• Podcast: AA Bronson speaks with The Art Newspaper

    Podcast: AA Bronson speaks with The Art Newspaper

    Photo © Piotr Porebski

     

    On the occasion of Berlin Art Week 2020, The Art Newspaper spoke with AA Bronson about participating in one of the big shows opening during the week, at the legendary Berghain nightclub, and about his experience of living in the city. 

     

    Click here to listen to the full podcast!

  • Book Launch with Liam Gillick

    Museo Madre, Naples Wednesday, September 9, 2020 at 6.30 pm www.madrenapoli.it
    Book Launch with Liam Gillick

    On Wednesday September 9, at 18.30, the Museo Madre will present the new publication by Liam Gillick: Standing On Top of a Building: Films 2008-2019 published in June 2020 by Edizioni Madre and arte’m.⁠

    After an introduction by the president of the Fondazione Donnaregina per le arti contemporanee, Laura Valente, Liam Gillick will be joined in conversation with the curators, Alberto Salvadori and Andrea Viliani.⁠

    The publication is the first retrospective dedicated exclusively to Liam Gillick’s film production.⁠

     

    RSVP HERE

  • Cooking with Artists – Nathan Carter

    Cooking with Artists – Nathan Carter

    “When I was a kid, I drew and built my worlds. I would make maps and models of places. I would mix toys together and there was a lot of masking tape, pencils, matchboxes, thread, string, and Elmer’s glue—sticking legos to pine cones and things like that. As an adult, as a childish adult, I’m still doing that storytelling through drawing maps and world-building.”⁠

    Nathan Carter shared his recipe for a refreshing, tangy salad of cucumbers, mangoes, pineapples, lime, and spicy Thai chilis for MoMA PS1's new instalment of Cooking with Artists with Chef Mina Stone⁠

    Click the link for the full recipe!

  • The Reading Corner: Roman Ondak

    The Reading Corner: Roman Ondak

    Published on occasion of the Roman Ondak's exhibition History Repeats Itself at Kunsten Museum of Modern Art Aalborg in 2017 and is published Verlag der Buchhandlung König. It is a personal and metaphysical journey into the landscapes of history and youth of Roman Ondak.

     

    Roman Ondak works with conceptual art, that is: art based on an idea. Like the father of conceptual art, Marcel Duchamp, Roman Ondak works with found objects. He revitalises the genre by placing the "object" in a broader context, which allows new stories to arise - with both personal, poetic and political power.

     

    Available here

  • Instagram Takeover: Daniel Steegmann Mangrané

    Instagram Takeover: Daniel Steegmann Mangrané

    Daniel Steegmann Mangrane and Juliana Fausto, LA PENSÉE FÉRALE 1/7⁠

     

    "What do a dog and a tree have in common? Their bark!” Joke, anonymous.

     

    "An animal is classified as feral when it is a former domestic animal living in a wild habitat, without food or shelter provided by humans, and showing some resistance to people”, biologists state. Some of the most common species that turn feral are cats, dogs, horses, and pigs. Once companion species, when the pact established thousands of years ago by codomestication is broken, they have the ability not to go back to being wolves, their wild ancestors in the case of dogs, but to become something else. They become feral. Claude Lévi-Strauss coined the concept of pensée sauvage (not la pensée des sauvages, as we are often reminded), a type of “untamed” thought, kept alive in the modern western world within “natural reserves” of art, as he would say. Dogs are not often considered wildlife; they are mostly a species-with-humans. Messmates. That does not mean they could not experience their own kind of pensée sauvage – or even a domesticated thought, who knows. But what mode of thought is expressed when these two worlds collapse, pacts are broken, their world is wounded, they become without-humans and thus feral? Is it possible that la pensée férale is one that makes surviving in the Anthropocene feasible?⁠


    Text Juliana Fausto, images Daniel Steegmann Mangrané⁠

    For each week in 2020, curator Maria Lind invites 52 artists to inhabit this account to make weekly proposals for the 2020s. See Daniel Steegmann Mangrané's takeover at @52proposalsforthe20s.⁠

  • Anri Sala – Take Over (Marseillaise), 2017

    Anri Sala – Take Over (Marseillaise), 2017

    Film still: Anri Sala, Take Over (Marseillaise), 2017, HD video projection, color, stereo sound, duration 7:56 min
    © VG Bild-Kunst, Bonn, 2020

     

    We celebrate Bastille Day with Anri Sala and an excerpt from his 2017 video Take Over (Marseillaise)!

     

    Watch as the pianist and Disklavier play the French national anthem in a carefully choreographed moment of ghostly harmony, evoking the timelessness of the tune.

     

    Both this video and its counterpart, Take Over (Internationale), pair the two eponymous musical works, powerful political anthems that are affiliated by an entangled political and cultural history.

     

    Click here to watch!

     

     

  • Letter from Berlin – July 3, 2020

    Letter from Berlin – July 3, 2020

    Grönlund-Nisunen, Orbita, 2005/2018, a stainless steel ball, stainless-steel rails, electric linear actuators, switches, a light bulb, electric cable, 7 x 7 x 0.5 m
    Exhibition view: Grönlund-Nisunen, Flow With Matter, Minsheng Art Museum, Shanghai, 2020
    Photo © Shanghai Minsheng Art Museum

     

    This week we take the exhibition of several major works of Anri Sala’s (at ARoS, in Aarhus, the Kienzle Art Foundation in Berlin, and at the gallery) as occasion to focus on the artist and also screen his Take Over (Marseillaise) as our weekly online film.

     

    As part of Festival! Isa Melsheimer and N.Dash’s exhibition continues through next Thursday. The following weekend, July 11th, Sala’s exhibition with Saâdane Afif will open.

     

    We want to draw your attention to a comprehensive exhibition by Grönlund-Nisunen at the Shanghai Minsheng Art Museum and reprint from an interview and an essay on the two Finnish artists.

     

    And beginning July 14th, Simon Fujiwara will exhibit Joanne as part of the 2020 Seoul Photo Festival. Details can be found below.

     

    The weekly Letter from Berlin will break for summer! After a travel issue in late July, we will return with new stories in the fall. 

     

    Read the entire Letter from Berlin here

     

    Hier finden Sie die deutsche Version unseres Briefes aus Berlin

  • The Reading Corner: Daniel Steegmann Mangrané

    The Reading Corner: Daniel Steegmann Mangrané

    “If there are no more subjects nor objects, then there are no longer spectators or works of art, but rather processes of relationships of mutual transformation. Combinations of agents which influence one another”. – Daniel Steegmann Mangrané

    Profoundly transforming the space of the IAC Daniel Steegmann Mangrané's solo exhibition, Ne voulais prendre ni forme, ni chair, ni matière, generated new vanishing lines. Defined by a sensitive geometry, driven only by rays of natural light that penetrate the gloom, the exhibition encouraged exploration.⁠

    This artist book has been published on occasion of the exhibition Ne voulais prendre ni forme, ni chair, ni matière at the Institut d'art contemporain, Villeurbanne/Rhône-Alpes from 20 February to 28 April 2019. ⁠

    Available here

  • Letter from Berlin – June 26, 2020

    Letter from Berlin – June 26, 2020

    Isa Melsheimer, Wasserballett für Marl, 2017, video (colour, sound), mask (cloth, cushion batting, thread, wire, screen), duration 07:48 min
    Film still © Isa Melsheimer

     

    This week we continue to focus on new projects and re-opening exhibitions.

     

    On occasion of Isa Melsheimer's exhibition with N.Dash as part of Festival!, we introduce her short video Wasserballett für Marl and reprint from her interview with Collectors Agenda. Isa Melsheimer's solo exhibition at the KINDL closes next weekend, on July 5th.

     

    We want to draw your attention to an exhibition with Karin Sander opening this weekend, present recent interviews with Gabriel Kuri, and also take a closer look at the artists' works in our exhibition PS81E.

     

    Read the entire Letter from Berlin here

     

    Hier finden Sie die deutsche Version unseres Briefes aus Berlin

  • Immersive Ping-Pong with Gabriel Kuri

    Immersive Ping-Pong with Gabriel Kuri

    Currently exhibited as part of our exhibition PS81E, Gabriel Kuri’s untitled (AE DEC 18) consists of a number of objects in different colors made from hard plastic that have been arranged in a loose grouping. Their shape is taken from a standard fastening clip, a closure best-known for use on packages of sliced bread (but also used to seal bags of fruit and other perishables). In this case the found object, the bread-clips, has been scaled to an almost monstrous size, removing all functionality.

     

    The artists characteristic combination of precision and playfulness surfaced with a recent short video in which he plays ping-pong in his studio, felling the giant bread-clips one by one!

     

    Made in confinement in Gabriel Kuri’s studio in Brussels. Much gratitude to Cristian Manzutto for his selfless help with the iPhone camera and editing. And thanks to Jonas Kuri.

     

    Click the image to watch the video!

  • Letter from Berlin – June 19, 2020

    Letter from Berlin – June 19, 2020

    Angela Bulloch and David Grubbs, The Wired Salutation, performance / concert at Theater der Künste in Zurich, Switzerland on February 18, 2016. 

     

    This week we continue to focus on new projects and re-opening exhibitions.

    On occasion of Angela Bulloch’s exhibition with Gerwald Rockenschaub Festival!, we introduce her collaboration with David Grubbs The Wired Salutation with an excerpt from Grubbs essay.

    This coming Sunday, June 21, the gallery will be open as part of SUNDAY OPEN, as we also continue participating in the now extended Basel by Berlin.

    Please visit our new Online Viewing Room for PS81E and the presentation of our Art Basel Online Viewing Room.

    We want to draw your attention to exhibitions with Simon Fujiwara and Roman Ondak opening next week in Bonn and Aalborg, respectively, and also take a closer look at their works in our exhibition PS81E.

     

    Read the entire Letter from Berlin here

     

    Hier finden Sie die deutsche Version unseres Briefes aus Berlin

     

  • In the Studio – Simon Fujiwara

    In the Studio – Simon Fujiwara

    Photo © Kristin Loschert

     

    This week the art magazine Collectors Agenda published an extinsive interview with Simon Fujiwara. Below excerpts from their conversation in which Simon also spoke about his fascination for female characters, among them Marie Antoinette who is the subject of his work currently on view as part of PS81E, A Dramatically Enlarged Set of Golden Guillotine Earrings Depicting the Severed Heads of Marie Antoinette and King Louis XVI, 2019.

     

    Read the full article here

  • The Art World Works From Home: Gabriel Kuri

    The Art World Works From Home: Gabriel Kuri

    A view inside Gabriel Kuri’s studio

     

    An extensive interview with Gabriel Kuri published by artnet on June 5, 2020.

     

    Read the full article here

  • Letter From Berlin – June 5, 2020

     Letter From Berlin – June 5, 2020

    Christoph Keller, Whirling until I drop, 2008, 5 min, B/W, no sound, from 3 Selbstversuche, 2008, digital video (3 films)

     

    This week we take the film screening Christoph Keller’s 3 Self-Experiments as occasion to present an essay on his practice which focuses on the way in which knowledge is gathered and organized across disciplines. 

     

    Read the entire Letter from Berlin here

     

    Hier finden Sie die deutsche Version unseres Briefes aus Berlin

     

  • Podcast on Julia Scher's Security by Julia

    Podcast on Julia Scher's Security by Julia

    Julia Scher, Security By Julia IV, 1989, performance
    Exhibition view: Security By Julia IV, Whitney Biennial, New York, 1989
    Photo © Julia Scher

     

    In this podcast series Prof Dr Astrid Mania, students, and colleagues from HFBK in Hamburg as well as special guests talk about art works that resonate with what’s currently on our minds, that might be thought-provoking, comforting and also a little entertaining every now and again. In this fifty-second episode Astrid Mania talks about Julia Scher's Security by Julia.

     

    Listen to the podcast here

  • Online Performance – Ari Benjamin Meyers

    Online Performance – Ari Benjamin Meyers

    Photo © Joachim Koltzer

     

    Forecast (Part I/Concert Version)⁠
    by Ari Benjamin Meyers
    From Thursday June 4, 2020, 6pm, for 48 hours⁠

    American artist and composer Ari Benjamin Meyers works at the intersection of music, theatre, performance and live installation, aiming to exploit each genre’s particular register and make new connections between their different mechanisms of action.⁠

    Forecast, his work that was scheduled to premiere on April 23 but whose rehearsal process and premiere had to be postponed to next season due to the coronavirus pandemic, is dedicated to the weather as phenomena and a starting point for an evening about predictability, and humans as the creators of the future with their need for forecasts, control and imagination.⁠

    From May 11-15, the Forecast ensemble met in the Volksbühne to record an excerpt of the performance as a concert-style session on video.⁠

    Click here to watch the performance! ⁠

  • Letter from Berlin – May 29, 2020

    Letter from Berlin – May 29, 2020

    General Idea, God Is My Gigolo, 1969-70, film 16 mm, duration 34:40 min
    Film still © The Estate of General Idea

     

    This week we focus on the work of AA Bronson and General Idea in this Letter from Berlin. There is much to discover: a film, God is My Gigolo, two recent interviews the artist gave on the parallels of the health crises regarding AIDS and COVID19, past exhibitions, his ongoing project A Public Apology to Siksika Nation, presented in an excerpted essay by Ben Miller, and notes on the recurring motif of the poodle in General Idea’s oeuvre.

    Another highlight is AA Bronson’s powerful text I Love Berlin!

    The weekly film screening features General Idea’s God is my Gigolo from 1969-70. (Please note these weekly viewing links are temporary: The film is available to view only through Sunday night, Berlin time.)

    We also want to draw your attention to the opening of Karin Sander’s major solo exhibition at the Museion in Bolzano and to the online screening by the Berlin-based project space Scharaun of films by Anri Sala premiering today.

     

    Read the entire Letter from Berlin here

     

    Hier finden Sie die deutsche Version unseres Briefes aus Berlin

  • The Reading Corner: Liu Ye

    The Reading Corner: Liu Ye

    "It is no accident that the simplified paintings by Liu Ye are reminiscent of cartoons and illustrations in children’s books: the artist’s father wrote books for children and possessed a box filled with Western, often prohibited classic children’s literature. The pictures in them influenced Liu Ye at an early age. After studying at the Central Academy of Fine Arts in Beijing and the Berlin University of the Arts, the artist discovered his own distinct style, which plays with viewers’ visual expectations and catches them unawares with surprising pictorial compositions. His small-format paintings of Miffy the rabbit, the character created by Dick Bruna, are unmistakable, often painted against a dismal background that recalls the Old Masters or combined with elements borrowed from Piet Mondrian, as are his pastel compositions with innocent yet challenging female characters."⁠⠀
    ⁠⠀
    This first catalogue raisonné featuring the sensitive works by Liu Ye provides an overview of his creative output from 1991 to 2015. ⁠

     

    Available here!

  • Film Screening – Anri Sala, Long Sorrow (2005) & Answer Me (2008)

    www.scharaun.de
    Film Screening – Anri Sala, Long Sorrow (2005) & Answer Me (2008)

    Anri Sala, Answer Me, 2008, HD Video, color, stereo, duration 4:50 min
    © VG Bild-Kunst, Bonn, 2020
    Film still © Anri Sala

     

    Programm #1:

    Anri Sala

    Long Sorrow (2005) & Answer Me (2008)

     

    Friday 29. May, 2020, for one week

    From 6 pm

     

    Click here to watch

  • Letter from Berlin – May 22, 2020

    Letter from Berlin – May 22, 2020

    Ari Benjamin Meyers, Four Liverpool Musicians (Bette, Budgie, Ken, Louisa), 2018, three channel video, color, sound, four original scores, framed, duration 52:10 mins, scores: 4 framed score triptychs, 3 score pages each (30,1 x 23,2 cm each score page, 49,5 x 95,3 x 2,3 cm each framed triptych)
    Film still © Ari Benjamin Meyers

     

    This week we take the launch of our Ari Benjamin Meyers Online Viewing Room as occasion to loosely focus on music in this Letter from Berlin.

    We introduce Meyers’ with a film streaming of his 2018 Four Liverpool Musicians and a text by Alexander Abdelilah. You can also find Meyers recent talk with Michael Langer in German public radio linked. (Please note these weekly viewing links are temporary: The film is available to view only through Sunday night, Berlin time.)

    In a recent conversation with the Vienna-based curator Alexandra Grimmer, Liu Ye spoke about listening to music in his studio.

    Ryan Gander
     has practiced his DJ-ing skills. See, and listen to, his broadcast, recorded on his birthday.

     

    Read the entire Letter from Berlin here

     

    Hier finden Sie die deutsche Version unseres Briefes aus Berlin

  • Letter from Berlin – May 16, 2020

    Letter from Berlin – May 16, 2020

    Pierre Huyghe, A Way in Untilled, 2012, HD Video in color, sound, duration: 14 min
    © VG Bild-Kunst, Bonn, 2020. Film still © Pierre Huyghe

     

    This week we continue our film streaming with Tao Hui’s Mongolism from 2010. (Please note these weekly viewing links are temporary: The film is available to view only through Sunday night, Berlin time.)

    As Spring turns into Summer, in this Letter from Berlin Isabelle Moffat presents two outdoor projects: Martin Boyce’s 2019 commission at Mount Stuart on the Isle of Bute and Pierre Huyghe’s La Saison des Fêtes from 2010, including an exclusive screening of Huyghe's film on his Documenta project, A Way in Untilled!

    In four short videos, Isa Melsheimer speaks about her transformative experience on the coast of Newfoundland.

    This week’s theme was loosely inspired by Para Site’s large-scale group exhibition entitled Garden of Six Seasons that includes Dominique Gonzalez-Foerster’s work Gloria. More information below.

     

    Read the entire Letter from Berlin here

     

    Hier finden Sie die deutsche Version unseres Briefes aus Berlin!

  • The Reading Corner: Anri Sala

    The Reading Corner: Anri Sala

    Photo © Mousse Publishing

     

    This book, published for the exhibition Anri Sala. Le Temps coudé, presented at Mudam in fall 2019, comprises four essays by the philosopher and musicologist Peter Szendy that consider the artist’s major works since 2013.

     

    Demonstrating the strong intellectual connections that has developed between the two over the course of their collaborations, these essays draw on a sensory experience of the works of Anri Sala to analyze the way that music nourishes them, in their connection to image, space, history, and time.⁠

     

    Available here! 

  • Letter from Berlin – May 7, 2020

    Letter from Berlin – May 7, 2020

    David Claerbout, Die reine Notwendigkeit/The Pure Necessity, 2016. Color animation, duration 50:00 min.
    (This director's cut is 30 minutes long.)

     

    This week we continue our weekly film streaming with David Claerbout’s Die Reine Notwendigkeit / The Pure Necessity and also highlight the artist’s recent interviews and lectures. The film is available to view through Sunday night, Berlin time.

    This Letter from Berlin introduces three recent projects across magazines and the internet: Thomas Demand’s covers for the Italian architecture magazine Domus, Anri Sala’s contribution to M, the magazine of Le Monde, and the enthusiastically received "polite hack" of the website of this year’s Copenhagen Architecture Festival.

    We also want to draw your attention to an online screening of a work by Hito Steyerl, the Guggenheim Museum’s offer of virtual backgrounds and our new German language Online Viewing Room for Angela Bulloch.

     

    Read the entire Letter from Berlin here

     

    Hier finden Sie die deutsche Version unseres Briefes aus Berlin!

  • Letter from Berlin – April 30,2020

    Letter from Berlin – April 30,2020

    Roman Ondak, Lucky Day, 2006, 16 mm Film, color, silent, duration 04:00 min (loop)

     

    This week we focus on film in our Letter from Berlin. As this is a holiday weekend in Germany, we have assembled a program that adopts the format of a magazine. We hope you enjoy browsing its sections. The films are available to stream through Sunday night, Berlin time.

     

    In a postscript to last week’s book-themed edition, Etienne Chambaud introduces another format of films on books: the film on a book about a film.

     

    Read the entire Letter from Berlin here 

     

    Hier finden Sie die deutsche Version unseres Briefes aus Berlin!

  • Letter from Berlin – April 24, 2020

    Letter from Berlin – April 24, 2020

    Krishtalka Books at the Esther Schipper Bookstore. Photo © Andrea Rossetti

     

     

    The gallery has re-opened and we have extended Daniel Steegmann Mangrané’s exhibition Fog Dog. We look forward to welcoming you at the gallery again soon! 

    This week everything turns around books in our Letter from Berlin. Our bookstore, opened in 2018 with an overview of the publications of General Idea and AA Bronson, has seen a number of very special artist projects and has also become a site for readings and book launches. As its function as meeting place is on hold for now, we highlight past projects and focus on our artists’ relationship to books. 

    Matti Braun presents a virtual reading, in image and sound. Our Head of Content Isabelle Moffat takes his video as starting point to write about a new type of looking at books. And Gabriel Kurispeaks about his particular fondness for the conception and design of his own books and catalogues.

    We present a number of outstanding recent publications and end with the round-up of this week’s social media contributions from our artists. 

     

    Read the entire Letter from Berlin here

  • Letter from Berlin – April 17, 2020

    Letter from Berlin – April 17, 2020

    Exhibition view: Angela Bulloch, Heavy Metal Body, Esther Schipper, Berlin, 2017. Photo © Andrea Rossetti

     

    First off, we are very happy to announce that we plan to open our exhibition space middle of next week - pending the clarification of local governmental regulations. 

    This week’s letter focuses on new additions and long collaborations: we introduce Etienne Chambaud whose representation was announced this week and highlight Angela Bulloch’s thirty-year history with the gallery. Below you find excerpts from her interview with Suzanne Cotter and from an essay by Alexander Provan, as well as a dedicated Online Viewing Room detailing her exhibitions with Esther Schipper since 1989. 

    We continue our collaboration with Zapp Magazine which is making available rare footage from the landmark group exhibition in which Angela Bulloch and many more of the gallery's artists participated: Traffic, curated by Nicolas Bourriaud at the CAPC Musée d’Art Contemporain, Bordeaux in 1996. 

    The theme continues as we present Jac Leirner’s recent work and Ugo Rondinone’s 2013 gallery exhibition from our social media posts.

    This week we have two recommendations: Don’t miss Liam Gillick’s conversation with Peter Saville on occasion of the Manchester International Festival’s streaming of ∑(No,12K,Lg,17Mif) New Order + Liam Gillick: So It Goes.

    And on Sunday Ari Benjamin Meyers is featured on German Public Radio.

     

    Read the entire Letter from Berlin here

  • A Conversation with Ari Benjamin Meyers

    Sunday April 19, 2020, 1:30 pm
    A Conversation with Ari Benjamin Meyers

    Photo © Michael Chiu

     

    On Sunday April 19 at 1.30 pm Ari Benjamin Meyers will be the guest of the two-hour program Zwischentöne on Deutschlandfunk, German Public Radio. Hosted by Michael Langer, conversation alternates with musical works specially chosen by Meyers.⁠

    Tune in this Sunday April 19, 2020 at 1:30 pm!⁠

  • The Reading Corner: Gabriel Kuri

    The Reading Corner: Gabriel Kuri

    On the occasion of his first institutional exhibition in Germany, Gabriel Kuri created four new groups of works, which provide an insight into different aspects of his practice. Accordingly, Kuri is showing sculptures and installation; all of them are made out of found materials or industrially manufactured products, including marble slabs, sand, paper, cigarette butts, or body care products.

     

    A precise and deliberate positioning and a surprising casualness always characterize the presentation of his objects in the exhibition. With their humor and lightness of touch, his works level criticism as well as political, economic, and social conditions. In the sense of an extended notion of sculpture, he shifts the boundaries of art and the everyday, as the viewers and the everyday become part of the aesthetic form.⁠

     

    This catalogue is published on the occasion of Gabriel Kuri’s solo exhibition at Bielefelder Kunstverein and Kunstverein Freiburg⁠. 

     

    Available here!

  • Letter from Berlin – April 9, 2020

    Letter from Berlin – April 9, 2020

    Exhibition view: Liam Gillick, McNamara, Schipper & Krome, Cologne, 1994
    Photo © Lothar Schnepf

     

    This week we are inaugurating several new features on our website.
    Continuity, our new digital platform, features a variety of news, messages and online stories by our artists and the gallery staff. It also hosts our weekly e-mailing, Letter from Berlin.


    We have added Selected Works section to each artist’s page on our website. It gives an overview of major works, spanning throughout the entire careers of the represented artists.

    A separate section integrates of all historical exhibitions at Johnen Galerie since 2004. In the course of last year’s thirtieth anniversary of the gallery’s founding in Cologne in 1989, extensive archive material was published on the gallery’s website. The online-accessible exhibition history documents over 230 internal gallery and countless external institutional exhibitions.

     

    Read the entire Letter from Berlin here

  • The Reading Corner: OneStar

    The Reading Corner: OneStar

    In a generous gesture of bringing art into life, OneStar has made available pdfs of all their artists’ books published since 2000. We salute them!

     

    Download the books for free here!

  • Letter from Berlin – April 3, 2020

    Letter from Berlin – April 3, 2020

    "A few years ago, I gave Nathan Carter a short text I had written on his work. He was visiting Berlin for the opening of the gallery’s new space and I was updating his profile. In response he gave me a list that I took as a kind of manifesto. Similar perhaps to the famous Pop Art list by the Independent Group, it is a mission statement, and as he recently noted,

    “It was a defiant list of all the things that I as an artist will play with when I make art. The use of the word “play” means to experiment, touch, examine, alter and use in a fluid active way. The list is a license to be an artist and to make work about all of those things. Consequences n’all.” From abstraction to violence via bad weather, dancing, espionage, excitement, fear, love, pain, punk rock, shame, tequila & guacamole bar, among others—it’s all there.

     

    I came across that list three weeks ago when I was preparing to work from home, and, on a whim, took it with me. It seemed like a good antidote to impending isolation.

     

    The short video Carter sent last week, a behind-the-scenes view of his studio where he is currently working on a new film entitled LA GNARLIES, has a similar exuberance, a defiance of darkness."

     

    Read the entire Letter from Berlin here

  • Online Tour – Isa Melsheimer

    Online Tour – Isa Melsheimer

    An exclusive behind the scene tour while the exhibition is closed due to the temporary closure of KINDL – Centre for Contemporary Art, Berlin.

     

    See inside the exhibition here

  • Letter from Berlin – March 27, 2020

    Letter from Berlin – March 27, 2020

    Isa Melsheimer’s works are quite fun to unpack: clusters of far-reaching associations--personal, literary, historical, philosophical, architectural—are massed into their intense materiality, as unexpected details pop out and demand an immediate response which can include curiosity, disbelief, laughter—and even a bit anxiety when the works are colossal mountains made of shards of glass.

     

    This is why my virtual visit will focus on a few works: heaping the detailed references onto each of them undermines the artist’s light touch, the playful arrangement she has created at the KINDL. The references—which building is cited and why—and, many more views and close-ups of details can be found in our dedicated Online Viewing Room.

     

    Read the entire Letter from Berlin here.

  • Letter from Berlin – March 20, 2020

    Letter from Berlin – March 20, 2020

    Daniel Steegmann Mangrané in his exhibition Fog Dog, 2020

     

    By now a tenuous routine begins to set in and many of us may very well begin to miss our outings into the world of art and ideas. To give respite to the unsettling onslaught of coronavirus news we want to visit exhibitions with you. If you cannot come in person, we will accompany you on virtual tours. In the Letter from Berlin we will bring you stories about exhibitions, our artists, about works that have touched us, hidden gems and all-time favourites of our team.

     

    For our first Letter From Berlin, our Head of Content Isabelle Moffat takes you into Fog Dog, Daniel Steegmann's exhibition at the gallery. Leah Turner, Director and Artist Liaison remembers her experiences at Art Basel Hong Kong, and we watch the wildly popular K-Pop band BTS disappear in Ann Veronica Janssens' fog room, Green Yellow and Pink, currently installed in Seoul as part of the Connect, BTS project.

     

    Read the entire Letter from Berlin here

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