects in a dichotomy of physical shape, object nature, and reduction. The work incorporated a complex combination of minimalist formal language and veiled biographical reference into a very personal and often poetic discourse. Contemporary references of mundane applications, casually dispersed among the work, such as bank notes, plastic bags, official queuing tickets linked his timeless objects to the contemporary universe as well as creating a critical reference to current value systems.

     

    See inside the exhibition here

  • Guess Whose Studio Pt.1

    Guess Whose Studio Pt.1

    A paintbrush, a camera, a robot, disregarded doorstops or even a ouija board – how much can you tell from an artist by what’s in their studio? We’re putting your knowledge to the test in this new series where our artists open the doors and invite you to work out whose studio you’re peering into…⁠

     

    To help you out, we’ve put together a number of clues to get you on the right track.

     

    1. Carp skeletons have featured in work in past.

    2. A lot of stretching is done here

    3. Lives in Germany⁠

    4. Recent fondness for the color grey⁠

     

    Click here to find out the answer!

  • Journey Through the Gallery – Pierre Huyghe, Influants

    Journey Through the Gallery – Pierre Huyghe, Influants

    Exhibition view: Pierre Huyghe, Influants, Esther Schipper, Berlin, 2011⁠⠀
    © VG Bild-Kunst, Bonn, 2020⁠
    Photos © Andrea Rossetti

     

    We’d like to take you on a journey through the history of the gallery.

     

    Each week we will be sharing moments from Esther Schipper’s 30 year history that are personal favourites from the team. Founded in in Cologne in 1989, the gallery celebrated its 30th anniversary last year, and to mark this occasion we have relaunched our website with extensive archive material, celebrating over 230 exhibitions in 30 years.

     

    The first to be featured is, Pierre Huyghe’s 2011 Influants, chosen by Marek Obara, Associate Director. “It was an exhibition constructed of seemingly simple means, but at the same time related the inside to the outside within the context of an exhibition.⁠"

     

    See inside the exhibition here

  • Artist Talk with Tomás Saraceno

    Musée du Louvre, Auditorium, Paris September 20, 2019, 2–7 PM www.louvre.fr
    Artist Talk with Tomás Saraceno

    Photo © Alfred Weidinger

     

    An Artist Talk with Tomás Saraceno and Rebecca Lamarche-Vadel.

  • Artist Lecture with Liam Gillick

    abk–Staatliche Akademie der Bildenden Künste, Stuttgart July 11, 2019, 7 pm www.abk-stuttgart.de
    Artist Lecture with Liam Gillick

    Photo © Liam Gillick⁠

     

    In this presentation, Liam Gillick will discuss topics that correspond to his recent text for the e_flux journal, We Lived and Thought Like Pigs: Gilles Châtelet’s Devastating Prescience.

     

    Read more

  • Lecture with Ari Benjamin Meyers

    Musik-Akademie Basel (Main Building Z. 6-301), Basel June 18, 2019, 7 pm www.zeitraeumebasel.com
    Lecture with Ari Benjamin Meyers

    Photo © Michael Chiu⠀

     

    Ari Benjamin Meyers

    Lecture: On the Kunsthalle for Music

     

    More information HERE

     

     

     

     

  • Artist Discussion with Tao Hui

    Goethe Institut, Beijing June 12, 2019, 2-5 pm
    Artist Discussion with Tao Hui

    Photo © Mark Poucher

     

    The migration phenomenon is reflected in two aspects in China: urban and rural population movement; convection between foreign population and Chinese population. In Assemblage, Xia Yanguo invites five artists including Tao Hui, to think about these two aspects separately.

     

    More information

  • Artist Talk with Tino Sehgal about Marcel Duchamp

    Staatliches Museum, Galerie Alte und Neue Meister, Schwerin April 25, 2019, 6 pm www.museum-schwerin.de
    Artist Talk with Tino Sehgal about Marcel Duchamp

    Photo © Asad Raza

  • Artist talk with Hito Steyerl

    Akademie der Künste, Pariser Platz, Berlin April 9, 2019, 7 pm www.adk.de
    Artist talk with Hito Steyerl

    Hito Steyerl, How Not to Be Seen: A Fucking Didactic Educational .MOV File, 2013⁣, single channel high definition digital video and sound in architectural environment

    Duration: 15:52 min

    Film still © Hito Steyerl⁣

     

    Hito Steyerl in conversation with Marius Babias⁣


    Steyerl’s artistic discourse orbits sociopolitical processes in theory and practice: postcolonial criticism, abuse of power, violence and the influences of globalization and digital life visualized in five mixed media installations. ⁣

    This year’s Käthe Kollwitz Prize winner responds by assembling and disassembling computer generated and real images as well as self-written texts. An artist talk will be held together with Marius Babias on 9 Apr 2019.⁣

    The talk will be held in German and tickets can be purchased here.

  • Visiting Artist Lecture with Liam Gillick

    College of the Arts & University of Florida February 19 2019, 6pm www.arts.ufl.edu
    Visiting Artist Lecture with Liam Gillick

    On February 19 2019, Liam Gillick with host a lecture at the College of the Arts & University of Florida.

     

    Read more about the event here.

  • Liam Gillick in conversation with Nicola Ricciardi

    OGR–Officine Grandi Riparazioni, Turin November 4, 2017, 11:30am www.amaci.org

     

     

    Liam Gillick in conversation with Nicola Ricciardi

    Exhibition view ...

     

    The Association of Italian Contemporary Art Museums (AMACI) and OGR–Officine Grandi Riparazioni in Turin announce Museums at The ‘Post-Digital’ Turn, the first major symposium conceived by AMACI.

     

    Museums at the ‘Post-Digital’ Turn will take place at the OGR in Turin over two days, November 3–4, and will encompass seven panels including a conversation between Liam Gillick and Nicola Ricciardi (Artistic Director, OGR, Turin).

     

    Read more about the symposium here

     

    This event is concurrent to Like a Moth to a Flame, an exhibition curated by Tom Eccles, Mark Rappolt and Liam Gillick at OGR–Officine Grandi Riparazioni and Fondazione Sandretto Re Rebaudengo in Turin (November 4, 2017 – January 14, 2018).

    Find out more about the exhibition here.

  • Anri Sala in conversation with Maud Page

    Courtyard Marquee, Sydney Observatory, Millers Point October 14, 2017, 12pm www.kaldorartprojects.org.au
    Anri Sala in conversation with Maud Page

    Anri Sala, The Last Resort, 2017

    42-channel sound installation including 38 altered snare drums, loudspeaker parts, snare stands, drumsticks, soundtrack and 4 speakers

    Duration 58:28 min, dimensions ø 850 cm

     

    Photo © Peter Greig

     

     

    On October 14, Anri Sala will share his insights into the conceptual and creative development of The Last Resort in a conversation with Maud Page, Deputy Director and Director of Collections, Art Gallery of New South Wales.

     

    Read more about the event here

  • Tomás Saraceno in conversation with Yasmil Raymond

    Chicago Cultural Center, Randolph Square, 78 E. Washington, Chicago October 5, 2017, 6pm www.arts.uchicago.edu
    Tomás Saraceno in conversation with Yasmil Raymond

    Exhibition view

    Our Interplanetary Bodies, 2017

    Asia Culture Center, Gwangju

     

    Photo © Andrea Rossetti

     

     

    On Thursday, October 5 at 6pm, Tomás Saraceno will be joined in convesation by Yasmil Raymond, Associate Curator at the Museum of Modern Art.

     

    This event is presented by Arts, Science + Culture Initiative and the Gray Center for Arts and Inquiry at the University of Chicago, the Chicago Architecture Biennial, and the Goethe Institut.

     

    Find out more about this event here.

  • Tomás Saraceno at Columbia University New York

    The Lantern, Lenfest Center for the Arts October 10, 2017, 6:30pm to 8pm www.lenfest.arts.columbia.edu
    Tomás Saraceno at Columbia University New York

    Tomás Saraceno Eclipse of the Aerocene Explorer, 2016

    Photo: © Studio Tomás Saraceno

     

     

    Join Tomás Saraceno for a lecture at The Lantern, Lenfest Center for the Arts in New York.

     

    This Event is co-presented by Columbia University School of the Arts; the Fu Foundation School of Engineering and Applied Science; and the School of International and Public Affairs as part of Saraceno’s Fall 2017 visit to at Columbia University.

     

    Read more here: lenfest.arts.columbia.edu

  • Talk with Isa Melsheimer: Fading Architectures

    ZKR–Center for Art and Public Space, Schloss Biesdorf Berlin August 10, 2017, 6:30 PM

     

    Talk with Isa Melsheimer: Fading Architectures

    Exhibition view: Between Spaces, ZKR, Berlin

    Photo: Frank Sperling

     

    Join Isa Melsheimer for an artist talk at ZKR–Center for Art and Public Space, Schloss Biesdorf in Berlin. Entitled "Fading Architectures, Melsheimer will talk about the present and future of urban cityscapes and architectures. Read more about the event here: zkr-berlin.de

  • Dominique Gonzalez-Foerster Included In Art Basel Conversations

    Messe Basel Auditorium June 16, 11:30 Am www.artbasel.com
  • Ari Benjamin Meyers: Music Is Not!

    Witte de With Centre for Contemporary Art, Rotterdam May 26-27, 2017 www.kunsthalleformusic.org
    Ari Benjamin Meyers: Music Is Not!

    Graphic: © Ari Benjamin Meyers/Kunsthalle for Music

     

     

    Kunsthalle for Music and its Artistic Director Ari Benjamin Meyers continue the unfolding of Kunsthalle for Music by addressing fundamental questions through a symposium of multiple modes: lectures, auditions, open workshops, and performances.

     

    The two-day symposium at Witte de With Center for Contemporary Art in Rotterdam will feature international practitioners from the fields of contemporary art, music, and theory. As part of the symposium, Witte de With will host a casting of the Kunsthalle for Music's future ensemble, which will invite selected performers to collaborate with composers towards the creation of music and performance works.

     

    The program was conceived by Ari Benjamin Meyers, Armen Avanessian, and Witte de With's Defne Ayas, Samuel Salemakers, and Rosa de Graaf.

  • David Claerbout in conversation with J.J. Charlesworth

    Fundació Antoni Tàpies, Barcelona March 15, 2017 at 3pm www.fundaciotapies.org
    David Claerbout in conversation with J.J. Charlesworth

    David Claerbout

    Olympia (The Real Time Disintegration Into Ruins Of The Berlin Olympic Stadium Over The Course Of A Thousand Years), 2016
    Two-channel video installation (color, stereo sound, HD animation)

    Duration: 1000 years
    Exhibition view: KINDL Centre for Contemporary Art, Berlin, 2016

  • Christopher Roth: J.G. Ballard Screening and Conversation with Christopher Petit

    Decad, Berlin April 29, 2017 at 3pm www.decad.org
    Christopher Roth: J.G. Ballard Screening and Conversation with Christopher Petit

     

    Christopher Roth and Armen Avanessian

    Hyperstition, 2015, HD film, Blueray player and non-removable disc

    Duration: 113 minutes with an eight-minute break

    Photo © Christopher Roth

Search