Esther Schipper is pleased to announce the representation of Cemile Sahin
Cemile Sahin was born in Wiesbaden, Germany, in 1990. She studied Fine Arts at Central Saint Martins College of Art and Design in London and at the Universität der Künste in Berlin. She lives and works in Berlin.
Sahin's artistic practice operates between film, photography, sculpture and text. Points of departure include both images and stories, which she stages in multimedia video installations. Her work questions the instrumentalization of media and the significance of diverse perspectives for the writing of history. Working with a variety of media, she explores how history and its narration changes when it is constructed through diverse—or even contradictory—points of view.
Her debut novel TAXI was published in 2019, followed by her book Alle Hunde Sterben in 2020, both of which are important components of her artistic practice. In 2019 she was awarded the ars viva 2020 prize for Visual Arts. The same year she was a fellow of the JUNGE AKADEMIE at the Akademie der Künste Berlin.
Spotlight: Philippe Parreno
Spotlight is a weekly presentation focusing on an artwork or a group of works. This week in the spotlight is Philippe Parreno’s lightboxes Invisibleboy.Invisibleboy, 2020 consists of seven light boxes, all featuring a still taken from Philippe Parreno's film Invisibleboy", 2010–2015, that has been enlarged and printed on a Duratrans transparency, mounted in a light box.Invisibleboy portrays the world of a Chinese child immigrant in New York's Chinatown. The narrow streets and cramped spaces in which the local community lives are populated by monstrous imaginary figures. In Invisibleboy, reality and fiction overlap: monsters creep into the images of the urban fabric and city life, taking on alien forms. Scratched directly into the film stock, these monsters spring to life out of its frames. Parreno tries to give an image to people generally described as "invisible," who fall outside of any legal framework.For this new series of light boxes, the artist has delicately scratched the transparencies to add texture and presence to the existing monstrous figures of the film. Each image features a different creature, named by the artist: in this case, The Hanger.The work is unique in a series of five variations. Every variation is customized by the artist with unique hand-scratches.
"The Challenge: We are in this together" – Esther Schipper for The New Institute
For its December newsletter, titled "The Challenge: We are in this together", The New Institute asked Esther Schipper – among other thinkers and practioners – to share her insights and analysis on the current global pandemic. For the occasion, Esther Schipper selected artworks by the gallery artists showing that the questions of viruses and pandemics have been among us for a long time.
Esther Schipper is pleased to announce the representation of Rosa Barba
Rosa Barba was born in 1972 in Agrigento, Italy. She currently lives and works in Berlin.
She studied at the Academy of Media Arts Cologne and has completed her PhD at the Malmö Faculty of Fine and Performing Arts, Lund University in 2018.
She has been a visiting professor at MIT, ACT (Program in Art, Culture and Technology), in Cambridge, Massachusetts. Barba holds a professorship in Fine Arts at the University of the Arts, Bremen.
Rosa Barba engages within the medium of film through a sculptural approach. In her works, Barba creates installations and site-specific interventions to analyze the ways film articulates space, placing the work and the viewer in a new relationship. Questions of composition, physicality of form and plasticity play an important role for the artist as Barba examines the industry of cinema and its staging vis-à-vis gesture, genre, information and documents. Her film works are situated between experimental documentary and fictional narrative. They often focus on natural landscapes and human-made interventions into the environment and explore the relationship of historical records, personal anecdotes, and filmic representation, creating spaces of memory and uncertainty.
Hito Steyerl's "We Will Survive TV"November 15, 19, 21, 26, 2020 www.e-flux.com
What happens to the art at the museum at night?
A weird-ass visual podcast
During the corona-related shutdown in November 2020, Hito Steyerl’s exhibition I Will Survive at K21 (September 26, 2020—January 10, 2021) transforms into a livestream format. The project 4 Nights at the Museum developed by the artist, filmmaker, and author Hito Steyerl, provides some background and conversations about the works in the exhibition.
In five episodes (each lasting ca. 45 minutes), selected works and themes in I Will Survive will be discussed in more detail. Participants in the works, such as the New York-based graphic designer Ayham Ghraowi or the Hamburg-based actress Heja Netirk, will talk about their perspectives. In addition, Steyerl will present alternative versions of exhibited works and previously unedited archival material. Short guided tours by the curators will accompany visitors into the exhibition spaces, which are abandoned at night. They will take a look at some of the works and prove that there is nothing going on inside the museum during the shutdown.
The episodes will livestream on e-flux Video & Film starting Sunday, November 15. All episodes air at 8pm CET, 2pm EST.
Podcast: AA Bronson speaks with The Art Newspaper
On the occasion of Berlin Art Week 2020, The Art Newspaper spoke with AA Bronson about participating in one of the big shows opening during the week, at the legendary Berghain nightclub, and about his experience of living in the city.
Book Launch with Liam GillickMuseo Madre, Naples Wednesday, September 9, 2020 at 6.30 pm www.madrenapoli.it
On Wednesday September 9, at 18.30, the Museo Madre will present the new publication by Liam Gillick: Standing On Top of a Building: Films 2008-2019 published in June 2020 by Edizioni Madre and arte’m.
After an introduction by the president of the Fondazione Donnaregina per le arti contemporanee, Laura Valente, Liam Gillick will be joined in conversation with the curators, Alberto Salvadori and Andrea Viliani.
The publication is the first retrospective dedicated exclusively to Liam Gillick’s film production.
Cooking with Artists – Nathan Carter
“When I was a kid, I drew and built my worlds. I would make maps and models of places. I would mix toys together and there was a lot of masking tape, pencils, matchboxes, thread, string, and Elmer’s glue—sticking legos to pine cones and things like that. As an adult, as a childish adult, I’m still doing that storytelling through drawing maps and world-building.”
Nathan Carter shared his recipe for a refreshing, tangy salad of cucumbers, mangoes, pineapples, lime, and spicy Thai chilis for MoMA PS1's new instalment of Cooking with Artists with Chef Mina Stone
Click the link for the full recipe!
The Reading Corner: Roman Ondak
Published on occasion of the Roman Ondak's exhibition History Repeats Itself at Kunsten Museum of Modern Art Aalborg in 2017 and is published Verlag der Buchhandlung König. It is a personal and metaphysical journey into the landscapes of history and youth of Roman Ondak.
Roman Ondak works with conceptual art, that is: art based on an idea. Like the father of conceptual art, Marcel Duchamp, Roman Ondak works with found objects. He revitalises the genre by placing the "object" in a broader context, which allows new stories to arise - with both personal, poetic and political power.
Instagram Takeover: Daniel Steegmann Mangrané
"What do a dog and a tree have in common? Their bark!” Joke, anonymous.
"An animal is classified as feral when it is a former domestic animal living in a wild habitat, without food or shelter provided by humans, and showing some resistance to people”, biologists state. Some of the most common species that turn feral are cats, dogs, horses, and pigs. Once companion species, when the pact established thousands of years ago by codomestication is broken, they have the ability not to go back to being wolves, their wild ancestors in the case of dogs, but to become something else. They become feral. Claude Lévi-Strauss coined the concept of pensée sauvage (not la pensée des sauvages, as we are often reminded), a type of “untamed” thought, kept alive in the modern western world within “natural reserves” of art, as he would say. Dogs are not often considered wildlife; they are mostly a species-with-humans. Messmates. That does not mean they could not experience their own kind of pensée sauvage – or even a domesticated thought, who knows. But what mode of thought is expressed when these two worlds collapse, pacts are broken, their world is wounded, they become without-humans and thus feral? Is it possible that la pensée férale is one that makes surviving in the Anthropocene feasible?
Text Juliana Fausto, images Daniel Steegmann Mangrané
For each week in 2020, curator Maria Lind invites 52 artists to inhabit this account to make weekly proposals for the 2020s. See Daniel Steegmann Mangrané's takeover at @52proposalsforthe20s.
Anri Sala – Take Over (Marseillaise), 2017
We celebrate Bastille Day with Anri Sala and an excerpt from his 2017 video Take Over (Marseillaise)!
Watch as the pianist and Disklavier play the French national anthem in a carefully choreographed moment of ghostly harmony, evoking the timelessness of the tune.
Both this video and its counterpart, Take Over (Internationale), pair the two eponymous musical works, powerful political anthems that are affiliated by an entangled political and cultural history.
The Reading Corner: Daniel Steegmann Mangrané
“If there are no more subjects nor objects, then there are no longer spectators or works of art, but rather processes of relationships of mutual transformation. Combinations of agents which influence one another”. – Daniel Steegmann Mangrané
Profoundly transforming the space of the IAC Daniel Steegmann Mangrané's solo exhibition, Ne voulais prendre ni forme, ni chair, ni matière, generated new vanishing lines. Defined by a sensitive geometry, driven only by rays of natural light that penetrate the gloom, the exhibition encouraged exploration.
This artist book has been published on occasion of the exhibition Ne voulais prendre ni forme, ni chair, ni matière at the Institut d'art contemporain, Villeurbanne/Rhône-Alpes from 20 February to 28 April 2019.
Immersive Ping-Pong with Gabriel Kuri
Currently exhibited as part of our exhibition PS81E, Gabriel Kuri’s untitled (AE DEC 18) consists of a number of objects in different colors made from hard plastic that have been arranged in a loose grouping. Their shape is taken from a standard fastening clip, a closure best-known for use on packages of sliced bread (but also used to seal bags of fruit and other perishables). In this case the found object, the bread-clips, has been scaled to an almost monstrous size, removing all functionality.
The artists characteristic combination of precision and playfulness surfaced with a recent short video in which he plays ping-pong in his studio, felling the giant bread-clips one by one!
Made in confinement in Gabriel Kuri’s studio in Brussels. Much gratitude to Cristian Manzutto for his selfless help with the iPhone camera and editing. And thanks to Jonas Kuri.
In the Studio – Simon Fujiwara
This week the art magazine Collectors Agenda published an extinsive interview with Simon Fujiwara. Below excerpts from their conversation in which Simon also spoke about his fascination for female characters, among them Marie Antoinette who is the subject of his work currently on view as part of PS81E, A Dramatically Enlarged Set of Golden Guillotine Earrings Depicting the Severed Heads of Marie Antoinette and King Louis XVI, 2019.
The Art World Works From Home: Gabriel Kuri
An extensive interview with Gabriel Kuri published by artnet on June 5, 2020.
Podcast on Julia Scher's Security by Julia
In this podcast series Prof Dr Astrid Mania, students, and colleagues from HFBK in Hamburg as well as special guests talk about art works that resonate with what’s currently on our minds, that might be thought-provoking, comforting and also a little entertaining every now and again. In this fifty-second episode Astrid Mania talks about Julia Scher's Security by Julia.
Online Performance – Ari Benjamin Meyers
Forecast (Part I/Concert Version)
by Ari Benjamin Meyers
From Thursday June 4, 2020, 6pm, for 48 hours
American artist and composer Ari Benjamin Meyers works at the intersection of music, theatre, performance and live installation, aiming to exploit each genre’s particular register and make new connections between their different mechanisms of action.
Forecast, his work that was scheduled to premiere on April 23 but whose rehearsal process and premiere had to be postponed to next season due to the coronavirus pandemic, is dedicated to the weather as phenomena and a starting point for an evening about predictability, and humans as the creators of the future with their need for forecasts, control and imagination.
From May 11-15, the Forecast ensemble met in the Volksbühne to record an excerpt of the performance as a concert-style session on video.
Click here to watch the performance!
The Reading Corner: Liu Ye
"It is no accident that the simplified paintings by Liu Ye are reminiscent of cartoons and illustrations in children’s books: the artist’s father wrote books for children and possessed a box filled with Western, often prohibited classic children’s literature. The pictures in them influenced Liu Ye at an early age. After studying at the Central Academy of Fine Arts in Beijing and the Berlin University of the Arts, the artist discovered his own distinct style, which plays with viewers’ visual expectations and catches them unawares with surprising pictorial compositions. His small-format paintings of Miffy the rabbit, the character created by Dick Bruna, are unmistakable, often painted against a dismal background that recalls the Old Masters or combined with elements borrowed from Piet Mondrian, as are his pastel compositions with innocent yet challenging female characters."⠀
This first catalogue raisonné featuring the sensitive works by Liu Ye provides an overview of his creative output from 1991 to 2015.
Film Screening – Anri Sala, Long Sorrow (2005) & Answer Me (2008)www.scharaun.de
Long Sorrow (2005) & Answer Me (2008)
Friday 29. May, 2020, for one week
From 6 pm
The Reading Corner: Anri Sala
This book, published for the exhibition Anri Sala. Le Temps coudé, presented at Mudam in fall 2019, comprises four essays by the philosopher and musicologist Peter Szendy that consider the artist’s major works since 2013.
Demonstrating the strong intellectual connections that has developed between the two over the course of their collaborations, these essays draw on a sensory experience of the works of Anri Sala to analyze the way that music nourishes them, in their connection to image, space, history, and time.
A Conversation with Ari Benjamin MeyersSunday April 19, 2020, 1:30 pm
On Sunday April 19 at 1.30 pm Ari Benjamin Meyers will be the guest of the two-hour program Zwischentöne on Deutschlandfunk, German Public Radio. Hosted by Michael Langer, conversation alternates with musical works specially chosen by Meyers.
Tune in this Sunday April 19, 2020 at 1:30 pm!
The Reading Corner: Gabriel Kuri
On the occasion of his first institutional exhibition in Germany, Gabriel Kuri created four new groups of works, which provide an insight into different aspects of his practice. Accordingly, Kuri is showing sculptures and installation; all of them are made out of found materials or industrially manufactured products, including marble slabs, sand, paper, cigarette butts, or body care products.
A precise and deliberate positioning and a surprising casualness always characterize the presentation of his objects in the exhibition. With their humor and lightness of touch, his works level criticism as well as political, economic, and social conditions. In the sense of an extended notion of sculpture, he shifts the boundaries of art and the everyday, as the viewers and the everyday become part of the aesthetic form.
This catalogue is published on the occasion of Gabriel Kuri’s solo exhibition at Bielefelder Kunstverein and Kunstverein Freiburg.
The Reading Corner: OneStar
In a generous gesture of bringing art into life, OneStar has made available pdfs of all their artists’ books published since 2000. We salute them!
Online Tour – Isa Melsheimer
An exclusive behind the scene tour while the exhibition is closed due to the temporary closure of KINDL – Centre for Contemporary Art, Berlin.
Artist Talk with Tomás SaracenoMusée du Louvre, Auditorium, Paris September 20, 2019, 2–7 PM www.louvre.fr
An Artist Talk with Tomás Saraceno and Rebecca Lamarche-Vadel.
Artist Lecture with Liam Gillickabk–Staatliche Akademie der Bildenden Künste, Stuttgart July 11, 2019, 7 pm www.abk-stuttgart.de
In this presentation, Liam Gillick will discuss topics that correspond to his recent text for the e_flux journal, We Lived and Thought Like Pigs: Gilles Châtelet’s Devastating Prescience.
Lecture with Ari Benjamin MeyersMusik-Akademie Basel (Main Building Z. 6-301), Basel June 18, 2019, 7 pm www.zeitraeumebasel.com
Ari Benjamin Meyers
Lecture: On the Kunsthalle for Music
More information HERE.
Artist Discussion with Tao HuiGoethe Institut, Beijing June 12, 2019, 2-5 pm
The migration phenomenon is reflected in two aspects in China: urban and rural population movement; convection between foreign population and Chinese population. In Assemblage, Xia Yanguo invites five artists including Tao Hui, to think about these two aspects separately.
Artist Talk with Tino Sehgal about Marcel DuchampStaatliches Museum, Galerie Alte und Neue Meister, Schwerin April 25, 2019, 6 pm www.museum-schwerin.de
Artist talk with Hito SteyerlAkademie der Künste, Pariser Platz, Berlin April 9, 2019, 7 pm www.adk.de
Hito Steyerl in conversation with Marius Babias
Steyerl’s artistic discourse orbits sociopolitical processes in theory and practice: postcolonial criticism, abuse of power, violence and the influences of globalization and digital life visualized in five mixed media installations.
This year’s Käthe Kollwitz Prize winner responds by assembling and disassembling computer generated and real images as well as self-written texts. An artist talk will be held together with Marius Babias on 9 Apr 2019.
The talk will be held in German and tickets can be purchased here.
Visiting Artist Lecture with Liam GillickCollege of the Arts & University of Florida February 19 2019, 6pm www.arts.ufl.edu
On February 19 2019, Liam Gillick with host a lecture at the College of the Arts & University of Florida.
Read more about the event here.
Anri Sala in conversation with Maud PageCourtyard Marquee, Sydney Observatory, Millers Point October 14, 2017, 12pm www.kaldorartprojects.org.au
On October 14, Anri Sala will share his insights into the conceptual and creative development of The Last Resort in a conversation with Maud Page, Deputy Director and Director of Collections, Art Gallery of New South Wales.
Read more about the event here
Tomás Saraceno in conversation with Yasmil RaymondChicago Cultural Center, Randolph Square, 78 E. Washington, Chicago October 5, 2017, 6pm www.arts.uchicago.edu
On Thursday, October 5 at 6pm, Tomás Saraceno will be joined in convesation by Yasmil Raymond, Associate Curator at the Museum of Modern Art.
This event is presented by Arts, Science + Culture Initiative and the Gray Center for Arts and Inquiry at the University of Chicago, the Chicago Architecture Biennial, and the Goethe Institut.
Find out more about this event here.
Tomás Saraceno at Columbia University New YorkThe Lantern, Lenfest Center for the Arts October 10, 2017, 6:30pm to 8pm www.lenfest.arts.columbia.edu
Join Tomás Saraceno for a lecture at The Lantern, Lenfest Center for the Arts in New York.
This Event is co-presented by Columbia University School of the Arts; the Fu Foundation School of Engineering and Applied Science; and the School of International and Public Affairs as part of Saraceno’s Fall 2017 visit to at Columbia University.
Read more here: lenfest.arts.columbia.edu
Talk with Isa Melsheimer: Fading ArchitecturesZKR–Center for Art and Public Space, Schloss Biesdorf Berlin August 10, 2017, 6:30 PM
Join Isa Melsheimer for an artist talk at ZKR–Center for Art and Public Space, Schloss Biesdorf in Berlin. Entitled "Fading Architectures, Melsheimer will talk about the present and future of urban cityscapes and architectures. Read more about the event here: zkr-berlin.de
Dominique Gonzalez-Foerster Included In Art Basel ConversationsMesse Basel Auditorium June 16, 11:30 Am www.artbasel.com
Ari Benjamin Meyers: Music Is Not!Witte de With Centre for Contemporary Art, Rotterdam May 26-27, 2017 www.kunsthalleformusic.org
Kunsthalle for Music and its Artistic Director Ari Benjamin Meyers continue the unfolding of Kunsthalle for Music by addressing fundamental questions through a symposium of multiple modes: lectures, auditions, open workshops, and performances.
The two-day symposium at Witte de With Center for Contemporary Art in Rotterdam will feature international practitioners from the fields of contemporary art, music, and theory. As part of the symposium, Witte de With will host a casting of the Kunsthalle for Music's future ensemble, which will invite selected performers to collaborate with composers towards the creation of music and performance works.
The program was conceived by Ari Benjamin Meyers, Armen Avanessian, and Witte de With's Defne Ayas, Samuel Salemakers, and Rosa de Graaf.
David Claerbout in conversation with J.J. CharlesworthFundació Antoni Tàpies, Barcelona March 15, 2017 at 3pm www.fundaciotapies.org
Christopher Roth: J.G. Ballard Screening and Conversation with Christopher PetitDecad, Berlin April 29, 2017 at 3pm www.decad.org