• Hito Steyerl's "We Will Survive TV"

    November 15, 19, 21, 26, 2020 www.e-flux.com
    Hito Steyerl's

    Hito Steyerl, SocialSim, 2020, single channel HD video and live computer simulation Dancing Mania, duration: 18:19 min (single channel), Dancing Mania duration variable

    © VG Bild-Kunst, Bonn, 2020
    Film still © Hito Steyerl

     

    What happens to the art at the museum at night? 
    A weird-ass visual podcast

     

    During the corona-related shutdown in November 2020, Hito Steyerl’s exhibition I Will Survive at K21 (September 26, 2020—January 10, 2021) transforms into a livestream format. The project 4 Nights at the Museum developed by the artist, filmmaker, and author Hito Steyerl, provides some background and conversations about the works in the exhibition.

     

    In five episodes (each lasting ca. 45 minutes), selected works and themes in I Will Survive will be discussed in more detail. Participants in the works, such as the New York-based graphic designer Ayham Ghraowi or the Hamburg-based actress Heja Netirk, will talk about their perspectives. In addition, Steyerl will present alternative versions of exhibited works and previously unedited archival material. Short guided tours by the curators will accompany visitors into the exhibition spaces, which are abandoned at night. They will take a look at some of the works and prove that there is nothing going on inside the museum during the shutdown. 

     

    The episodes will livestream on e-flux Video & Film starting Sunday, November 15. All episodes air at 8pm CET, 2pm EST.

     

    More information here

  • Rodney Graham at Serlachius Museum

    Serlachius Museum, Mänttä October 24, 2020 – April 18, 2021 www.serlachius.fi
    Rodney Graham at Serlachius Museum

    Rodney Graham, Vacuuming the Gallery 1949, 2018, painted aluminium lightbox with transmounted chromogenic transparency. 
    Courtesy Museum Voorlinden, Wassenaar
    Photo © Ken Adlard

     

    In his exhibition, Artists and Models, Rodney Graham brings to the Serlachius Museums his disguise self-portraits for which he is best known. Graham’s exhibition at Serlachius Museum Gösta is his first in Finland.

    In his works, Graham explores the layers of Western culture, both everyday life and collective memory. He draws on wide-ranging references to philosophy, psychoanalysis, and the art and popular culture of different eras.

    He is best known for his disguise self-portraits, monumental photographic works in which he smoothly assumes various fictional roles. His art is characterised not only by subtle nostalgia and melancholy, but also gentle humour, poetic irony and meticulous finishing of the works.

    Purchase the supporting exhibition catalogue HERE

  • Thomas Demand at M Museum

    M Museum, Leuven October 9, 2020 – April 18, 2021 www.mleuven.be
    Thomas Demand at M Museum

    Thomas Demand, Bluethroat, 2020, pigment print, 172 x 135 cm
    © VG Bild-Kunst, Bonn, 2020
    Photo © Thomas Demand

     

    House of Card offers an overview of various approaches to construction in Thomas Demand’s oeuvre from the past fifteen years. His work related to models, scenography and even buildings are closely related to architecture. At the same time House of Card shows the connection between Demand’s projects and those of other influential artists, architects and designers like Martin Boyce, Arno Brandlhuber, Caruso St John en Rirkrit Tiravanija.

    The title House of Card refers to the precariousness of Demand's practice as a builder. Whereas architecture generally equates with permanence, Demand prefers to explore the limits of the ephemeral, as is evidenced in his use of paper and cardboard.

     

    More inforiaton can be found HERE

  • MONOCULTURE – A Recent History with Matti Braun

    M HKA, Museum of Contemporary Art Antwerp September 25, 2020 – January 24, 2021 www.muhka.be
    MONOCULTURE – A Recent History with Matti Braun

    Matti Braun, Bunta Garbo, 2002, wooden screen and digital prints mounted on forex
    Exhibition view: MONOCULTURE – A Recent History, M HKA, Museum of Contemporary Art Antwerp, 2020
    Photo © MHKA

     

    The group exhibition MONOCULTURE – A Recent History begins from the principle that any understanding of ‘multiculture’, should necessitate an investigation of ‘monoculture’. The societal understanding of monoculture can be defined as the homogeneous expression of the culture of a single social or ethnic group. The project seeks to approach the notion of monoculture with an open mind. It will thus aim for an analysis of, rather than an antithesis to, monoculture, approaching it not only from historical, social, cultural and ideological perspectives, but also philosophical, linguistic and agricultural ones.

    Through the works of more than 40 artists, including Matti Braun, the exhibition will provide a tentative mapping, allowing for a comparative analysis of different manifestations of monoculture, as well as their reflections in art and propaganda, seeking to draw some conclusions that might be relevant for society and culture at large.

    The exhibition includes Matti Braun’s Pierre, 2009 and Pierre Pierre, 2010, several silk paintings, as well as Bunta Garbo, 2002, a project on the Belgian writer Andrea Juste.

    Two publications accompany the exhibition: MONOCULTURE – A Recent History, exhibition catalogue published by M HKA, and The Aesthetics of Ambiguity – Understanding and Addressing Monoculture, co-edited by Pascal Gielen and Nav Haq, published by Valiz as part of the Antennae – Arts in Society series.

     

    More information can be found HERE

  • Hito Steyerl at K21

    K21, Düsseldorf September 26, 2020 – January 10, 2021⁠ www.kunstsammlung.de
    Hito Steyerl at K21
    Hito Steyerl, This is the Future, 2019, video installation (single channel HD video, color, sound), environment, duration: 16 min
    © VG Bild-Kunst, Bonn, 2020
    Film still © Hito Steyerl
     
    Hito Steyerl⁠
    I Will Survive
    September 26, 2020 – January 10, 2021⁠
    The Kunstsammlung Nordrhein-Westfalen is presenting the first comprehensive exhibition dedicated to the artist, filmmaker, and author Hito Steyerl. Steyerl is currently regarded as one of the most advanced artists in terms of the current reflection on the social role of art and museums, the development of artificial intelligence, and experimentation with media-based forms of presentation. ⁠
    With early works exemplary of the “documentary turn”, the exhibition begins with a different conception of the documentary, the conceptual change of which Steyerl has decisively co-conceived, formulated, and practiced.⁠
     
    More information can be found HERE

     

  • Ann Veronica Janssens at South London Gallery

    South London Gallery, London September 23, 2020 – November 29, 2020 www.southlondongallery.org
    Ann Veronica Janssens at South London Gallery

    Ann Veronica Janssens, Untitled (Blue Glitter), 2015 – ongoing
    © VG Bild-Kunst, Bonn, 2020
    Photo © Dirk Pauwels

     

    Ann Veronica Janssens has created an extensive body of work over four decades spanning installations, projections, immersive environments and sculptures. At the core of her practice is an interest in light and its impact on our perception and experience.

    This exhibition will be the first major presentation of Janssens’ work in London. Across three floors of the Fire Station, sculptures, projections, light works and installations continue Janssens’ exploration of perception and ephemerality.

    Janssens’ Untitled (Blue Glitter), an expanse of reflective, blue glitter scattered across the floor of the gallery, will occupy the Main Space for the first half of the show, after which it will be replaced by Janssens’ reflective wheeled Bikes, 2001. Visitors are invited to cycle round the Main Gallery on one of five custom-made bicycles with mirrored wheels, which will reflect light on the surrounding gallery walls and floor as the wheels turn.

    Hot Pink Turquoise is presented in collaboration with Louisiana Museum, Copenhagen

  • Daniel Steegmann Mangrané at Kunsthalle Münster

    Kunsthalle Münster September 13 – November 22, 2020 www.kunsthallemuenster.de
    Daniel Steegmann Mangrané at Kunsthalle Münster

    Daniel Steegmann Mangrané, Fog Dog (Eye), 2019-2020 (detail), giclée print. Image © Daniel Steegmann Mangrané

     

    With Dog Eye, on view from September 13 through November 22, the Kunsthalle Münster is presenting the first solo exhibition in a German institution of Daniel Steegmann Mangrané. His works—comprising installations, films, sound-based works, photographs, drawings, holograms and sculptures—are marked by a poetic approach of overlapping geometric and abstract forms with organic elements: branches, leaves, insects and recently also dogs serve as integral components of the artist's works. He combines and intertwines these to create an overall structure that subtly brings us to question our own position in the world, and thus also our attitude toward our environment. We are called upon to re-think the prevailing western perception based on binary thinking, in terms of subject and object, nature and culture.

     

    More information can be found HERE

  • Podcast: AA Bronson speaks with The Art Newspaper

    Podcast: AA Bronson speaks with The Art Newspaper

    Photo © Piotr Porebski

     

    On the occasion of Berlin Art Week 2020, The Art Newspaper spoke with AA Bronson about participating in one of the big shows opening during the week, at the legendary Berghain nightclub, and about his experience of living in the city. 

     

    Click here to listen to the full podcast!

  • Book Launch with Liam Gillick

    Museo Madre, Naples Wednesday, September 9, 2020 at 6.30 pm www.madrenapoli.it
    Book Launch with Liam Gillick

    On Wednesday September 9, at 18.30, the Museo Madre will present the new publication by Liam Gillick: Standing On Top of a Building: Films 2008-2019 published in June 2020 by Edizioni Madre and arte’m.⁠

    After an introduction by the president of the Fondazione Donnaregina per le arti contemporanee, Laura Valente, Liam Gillick will be joined in conversation with the curators, Alberto Salvadori and Andrea Viliani.⁠

    The publication is the first retrospective dedicated exclusively to Liam Gillick’s film production.⁠

     

    RSVP HERE

  • David Claerbout at Kunst Museum Winterthur

    Kunst Museum Winterthur September 12 – November 15, 2020 www.kmw.ch
    David Claerbout at Kunst Museum Winterthur

    David Claerbout, Wildfire (Meditation on Fire), 2020
    © VG Bild-Kunst, Bonn, 2020. Courtesy Musea Brugge
    Film still © David Claerbout

     

    David Claerbout has distinguished himself in recent years with video works that are as spectacular as they are multi-layered. The artist's multimedia oeuvre – located, so to speak, between the media – aims at a fundamental reflection on visual genres. In his concentrated output, time becomes the decisive dimension of perception. The artist plays ingeniously with the forms of temporality in images, their possible elongations and condensations between moment and duration.

    Claerbout's new film, Wildfire (Meditation on Fire), will premier at Kunst Museum Winterthur on September 11 and Musea Brugge on September 30, 2020.

     

    Click here for more information

  • Cooking with Artists – Nathan Carter

    Cooking with Artists – Nathan Carter

    “When I was a kid, I drew and built my worlds. I would make maps and models of places. I would mix toys together and there was a lot of masking tape, pencils, matchboxes, thread, string, and Elmer’s glue—sticking legos to pine cones and things like that. As an adult, as a childish adult, I’m still doing that storytelling through drawing maps and world-building.”⁠

    Nathan Carter shared his recipe for a refreshing, tangy salad of cucumbers, mangoes, pineapples, lime, and spicy Thai chilis for MoMA PS1's new instalment of Cooking with Artists with Chef Mina Stone⁠

    Click the link for the full recipe!

  • Down to Earth with Tino Sehgal

    Gropius Bau, Berlin August 13 – September 13, 2020 www.berlinerfestspiele.de
    Down to Earth with Tino Sehgal

    Down to Earth will focus on the boundary between nature and culture and how it can become porous. An important element will be its audit of our own “operating system”: 20 degrees Celsius, 50 % humidity in the exhibition hall – how did that come about? How did our predecessors come to prescribe this standard of modernity for museums? How did they work in this building before air conditioning? How does our air conditioning work and where is it exactly? Which hotels are ecologically viable, which energy companies, how will our programme change if the people working with us have to come here by train?

     

    More information can be found HERE

  • Grönlund-Nisunen at Minsheng Art Museum, Shanghai

    Minsheng Art Museum, Shanghai July 17 – November 29, 2020 www.minshengart.com
    Grönlund-Nisunen at Minsheng Art Museum, Shanghai

    Grönlund-Nisunen, Pneumatic Landscape, 2004/2020, polyester fabric, chipboard, timber, fans, digital dimmer, computer, 24,4 x 11 x 3,5 m
    Exhibition view: Grönlund-Nisunen, Flow With Matter, Minsheng Art Museum, Shanghai, 2020
    Photo © Shanghai Minsheng Art Museum

     

    On July 17, 2020 Tommi Grönlund and Petteri Nisunen's major solo presentation opened at the Minsheng Art Museum in Shanghai and will continue through the end of November. Delayed by the recent closures, the exhibition occupies the entire museum's 2,500-square-meter exhibition space on two floors and features more than twenty works, mainly large-scale installations using kinetics, light and sound. The selection of works spans the artists' entire career, including new site-specific works created specifically for the museum space.

  • The Reading Corner: Roman Ondak

    The Reading Corner: Roman Ondak

    Published on occasion of the Roman Ondak's exhibition History Repeats Itself at Kunsten Museum of Modern Art Aalborg in 2017 and is published Verlag der Buchhandlung König. It is a personal and metaphysical journey into the landscapes of history and youth of Roman Ondak.

     

    Roman Ondak works with conceptual art, that is: art based on an idea. Like the father of conceptual art, Marcel Duchamp, Roman Ondak works with found objects. He revitalises the genre by placing the "object" in a broader context, which allows new stories to arise - with both personal, poetic and political power.

     

    Available here

  • SUNDAY OPEN

    Sunday July 26, 2020
    SUNDAY OPEN

    Wir freuen uns, an der dritten Ausgabe von SUNDAY OPEN teilzunehmen, einer Initiative von INDEX Berlin. Unsere Ausstellung ist noch bis 26. Juli zu sehen wird am kommenden Sonntag von 12 bis 18 Uhr geöffnet sein.⁠

    -⁠

    We are pleased to participate in the third iteration of SUNDAY OPEN, initiated by INDEX Berlin. For its final day, our exhibition PS81E will be open this Sunday, July 26, from 12 through 6 pm.

  • Instagram Takeover: Daniel Steegmann Mangrané

    Instagram Takeover: Daniel Steegmann Mangrané

    Daniel Steegmann Mangrane and Juliana Fausto, LA PENSÉE FÉRALE 1/7⁠

     

    "What do a dog and a tree have in common? Their bark!” Joke, anonymous.

     

    "An animal is classified as feral when it is a former domestic animal living in a wild habitat, without food or shelter provided by humans, and showing some resistance to people”, biologists state. Some of the most common species that turn feral are cats, dogs, horses, and pigs. Once companion species, when the pact established thousands of years ago by codomestication is broken, they have the ability not to go back to being wolves, their wild ancestors in the case of dogs, but to become something else. They become feral. Claude Lévi-Strauss coined the concept of pensée sauvage (not la pensée des sauvages, as we are often reminded), a type of “untamed” thought, kept alive in the modern western world within “natural reserves” of art, as he would say. Dogs are not often considered wildlife; they are mostly a species-with-humans. Messmates. That does not mean they could not experience their own kind of pensée sauvage – or even a domesticated thought, who knows. But what mode of thought is expressed when these two worlds collapse, pacts are broken, their world is wounded, they become without-humans and thus feral? Is it possible that la pensée férale is one that makes surviving in the Anthropocene feasible?⁠


    Text Juliana Fausto, images Daniel Steegmann Mangrané⁠

    For each week in 2020, curator Maria Lind invites 52 artists to inhabit this account to make weekly proposals for the 2020s. See Daniel Steegmann Mangrané's takeover at @52proposalsforthe20s.⁠

  • Anri Sala – Take Over (Marseillaise), 2017

    Anri Sala – Take Over (Marseillaise), 2017

    Film still: Anri Sala, Take Over (Marseillaise), 2017, HD video projection, color, stereo sound, duration 7:56 min
    © VG Bild-Kunst, Bonn, 2020

     

    We celebrate Bastille Day with Anri Sala and an excerpt from his 2017 video Take Over (Marseillaise)!

     

    Watch as the pianist and Disklavier play the French national anthem in a carefully choreographed moment of ghostly harmony, evoking the timelessness of the tune.

     

    Both this video and its counterpart, Take Over (Internationale), pair the two eponymous musical works, powerful political anthems that are affiliated by an entangled political and cultural history.

     

    Click here to watch!

     

     

  • The Reading Corner: Daniel Steegmann Mangrané

    The Reading Corner: Daniel Steegmann Mangrané

    “If there are no more subjects nor objects, then there are no longer spectators or works of art, but rather processes of relationships of mutual transformation. Combinations of agents which influence one another”. – Daniel Steegmann Mangrané

    Profoundly transforming the space of the IAC Daniel Steegmann Mangrané's solo exhibition, Ne voulais prendre ni forme, ni chair, ni matière, generated new vanishing lines. Defined by a sensitive geometry, driven only by rays of natural light that penetrate the gloom, the exhibition encouraged exploration.⁠

    This artist book has been published on occasion of the exhibition Ne voulais prendre ni forme, ni chair, ni matière at the Institut d'art contemporain, Villeurbanne/Rhône-Alpes from 20 February to 28 April 2019. ⁠

    Available here

  • State of the Arts with Simon Fujiwara

    Bundeskunsthalle, Bonn June 16 – August 16, 2020 www.bundeskunsthalle.de
    State of the Arts with Simon Fujiwara

    Simon Fujiwara, Empathy I, 2018, 5D simulator installation (with video, sound, motion, water, and wind), duration 3:49 min, outer dimensions of box: 3,71 x 7,6 x 5,35 meters
    Exhibition view: Simon Fujiwara, Empathy I, Esther Schipper, Berlin, 2018
    Photo © Andrea Rossetti

     

    The exhibition presents one of the most intriguing artistic phenomena of our time: the fusion of the visual and the performing arts. Today, more often than not, a visit to an exhibition does not merely offer new visual impressions. Instead, it is a more comprehensive experience that involves all the senses. Artists combine video, performance, dance, language and music, creating intermedial works. In some cases, this results in giving the visitors the opportunity to give up the distanced position of the viewer and become part of the work.

    State of the Arts brings together the work of 16 artists, among them Simon Fujiwara and his multi-sensory Empathy I. Developed in close collaboration with a company that produces theme park rides, Empathy I is a 5d simulator that takes audiences on a journey back into the ‘real world’ on a physically immersive ride through the world of Youtube.

     

    More information HERE.

  • Immersive Ping-Pong with Gabriel Kuri

    Immersive Ping-Pong with Gabriel Kuri

    Currently exhibited as part of our exhibition PS81E, Gabriel Kuri’s untitled (AE DEC 18) consists of a number of objects in different colors made from hard plastic that have been arranged in a loose grouping. Their shape is taken from a standard fastening clip, a closure best-known for use on packages of sliced bread (but also used to seal bags of fruit and other perishables). In this case the found object, the bread-clips, has been scaled to an almost monstrous size, removing all functionality.

     

    The artists characteristic combination of precision and playfulness surfaced with a recent short video in which he plays ping-pong in his studio, felling the giant bread-clips one by one!

     

    Made in confinement in Gabriel Kuri’s studio in Brussels. Much gratitude to Cristian Manzutto for his selfless help with the iPhone camera and editing. And thanks to Jonas Kuri.

     

    Click the image to watch the video!

  • In the Studio – Simon Fujiwara

    In the Studio – Simon Fujiwara

    Photo © Kristin Loschert

     

    This week the art magazine Collectors Agenda published an extinsive interview with Simon Fujiwara. Below excerpts from their conversation in which Simon also spoke about his fascination for female characters, among them Marie Antoinette who is the subject of his work currently on view as part of PS81E, A Dramatically Enlarged Set of Golden Guillotine Earrings Depicting the Severed Heads of Marie Antoinette and King Louis XVI, 2019.

     

    Read the full article here

  • The Art World Works From Home: Gabriel Kuri

    The Art World Works From Home: Gabriel Kuri

    A view inside Gabriel Kuri’s studio

     

    An extensive interview with Gabriel Kuri published by artnet on June 5, 2020.

     

    Read the full article here

  • Podcast on Julia Scher's Security by Julia

    Podcast on Julia Scher's Security by Julia

    Julia Scher, Security By Julia IV, 1989, performance
    Exhibition view: Security By Julia IV, Whitney Biennial, New York, 1989
    Photo © Julia Scher

     

    In this podcast series Prof Dr Astrid Mania, students, and colleagues from HFBK in Hamburg as well as special guests talk about art works that resonate with what’s currently on our minds, that might be thought-provoking, comforting and also a little entertaining every now and again. In this fifty-second episode Astrid Mania talks about Julia Scher's Security by Julia.

     

    Listen to the podcast here

  • Online Performance – Ari Benjamin Meyers

    Online Performance – Ari Benjamin Meyers

    Photo © Joachim Koltzer

     

    Forecast (Part I/Concert Version)⁠
    by Ari Benjamin Meyers
    From Thursday June 4, 2020, 6pm, for 48 hours⁠

    American artist and composer Ari Benjamin Meyers works at the intersection of music, theatre, performance and live installation, aiming to exploit each genre’s particular register and make new connections between their different mechanisms of action.⁠

    Forecast, his work that was scheduled to premiere on April 23 but whose rehearsal process and premiere had to be postponed to next season due to the coronavirus pandemic, is dedicated to the weather as phenomena and a starting point for an evening about predictability, and humans as the creators of the future with their need for forecasts, control and imagination.⁠

    From May 11-15, the Forecast ensemble met in the Volksbühne to record an excerpt of the performance as a concert-style session on video.⁠

    Click here to watch the performance! ⁠

  • Karin Sander at Museion, Bolzano

    Museion, Bolzano May 30 – September 20, 2020 www.museion.it
    Karin Sander at Museion, Bolzano

    Exhibition view: Karin Sander, Skulptur / Sculpture / Scultura, Museion, Bolzano, 2020
    © VG Bild-Kunst, Bonn, 2020
    Photo © Luca Meneghel

     

    In her exhibitions Karin Sander humorously refers to existing situations and addresses their institutional and historical context. She intervenes in the structures of the institutions, changes them, highlights facts and invites the public to participate. The apparently familiar is rethought, it becomes the starting point of an exploratory process. Sander’s solo exhibition at Museion is designed specifically for the space allotted in the museum and will feature both existing as well as new works created exclusively for the exhibition.

    An artist talk with Karin Sander will mark the launch of a new publication featuring a comprehensive overview of the artist’s sculptural oeuvre, published on the occasion of the exhibition, will take place on September 18, 2020, from 7 pm.

     

    A 3D virtual tour of the exhibition can be viewed here

  • The Reading Corner: Liu Ye

    The Reading Corner: Liu Ye

    "It is no accident that the simplified paintings by Liu Ye are reminiscent of cartoons and illustrations in children’s books: the artist’s father wrote books for children and possessed a box filled with Western, often prohibited classic children’s literature. The pictures in them influenced Liu Ye at an early age. After studying at the Central Academy of Fine Arts in Beijing and the Berlin University of the Arts, the artist discovered his own distinct style, which plays with viewers’ visual expectations and catches them unawares with surprising pictorial compositions. His small-format paintings of Miffy the rabbit, the character created by Dick Bruna, are unmistakable, often painted against a dismal background that recalls the Old Masters or combined with elements borrowed from Piet Mondrian, as are his pastel compositions with innocent yet challenging female characters."⁠⠀
    ⁠⠀
    This first catalogue raisonné featuring the sensitive works by Liu Ye provides an overview of his creative output from 1991 to 2015. ⁠

     

    Available here!

  • Film Screening – Anri Sala, Long Sorrow (2005) & Answer Me (2008)

    www.scharaun.de
    Film Screening – Anri Sala, Long Sorrow (2005) & Answer Me (2008)

    Anri Sala, Answer Me, 2008, HD Video, color, stereo, duration 4:50 min
    © VG Bild-Kunst, Bonn, 2020
    Film still © Anri Sala

     

    Programm #1:

    Anri Sala

    Long Sorrow (2005) & Answer Me (2008)

     

    Friday 29. May, 2020, for one week

    From 6 pm

     

    Click here to watch

  • The Reading Corner: Anri Sala

    The Reading Corner: Anri Sala

    Photo © Mousse Publishing

     

    This book, published for the exhibition Anri Sala. Le Temps coudé, presented at Mudam in fall 2019, comprises four essays by the philosopher and musicologist Peter Szendy that consider the artist’s major works since 2013.

     

    Demonstrating the strong intellectual connections that has developed between the two over the course of their collaborations, these essays draw on a sensory experience of the works of Anri Sala to analyze the way that music nourishes them, in their connection to image, space, history, and time.⁠

     

    Available here! 

  • A Conversation with Ari Benjamin Meyers

    Sunday April 19, 2020, 1:30 pm
    A Conversation with Ari Benjamin Meyers

    Photo © Michael Chiu

     

    On Sunday April 19 at 1.30 pm Ari Benjamin Meyers will be the guest of the two-hour program Zwischentöne on Deutschlandfunk, German Public Radio. Hosted by Michael Langer, conversation alternates with musical works specially chosen by Meyers.⁠

    Tune in this Sunday April 19, 2020 at 1:30 pm!⁠

  • The Reading Corner: Gabriel Kuri

    The Reading Corner: Gabriel Kuri

    On the occasion of his first institutional exhibition in Germany, Gabriel Kuri created four new groups of works, which provide an insight into different aspects of his practice. Accordingly, Kuri is showing sculptures and installation; all of them are made out of found materials or industrially manufactured products, including marble slabs, sand, paper, cigarette butts, or body care products.

     

    A precise and deliberate positioning and a surprising casualness always characterize the presentation of his objects in the exhibition. With their humor and lightness of touch, his works level criticism as well as political, economic, and social conditions. In the sense of an extended notion of sculpture, he shifts the boundaries of art and the everyday, as the viewers and the everyday become part of the aesthetic form.⁠

     

    This catalogue is published on the occasion of Gabriel Kuri’s solo exhibition at Bielefelder Kunstverein and Kunstverein Freiburg⁠. 

     

    Available here!

  • The Reading Corner: OneStar

    The Reading Corner: OneStar

    In a generous gesture of bringing art into life, OneStar has made available pdfs of all their artists’ books published since 2000. We salute them!

     

    Download the books for free here!

  • Online Tour – Isa Melsheimer

    Online Tour – Isa Melsheimer

    An exclusive behind the scene tour while the exhibition is closed due to the temporary closure of KINDL – Centre for Contemporary Art, Berlin.

     

    See inside the exhibition here

  • Tomás Saraceno at Palazzo Strozzi

    Palazzo Strozzi, Florence February 22 – July 19, 2020 www.palazzostrozzi.org
    Tomás Saraceno at Palazzo Strozzi

    Tomás Saraceno. Aria, on view at Fondazione Palazzo Strozzi in Florence, Italy, through Feb 22 – July 19 2020, curated by Arturo Galasino
    Image © Studio Tomás Saraceno

     

    Tomás Saraceno
    Aria
    Palazzo Strozzi, Florence
    February 22 – July 19, 2020

     

    Artist Talk
    February 22, 2020, 3:30 pm
    Cinema Odeon, Florence

     

    The starting point of the exhibition Tomás Saraceno. Aria is Thermodynamic Constellation, a monumental site-specific installation created by Tomás Saraceno for the courtyard of Palazzo Strozzi as a metaphor of the new age of solidarity between human and the environment expressed by the Aerocene epoch.

  • Karin Sander at Base

    Base / Progetto per l'arte, Florence February 8 – March 21, 2020 www.baseitaly.org
    Karin Sander at Base

    Karin Sander, Brushstroke, Fluorescent Red, 2019, mobile acrylic paint
    © VG Bild-Kunst, Bonn, 2020
    Photo © Studio Karin Sander

     

    Base / Progetti per arte presents the solo exhibition from Karin Sander entitled 43°45'51.8"N 11°15'46.8"E, opening on Saturday February 8 2020 from 6.30 pm.

     

     

  • Liu Ye at Fondazione Prada

    Fondazione Prada, Milan January 30 – September 28, 2020 www.fondazioneprada.org
    Liu Ye at Fondazione Prada

    Liu Ye, Bauhaus No. 5, 2018, acrylic on canvas, 15 x 20 cm
    Photo © Andrea Rossetti

     

    A solo show by Chinese painter Liu Ye curated by Udo Kittelmann. Following the first iteration held in 2018 at Prada Rong Zhai in Shanghai, the exhibition travels to Milan for a new presentation, featuring a selection of 35 paintings realized from 1992 onwards.

     

    More information HERE.

  • Gabriel Kuri at The Douglas Hyde Gallery

    The Douglas Hyde Gallery, Dublin January 31 – March 28, 2020 www.douglashydegallery.com
    Gabriel Kuri at The Douglas Hyde Gallery
    Exhibition view: Gabriel Kuri, spending static to save gas, Oakville Galleries at Centennial Square, Ontario, 2018-2019
    Photo © Jimmy Limit
     
    For his first solo exhibition in Ireland, Gabriel Kuri presents a new site-specific installation that recasts the cavernous architecture of the Douglas Hyde Gallery, creating a static field to reduce the building's energy use during the run of the exhibition.
     
    The large-scale installation drastically transforms the space. It is made up of a makeshift dropped ceiling littered, in a seemingly accidental accumulation, with residues of human interactions and life; coins, cigarette butts, and moths. Each smoked cigarette or coin becomes a remnant, a punctuation mark in human interaction.
     
    More information can be found HERE.
  • David Claerbout at Galerie Rudolfinum

    Galerie Rudolfinum, Prague January 29 – April 12, 2020 www.galerierudolfinum.cz
    David Claerbout at Galerie Rudolfinum

    David Claerbout, Olympia (The Real Time Disintegration Into Ruins Of The Berlin Olympic Stadium Over The Course Of A Thousand Years) (Horizontal), 2016, single channel video installation (color, silent, HD animation), duration: 1000 years
    Exhibition view: David Claerbout, Olympia, KINDL – Centre for Contemporary Art, Berlin, 2016–2017
    © VG Bild-Kunst, Bonn, 2020
    Photo © Andrea Rossetti

     

    David Claerbout
    Olympia
    Galerie Rudolfinum, Prague
    January 29 – April 12, 2020

     

    Artist Talk
    The Laziness of Action
    Galerie Rudolfinum, Prague
    January 29, 2020, 5 – 6 pm

     

    More information on the exhibition can be found HERE

  • Ann Veronica Janssens at DDP–Dongdaemun Design Plaza

    DDP–Dongdaemun Design Plaza, Seoul January 28 – March 20, 2020 www.connect-bts.com
    Ann Veronica Janssens at DDP–Dongdaemun Design Plaza

    Ann Veronica Janssens, Rose, 2007, 7 light projectors, artificial haze, pink filters, ø 360-400 cm approx. Depth 250 cm
    Exhibition view: mars, IAC Villeurbanne/Rhône-Alpes, 2017
    © VG Bild-Kunst, Bonn, 2020
    Photo © Blaise Adilon

     

    CONNECT, BTS is a global initiative developed in collaboration with curators from five major cities—London, Berlin, Buenos Aires, Seoul and New York. The ultimate goal of the project is to connect individuals across the world as they reevaluate their present circumstances, attitudes, and potentialities. CONNECT, BTS draws motifs from parts of BTS' philosophy that center around diversity, love and care for the periphery. By connecting with 22 contemporary artists, BTS is creating the opportunity for a fruitful and democratic cross-pollination between the worlds of rarefied visual art and pop music. This project adds support for contemporary art to their practice, setting ground for great new synergies.

    At Dongdaemun Design Plaza (DDP), a cultural hub conceived by Zaha Hadid in a historic district of Seoul, Ann Veronica Janssens will present two major installations. Green, Yellow and Pink is a mysterious disorienting sensory environment filled with a haze of colored artificial mist. It appears to abolish all spatial and temporal markers and the forces specific to a given context. At the same time, however, the installation seems to impart a sense of materiality and tactility to light itself. Beams of light form a seven-pointed star in Rose, which morphs between palpable geometry and amorphous atmospheric effects as visitors move about the space. Rose is part of Janssens’ Fog Star series, which explores the capacity of haze to give sculptural form to light.

     

    More information HERE.

  • Ann Veronica Janssens at Louisiana Museum of Modern Art

    Louisiana Museum of Modern Art, Humlebæk January 23 – May 17, 2020 www.louisiana.dk
    Ann Veronica Janssens at Louisiana Museum of Modern Art

    Ann Veronica Janssens, Blue, Red and Yellow, 2001 - open date, steel, wood, polycarbonate, blue, red, and yellow films, artificial fog, dimensions variable
    Exhibition view: Ann Veronica Janssens, Are You Experienced?, Espai d’Art Contemporani de Castelló, 2009
    © VG Bild-Kunst, Bonn, 2020

    Photo © Pascual Mercé

     

    Opening on January 23, 2020, Hot Pink Turquoise is Ann Veronica Janssens' first survey exhibition in Denmark.

     

    As an artist, Janssens works almost scientifically to push the boundaries of the known. Although her art is not easy to classify, its effect on us as viewers is not to be mistaken. For her, it's not about confirming what we already know. In fact, it aims to locate us precisely at the spot where we open ourselves up again.

     

    While the artist openly acknowledges her inspiration from the Californian Light and Space artists of the 1960s, for her it has always been about conveying an experience of art by simultaneously stimulating the eyes, body and consciousness, and not about observing art from a distance.

     

    More information HERE.

  • Out of Order | Works from the Haubrok Collection Part 2

    Neues Museum–Staatliches Museum für Kunst und Design Nürnberg, Nuremberg January 17 – March 1, 2020 www.nmn.de
    Out of Order | Works from the Haubrok Collection Part 2

    Ari Benjamin Meyers, The Lightning and its Flash, 2011, digital print on natural paper, thread bound, music stand, 22 pages, 32 x 45 cm
    Photo © Sebastiano Pellion di Persano

     

    Opening Performance
    Ari Benjamin Meyers
    The Lightning and its Flash (Solo for Conductor)
    Thursday, January 16, 2020, 6 pm

     

    Barbara and Axel Haubrok began collecting professionally at the end of the 1980s, and their collection now contains over 1000 works. Their focus is on international conceptual art at the turn of the millennium, covering the contemporary art of the last three decades. With their keen eye for thoughtful artists, they have made a name for themselves.

    Neues Museum has invited the Haubroks to develop a highly personal presentation for the main exhibition hall. The title Out of Order reflects the humor and non-conformity of these collectors who have a special appreciation for “untidy”, ambiguous and enigmatic work.

    In two parts following on from one another, the exhibition showcases the main focuses of the collection: sculpture, painting, drawings and photography. As Axel Haubrok explains, "Part 1 features only free-standing readymades and sculptures, Part 2 only hanging pictures, both underlining the conceptual approach of the collection and creating many new links between the works, especially since several artists are represented in both parts of the exhibition".

     

    More information can be found HERE.

  • Playing Doctor: General Idea Multiples

    Agnes Etherington Art Centre, Queen's University, Ontario January 16 – April 12, 2020 www.agnes.queensu.ca
    Playing Doctor: General Idea Multiples

    General Idea, Playing Doctor, 1992, chromogenic print, 76,2 x 53,3 cm (unframed), 89 x 66,5 x 3,5 cm (framed)
    Photo © The Estate of General Idea

     

    Affordable and ubiquitous, General Idea multiples were an activist means of disseminating activism. The Canadian collective, comprising AA Bronson, Felix Partz and Jorge Zontal, was an international artistic force. From the 1970s through early 1990s, they sent into the world art editions in various media that played upon consumerism, collaboration, media culture, queer counterculture and AIDS. Playing Doctor samples three decades of multiples-making from the Agnes collection, revealing the interconnectedness of General Idea’s ironic, often humorous, and self-referential practice.

     

    More information on the exhibition HERE.

  • Anri Sala at Centro Botín

    Centro Botín, Santander December 14, 2019 – May 3, 2020
    Anri Sala at Centro Botín

    Anri Sala, Take Over, 2017, back-to-back HD video projections, colour, 8-channel sound, glass elements, duration 7:56 min, 258 x 873 x 873 cm.
    Exhibition view: Anri Sala, Take Over, Esther Schipper, Berlin, 2017
    © VG Bild-Kunst, Bonn, 2019
    Photo © Andrea Rossetti

     

    Opening on December 14, Centro Botín in Santander presents AS YOU GO (Châteaux en Espagne), by Anri Sala.

    The title of the exhibition, AS YOU GO, implies the idea of movement: that of a time-based work, informed by music and moving images; and that of the visitors, who Sala implicitly encourages to keep moving and hence partake in the making of their own individual experience of an exhibition that bears a certain resemblance to a performative stage.

     

    More information HERE.

  • Hito Steyerl at Neuer Berliner Kunstverein

    n.b.k. – Neuer Berliner Kunstverein, Berlin November 23, 2019 – January 26, 2020 www.nbk.org
    Hito Steyerl at Neuer Berliner Kunstverein

    Hito Steyerl, This is the Future, 2019, video installation, environment, single-channel HD video, color, sound, duration: 16 min, dimensions variable
    Exhibition view: May You Live In Interesting Times, 58th International Art Exhibition – La Biennale di Venezia, 2019
    © VG Bild-Kunst, Bonn, 2019
    Photo © Andrea Rossetti

     

    Online Presentation
    MISSION ACCOMPLISHED: BELANCIEGE
    Stream of the lecture by Giorgi Gago Gagoshidze, Hito Steyerl, and Miloš Trakilović
    November 21, 2019, 7 pm
    Stream at www.nbk.org

    Panel Discussion
    Image and Representation in the Work of Hito Steyerl
    With Nora M. Alter (Professor of Film and Media Art, Temple University, Philadelphia) and Klaus Theweleit (Cultural theorist, Freiburg), moderated by Doreen Mende (Curator and theorist, Harun Farocki Institute, Berlin / University of Art and Design, Geneva)
    In German and English
    November 28, 2019, 7 pm

     

    Hito Steyerl, who artistically and socially reflects our world in times of hypercapitalism, digital lifestyles, globalization, and growing political crises, is one of the most influential artists of our time. In 2009, she presented her first solo exhibition in a German institution at Neuer Berliner Kunstverein (n.b.k.).

    In 2019, which marks the 50th anniversary of the founding of the institution, n.b.k. is again dedicating a solo exhibition to her work, presenting the video installation This is the Future (2019) together with the large-scale site-specific installation MISSION ACCOMPLISHED: BELANCIEGE. In cooperation with the artists Giorgi Gago Gagoshidze and Miloš Trakilović, Steyerl has developed a new lecture, in which her preoccupation with the conditions of capitalist production, consumer culture, and the mechanisms of commodification is continued.

  • In the Spotlight of the Night – Life in the Gloom with Martin Boyce, Rodney Graham & Philippe Parreno

    Marta Herford Museum for Art, Architecture, Design, Herford October 26, 2019 – February 9, 2020 www.marta-herford.de
    In the Spotlight of the Night – Life in the Gloom with Martin Boyce, Rodney Graham & Philippe Parreno

    Martin Boyce, An Interior, With a Window; Afterwards a Lake, 2014, blackened steel, painted steel, powder coated steel, chain, rusted chain, light components. Mobile: 221.5 x 108 x 33 cm, daybed: 109 x 107 x 24.3
    Photo © Stefan Altenburger Photography, Zurich

     

    The invention of the light bulb is an achievement of the 19th century which, particularly in the pulsating metropolises of the world, put an end to the natural alternation of day and night. Glaringly illuminated filling stations, shopping centers, shift work and night clubs are just some aspects of this development.

     

    The night without boundaries is the focus of this major exhibition, presenting works from early modernism to the present in pursuit of the question of how the natural order of bright and dark, of activity and sleep has been turned on its head, how perception and everyday routine change fundamentally and intermediate worlds are created. In pictures, sculptures and installations, visitors can experience how the twilight can inspire the imagination and how the masquerade of nocturnal actors is brightly exposed in the glare of artificial light.

     

    For more information click HERE.

  • Hito Steyerl at Art Gallery of Ontario

    Art Gallery of Ontario, Toronto October 24, 2019 – February 23, 2020 www.ago.ca
    Hito Steyerl at Art Gallery of Ontario

    Hito Steyerl, Hell Yeah We Fuck Die, 2016, video installation, environment. Hell Yeah We Fuck Die: Three-channel HD video file: 4:35 min. Robots Today: Single channel HD video file: 8:02 min.
    Exhibition view: This is the Future, Art Gallery of Ontario, Toronto, 2019
    © Art Gallery of Ontario & VG Bild-Kunst, Bonn, 2019
    Photo © Dean Tomlinson

     

    Artist Talk
    with Hito Steyerl
    Wednesday October 23, 2019, 6:30 pm
    Tickets

    Hito Steyerl is an artist, theorist and acute observer of our contemporary world. This survey exhibition, the largest of its kind in Canada, brings together a significant number of her works from the last 15 years.

    Steyerl's playful explorations of technology and power structures result in darkly ironic cultural critiques that feel particularly relevant today. She blends the personal with the political, the satirical with the serious, while addressing a range of topics from economic collapse to globalization. Steyerl draws us into her world, asking us to reflect on our own roles in shaping the not-so-distant future.

  • Ryan Gander at Kunsthalle Bern

    Kunsthalle Bern, Bern October 19 – December 8, 2019 www.kunsthalle-bern.ch
    Ryan Gander at Kunsthalle Bern

    Ryan Gander, Embrace Your Mistakes... Your Mistakes Are the Markers of Your Time, 2019, calligraphy ink on 130 gsm cartridge paper, 59,4 x 42 cm
    © VG Bild-Kunst, Bonn, 2019. Photo © Studio Ryan Gander

     


    The title Ryan Gander has chosen for his exhibition asserts an inconceivable temporal dimension. A collaboration over 500 million years? Between man and earth? Is it a look into the past or to the future? “Stone upon Stone upon Fallen Stone”, Lawrence Weiner wrote on the building of the Kunsthalle in 1983. In view of such dimensions, the rich hundred-year history of the Kunsthalle Bern is infinitesimally nothing.

     

    Read more about the exhibition HERE.

  • Angela Bulloch at Museum Art. Plus

    Museum Art. Plus, Donaueschingen October 17, 2019 – November 17, 2019 www.museum-art-plus.com
    Angela Bulloch at Museum Art. Plus

    Angela Bulloch, Elliptical Song Drawing Machine, 2014, drawing machine with Red Lipstick pen and MP3 player, 213 x 259 x 13 cm
    Photo © Eberle & Eisfeld

     

    Complementing the Donaueschingen Music Festival, Museum Art.Plus is showing works by Angela Bulloch in the 2-Raum. Bulloch will present a number of sound-activated drawing machines that respond to the sound of music. 

     

    More information can be found HERE.

  • Anri Sala at MUDAM

    MUDAM – Musée d’Art Moderne Grand-Duc Jean, Luxemburg October 12, 2019 – January 5, 2020 www.mudam.com
    Anri Sala at MUDAM

    Anri Sala, The Last Resort, 2017, 42-channel sound installation including 38 altered snare drums, loudspeaker parts, snare stands, drumsticks, soundtrack and 4 speakers, duration 58:28 min., looped, ø 850 cm. Exhibition view: The Last Resort, Garage Museum of Contemporary Art, Moscow, 2018. The Last Resort originally premiered at Kaldor Public Art Projects, Sydney
    © VG Bild-Kunst, Bonn, 2019. Photo © Ivan Erofeev

     

    Over the past two decades Anri Sala has created an exceptional body of films and installations in which sound, music and the projected image come together to express themes of lived and historic time. This exhibition presents major installations, film works and drawings by Sala from the past five years. The title Le Temps coudé, borrows from the French phrase ‘faire un coude’ and refers to warps or bends in our experience of what we see, hear and know.

    More information HERE

  • Esther Schipper congratulates Philippe Parreno

    MoMA, New York October 21, 2019 www.moma.org
    Esther Schipper congratulates Philippe Parreno

    Photo © Andrea Rossetti

     

    Esther Schipper congratulates Philippe Parreno for his MoMA commission.

     

    Re-opening to the public on October 21st, after undergoing substantial renovation and a major expansion, The Museum of Modern Art in New York will present six site-specific commissions including Echo (Danny the Street), a large-scale installation by Parreno for the museum’s main lobby.

     

    Read more about the re-opening HERE.

  • More–Than–Humans with Dominique Gonzalez-Foerster & Tomás Saraceno

    El Museo Nacional Thyssen-Bornemisza, Madrid September 25 – December 1, 2019 www.museothyssen.org
    More–Than–Humans with Dominique Gonzalez-Foerster & Tomás Saraceno

    Dominique Gonzalez-Foerster, OPERA (QM.15), 2016, HD video, projector, screens, media player, amplifier, speakers, lights, curtains, duration 8:30 min
    Exhibition view: QM.15, Esther Schipper, Berlin, 2016
    Photo © Andrea Rossetti

  • Ari Benjamin Meyers at MCASB

    MCASB–Museum of Contemporary Art, Santa Barbara September 21 – November 3, 2019 www.mcasantabarbara.org
    Ari Benjamin Meyers at MCASB

    Ari Benjamin Meyers, Anthem, 2017
    Exhibition view: Tacet, Kasseler Kunstverein, Kassel, 2019
    Photo © Andrea Rossetti

     

    Museum of Contemporary Art Santa Barbara (MCASB) is pleased to announce the United States solo institutional debut of Ari Benjamin Meyers. Kunsthalle for Music, co-founded with the Witte de With Center of Contemporary Art, Rotterdam and Spring Workshop, Hong Kong, is an itinerant institution dedicated to the presentation of music and music performance within the histories and environments of the visual arts.

    For Kunsthalle for Music, an especially selected ensemble performs an on-site exhibition of musical works, which are drawn from a repertoire or “collection” that includes existing and newly commissioned solos, duets, and group pieces composed by Meyers as well as other artists. Ari Benjamin Meyers: Kunsthalle for Music at MCASB will transform the museum into a contemporary space for live performance of musical work, eluding the barriers between rehearsal and performance, performers and audience.

  • AA Bronson at the Toronto Biennial of Art

    59 Lake Shore Blvd E, Toronto September 21 – December 1, 2019 www.torontobiennial.org
    AA Bronson at the Toronto Biennial of Art

    Archdeacon John W. Tims, ca. 1896-1899
    Courtesy the Glenbow Archives, Calgary, Alberta

     

    A Public Apology to Siksika Nation, AA Bronson's project for the first Toronto Biennial of Art, originates in family stories about his great-grandfather, the first missionary to the Siksika (Blackfoot) Nation, stories that do not agree with recorded (white) history. Many years of research have resulted in a book, a performance and an installation that together explore the generational trauma that has resulted from the colonization of the Canadian Prairies. Adrian Stimson is the great-grandson of Old Sun, the famous chief of the same period; he responds to AA Bronson's Apology with an installation and sculptures, generated in close dialogue with residential school survivors and leaders, to reveal the layers of colonization and Indigenous resistance in his community.

     

    More information can be found HERE.

  • Artist Talk with Tomás Saraceno

    Musée du Louvre, Auditorium, Paris September 20, 2019, 2–7 PM www.louvre.fr
    Artist Talk with Tomás Saraceno

    Photo © Alfred Weidinger

     

    An Artist Talk with Tomás Saraceno and Rebecca Lamarche-Vadel.

  • Simon Fujiwara at the 16th Istanbul Biennial

    Various venues, Istanbul September 14 – November 10, 2019 www.bienal.iksv.org
    Simon Fujiwara at the 16th Istanbul Biennial

    Simon Fujiwara, It's a Small World, 2019 (detail)
    Photo © Sahir Uğur Eren

     

    It’s a Small World, Simon Fujiwara's project for the 16th Istanbul Biennial, began after he discovered a large quantity of semi-ruined figures of pop icons in the trash of an attractions’ manufacturer near Istanbul. He salvaged these figures and combined them with thirteen architectural miniatures. A prison revolving around Batman’s the Joker’s face, a museum built among the ruins of Disney characters or a hospital buried in the legs of Iron Man. In these sculptural works, the functions of everyday civic architecture are blended with symbols from the mass-entertainment world. Fujiwara’s miniature city draws attention to the ways in which fantasy and escapism have bled into the core structures of our everyday lives, often masking the brutal pragmatism of globalized capitalism.

     

    More information on the 16th Istanbul Biennial can be found HERE.

  • Daniel Steegmann Mangrané at Pirelli HangarBicocca

    Pirelli HangarBicocca, Milan September 12, 2019 – January 19, 2020 www.pirellihangarbicocca.org
    Daniel Steegmann Mangrané at Pirelli HangarBicocca

    Daniel Steegmann Mangrané, Mano con hojas, 2013, Yves Gentet Holographic plates, 25 ×18 cm
    Photo © Andrea Rossetti

     

    Opening at Pirelli HangarBicocca on September 11, Daniel Steegmann Mangrané's first exhibition in Italy will present more than twenty works made from 1998 to the present time, ranging from films, virtual reality devices, 3D holograms, sculptures, and installations. The artist will place the physical and sensory dimension of the viewer at the heart of the exhibition project, offering new visions of his entire corpus of works as they dialogue with one another.

    The exhibition will be characterized by a shift between material and immaterial experiences, expanded further through a site-specific intervention that will redefine the industrial quality of Pirelli HangarBicocca, while both concealing and revealing the exhibited works.

     

    More information about the exhibition can be found HERE.

  • Tino Sehgal – This Process

    Accelerator, Frescativägen 26A, Stockholm University September 06, 2019 – October 20, 2019 www.acceleratorsu.art
    Tino Sehgal – This Process

    Photo © Asad Raza

  • Gabriel Kuri at WIELS

    WIELS – Contemporary Art Centre, Brussels September 6, 2019 – January 5, 2020 www.wiels.org
    Gabriel Kuri at WIELS

    Gabriel Kuri, Untitled (scratch lotto oysters), 2019, stainless steel and Plexiglas lightbox, oyster shells, scratchcards

    Photo © Andrea Rossetti

     

    Gabriel Kuri creates sculptures that embody questions of value, arresting usually intangible flows of information in witty and engaging forms. His exhibition at WIELS — his first institutional solo show in Brussels, where he has lived for the past 16 years — highlights the hybrid nature of his playful work. sorted, resorted will comprise over 60 works, including new pieces produced for the occasion, revealing both the diversity of Kuri’s formal approach and the consistency of his underlying themes: notions of commercial and cultural value as well as material and its poetic (mis)use.

  • Simon Fujiwara at ARKEN Museum of Modern Art

    ARKEN Museum of Modern Art, Ishøj August 31 – February 2, 2020 www.uk.arken.dk
    Simon Fujiwara at ARKEN Museum of Modern Art

    Simon Fujiwara, Joanne, 2016/2018 (detail), three free-standing aluminium-clad structures: one with in-built LED monitors screening video (duration 12:06 min) and digital print, two lightboxes with digital prints on foil. Dimensions variable. Commissioned by FVU, The Photographers’ Gallery and Ishikawa Foundation. Supported by Arts Council England. Exhibition view: Joanne, Galerie Wedding - Raum für zeitgenössische Kunst, Berlin, 2018
    Photo © Andrea Rossetti

     

    From August 31 Simon Fujiwara's Joanne is on view for the first time in Denmark at ARKEN Museum of Modern Art.

     

    Presented as film and image environment, Joanne depicts the many faces of Joanne Salley, Simon Fujiwara’s former secondary school teacher. Winner of the 1998 Miss Northern Ireland beauty pageant, artist, teacher and champion boxer, Joanne Salley had a formative influence on Fujiwara as a scholarship student at the prestigious Harrow School for boys in Britain. Several years later, she became the victim of a tabloid newspaper scandal after students discovered and circulated topless photographs of her that had been taken privately. The ongoing media campaign that followed destroyed her career and public image. 

     

    In 2016, Fujiwara and Salley embarked on the production of a short film that aimed, through the use of advertising and marketing techniques, to restore her image.

     

    More information HERE.

  • Simon Fujiwara at Hamburger Bahnhof – Museum für Gegenwart

    Hamburger Bahnhof – Museum für Gegenwart, Berlin August 16, 2019 – February 16, 2020 www.preisdernationalgalerie.de
    Simon Fujiwara at Hamburger Bahnhof – Museum für Gegenwart

    Simon Fujiwara, Likeness, 2018, wax sculpture, vintage desk, chair, lamp and objects, handrail, two-channel video (4K, color,sound), dimensions variable, video duration: 19:34 min
    Exhibition view: Simon Fujiwara: Revolution, Lafayette Anticipations, Paris 2018
    Photo © Andrea Rossetti

     

    Simon Fujiwara has been nominated for the Preis der Nationalgalerie 2019 by an international jury. The museum prize is awarded every two years and pays tribute to artists under 40 who live and work in Germany. The four artists will be presented in a joint exhibition at the Hamburger Bahnhof – Museum für Gegenwart – Berlin from August 16, 2019 to February 16, 2020. All four artists show spatial ensembles in which they combine existing and new works. The tonality and handwriting of the four spatial work presentations is very different; what they have in common is an explicit reference to aspects of our contemporary European society.

     

    More information on the prize can be found HERE

     

  • Ugo Rondinone at Guildhall

    Guild Hall, East Hampton, New York August 10 – October 14, 2019 www.guildhall.org
    Ugo Rondinone at Guildhall

    Ugo Rondinone, the sun, 2017, gilded bronze, ø 500 cm
    Photo © Domaine des Etangs & Studio Rondinone

     

    Opening on August 10, Guild Hall presents sunny days, a solo exhibition by Ugo Rondinone featuring sun-themed sculpture and paintings, as well as a collaboration with area school children. The exhibition, which explores the sun as a motif and metaphor, is divided into three parts: paintings, sculptures, and a community art project.

    More information can be found HERE.

  • Artist Lecture with Liam Gillick

    abk–Staatliche Akademie der Bildenden Künste, Stuttgart July 11, 2019, 7 pm www.abk-stuttgart.de
    Artist Lecture with Liam Gillick

    Photo © Liam Gillick⁠

     

    In this presentation, Liam Gillick will discuss topics that correspond to his recent text for the e_flux journal, We Lived and Thought Like Pigs: Gilles Châtelet’s Devastating Prescience.

     

    Read more

  • Stinking Dawn with Liam Gillick

    Kunsthalle Wien, Vienna July 5 – October 6, 2019 www.kunsthallewien.at
    Stinking Dawn with Liam Gillick

    Photo © Liam Gillick

     

    Stinking Dawn is a movie by Gelitin and Liam Gillick that will be filmed at the Kunsthalle Wien. Monumental modular architecture sets the location. Directed by Gillick and based on his script, Gelitin will play the leading roles in this experimental film that explores the limits of human tolerance in the face of oppression, political crises and excessive self-deception.

     

    More information can be found HERE.

  • Simon Fujiwara, Ryan Gander, Liam Gillick, Pierre Huyghe and Anri Sala at MO.CO

    MO.CO. – Montpellier Contemporain, Hôtel de Collections, Montpellier June 29 – September 29, 2019 www.moco.art
    Simon Fujiwara, Ryan Gander, Liam Gillick, Pierre Huyghe and Anri Sala at MO.CO

    Pierre Huyghe, Zoodrum 4, 2011, live marine ecosystem, resin shell after Constantin Brancusi’s Sleeping Muse (1910) Ishikawa Foundation, Okayama, Japan. © Pierre Huyghe
    Photo © Guillaume Ziccarelli

     

    Coinciding with the inauguration of the Hôtel des Collections on June 29, the MO.CO. unveils the first public presentation of masterpieces from the Ishikawa Collection. This outstanding and relatively recent private collection begun in 2011 by Yasuharu Ishikawa, a Japanese entrepreneur born in 1970 at Okayama, is characterized by exceptional coherence and a Japanese feel that derives primarily from its emphasis on minimal, understated, subtle forms.

     

    The exhibition Intimate Distance, curated by Yuko Hasegawa, Artistic Director of the Museum of Contemporary Art, Tokyo (MOT) features nearly 30 works by artists such as Simon Fujiwara, Ryan Gander, Liam Gillick, Pierre Huyghe, and Anri Sala.

     

    Read more

     

  • Hito Steyerl at Park Avenue Armory

    Park Avenue Armory, New York June 20 – July 21, 2019 www.armoryonpark.org
    Hito Steyerl at Park Avenue Armory

    Hito Steyerl, Drill, 2019, 3 channel digital video (color, sound)
    Film still © Hito Steyerl

     

    Artist Talk: Drill

    Hito Steyerl
    Park Avenue Armory, New York 
    June 20, 2019, 6 pm

     

    This summer, Hito Steyerl reveals her most recent installation in the U.S. to date, commissioned by the Armory and curated by Park Avenue Armory’s visual arts curator Tom Eccles. ⠀

     

    Steyerl utilizes both the Wade Thompson Drill Hall and historic interiors of the building in mounting both pre-existing works as well as new projects commissioned by the Armory in her ongoing illumination of the world’s power structures, inequalities, obscurities, and delights. When viewed collectively, this material allows the viewer to zoom in on and out from some of the most complex and pressing issues of our time.⠀

     

    For more information and tickets click HERE

  • Dominique Gonzalez-Foerster & Anri Sala at Centre Pompidou-Metz

    Centre Pompidou-Metz, Metz June 22, 2019 – January 27, 2019 www.centrepompidou-metz.fr
    Dominique Gonzalez-Foerster & Anri Sala at Centre Pompidou-Metz

    Dominique Gonzalez-Foerster, Helen & Gordon, Safety Curtain, Vienna State Opera, 2015/2016
    © museum in progress (www.mip.at) © Adagp, Paris 2019
    Photo © Andreas Scheiblecker

     

    Opera as the World is a journey through the history of opera in the 20th and 21st centuries, and specifically its relations with the visual arts. Anything but a conventional reading of its subject and much more than a presentation of set designs by artists, it seeks to relate – either echoing or in opposition to the legacy of Wagner’s Gesamtkunstwerk – how the visual arts and opera have nurtured and, on occasion, radically influenced each other. From the experimental staging of the first avant-garde production to the works of contemporary artists such as Dominique Gonzalez-Foerster and Anri Sala, the exhibition maps interdisciplinarity from a different perspective.

  • Lecture with Ari Benjamin Meyers

    Musik-Akademie Basel (Main Building Z. 6-301), Basel June 18, 2019, 7 pm www.zeitraeumebasel.com
    Lecture with Ari Benjamin Meyers

    Photo © Michael Chiu⠀

     

    Ari Benjamin Meyers

    Lecture: On the Kunsthalle for Music

     

    More information HERE

     

     

     

     

  • Ceal Floyer at UMMA

    University of Michigan Museum of Art, Michigan June 15 – September 22, 2019 www.umma.umich.edu
    Ceal Floyer at UMMA

    Ceal Floyer, Things, 2009, 25 Audio-CDs, 25 CD-Players, amplifiers, cables, 50 speakers, wood, dimensions variable
    Exhibition view: Show, KW Institute for Contemporary Art, Berlin, 2009
    Photo © Uwe Walter

     

    Upon entering the large-scale installation, visitors encounter a collection of identical plinths that would ordinarily be used to display art objects in a museum. In place of visible objects, each plinth is equipped with a speaker from which visitors can hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is a playful and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

     

    More information

     

     

  • Liam Gillick at Madre

    Madre · museo d’arte contemporanea Donnaregina, Naples June 22 – October 14, 2019 www.madrenapoli.it
    Liam Gillick at Madre

    Liam Gillick, Hamilton, 2014, HD video, duration 27:43 min, screen 69 x 122,5 cm, mirrored room 300 x 238,5 x 480 cm
    Exhibition view: Revenons à nos moutons, Esther Schipper, Berlin, 2014
    Photo © Andrea Rossetti

     

    Standing on Top of a Building: Films 2008-2019 is the first retrospective dedicated exclusively to Liam Gillick’s film production. The exhibition, curated by Alberto Salvadori and Andrea Viliani, presents for the first time a selection of the most important videos and films made by the artist, in a setting specifically designed to integrate the vision of his works in the architecture of the museum. Each room will be marked by different but mutually connected works (posters, wall paintings and the soundtracks of the films that randomly switch among the galleries), outlining a real cognitive journey. A fully illustrated book documenting the films and the installation will be published on the occasion of the exhibition.

     

    More information on the exhibition HERE

     

     

  • Artist Discussion with Tao Hui

    Goethe Institut, Beijing June 12, 2019, 2-5 pm
    Artist Discussion with Tao Hui

    Photo © Mark Poucher

     

    The migration phenomenon is reflected in two aspects in China: urban and rural population movement; convection between foreign population and Chinese population. In Assemblage, Xia Yanguo invites five artists including Tao Hui, to think about these two aspects separately.

     

    More information

  • Matti Braun & Ugo Rondinone at The Fellbach Small Sculpture Triennial 2019

    Fellbach Triennial, Fellbach June 1 – September 29, 2019
    Matti Braun & Ugo Rondinone at The Fellbach Small Sculpture Triennial 2019

    Ugo Rondinone, moonrise. east. april, 2005, cast aluminium, brown enamel, wood plinth, 187 x 105 x 110 cm (sculpture), 58 x 121,5 x 119,5 cm (plinth)
    Photo © Studio Rondinone

     

    The 14th Small Sculpture Triennial will take place in Fellbach from June 1 through September 29, 2019. Titled 40,000 – A Museum of Curiosity this year's Triennial draws inspiration from the spectacular findings of the prehistoric figurines in the caves of the nearby Swabian Jura, which, dating back some 40,000 years, include the lion-man and the Venus of Hohle Fels. Curated by Dr Brigitte Franzen, the triennial includes works by more than 50 artists, including Matti Braun and Ugo Rondinone.

     

    More information

  • Martin Boyce at Mount Stuart

    Mount Stuart, Isle of Bute May 26 – November 18, 2019 www.mountstuart.com
    Martin Boyce at Mount Stuart

    Martin Boyce, An Inn For Phantoms Of The Outside And In, 2019

     

    Inspired by the memory of a tennis court long since dismantled, Martin Boyce's ongoing interest in abandoned and disused spaces is awakened in An Inn For Phantoms of the Outside and In Mount Stuart.

  • Philippe Parreno at Espace Louis Vuitton Venezia

    Espace Louis Vuitton Venezia, Venice May 11 – November 24, 2019 www.labiennale.org
    Philippe Parreno at Espace Louis Vuitton Venezia

    Philippe Parreno, Bioreactor. Bioreactor and probes: peristaltic pump, scales, air compressor, air filter, silicon tubing and fitting, electric devices, servo controller, Plexiglas box Bioreactor: 50 × 50 × 62 cm, overall dimensions: 215 × 250 × 150 cm
    Exhibition view: Philippe Parreno, Gropius Bau, Berlin, 2018
    Photo © Andrea Rossetti

     

     

    As part of the Collateral Events of the 58th International Art Exhibition – La Biennale di Venezia, Elsewhen has been produced in the framework of the Fondation Louis Vuitton “Hors-lesmurs” programme. This programme, inaugurated in 2014, showcases previously unseen holdings of the Collection in the Espaces Louis Vuitton in Tokyo, Munich, Beijing and Venice, thus realizing the Fondation’s commitment to mount international projects and make them accessible to a broader public.

     

    In Elsewhen, Philippe Parreno creates an experience where memory of the past comes together in a disruptive temporality. The familiar markers of perception are annihilated in favour of a stimulating process of inventing new ways of understanding, defying rational categories and the established order.

  • May You Live in Interesting Times with Dominique Gonzalez-Foerster, Tomás Saraceno and Hito Steyerl

    58th International Art Exhibition – La Biennale di Venezia, Venice May 11 – November 24, 2019 www.labiennale.org
    May You Live in Interesting Times with Dominique Gonzalez-Foerster, Tomás Saraceno and Hito Steyerl

    Hito Steyerl, Leonardo’s Submarine, 2019, 3 channel HD video, color, sound, environment: 3 curved screens made of LED panels, dimensions variable, duration: 9:30 min
    Exhibition view: May You Live In Interesting Times, 58th International Art Exhibition – La Biennale di Venezia, Venice, 2019
    Photo © Andrea Rossetti

     

    Dominique Gonzalez-Foerster, Tomás Saraceno and The Work of Hito Steyerl, are participating in the 58th International Art Exhibition - La Biennale di Venezia, May You Live in Interesting Times, curated by Ralph Rugoff.

  • Karin Sander and Harald Welzer: Telling Art and Futures – Die Dialektik des Utopischen

    Akademie der Künste, Hanseatenweg, Berlin April 28 – June 2, 2019 www.adk.de
    Karin Sander and Harald Welzer: Telling Art and Futures – Die Dialektik des Utopischen

    Zukunftsbilder workshop, in preparation of the exhibition Karin Sander: Telling Art and Futures – Die Dialektik des Utopischen
    Photo © Dana Giesecke

     

    The utopian is at the centre of the exhibition project by concept artist Karin Sander. There is a lot of unfulfilled future in the past, and visions of the future grow on the layers of the past. Together with sociologist Harald Welzer, the results of two surveys pointing both to the past and to the future will be presented and staged. In the process, scientific and artistic classifications cross over, taking on new and unexpected roles.

     

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  • Artist Talk with Tino Sehgal about Marcel Duchamp

    Staatliches Museum, Galerie Alte und Neue Meister, Schwerin April 25, 2019, 6 pm www.museum-schwerin.de
    Artist Talk with Tino Sehgal about Marcel Duchamp

    Photo © Asad Raza

  • Hito Steyerl at Serpentine Galleries

    Serpentine Galleries, London April 11 – May 6, 2019 www.serpentinegalleries.org
    Hito Steyerl at Serpentine Galleries

    Exhibition view: Power Plants, Serpentine Galleries, London, 2019. Serpentine Galleries AR application design by Ayham Ghraowi, developed by Ivaylo Getov, Luxloop⁣⠀
    Photo © 2019 readsreads.info⁣

     

    Hito Steyerl’s new project for the Serpentine Galleries considers power and inequality in society, mapping unequal wealth distribution in the communities surrounding the Serpentine which has been recorded as one of the most socially uneven areas in Europe. Power Plants will see an augmented reality app designed to expand our social vision of some local communities to reveal what Steyerl calls Actual Reality, a series of guided neighbourhood ‘power walks’, and a new video installation created using artificial intelligence trained to predict the future. 

    Beginning with the premise that "power’" is the necessary condition for any digital technology’, Steyerl considers the multiple meanings of the word, including electrical currents, the ecological powers of plants or natural elements, and the complex networks of authority that shape our environments.

  • Artist talk with Hito Steyerl

    Akademie der Künste, Pariser Platz, Berlin April 9, 2019, 7 pm www.adk.de
    Artist talk with Hito Steyerl

    Hito Steyerl, How Not to Be Seen: A Fucking Didactic Educational .MOV File, 2013⁣, single channel high definition digital video and sound in architectural environment

    Duration: 15:52 min

    Film still © Hito Steyerl⁣

     

    Hito Steyerl in conversation with Marius Babias⁣


    Steyerl’s artistic discourse orbits sociopolitical processes in theory and practice: postcolonial criticism, abuse of power, violence and the influences of globalization and digital life visualized in five mixed media installations. ⁣

    This year’s Käthe Kollwitz Prize winner responds by assembling and disassembling computer generated and real images as well as self-written texts. An artist talk will be held together with Marius Babias on 9 Apr 2019.⁣

    The talk will be held in German and tickets can be purchased here.

  • Animal – Human – Robot with the Work of Hito Steyerl

    MO Museum, Vilnius April 6 – August 25, 2019 www.mo.lt
    Animal – Human – Robot with the Work of Hito Steyerl

    Hito Steyerl, Liquidity Inc., 2014, HD video file, single channel in architectural environment, duration: 30 minutes, 15 seconds 

    Exhibition view: Animal – Human – Robot, MO Museum, Vilnius, 2019

    Photo © Kęstutis Stoškus

     

    Animal – Human – Robot will explore explores the ever-changing relationship between humans and other beings: from animal species to organic and mechanical entities created by humans, such as genetically modified organisms or artificial intelligence. 

     

    Read more about the exhibition here.

  • An Opera for Animals with Tao Hui

    Para Site, Hong Kong March 23 – June 9, 2019 www.para-site.art
    An Opera for Animals with Tao Hui

    Tao Hui, Joint Images, 2016, single channel HD video (color, sound), duration: 14:27 min

    Exhibition view: An Opera For Animals, Para Site, Hong Kong, 2019

    Photo © Eddie Lam, Image Art Studio

     

    An Opera for Animals, curated by Cosmin Costinas and Claire Shea, explores the way in which the future is now projected less as the rational thinking commonly remembered from the post-war era – advanced machinery, design, and social forms – but once more as a place of amorphous fear, of animals that might take over in artificial landscapes. The future it seems, will again be an opera for animals.

     

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  • Legislating Architecture: Architecting After Politics. A project by Brandlhuber+ and Christopher Roth

    Aut. Architecture and Tyrol, Innsbruck March 14 – June 8, 2019 www.aut.cc
    Legislating Architecture: Architecting After Politics. A project by Brandlhuber+ and Christopher Roth

    Christopher Roth & Brandlhuber+, Architecting after Politics, 2018

    Duration: 86 min
    Film still © Christopher Roth & Brandlhuber+

     

    Read more about the exhibition here.

  • Ari Benjamin Meyers at OGR

    OGR, Turin March 1 – April 14, 2019 www.ogrtorino.it
    Ari Benjamin Meyers at OGR

    Image: Ari Benjamin Meyers, K Club (Logo), 2019
    Graphic design: Mirjam Schlottner

     

    Ari Benjamin Meyers’ first institutional solo exhibition in Italy, In Concert, curated by Valentina Lacinio and Judith Waldmann, fills the space of OGR - Officine Grandi Riparazioni from March 1 to April 14, 2019 with something that goes beyond music: a variety of social interactions and experiences.

     

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  • Anri Sala at Castello di Rivoli

    Castello di Rivoli, Turin February 26 – June 23, 2019 www.castellodirivoli.org
    Anri Sala at Castello di Rivoli

    Anri Sala, Take Over (Marseillaise), 2017, HD video projection, color, stereo sound, duration 7:56 min
    Film still © Anri Sala

     

     

     

  • Hito Steyerl Receives the Käthe Kollwitz Prize, 2019

    Akademie der Künste, Berlin February 21 – April 14, 2019 www.adk.de
    Hito Steyerl Receives the Käthe Kollwitz Prize, 2019

    Photo © Trevor Paglen

     

    We are delighted to announce the exhibition opening and award ceremony of Hito Steyerl for the Käthe Kollwitz Prize 2019 at the Akademie der Künste, Berlin.

     

    Read more about the exhibition here.

  • Christoph Keller at Gropius Bau

    Gropius Bau, Berlin February 21, 2019, 7.30pm https://www.berlinerfestspiele.de/
    Christoph Keller at Gropius Bau

    Christoph Keller, Ceppo sradicato (uprooted tree), 2018, dimensions variable
    Photo © Christoph Keller

     

    For one night only on February 21, 2019, at 7.30pm, Christoph Keller will present Ceppo sradicato in the group exhibition Villa Massimo zu Gast im Gropius Bau at Gropius Bau, Berlin.

  • Daniel Steegmann Mangrané at Institut d'Art Contemporain

    Institut d'Art Contemporain, Villeurbanne/Rhône-Alpes February 20 – April 28, 2019 www.i-art-c.org
    Daniel Steegmann Mangrané at Institut d'Art Contemporain

    Exhibition view: Ne voulais prendre ni forme, ni chair, ni matière, Institut d'Art Contemporain, Villeurbanne/Rhône-Alpes, 2019
    Photo © Teresa Estrada

     

    Daniel Steegmann Mangrané intends to totally and profoundly transform the space of the IAC. And so, the path of the exhibition, Ne voulais prendre ni forme, ni chair, ni matière, generates new vanishing lines. Defined by a sensitive geometry, driven only by rays of natural light that penetrate the gloom, it encourages exploration and groping and fumbling. 

    This path through the exhibition also translates the artist’s fascination for the notion of dissolution of the self in its surroundings. By placing all of these relationships in space, the artist provides us with a sharp and critical tool: “if there are no more subjects nor objects, then there are no longer spectators or works of art, but rather processes of relationships of mutual transformation. Combinations of agents which influence one another”.

     

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  • Visiting Artist Lecture with Liam Gillick

    College of the Arts & University of Florida February 19 2019, 6pm www.arts.ufl.edu
    Visiting Artist Lecture with Liam Gillick

    On February 19 2019, Liam Gillick with host a lecture at the College of the Arts & University of Florida.

     

    Read more about the event here.

  • Daniel Steegmann Mangrané at Nottingham Contemporary

    Nottingham Contemporary, Nottingham February 16 – May 6, 2019 https://www.nottinghamcontemporary.org
    Daniel Steegmann Mangrané at Nottingham Contemporary

    Daniel Steegmann Mangrané, Spiral Forest (Kingdom Of All The Animals And All The Beasts Is My Name), 2014-2015, 16 mm film, duration 11:41 min, silent, 125 x 170 cm approx. (projector screen), 480 cm approx. (distance to projector), 138 x 30 x 47 cm (plinth)
    Film still © Daniel Steegmann Mangrané

     

    Through a new immersive installation, architectural interventions, a 16mm film and a virtual reality work, the Rio-based Catalan artist looks at how diverse mediums and technologies can represent aspects of the Mata Atlântica.

     

    Mata Atlântica, a rainforest stretching along the Atlantic coast of Brazil, is one of the most important biodiverse areas on Earth, yet is highly endangered, with only 7% of its original surface left. Steegmann Mangrané looks at how this complex environment has been subjected to conflicting pressures: economic, ecological, geographic, scientific, historical and territorial.

     

    More information on the exhibition here.

  • Is This Tomorrow? with Simon Fujiwara

    Whitechapel Gallery, London February 14 – May 12, 2019 www.whitechapelgallery.org
    Is This Tomorrow? with Simon Fujiwara

    Simon Fujiwara, Salvator Mundi Experience, 2019 (detail), mixed media installation. Simon Fujiwara in collaboration with David Kohn architects Photo © Simon Fujiwara

     

    Opening on February 14, Is This Tomorrow? takes as its model Whitechapel Gallery’s landmark exhibition This Is Tomorrow (1956), which featured 37 British architects, painters and sculptors working collaboratively in small groups.

     

    Whitechapel Gallery has invited ten groups of artists, architects and other cultural practitioners, including Simon Fujiwara, to explore the potential of collaboration and offer their visions of the future. 

     

    Read more about the exhibition here.

  • Tino Sehgal at Stedelijk Museum

    Stedelijk Museum, Amsterdam February 4 – March 3, 2019 www.stedelijk.nl
     Tino Sehgal at Stedelijk Museum

    Opening on February 4, the Stedelijk Museum presents Tino Sehgal’s 2012 work This Variation. Originally conceived for Documenta 13 and recently acquired by the Stedelijk Museum, This Variation will be on view through March 3, 2019.

  • Karin Sander at Haus am Waldsee

    Haus am Waldsee, Berlin January 26 – March 3, 2019 www.hausamwaldsee.de
    Karin Sander at Haus am Waldsee

    Karin Sander, Patina Painting, 2019, Haus am Waldsee, Berlin
    Photo © Studio Karin Sander

     

    On the occasion of Haus am Waldsee’s re-opening, the institution presents a comprehensive and site-specific solo exhibition by Karin Sander. Sander often works with the spatial and historical conditions of her exhibition venues. Not only does her upcoming exhibition at Haus am Waldsee document the evolution of her work since the early 1990s, but it also addresses its location, the building itself, which has been freshly renovated 73 years after its inauguration.

     

    Artist Talk with Karin Sander and Prof. Dr. Philip Ursprung, ETH Zurich
    Haus am Waldsee, Berlin
    February 25, 2019, 7:30pm

     

    Read more about the exhibition here.

  • Apologia della storia - The Historian's Craft with Ryan Gander

    ICA Milano January 24 – March 15, 2019 www.icamilano.it
    Apologia della storia - The Historian's Craft with Ryan Gander

    Image: Ryan Gander, 2000 year collaboration (The Prophet), 2018. Exhibition view: Apologia della storia - The Historian's Craft, with Ryan Gander, ICA Milano, Milan, 2019
    Photo © Ryan Gander

     

    Works by Ryan Gander will be on view until March 15, 2019, in the group exhibition "Apologia della storia - The Historian's Craft" at the ICA Milano.

     

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  • Ann Veronica Janssens at Musée de l’Orangerie

    Musée de l’Orangerie, Paris January 23 – April 29, 2019 www.musee-orangerie.fr
    Ann Veronica Janssens at Musée de l’Orangerie

    Ann Veronica Janssens, Hot Pink Turquoise, 2006, two halogen spotlights with dichroic filter, variable dimensions
    Exhibition view: mars, Institut d’art contemporain, Villeurbanne/Rhône-Alpes, 2017. Courtesy the artist, IAC - Institut d'Art Contemporain, Villeurbanne and kamel mennour, Paris/London. Photo © Blaise Adilon

     

     

    Through various media (installations, projections, immersive environments, urban interventions, sculptures), Ann Veronica Janssens invites the viewer to cross into a new sensory space on the borderline of dizziness and dazzlement in the solo exhibition Contemporary Counterpoint

    In a register inspired by cognitive processes (perception, sensation, memory, representation), her works tend towards minimalism, emphasising the fleeting, ephemeral and fragile nature of the environments she invites us to enter.

    In her desire to create a dialogue with Monet’s work, the artist will create a specific luminous immersive environment for the exhibition Contemporary Counterpoint at the Musée de l’Orangerie, Paris. 

  • Ryan Gander & Hito Steyerl: Time Kills – Time Based Art from the Julia Stoschek Collection

    São Paulo, Brazil March 23 – June 16, 2019 www.sescsp.org.br
  • Ari Benjamin Meyers at Kasseler Kunstverein

    Kasseler Kunstverein, Kassel Opening January 17, 2019 www.kasselerkunstverein.de
    Ari Benjamin Meyers at Kasseler Kunstverein

    Ari Benjamin Meyers, Duet, 2014, 2 scores on paper, 2 music stands, pdf file, instructions

    Photo © Paula Winkler

     

    Tacet, from Latin tacere, is a playing instruction in music. If it appears in a score, the instrumentalist or singer is required to pause during the marked interval – to remain silent. 

    Absence, silence and the idiosyncratic power of imagination and memory are performed in the first institutional solo survey exhibition of the American artist and composer – Ari Benjamin Meyers – in Germany. In Meyers’ enactment, the visitor enters a staged situation rather than an exhibition space. She or he inevitably becomes part of the scenario invoked in Tacet. Meyers – who in his work explores, transgresses and shifts the boundaries between the disciplines of music and art – combines in the Kasseler Kunstverein aspects of immersive theater with questions of contemporary art and music. 

    The installation refers to a selection of performances by the artist, all of which are missing the corresponding characteristics of music, sound and movement. Two voices eventually break through the silence in Tacet: the voice of the peculiar archivist performed by art historian Jörn Schafaff, and that of the visitor her or himself. 

  • Ugo Rondinone at MICAS

    MICAS, Malta October 13 – March 31, 2019 www.micas.art
    Ugo Rondinone at MICAS

    Image: Ugo Rondinone, the radiant, 2018⁣
    Photo © Studio Rondinone⁣

  • Pierre Huyghe Named Artistic Director of the 2019 Okayama Art Summit

    Ishikawa Foundation, Okayama Fall 2019
    Pierre Huyghe Named Artistic Director of the 2019 Okayama Art Summit

    Pierre Huyghe.

     

    Okayama Art Summit 2019, the second iteration of the large-scale international art exhibition, will be held in the fall of 2019.

     

    Pierre Huyghe, a participant of the Okayama Art Summit 2016, has been appointed artistic director. The exhibition will be produced by Ishikawa Foundation’s president, Yasuharu Ishikawa.

     

  • Anri Sala in conversation with Maud Page

    Courtyard Marquee, Sydney Observatory, Millers Point October 14, 2017, 12pm www.kaldorartprojects.org.au
    Anri Sala in conversation with Maud Page

    Anri Sala, The Last Resort, 2017

    42-channel sound installation including 38 altered snare drums, loudspeaker parts, snare stands, drumsticks, soundtrack and 4 speakers

    Duration 58:28 min, dimensions ø 850 cm

     

    Photo © Peter Greig

     

     

    On October 14, Anri Sala will share his insights into the conceptual and creative development of The Last Resort in a conversation with Maud Page, Deputy Director and Director of Collections, Art Gallery of New South Wales.

     

    Read more about the event here

  • Tomás Saraceno in conversation with Yasmil Raymond

    Chicago Cultural Center, Randolph Square, 78 E. Washington, Chicago October 5, 2017, 6pm www.arts.uchicago.edu
    Tomás Saraceno in conversation with Yasmil Raymond

    Exhibition view

    Our Interplanetary Bodies, 2017

    Asia Culture Center, Gwangju

     

    Photo © Andrea Rossetti

     

     

    On Thursday, October 5 at 6pm, Tomás Saraceno will be joined in convesation by Yasmil Raymond, Associate Curator at the Museum of Modern Art.

     

    This event is presented by Arts, Science + Culture Initiative and the Gray Center for Arts and Inquiry at the University of Chicago, the Chicago Architecture Biennial, and the Goethe Institut.

     

    Find out more about this event here.

  • Tomás Saraceno at Columbia University New York

    The Lantern, Lenfest Center for the Arts October 10, 2017, 6:30pm to 8pm www.lenfest.arts.columbia.edu
    Tomás Saraceno at Columbia University New York

    Tomás Saraceno Eclipse of the Aerocene Explorer, 2016

    Photo: © Studio Tomás Saraceno

     

     

    Join Tomás Saraceno for a lecture at The Lantern, Lenfest Center for the Arts in New York.

     

    This Event is co-presented by Columbia University School of the Arts; the Fu Foundation School of Engineering and Applied Science; and the School of International and Public Affairs as part of Saraceno’s Fall 2017 visit to at Columbia University.

     

    Read more here: lenfest.arts.columbia.edu

  • Roman Ondak included in Sequences VIII: Elastic Hours

    The Living Art Museum, Reykjavik October 6–15, 2017 www.sequences.is
    Roman Ondak included in Sequences VIII: Elastic Hours

    We're pleased to announce Roman Ondak's participation in the eigth edition of Sequences.

     

    While Sequences uses the term “real time” to refer to time-based media, Sequences VIII: Elastic Hours considers how the term might be applied to the experience of art making, exploring how artists manipulate time as a raw material. Stretching, echoing, and inverting hours, the works included in Sequences VIII often go beyond standardized metrics such as clocks to investigate alternative systems for measuring and experiencing time.

     

    Find out more about the festival here: sequences.is

  • David Claerbout at BFI London Film Festival 2017

    BFI Southbank, NFT3 London October 14, 2017 at 9:20pm www.bfi.org.uk
    David Claerbout at BFI London Film Festival 2017

    Film still: David Claerbout, Die Reine Notwendigkeit/The Pure Necessity, 2016

     

     

    David Claerbout's work Die Reine Notwendigkeit/The Pure Necessity is included in this year's BFI London Film Festival.

     

    "A hypnotic and lyrical reworking of The Jungle Book, that removes its anthropomorphism and its human characters to give the animals back their dignity. The artist redrew all the animated animals and deconstructed the narrative arc to render it eventless, thus giving the impression of watching the animals in their natural surroundings and unaware of any human presence. The effect is one of rekindling a fond memory of childhood, but with the shades of commercial and cultural exploitation removed."

    Helen de Witt, bfi.org.uk

  • Talk with Isa Melsheimer: Fading Architectures

    ZKR–Center for Art and Public Space, Schloss Biesdorf Berlin August 10, 2017, 6:30 PM

     

    Talk with Isa Melsheimer: Fading Architectures

    Exhibition view: Between Spaces, ZKR, Berlin

    Photo: Frank Sperling

     

    Join Isa Melsheimer for an artist talk at ZKR–Center for Art and Public Space, Schloss Biesdorf in Berlin. Entitled "Fading Architectures, Melsheimer will talk about the present and future of urban cityscapes and architectures. Read more about the event here: zkr-berlin.de

  • V-A-C Live: Tino Sehgal

    Moscow August 1 – September 14, 2017 www.v-a-c.ru
    V-A-C Live: Tino Sehgal

    Tino Sehgal

    Photo: Robin Roger, 2017

     

     

    V-A-C Foundation presents V-A-C Live: Tino Sehgal, an exhibition of seven works by Tino Sehgal. From 1 August to 14 September 2017, the New Tretyakov Gallery and Schusev State Museum of Architecture will host works by the internationally renowned artist, who de es art as material production and constructs immersive situations that reinvent the traditional museum environment. This will be the first large-scale appearance of Sehgal’s work in Russia and parallel to the exhibition, an educational programme exploring the exhibition themes will run at the New Tretyakov Gallery and the Solyanka State Gallery.

  • FRONT International: Cleveland Triennial for Contemporary Art with Dominique Gonzalez-Foerster

    Cleveland July 14 – September 30, 2018 www.frontart.org
    FRONT International: Cleveland Triennial for Contemporary Art with Dominique Gonzalez-Foerster

    Cleveland, Ohio. Courtesy FRONT International.

     

    We congratulate Dominique Gonzalez-Foerster and Tino Sehgal for their inclusion in the upcoming FRONT International: Cleveland Triennial for Contemporary Art.

     

    FRONT's first edition, titled An American City: Eleven Cultural Exercises, will run from July 14, 2018 through September 30, 2018. Conceived by FRONT’s Artistic Directors Michelle Grabner and Jens Hoffmann, this multipart presentation of interconnected “cultural exercises” will investigate the significance and meaning of staging a large-scale international triennial in the contemporary context. Bringing together more than 55 local, national and international artists across mediums and disciplines, FRONT will partner with sites throughout the city of Cleveland and beyond to explore artistic collaborations, intellectual exchanges and curatorial dialogues connecting the city and the Great Lakes region to broader global, political and economic networks. FRONT’s ambitious program will weave critical approaches to museum exhibitions, public and educational programs, residencies, publications and research strategies in a complex presentation.

     

    Read more

  • Prabhavathi Meppayil participating in 21st Biennale of Sydney

    Sydney March 15 – June 11, 2018 www.biennaleofsydney.com.au
    Prabhavathi Meppayil participating in 21st Biennale of Sydney

    We congratulate Prabhavathi Meppayil for her participation in the 21st Biennale of Sydney!

     

    Artistic Director of the 21st Biennale of Sydney Mami Kataoka has announced the title of the 2018 Biennale of Sydney is SUPERPOSITION: Art of Equilibrium and Engagement and shared the names of additional artists from Asia selected to present their works in the multi-venue event.

     

  • Viva Arte Viva: The 57th Venice Biennale, with Liu Ye, Philippe Parreno, Anri Sala

    Venice, Italy May 13 – November 26, 2017 www.labiennale.org

     

    The 57th International Art Exhibition, VIVA ARTE VIVA, will take place at the Giardini and the Arsenale in Venice, from May 13 to November 26, 2017. Curated by Christine Macel, it will feature 120 artists from 51 countries, including Liu Ye, Philippe Parreno, and Anri Sala.

     

    The exhibition will offer a route that unfolds over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. Each of the nine chapters or families of artists of the Exhibition will represent a Pavilion in itself, or rather a Trans-Pavilion as it is trans-national by nature but echoes the Biennale's historical organization into pavilions, the number of which has never ceased to grow since the end of the 1990s. From the "Pavilion of Artists and Books" to the "Pavilion of Time and Infinity", these nine episodes will tell a story that is often discursive and at times paradoxical, with detours that mirror the world's complexities, a multiplicity of approaches and a wide variety of practices.

  • Tomás Saraceno: Aerosolar Journeys

    Haus Konstruktiv, Zurich Through September 3, 2017 www.hauskonstruktiv.ch
    Tomás Saraceno: Aerosolar Journeys

    Tomás Saraceno, Arachno Concert, with Arachne (Nephila senegalensis), Cosmic Dust (Porus Chondrite) and the Breathing Ensemble, 2016

    Photo: © Studio Tomás Saraceno

  • Tino Sehgal

    Fondation Beyeler Through October 31, 2017 www.fondationbeyeler.ch
    Tino Sehgal

    Fondation Beyeler, Basel

    Photo: © Mark Niedermann

  • Pierre Huyghe: Skulptur Projekte Münster 2017

    Eis Palast Münster, Münster June 10 – October 1, 2017 www.skulptur-projekte.de
    Pierre Huyghe: Skulptur Projekte Münster 2017

    Pierre Huyghe, artist's plan, Skulptur Projekte Münster 2017

    Image: © Pierre Huyghe

  • General Idea: Photographs (1962-1982)

    MAMCO, Geneva Through January 28, 2018 www.mamco.ch
    General Idea: Photographs (1962-1982)

    General Idea, Portrait of AA Bronson, 1973, vintage silver gelatin print, 12,5 x 17,5 cm (unframed), 15,5 x 20,5 x 4 cm (framed)

    Photo: © The Estate of General Idea

  • Duet With Artists: with Angela Bulloch, Rodney Graham, Pierre Huyghe, and Tino Sehgal

    Museum Morsbroich, Leverkusen Through August 27, 2017 www.museum-morsbroich.de
  • Dominique Gonzalez-Foerster Included In Art Basel Conversations

    Messe Basel Auditorium June 16, 11:30 Am www.artbasel.com
  • David Claerbout: Olympia

    Schaulager, Basel Through October 22, 2017 www.schaulager.org
    David Claerbout: Olympia

    David Claerbout, Olympia (The Real Time Disintegration Into Ruins Of The Berlin Olympic Stadium Over The Course Of A Thousand Years), 2016

    Single-channel video installation (color, silent, HD animation), duration 1000 years

    Film still

  • Karin Sander: Identities on Display

    Kunstmuseum Villa Zanders, Bergisch Gladbach Through June 18, 2017 www.villa-zanders.de
    Karin Sander: Identities on Display

    Karin Sander, Exhibiton Space 1.7, 1:2, 2017

    Carpet, wool, 2 x 525 x 341 cm
    Photo: © Martin Lauffer
  • Ari Benjamin Meyers: Music Is Not!

    Witte de With Centre for Contemporary Art, Rotterdam May 26-27, 2017 www.kunsthalleformusic.org
    Ari Benjamin Meyers: Music Is Not!

    Graphic: © Ari Benjamin Meyers/Kunsthalle for Music

     

     

    Kunsthalle for Music and its Artistic Director Ari Benjamin Meyers continue the unfolding of Kunsthalle for Music by addressing fundamental questions through a symposium of multiple modes: lectures, auditions, open workshops, and performances.

     

    The two-day symposium at Witte de With Center for Contemporary Art in Rotterdam will feature international practitioners from the fields of contemporary art, music, and theory. As part of the symposium, Witte de With will host a casting of the Kunsthalle for Music's future ensemble, which will invite selected performers to collaborate with composers towards the creation of music and performance works.

     

    The program was conceived by Ari Benjamin Meyers, Armen Avanessian, and Witte de With's Defne Ayas, Samuel Salemakers, and Rosa de Graaf.

  • Karin Sander: Cappadox Festival 2017

    Cappadox 2017, Cappadocia, Turkey May 18–21, 2017

    Karin Sander will participate in Cappadox Festival 2017

    Karin Sander’s practice has consistently explored the intersection between art and the public realm, revealing nuanced reflections of spaces and situations through subtle alterations that expose new perspectives for viewers. In rendering often invisible aspects that escape perception, she draws attention to other ways of seeing. Beyond formal aesthetics, Sander’s work can be seen as a reduction or distillation process that heighten our senses, ushering viewers into a new experience of familiar environments.

    Sander’s project for the Cappadox Contemporary Art programme aspires to play with the perception and preconceptions of the audiences of a concert, gathering or a festival. Her performance Project, “Hitting the Highest Notes” will be realized in collaboration with the Nevşehir Hacı Bektaş Veli University, Music and Performing Arts Department.

     

    Performance: Karin Sander / Blitz Concert, Incollaboration with the Nevşehir Hacı Bektaş Veli Üniversitesi Painting Department

    May 19, 2017

    5:30 PM to 6:00 PM

    Bezirhane, Argos

     

    Blitz Concert

    Total darkness on stage and in the audience. The musicians quietly take position on stage, each holding a camera with a flashlight. The audience sits quietly, awaiting the performance. Now the musicians start to photograph in the direction of the viewers, each following the rhythm of a children’s song that they remember. Countless flashes are sent into the dark, as seen in a thunderstorm or on the red carpet around pop stars. No sound is audible except the rustling of the camera shutters. Sharp flashes hit the eyes of the audience, while the players are simultaneously documenting it on their cameras.

     

    Performance: Karin Sander / Hitting the Highest Notes, Incollaboration with the Nevşehir Hacı Bektaş Veli Üniversitesi Music and Performing Arts Department

    May 20, 7PM – 7:30PM

    İbrahimpaşa Bridge

     

    Hitting the highest notes

    The performance consists of a piece of music played by as many professional musicians as possible – an orchestra or an ensemble in which each member strives to elicit from whatever instrument he or she is playing the highest notes of which it is capable. Using the lower notes as a kind of springboard, the musicians aim to play ever higher notes, perhaps even exceeding the normal technical range of their instruments. The music is created both by this desire to achieve an impossibly high range of notes and by the different rhythms of the musical sequences that arise.

     

    Source: cappadox.com

    Karin Sander: Cappadox Festival 2017

    Hitting the highest notes on the Highest Peaks, 2017

    Cappadox 2017, Cappadocia, Turkey

    Musical piece, played by a number of professional musicians, an ensemble or an orchestra, in which everyone strives to elicit the highest possible notes from his or her instrument.

    Visualization © Studio Karin Sander

     

  • Ugo Rondinone: let's start this day again

    CAC–Contemporary Arts Center, Cincinnati May 6 – August 20, 2017 www.contemporaryartscenter.org
    Ugo Rondinone: let's start this day again

    Ugo Rondinone, let's start this day again

    Image: © Ugo Rondinone

     

     

    Starting May 6, 2017, CAC–Contemporary Arts Center in Cincinnati will present let's start this day again, a solo exhibition by Ugo Rondinone. This hypnotic installation will be carefully layered in groups that include a neon rainbow, colored gels on the windows, floating mandalas, blurred target paintings, painted windows, gradient color walls and a surreal cast of life-size, clown sculptures. Presented as a constellation, Rondinone marries elements he has used in the past to “bring all those groups together in a colorful symphony.”

  • Ryan Gander: These wings aren't for flying

    The National Museum of Art, Osaka April 29–July 2, 2017 www.nmaogo.jp
    Ryan Gander: These wings aren't for flying

    Ryan Gander, Echo from Culturefield, 2016, 13 x 75 cm, wall plugs and dust

    Photo: © Andrea Rossetti

     

     

    Ryan Gander's solo exhibition These wings aren't for flying (April 29 – July 2, 2017) will present approximately 60 new works at the National Museum of Art, Osaka. At the same time, Gander will curate an exhibit made up of works from the museum collection. Using the human tendency to think in comparisons as a premise, Gander will present the works in numerous pairs. Though the pairings will be based on a physical resemblance, they will be derived from different genres and eras.

  • David Claerbout in conversation with J.J. Charlesworth

    Fundació Antoni Tàpies, Barcelona March 15, 2017 at 3pm www.fundaciotapies.org
    David Claerbout in conversation with J.J. Charlesworth

    David Claerbout

    Olympia (The Real Time Disintegration Into Ruins Of The Berlin Olympic Stadium Over The Course Of A Thousand Years), 2016
    Two-channel video installation (color, stereo sound, HD animation)

    Duration: 1000 years
    Exhibition view: KINDL Centre for Contemporary Art, Berlin, 2016

  • Christopher Roth: The Property Drama (Trailer)

    Chicago Architecture Biennial 2017 September 16, 2017 – January 7, 2018 www.chicagoarchitecturebiennial.org
    Christopher Roth: The Property Drama (Trailer)

    Legislating Architecture Chicago Architecture Biennal, Chicago, 2017

  • Zwischen Räumen, with Isa Melsheimer and Tomás Saraceno

    ZKR Schloss Biesdorf, Berlin April 28 – October 8, 2017 www.zkr-berlin.de
    Zwischen Räumen, with Isa Melsheimer and Tomás Saraceno

    Isa Melsheimer

    Kallmorgen (Kaispeicher), 2015
    Reinforced concrete

    Photo © Andreas Weiss

  • The Transported Man, with Ceal Floyer, Ryan Gander and Ugo Rondinone

    Broad Art Museum, Michigan State University, Lansing, MI April 29 – October 22, 2017 www.broadmuseum.msu.edu
    The Transported Man, with Ceal Floyer, Ryan Gander and Ugo Rondinone

    Ugo Rondinone

    clockwork for oracles II, 2008

    Photo © Studio Ugo Rondinone

  • Socle du Monde Biennale 2017, with Tomás Saraceno

    Heart-Herning Museum of Contemporary Art, Herning April 21 – August 27, 2017 www.socledumonde.org
    Socle du Monde Biennale 2017, with Tomás Saraceno

    Tomás Saraceno

    Aerocene Gemini, Free Flight, 2016

    Photo © Tomás Saraceno

  • Shanghai Project Chapter 2: Seeds of Time, with Liam Gillick and Dominique Gonzalez-Foerster

    Shanghai Himalayas Museum, Shanghai April 22 – July 30, 2017 www.shanghai-project.org

    Performance by Researchers

    April 22, 2017 at 6pm

    Shanghai Project Chapter 2: Seeds of Time, with Liam Gillick and Dominique Gonzalez-Foerster

    Liam Gillick

    Construcción de Uno (A Prequel), 2006

    Volkswagen (Golf Mk 1 or equivalent), texts, participants

    Exhibition view: Tate, London, 2006

  • Ryan Gander: These wings aren't for flying

    The National Museum of Art, Osaka April 29 – July 2, 2017 www.nmao.go.jp
    Ryan Gander: These wings aren't for flying

    Ryan Gander

    Portrait of a colour blind artist obscured by flowers, 2016 (film still)

    HD video (color, stereo sound), duration 13:09 min
  • Roman Ondak

    Villa Tugendhat, Brno May 1 – 7, 2017 www. tugendhat.eu
    Roman Ondak

    Roman Ondak

    Tugendhat 1, Villa Tugendhat, Brno

    Photo © Roman Ondak

  • Meeting Points 8: Both Sides of the Curtain, with Jean-Pascal Flavien

    Beirut Art Center, Beirut April 12 – June 4, 2017 www.mophradat.org
    Meeting Points 8: Both Sides of the Curtain, with Jean-Pascal Flavien
    Jean-Pascal Flavien, statement house (temporary title), 2015 standard wooden material, 366 x 549 x 549 cm
    Photo © Studio Flavien
  • Fully Awake, with Andrew Grassie

    blip blip blip, Leeds April 6 – 21, 2017 www.blipblipblip.co.uk
    Fully Awake, with Andrew Grassie

    Exhibition view of Andrew Grassie's works at Blipblipblip Gallery, Leeds, 2017

  • David Claerbout: Olympia

    MUHKA, Antwerp From April 28, 2017 www.muhka.be
    David Claerbout: Olympia
    David Claerbout
    Olympia (The Real Time Disintegration Into Ruins Of The Berlin Olympic Stadium Over The Course Of A Thousand Years), 2016 (film still)
    Single-channel video installation (color, silent, HD animation)
    Duration: 1000 years
  • Christopher Roth: J.G. Ballard Screening and Conversation with Christopher Petit

    Decad, Berlin April 29, 2017 at 3pm www.decad.org
    Christopher Roth: J.G. Ballard Screening and Conversation with Christopher Petit

     

    Christopher Roth and Armen Avanessian

    Hyperstition, 2015, HD film, Blueray player and non-removable disc

    Duration: 113 minutes with an eight-minute break

    Photo © Christopher Roth

  • Tomás Saraceno: How To Entangle The Universe In A Spider Web

    Museo de Arte Moderno, Buenos Aires From April 7, 2017 www.buenosaires.gob.ar
    Tomás Saraceno: How To Entangle The Universe In A Spider Web

    Tomás Saraceno

    Arachno Concert With Arachne (Nephila senegalensis), Cosmic Dust (Porus Chondrite) and the Breathing Ensemble, 2016

    Nephila senegalensis silk, carbon frame, light beam, cosmic dust, stellar wind, sonic waves, video camera, loudspeakers, video projector
    Photo © Andrea Rossetti

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