Letter from Berlin
Welcome to the Letter from Berlin!
This month we take Ann Veronica Janssens’ two exhibitions in the south of France and her project at the Panthéon in Paris as point of departure to present exhibitions in France, Italy and at the Adriatic Coast, as summer traveling season has begun. We also include recently opened exhibitions in Berlin and hope you will join us next week for the opening of Summer ’22, a group exhibition with works by Sarah Buckner, Ann Veronica Janssens, Sojourner Truth Parsons, Cemile Sahin, Julia Scher, Sun Yitian and Tao Hui. Ugo Rondinone's major exhibition at the Schirn in Frankfurt concludes our review. A podcast recommendation, Liam Gillick on the Bonn exhibition Color as Program, and a selection of recent books round up this month’s Letter from Berlin.
We hope you have a wonderful summer! - Read here
Manifesta 14 with Ugo RondinoneVarious locations, Prishtina July 22 – October 30, 2022 www.manifesta14.org
With Ugo Rondinone
Various locations, Prishtina
July 22 – October 30, 2022
For Manifesta 14, Ugo Rondinone brings forth an object of “beauty and contemplation” in one of Prishtina‘s most frequented public gathering spaces – Adem Jashari Square – at a time when monuments the world over are being troubled for their entanglement with ideologies.
Esther Schipper at artmonte-carlo 2022artmonte-carlo July 14 – 16, 2022 www.estherschipper.com
10, Avenue Princesse Grace
Through 16, 2022
With works by
Ann Veronica Janssens
Sojourner Truth Parsons
If you wish to receive a dossier, or should you have any questions about our presentation at Art Basel, please contact Julia Séguier firstname.lastname@example.org
At l'Esplanade, the outdoor sculpture Pentagon Totem: High Five by Angela Bulloch will be on view through the fair.
July Monthly 2022Esther Schipper www.estherschipper.com
Film Premiere: Servus Papa, See You in HellMunich Film Festival June 26, June 27 & July 2, 2022 www.filmfest-muenchen.de
Unlimited Night – Ari Benjamin Meyers, K ClubArt Basel | Unlimited Night Hall 1.0 Thursday June 16, 2022, 7–10pm www.artbasel.com
Ari Benjamin MeyersK Club K Club
Art Basel | Unlimited Night
10 Messeplatz, Basel
Thursday June 16, 2022, 7–10pm
Special tickets for the Unlimited Night can be purchased here. A ticket to Unlimited Night does not guarantee access to K Club.
A special performance of Ari Benjamin Meyers, K Club will be at the inaugural Art Basel Unlimited Night on Thursday June 16, 2022, 7–10pm.
Esther Schipper at Art Basel 2022Messe Basel June 14 – 19, 2022 www.artbasel.com
Art Basel 2022
Through June 19, 2022
We hope you will join us at Booth R1 at Art Basel through June 19 and hope you can attend Ari Benjamin Meyers' K Club at the inaugural edition of Unlimited Night from Art Basel on Thursday, June 16, 7–10pm at Hall 1.0, 10 Messeplatz, Basel.
June Monthly 2022Esther Schipper www.estherschipper.com
Nathan Carter – Opening Friday June 10Esther Schipper June 10 – July 16, 2022 www.estherschipper.com
Nathan CarterSilky-Way Sylvan Slip-Throughs for Switchblade Shirley from Sapphronia
Silky-way Sylvan Slip-throughs Serrated Sub-space Side-winders
and Countess Von Venomous’ Private Pearl Position
June 10 – July 16, 2022
Opening Friday June 10, 6–9pm
Esther Schipper is pleased to announce Silky-way Sylvan Slip-throughs Serrated Sub-space Side-winders and Countess Von Venomous’ Private Pearl Position, a special presentation by Nathan Carter, who has had four solo exhibitions with the gallery.
Now Representing – Sojourner Truth ParsonsEsther Schipper
Esther Schipper is delighted to announce representation of Sojourner Truth Parsons.
"I am looking at art through my heart. Maybe that's selfish, but I want to find something I didn't know was there."
—Sojourner Truth Parsons, 2016
Christophe…définitivement, directed by Dominique Gonzalez-Foerster & Ange Leccia75th Festival de Cannes 2022 Wednesday, May 25, 2022, 9.30pm www.festival-cannes.comEsther Schipper congratulates Dominique Gonzalez-Foerster and Ange Leccia, directors of the film Christophe... définitivement, included in the Official Selection of 75th Festival de Cannes, 2022.
Cinema de la Plage (open-air cinema)
Macé beach, Bd. de la Croisette
Wednesday, May 25, 2022, 9.30pm
Screening in the presence of Ange Leccia and Dominique Gonzalez-Foerster
Followed by a musical evening organized by ARTE
Esther Schipper at Art Basel Hong Kong 2022Art Basel Hong Kong 2022 May 25 – 29, 2022 www.artbasel.com
Art Basel Hong Kong 2022
Convention & Exhibition Centre
1 Harbour Road
Hong Kong, China
May 25 – 29, 2022
Private View: May 25 – 27
Vernissage: Friday, May 27, 2pm–8pm
Public Days: May 28 – 29
Esther Schipper is delighted to announce our participation in Art Basel Hong Kong 2022, with works by Matti Braun and Angela Bulloch.
Esther Schipper at Taipei Dangdai 2022Taipei Dangdai 2022 May 19 – 22, 2022 www.taipeidangdai.com
May Monthly 2022Esther Schipper www.estherschipper.com
Simon Fujiwara and Who the Bær in collaboration with CIRCABerlin, London, Los Angeles, Milan, Melbourne, New York, Seoul and Tokyo April 1 – 30, 2022 www.circa.artSimon Fujiwara
Presented by CIRCA
Berlin, London, Los Angeles, Milan, Melbourne, New York, Seoul and Tokyo
April 1 – 30, 2022
Watch online at www.circa.art
In a new stop-motion animation by Simon Fujiwara, viewers are invited to follow Who the Bær - the cartoon protagonist - on their quest for identity and belonging. Curated by Sir Norman Rosenthal, Hello Who? will premiere April 1, 2022 on London’s Piccadilly Lights and broadcast everyday at 20:22 throughout the month across the CIRCA global network of screens in Berlin, London, Los Angeles, Milan, Melbourne, New York and Seoul.
Esther Schipper at BAMA Busan 2022BAMA Busan 2022 April 7 – 10, 2022 www.bamabusan.com
Liam Gillick & Gelitin, Stinking Dawn – World PremiereCPH:DOX, Copenhagen International Documentary Film Festival March 25, March 30, and April 3, 2022 www.cphdox.dk
Liam Gillick & GelitinStinking Dawn
World Premiere: Stinking Dawn
CPH:DOX, Copenhagen International Documentary Film Festival
March 25, March 30, and April 3, 2022
Tickets to each screening are available here.
Stinking Dawn - a movie by Liam Gillick and Gelitin, examines the limits of human tolerance in the face of oppression, political crisis and excessive self-delusion, where the boundaries between body and world dissolve in a delirious and darkly funny mirror image of civilization itself.
Rehearsing Philadelphia – A Meta-Score by Ari Benjamin MeyersVarious Locations, Philadelphia, Pennsylvania March 25 – April 10, 2022 www.rehearsingphiladelphia.com
A Meta-Score by Ari Benjamin Meyers
March 25 – April 10, 2022
Opening Weekend: March 25 – 26, 2022
Created by Ari Benjamin Meyers and jointly produced and presented by the Curtis Institute of Music and Drexel University’s Westphal College of Media Arts & Design, Rehearsing Philadelphia is a large-scale public project that explores how we can come together as a city through musical rehearsal. The traditional musical preparation process focuses on rehearsing as a way to attain perfection, which is then repeated in performance. This is not how we live modern life in a rapidly changing world of social upheaval. The future will be rehearsed, not perfected. Rehearsing Philadelphia re-examines the rehearsal processes which allow people to act together and be empowered to create new realities.
Jac Leirner, Us Horizon – Opening Saturday March 12, 2 – 8 pmEsther Schipper March 12 – April 14, 2022 www.estherschipper.com
March 12 – April 14, 2022
Opening Saturday March 12, 2–8 pm
Esther Schipper is pleased to present Us Horizon, Jac Leirner’s first solo exhibition with the gallery. Us Horizon will include a new work from Leirner’s acclaimed series constructed from ensembles of plastic shopping bags, and a new installation made of found numbered markers. Her conceptually rigorous and formally beautiful works draw on a wide array of art historical and formal influences, as well as embracing the transgressive legacies of Dada, Constructivism, Pop and Conceptual Art, Arte Povera, and Punk, among others.
Hito Steyerl’s Digital Visions by Merve Erme in The New Yorker
The New Yorker
Hito Steyerl’s Digital Visions
By Merve Erme
Read the full article here
'It would be wrong to claim that I first met the German artist Hito Steyerl on such-and-such day, insuch-and-such city, where the weather was bright or blustery, and that she arrived suitably dressed for this season or the next. It is more accurate to say that she simply appeared while I was waiting in the atrium of the Communist Party court, under a spectacular red banner from which the faces of Marx, Engels, Lenin, and Stalin bore down on me. One minute I was alone, and the next she was there—all yellow and smooth, except for the thick black cubes of her hands and her large, impassive face. Four black cats trailed her, in place of her shadow. “I spawned a lot of them, so they have multiplied,” she murmured. Suddenly, a kitten wobbled out from between her legs. “I made a baby!” she cried. When I tried to balance a puffer fish on my own blocky hand to feed thekitten, I pressed the wrong button, and kicked it instead.
Kicking kittens is, I believe, usually discouraged, but in Minecraft, the sandbox video game in which players extract raw materials—water, wood, sugarcane, coal ore, gold, lapis lazuli—and use them to craft three-dimensional Legolands, the stakes of violence seem lower. The game is “a very good metaphor for how platforms really work,” Steyerl told me. Platforms seduce their users into performing the unpaid work of content creation—uploading the texts, photographs, videos, and music that are the raw material of the digital world—while mining their metadata to create newmarkets for corporate and military surveillance. “Many of the other platforms are quite devious,” she said. “We don’t really know whether your face is being used to train facial-recognition algorithms or something like that.” In the digital economy, free labor tenders a self-replenishing vein of gold for capital’s pickaxe.'
– Merve Erme for The New Yorker, February 2022
Now Open – Esther Schipper at ARCOmadrid 2022, Booth 9B09 and 40 (+1) Anniversary, Booth 17ARCOmadrid
Esther Schipper is pleased to participate in ARCOmadrid 2022, taking place through February 27. We hope you will join us at the fair, Booth 9B09.
Premiere – David Claerbout, The CloseConcertgebouw Brugge Sunday February 20, 2022 www.concertgebouw.be
The Close, a new video work by David Claerbout has been added to the Concertgebouw Brugge collection. Intended as a short, emotional history of the camera, The Close reflects on what Claerbout calls ‘dark optics’: a profound if chaotic recalibration happening in our time, of the beliefs we share in regards to image, information and language. For the premiere of The Close, Arvo Pärt’s Da pacem Domine will be performed live by the Flemish Radio Choir.
Sunday February 20, 2022
11am – tickets
2pm – tickets
4pm – tickets
Esther Schipper at ARCOmadrid 2022Booth 9B09 February 23 – 27, 2022 www.ifema.es
Recinto Ferial, Av. Partenón 5
February 23 – 27, 2022
Esther Schipper is pleased to participate in ARCOmadrid 2022, taking place from February 23 – 27. We hope you will join us at the fair, Booth 9B09.
With works by:
Ann Veronica Janssens
Daniel Steegmann Mangrané
40 (+1) Anniversary | Booth 17
With AA Bronson and General Idea
Esther Schipper is pleased to participate in this year’s special section ARCOmadrid's 40 (+1) Anniversary, from February 23 – 27. The unique project brings past and present together through the galleries and their essential relationship with artists and collectors that have always been present at ARCOmadrid throughout its history. The programme participants have been invited by María Inés Rodríguez, Francesco Stocchi and Sergio Rubira.
Esther Schipper presents two historical works: General Idea's El Dorado Series,1992, and AA Bronson‘s Untitled (For General Idea), 1997.
Letter from Berlin – February 7, 2022
Welcome to our first Letter from Berlin of 2022
We want to look ahead to the first half of this new year, introducing briefly our upcoming exhibitions in Berlin, art fair presentations and share with you a selection of exciting upcoming exhibitions by our artists.
Then join us for a visit to the Whoniverse: Simon Fujiwara's solo exhibition Once Upon a Who? takes a deep dive into the world of Who the Bær, the artist's original, jeans-clad cartoon figure with the giant lolling pink tongue and a voracious appetite for images! Discover their world in our video introduction and the dedicated OVR. Read Fujiwara's interview with artnet. And stay tuned for a live zoom tour with the artist on February 12!
We hope you enjoy our Letter from Berlin!
Tao Hui nominated for the 2021 Jimei X Arles Discovery AwardJimei Citizen Square Main Exhibition Hall and Three Shadows Photography Art Centre, Xiamen November 26, 2021 – January 3, 2022 www.rencontres-arles.com
Esther Schipper congratulates Tao Hui, nominated for the 2021 Jimei X Arles Discovery Award. Established by the Jimei x Arles International Photo Festival, the prize recognizes outstanding photographic work from a Chinese artist.
All ten nominees will present their work during the Seventh Jimei x Arles International Photo Festival, opening in Xiamen on November 26, 2021, and runs until January 3, 2022. The winner will be announced during the opening week and will receive an invitation to present a solo exhibition at Les Rencontres d’Arles in 2022.
Tao Hui creates photographs and immersive video-installations that bend the boundaries of fiction and reality to address cultural and identity related issues. His works are visceral and provocative, yet enlightening and always imbued with a strong emotional power and a sense of displacement, inviting the viewers to confront themselves with their own cultural history, ways of living and social identities.
Esther Schipper at Art Cologne 2021Koelnmesse November 18–21, 2021 www.artcologne.com
Now Open! LOOP Fair 2021 with Daniel Steegmann MangranéLa Pedrera – Casa Milà, Barcelona 16 - 18 November , 2021 www.loop-barcelona.com
LOOP Fair 2021A Dream Dreaming a Dream
with Daniel Steegmann Mangrané
La Pedrera – Casa Milà
Passeig de Gràcia, 92
Through November 18, 2021
Esther Schipper is pleased to participate in LOOP Fair 2021 where we present Daniel Steegmann Mangrané's A Dream Dreaming a Dream, 2020, a real-time, infinitely changing animation, always similar but also always generated anew, of a dreaming panther roaming the forest.
Hito Steyerl, Guest of Honor at the International Documentary Film Festival AmsterdamFrederiksplein 52 1017 XN Amsterdam November 17 – 28, 2021 www.idfa.nl
International Documentary Film Festival Amsterdam
With Hito Steyerl, Guest of Honor
1017 XN Amsterdam
November 17 – 28, 2021
November 19, 2:30–4:35 pm – Hito Steyerl: The Empty Center + Master Talk – Tickets
November 20, 8:30–10 pm – IDFA Dialogue: Hito Steyerl and her Top 10 – Tickets
Hito Steyerl who is Guest of Honor of this year's International Documentary Film Festival Amsterdam curated a Top 10 program. Key to apprehending her own seismic body of work, Steyerl’s selection presents a lineup of dissident filmmakers who, each in their own way, have radically shaped the art of political documentary cinema.
Matti Braun and Angela Bulloch – Hamburgische Kulturstiftung Benefit Art AuctionHamburgische Kulturstiftung Live auction: November 15, 2021 Online auction: November 2 – 16, 2021 www.kulturstiftung-hh.de
Simon Fujiwara – Biennale de l’Image en Mouvement 2021Centre d’Art Contemporain Genève November 12, 2021 – January 30, 2022 www.bim21.ch
Biennale de l'Image en Mouvement 2021: A Goodbye Letter, A Love Call, A Wake-Up Song
With Simon Fujiwara
Centre d’Art Contemporain Genève
Rue des Vieux-Grenadiers 10
November 12, 2021 – January 30, 2022
Opening: November 11, 6 pm
Admission free: a vaccine certificate is required for entry
Co-curated by the collaborative DIS and Andrea Bellini, Director of the Centre d'Art Contemporain Genève, the Biennale de l’Image en Mouvement 2021 (BIM'21) includes works by 14 artists and collectives, that all grapple with a shift in consciousness and a need to debunk narratives.
Ugo Rondinone | UNQUESTIONING LOVE: An Auction to Benefit the New York City AIDS MemorialNew York, New York November 9 & 12, 2021 www.nycaidsmemorial.org
UNQUESTIONING LOVE: An Auction to Benefit the New York City AIDS Memorial
With works by Ugo Rondinone
November 9 & 12, 2021
Christie's New York
20 Rockefeller Plaza
The New York City AIDS Memorial has partnered with Christie’s for Unquestioning Love, a selection of contemporary artworks across two auctions — the 21st Century Evening Sale on November 9, and the Post-War and Contemporary Art Day Sale on November 12 to which Ugo Rondinone has donated yellow green pink mountain, 2021.
This charitable auction is dedicated to creating a vital and strategic fund that will help to ensure the preservation of the New York City AIDS Memorial’s physical space in perpetuity and support and strengthen many future years of ambitious arts, cultural, and educational programs.
The proceeds of the sale, occurring as the New York City AIDS Memorial celebrates the 10th anniversary of its founding and the 5th anniversary of its public dedication, will help create a vital and strategic fund that will ensure the preservation of the Memorial’s physical space in perpetuity and support and strengthen many future years of ambitious arts, cultural, and educational programs.
Esther Schipper and Taro Nasu at Art Collaboration Kyoto 2021Kyoto International Conference Center Event Hall November 5–7, 2021 www.a-c-k.jp
Art Collaboration Kyoto
Joint presentation by Esther Schipper and Taro Nasu
Kyoto International Conference Center Event Hall
November 5–7, 2021
For Art Collaboration Kyoto, November 4 – 7, 2021, Esther Schipper is pleased to announce a joint presentation together with Taro Nasu.
Angela Bulloch – Opening Friday November 5Esther Schipper November 5, 2021 www.estherschipper.com
Angela Bulloch Pentagon Totem: Perp
Animal Vegetable Mineral
November 5 – December 18, 2021
Opening Friday November 5, 2 – 8 pm
Esther Schipper is pleased to present Angela Bulloch's Animal Vegetable Mineral, the artist’s 13th exhibition with the gallery. On view will be all new works, further developing the artist's iconic series and her sculptures assembled from modular geometric elements, as well as a monumental wall painting and a projected digital animation.
Rosa Barba in conversation with Joachim JägerNeue Nationalgalerie Wednesday, October 27, 2021, 7 pm – 9 pm www.smb.museum.com
In conversation with Joachim Jäger
Potsdamer Straße 50, 10785 Berlin
Wednesday, October 27, 2021, 7 pm – 9 pm
Free, booking required
On the occasion of her exhibition In a Perpetual Now at the Neue Nationalgalerie, Rosa Barba talks with director Joachim Jäger about her artistic work and ongoing projects related to the 15 cinematic and sculptural works on display there until January 16, 2022. The conversation will be mostly conducted in German.
Ari Benjamin Meyers announced as Artist in ResidenceBeethoven Orchestra Bonn www.beethovenfest.de
Esther Schipper congratulates Ari Benjamin Meyers, who was named Artist in Residence at the Beethoven Orchestra in Bonn.
Now Open – Esther Schipper at Frieze London 2021Frieze London 14 - 17 October, 2021 www.frieze.com
Esther Schipper at FIAC, ParisGrand Palais Éphémère, Paris October 21 – 24, 2021 www.fiac.com
Anri Sala – Finissage – Kunsthaus BregenzKunsthaus Bregenz October 10, 2021, 11 am www.kunsthaus-bregenz.at
Finissage – Artist Talk with Anri Sala & André Vida
October 10, 2021, 11 am
Further Information on the talk
Current COVID-19 guidelines at Kunsthaus Bregenz
On the occasion of the closing of Anri Sala's major solo exhibition at Kunsthaus Bregenz, the artist will be in conversation with André Vida, giving a personal insight into his work on the last day of the exhibition.
Thomas Demand – Centro BotínCentro Botín, Santander October 9, 2021 – March 6 2022 www.centrobotin.org
Thomas Demand presents Mundo de Papel at Centro Botín, Santander. The exhibition is conceived as an installation combining photographs not previously shown and others selected by the artist and Udo Kittelmann, curator of the exhibition.
For Mundo de Papel, Demand has designed an entire simulated urban landscape, composed of eight pavilions surrounded by wallpaper installations. Each pavilion hangs from the ceiling and serves as a display for his photographs and video works dating from 1996 to the most recent from 2021.
Subjects include Whitney Houston’s last meal at the Beverly Hilton Hotel; the control room at Fukushima’s nuclear power plant; the recent Diamond Princess cruise ship stuck in quarantine; a pond with waterlilies like an impressionist painting; a red bow glowing in the sun or discarded plastic cups stuck on a mesh fence. Each scene is reconstructed with paper and cardboard using intricate folding and cutting techniques. After the model is built, he photographs them and discards the objects he created leaving only a visual narrative.
Accompanying the exhibition will be a unique pop-up book including an essay by Nobel Prize-winning author Mario Vargas Llosa and with three-dimensional representations of the pavilions, produced by Thomas Demand and co-edited in collaboration with Fundación Botín and London-based publishers Mack Books. Demand will lead a special workshop in Santander during the exhibition.
Julia Scher – MAMCO, GenevaMAMCO, Geneva October 6, 2021 – January 30, 2022 www.mamco.ch
The work of Julia Scher, which first appeared in the 1980s, is noteworthy for its systematic use of surveillance techniques, particularly CCTV. Scher’s technical background provided her with in-depth knowledge of a range of surveillance systems. She worked at a well-known security firm for a period of time before setting up her own company, Safe and Secure Productions.
Rosa Barba’s Open-Air Cinema and Premiere: Inside the Outset: Evoking a Space of Passage, 2021UN Buffer Zone, Deryneia, Cyprus Friday September 10, 2021, 8:30 pm
Esther Schipper is is pleased to announce the inaugural ceremony of Rosa Barba’s Open-Air Cinema and premiere of her film Inside the Outset: Evoking a Space of Passage, 2021.
Inside the Outset is a project that consists of two parts: a film and a long-term open-air cinema installation within the 180-kilometer UN-controlled "Green Line Buffer Zone" in Cyprus. This area divides the island between North and South, and forms the starting point of Rosa Barba’s artistic intervention.
The project started seven years ago when Barba was invited by Point Centre for Contemporary Art in Nicosia and by the curator Mirjam Varadinis to Cyprus and proposed a cinema sculpture for the Buffer Zone. The inaugural ceremony of the Open-Air Cinema will take place in the presence of His Excellency the Ambassador of Italy to Cyprus on September 10, 2021, with the projection of Barba's film Inside the Outset: Evoking a Space of Passage along with films selected by the project’s Advisory Board of artists from each side of the Green Line and beyond. Visitors from both sides of the island will be able to enter the Buffer Zone, which is usually closed to civilians.
In a recent article for The Brooklyn Rail, Rosa Barba discusses this project as well as her other current projects – Read it here
Esther Schipper is pleased to announce the representation of Sarah Buckner
Sarah Buckner was born in 1984 in Frankfurt, Germany. She studied at the Accademia di Belle Arti in Palermo and at the Kunstakademie Düsseldorf. Buckner lives and works in Cologne.
Sarah Buckner's image world is inspired by multiple sources: real-life encounters, books, films and imagination. She has developed an intuitive and fluid approach that transforms these impressions through her material practice. Her works distil narratives into images full of mystery, their atmospheric scenes resonating with emotional potency—the exact nature of which remains elusive, even to the artist, she says.
As Meret Held has written: “Between the concrete and the non-concrete, between the said and unsaid, she forms pictorial worlds that come very close to that of the dream. Like the dream, Sarah Buckner's paintings are determined by a mixture of (past) experienced, (present) acting and (forward-looking) premonition. We are taken from the real space into the dream world by certain, peculiarly present picture elements, but especially by the materiality of the paintings themselves, the oil paint, which carries the trace of painting in itself and with it the liveliness of the painter herself.”
In 2020, Sarah Buckner was awarded the Residence NRW+ grant, and at the conclusion of the residency period presented her work in the solo exhibition Head over Heels at the Westfälischer Kunstverein in Münster in 2021.
In 2021, Buckner's work was included in Esther Schipper's group exhibition L'Invitation au voyage. Buckner’s work has been exhibited in solo and group exhibitions across Europe and the US. Among her participations in institutional exhibitions are: Salon des Amateurs, Tramps, London (2018), Lia Pasqualino Noto / Casa Studio, Manifesta 12, Palermo (2018); 1001 Bild, Villa de Bank, Enschede (2018), Eggy and Seedy, Munchies, London (2017), Petto, L’Ascensore, Palermo (2015), Beyond the Stage, Canongate Venture Edinburgh (2013).
Click here for German text
steirischer herbst ’21 with Tino Sehgal and Hito Steyerlsteirischer herbst ’21, Graz and Styria
Ann Veronica Janssens – MetamorphosisDesign Week, Galleria d'Arte Moderna, Milan September 4 – 10, 2021
On the occasion of Milan Design Week, Italian luxury house Bulgari presents Metamorphosis, an immersive journey inside the iconic Serpenti jewelry collection in dialogue with the work of four renowned contemporary artists, including Ann Veronica Janssens.
Playfully titled gam gam gam, Janssens‘ site-specific installation conceived for the Galleria d’Arte Moderna, Milan, uses natural light and a composition of new works characterized by a minimalist aesthetic in contrast with the maximalism and the sumptuous decor of the museum's architecture. The exhibition includes a golden Venetian blind which was specially produced for the windows of the room, and six of her iconic aquariums, where optical physical phenomena are used to expand the observers' perception.
A bilingual catalogue titled Serpenti. Il Potere delle Metamorfosi – The Power of Metamorphosis, published by Silvana Editoriale, is forthcoming.
Letter from Berlin – August 20, 2021
Welcome to our Letter from Berlin!
This weekend Berlin’s Neue Nationalgalerie will reopen after being closed for nearly six years for renovation. Under the title Mies in Mind many Berlin galleries are celebrating with projects related to the architect Mies van der Rohe and his famous structure. Esther Schipper is presenting a special screening of Rosa Barba’s Inside the Outset: Evoking a Space of Passage.
Etienne Chambaud, Inexistence - Online Viewing RoomThrough August 28, 2021 www.estherschipper.com
Esther Schipper is pleased to present an Online Viewing Room dedicated to Etienne Chambaud’s exhibition Inexistence, the artist’s first with the gallery. The works included in the exhibitions are a scent and a sound installation, a sculptural work generating a pattern of temperatures, three light installations, glass works, bronze sculptures and modified panel paintings.
Visit our OVR here
The Online Viewing Room features an exhibition film in which Chambaud takes you through the exhibition.
Simon Fujiwara, Who the Bær - Online Viewing RoomThrough July 14, 2021 www.estherschipper.com
Esther Schipper and Dvir Gallery are pleased to present parallel Online Viewing Rooms on the occasion of Simon Fujiwara's solo exhibition at Kunstinstituut Melly, Rotterdam (on view through September 12, 2021).
Visit our OVR here.
For his first solo exhibition in the Netherlands, Simon Fujiwara presents works from his most recent project Who the Bær. Developed during the lockdown in the spring of 2020, Fujiwara created a unique cartoon character in the form of a denim wearing bear with a golden heart and an uncontrollably long tongue, that seemingly has no gender, race, sexuality or even a clear design. Without an identity, Who exists only as an image, a status that allows them the freedom to roam a world of online images, appropriating characters, identities, aesthetics and guises in a greedy search for a "self".
Who the Bær is also at the centre of a major solo exhibition currently presented at Fondazione Prada in Milan, through September 27.
Who the Bær can also be followed via their official Instagram account, @whothebaer.
Letter from Berlin – July 2, 2021
Welcome to the Letter from Berlin!
This month the Letter from Berlin begins with our exhibitions by Etienne Chambaud and Rosa Barba opening at the gallery. Please join us tomorrow, Saturday July 3, 2-8 pm.
And of course, we hope you will visit our pop-up exhibition, En la casa de Marquès, in Palma de Mallorca beginning July 12, on view through July 31.
Letter from Berlin – May 28, 2021
Welcome to the Letter from Berlin!
This Letter from Berlin begins with our current exhibition L'Invitation au voyage. The focus here will be on the notion of travel, which is one of the unifying themes of the exhibition.
As exhibitions are opening and re-opening, we present a number of projects - Read the Letter from Berlin here
Spotlight: David Claerbout
For our Spotlight this week we present David Claerbout's Die reine Notwendigkeit/The Pure Necessity, 2016.
Die reine Notwendigkeit/The Pure Necessity is a work by David Claerbout, based on the classic 1967 animated adaptation of Rudyard Kipling's Jungle Book.
The 50-minute-long film follows the tradition of the frame-by-frame animation, and focuses almost exclusively on the animals: the panther, the bear, the snake, among others.
Over a period of 3 years, David Claerbout and a team of professional artists painstakingly redrew the frames of the original movie by hand, one by one, and then assembled them to create an entirely new, lifeless animation—a contradiction in terms—which stands in raw contrast to the lively and rhythmical original.
Spotlight: General Idea
For our Spotlight this week we present General Idea's, S/HE, 1976.
On the occasion of Frieze New York 2021 (May 5–9) and our solo presentation with General Idea in collaboration with Mitchell-Innes & Nash we are pleased to present General Idea's S/HE as part of our Spotlight series.
Playing with gender, the two groups of five black-and-white photographs show two models, one male, one female, both professional fashion models from General Idea’s circle of friends. Each model illustrates five roles more usually assigned as male or female: Celebrity, Architect, Muse, Olympian, and Empress.
Spotlight: Daniel Steegmann Mangrané
For our Spotlight this week we present Daniel Steegmann Mangrané's Summer Cloud, 2017.
The work is from Daniel Steegmann Mangrané's series of brightly colored aluminium curtains with differently shaped passageways made from Kriska aluminium chains. Widely used in Spain, Kriska curtains can function as flexible screens for entryways. They are light, often brightly colored and make a characteristic metallic sound when the chains touch.
The forms cut into the curtains relate to the artist's idea of "model forms", familiar but non-specific shapes that both trigger our imagination and leave us unable to identify them. The "continuation" of the aluminium chains below the openings appears counterintuitive, adding an element of surprise. Oscillating between appearing as diaphanous screen and semi-solid object, the curtains are both indications of a transition (meant to be traversed, marking the end of one space and the beginning of the next) as well as sculptural objects, existing in a hybrid state between corporeality and immateriality.
Spotlight: Nathan Carter
This week for our Spotlight we present Nathan Carter’s Rosa Rosaghetti in the Red Anemones Garden at Rougemont Castle., 2021,Syldavian Sallies née Succory at Snowdonia Llyn Gardens, Dolwyddelan., 2021, and
Royal Convulvulus Clementine at The Alnwick Castle Poison Garden., 2021.
Nathan Carter’s exuberant paintings continue a theme of playfully mixing abstract and organic shapes to create fantastical botanical compositions, named for flowers and recalling their distinct shapes. Painted in acrylic enamel, the works focus on flowers in the process of blossoming. Thus, among the tightly intertwined forms reminiscent of leaves and vines, are also stamen and stigma, evoking the complex reproductive apparatus of plants. The intersexual botanical beings are curious proliferations, spiky prideful panorama, petals, stamen and ovule tentatively intertwining and coupling in a self-stimulating dance. Emphasizing the phantasmagorical element of these constructions, they can also include hearts or a row of rainbow spikes, or, as Carter calls them: “visible deadly warnings to all away supporters and dream killers."
The titles of this series of works contain both scientific and common or fictional references to plants, paired with names or emotive qualifiers.
Spotlight: Karin Sander
This week for our Spotlight we present Karin Sander's Patina Painting 187/12, In The Garden During Building Renovation, Berlin-Zehlendorf, 2018.⠀
Patina Paintings (Gebrauchsbilder) are standard, mass-produced canvases in various formats that the artist has placed in specific locations for a certain time period, or given to collectors and institutions for their own use over a limited period of time.
As Harald Welzer noted in his text on Karin Sander's work “From the moment of its acquisition it is left to them whether they install such a work in their sports car or leave it in their basement or carry it about as a constant travel accessory (like a toiletries bag). In any case the canvas will be covered with some kind of a coat of dust, dirt, mould, notes or whatever else crosses the path of the wok and its owner. These works are also self-portraits of their owners, at least they show traces of a use that could only take place with this individual and his or her specific way of life. In the context of an exhibition they seem as auratic as any other painting; this can represent an affront to actual painters.”
Spotlight: Andrew Grassie
This week for our Spotlight we present Andrew Grassie's Giraffe, 2020.
Giraffe is from a new body of work exploring images from the artist’s image archive, among them decades old snapshots associated with personal memories, tied to a specific place, a moment in time. Andrew Grassie chose motifs that had held his attention for reasons he could not always explain: photos from his image archive, sometimes many decades old and exuding a vague awkwardness, became sources for these works.⠀
The intimately scaled, precisely painted work is executed in tempera, a painting technique associated with pre-Renaissance panel paintings anteceding the development of oil paint.⠀
Click here to see the full Spotlight!
Letter from Berlin – March 26, 2021
This Letter from Berlin is dedicated to our current Art Basel OVR: Pioneers presentation.
After a short essay on the history of the term pioneer, we introduce the works by General Idea, Dominique Gonzalez-Foerster, Pierre Huyghe, Ann Veronica Janssens, Philippe Parreno, Anri Sala, and Hito Steyerl featured as part of our selection in Art Basel OVR: Pioneers, and present a conversation with Tino Sehgal and Svetlana Marich on the artist's practice.
As part of our series All Access, a video takes you into Sun Rise | Sun Set with Pierre Huyghe's aquarium work at Berlin's Schinkel Pavillon. David Claerbout's solo exhibition opened yesterday at the Garage Museum in Moscow. Karin Sander's sole presentation opens tonight at the Kunsthalle Tübingen. Find the links to attend the digital opening and exhibition tours with the artist below.
Spotlight: Ann Veronica Janssens
This week for our Spotlight we present Ann Veronica Janssens' Green, Yellow and Pink, 2017.⠀
“(…) sometimes you have to erase reality, erase what’s visible in order to see something else, to make the invisible visible.” – Ann Veronica Janssens⠀
This site-specific work was created on occasion of the artist’s 2017 solo exhibition at Esther Schipper, Ich rede zu Dir wie Kinder reden in der Nacht. Once visitors pass the threshold of the exhibition space, they find themselves immersed in an immaterial colored abstraction where any spatial or temporal landmark has disappeared.⠀
Green, Yellow and Pink was most recently part of the artist's Connect, BTS project at DDP Design Exhibition Hall, Seoul in 2020.
Spotlight: Isa Melsheimer
This week for our Spotlight we present Isa Melsheimer's false ruins and lost innocence 1, 2020.⠀
The large-scale ceramic takes as point of departure the so-called Cuckoo Coffee House in Da Nang, Vietnam, an airy building from 2019 designed by a young Vietnamese architectural firm called Tropical Space. Inside the multiple nestled shapes overlooking an enclosed courtyard, a small forest of trees appears to thrive, their trunks richly glazed.⠀
The new sculpture is one of the artist’s largest and technically complex ceramics to date. Similar to her idiosyncratic use of concrete, Melsheimer who began to work with the material in 2013, has pushed the boundaries of this craft in scale and technique, making the medium completely her own.⠀
Click the link below to see the full Spotlight!
Spotlight: Ugo Rondinone
This week for our Spotlight we present Ugo Rondinone's zweiteraprilzweitausendundsiebzehn, 2017 and the quick, 2019.⠀
Taking the universally recognized motif of a brick wall as point of departure, Ugo Rondinone's large scale zweiteraprilzweitausendundsiebzehn traverses the boundary between sculpture and painting.⠀
the quick is made of hewn bluestone. Five blocks have been stacked atop one another to form the basic shape of a human body—legs, waist, torso, and head. The stones, whose rough edges result of the quarry work, have not been modified. The marks left by weather, wind and corrosion contrast with the smooth surface of the poured concrete plinth.
Spotlight: Angela Bulloch
This week for our Spotlight we present Angela Bulloch's Pentagon Totem: Tree, 2020⠀
Pentagon Totem: Tree is the latest development in Angela Bulloch's ongoing series of sculptures. The work consists of five assembled geometrical figures known as regular dodecahedrons (each figure is made of 12 pentagons).⠀
Angela Bulloch's series of sculptures examines the connections formed by the convex geometrical shapes of their structure, together with their associations of colors and the gallery space. Made of painted Corian, the surface of the vertically assembled dodecahedrons creates an optical illusion of pushing and pulling planes. Conceived and designed within a digital imaging program, each superimposed module appears distinct while at the same time relating to the others.⠀
Click here to see the full Spotlight!
Artist Talk with Simon FujiwaraFondazione Prada Instagram Wednesday ,3 March, 7 pm (CET) www.instagram.com/fondazioneprada
What would you like to know about Who The Bær?
Tune in to attend the digital preview of the exhibition Who The Bær on Wednesday 3 March at 7 pm (CET) live on the @fondazioneprada Instagram account
Simon Fujiwara will unveil his site-specific project and, in conversation with author Barbara Casavecchia will go through the key themes that inspired the fantastical character of Who The Bær.
Letter from Berlin – February 26, 2021
Welcome to this month's Letter from Berlin which presents two major solo exhibitions, Liam Gillick's just-opened The Work Life Effect at the Gwangju Museum of Art in Korea, and Ryan Gander's Natural and Conventional Signs installed in his impromptu Kunsthalle-like space Solid Haus, part of his studio complex in Suffolk and currently only accessible virtually.
Our dedicated Online Viewing Rooms for Isa Melsheimer and Rosa Barba remain open and our new series Spotlight and All Access highlight works and exhibitions accessible virtually.
Under the title Sun Rise | Sun Set an ambition group exhibition with a multi-layered responses to the fast unfolding eco-catastrophe opens exclusively digitally today at Berlin's Schinkel Pavillon with a major work by Pierre Huyghe.
Rounding up our Letter is a selection of publications, among them a beautiful new catalogue for the 2017-2018 group exhibition Like a Moth to a Flame curated by Liam Gillick, Tom Eccles, and Mark Rappolt. Details can be found below.
Spotlight: Roman Ondak
This week for our Spotlight we present Roman Ondak's Bad News, 2018.⠀
Bad News consists of a round table with three papier-mâché spheres placed on its tabletop. As is characteristic of Roman Ondak’s practice, the table, formerly a revolving worktable showing signs of wear, is a found object that most likely originates from an artisan’s workshop in Bratislava, where the artist works and lives.⠀
The three spheres were made by Ondak using pages from three different widely-read newspapers, the American The New York Times, the Russian Izvestia and the Slovakian SME. The artist collected the newspaper issues for the work throughout December 2018. The diameters of the spheres was determined by the number of printed pages of each newspaper. While the surface of each sphere appears as a cacophony of article headlines and text quotes, the artist’s selection of the visible headlines was deliberately random. It is the observer who, subtly nudged by the work’s title, might assume “bad news” when in fact they may not be any.⠀
FIAC Online Viewing RoomMarch 4 – 7, 2021 https://fiac.viewingrooms.com/
We are pleased to announce our participation in the first iteration of FIAC Online Viewing Room where we will present major works by Rosa Barba, Martin Boyce, Angela Bulloch, Etienne Chambaud, General Idea, Ann Veronica Janssens, Isa Melsheimer, Roman Ondak, Philippe Parreno, and Ugo Rondinone.
Spotligt: Ryan Gander
This week for our Spotlight we present Ryan Gander's Y gêm (My neotonic contribution to Modernism), 2017.⠀
Y gêm (My neotonic contribution to Modernism) takes as point of departure a 1918 abstract sculpture by the Belgian Modernist artist George Vantongerloo (b. 1886, Antwerp; d. 1965, Paris). Vantongerloo, who was greatly influenced by his encounter with the Dutch De Stijl movement, pursued his interest in geometrical relationships and algebraic formulas beginning in 1918. Another art historical reference are Pop artist Claes Oldenburg's "soft sculptures" from the early 1960s.⠀
Ryan Gander short-circuits this development by first treating the older master's hard-edged sculpture with a computer program that enlarges the work and rounds angular shapes, before covering it in a thick layer of orange artificial fur balls, transforming the sculpture into a soft, fuzzy and inflated-looking form.⠀
Simon Fujiwara at Fondazione PradaFondazione Prada, Milan March 2 – September 27, 2021 www.fondazioneprada.org
For this new site-specific project conceived for the ground floor of the Podium in the Milan premises of Fondazione Prada, Simon Fujiwara introduces audiences to the fairytale world of Who the Bær, an original cartoon character that inhabits a fantasy universe created by the artist. Who the Bær is a cartoon bear without a clear character – “Who” as they are known, seems to have not yet developed a strong personality or instincts, they have no history, defined gender or even sexuality. Who the Bær only knows that they are an image, and they seek to define themselves in a world of other images.
The world of Who the Bær is a flat, online world of pictures, yet one full of endless possibilities. Who the Bær can transform or adapt into any image they encounter, taking on the attributes and identities of those depicted within the image – human, animal or even object. In this sense the fantastical world of Who the Bær is a world of freedom: Who can be whoever they wish to be, Who can transcend time and place, Who can be both subject and object. Yet Who the Bær may never be able to overcome their one true challenge – to become anything more than just an image.
Who the Bær’s fantasy adventures are presented at Fondazione Prada in a giant labyrinth made almost entirely from cardboard and recyclable materials and forming the shape of a giant bear. As visitors travel through the bear-like installation, they are introduced to the basic design and formation of the cartoon character of Who the Bær before embarking on a series of adventures that follow Who the Bær around their fairytale world. Told through drawings, collages, sculptures and animations, we witness Who the Bær in their perennial quest for an authentic self.
Inspired by the tradition of fairytales as well as modern animation movies, Fujiwara uses the mechanisms of fantasy to explore some of the joys and traumas we face as a society possessed with images and spectacle.
The exhibition is completed by a publication, which is part of Fondazione Prada’s Quaderni series. Conceived as an illustrated story book, it includes a conversation with the artist.
The adventures of Who the Bær can be experienced on Instagram following their official account @whothebaer.
Spotlight: Rosa Barba
This week for our Spotlight we present a selection of major works by Rosa Barba who recently joined the gallery, as well as an introduction to her new film and site-specific project, Inside the Outset: Evoking a Space of Passage, filmed in Cyprus, including the UN-Buffer Zone.
This summer, Rosa Barba will present an architectural film installation as part of the long-awaited reopening of the Neue Nationalgalerie, Berlin, after five years of closure for renovation work.
Live Tour and Zoom Conversation with Ryan GanderFebruary 9, 2021, 12 pm (EST), 6pm (CET)
Live Tour and Zoom Conversation with Ryan Gander and Princeton Program in Visual Arts faculty member David Reinfurt
February 9, 2021, 12 pm (EST), 6pm (CET)
Pre-registration is required
Register for the tour HERE
Spotlight: Thomas Demand
Spotlight is a weekly presentation focusing on an artwork or a group of works. This week in the spotlight is Thomas Demand's Princess.
The work depicts a detail of the Diamond Princess, a cruise ship that gained notoriety when in early February 2020 several passengers were diagnosed with the novel coronavirus and Japanese health officials imposed a mandatory 14-day quarantine on the vessel which was then anchored in Yokohama, Japan. Aboard the ship were a total of 2,666 passengers and 1045 crew members whose daily activities were reported in worldwide news.
The image is part of a series produced in 2020 for the covers of the Italian architectural magazine DOMUS. The series depicts "architecture which got into trouble," as Demand puts it. These are designs which became symbolic architectural forms for current disputes without necessarily being built with any such intention.
Letter from Berlin – January 29, 2021
Welcome to our first Letter from Berlin in 2021!
We begin with a short introduction to the work of Cemile Sahin whose representation the gallery has just announced.
As much of Europe remains on lockdown, we highlight exhibitions and the extensive materials which makes it possible to visit and to engage with these remotely.
Our overview includes Simon Fujiwara at the Blaffer Art Gallery, Ugo Rondinone at SKMU Sørlandets Kunstmuseum, AA Bronson and Simon Fujiwara at the Schwules Museum, and our exhibition with Isa Melsheimer.
A charming short video on Philippe Parreno's work Echo at the Museum Modern Art, a recent interview with Esther Schipper, and our book recommendations round up this January edition of the Letter from Berlin.
Read the entire Letter from Berlin here
Esther Schipper is pleased to announce the representation of Cemile Sahin
Cemile Sahin was born in Wiesbaden, Germany, in 1990. She studied Fine Arts at Central Saint Martins College of Art and Design in London and at the Universität der Künste in Berlin. She lives and works in Berlin.
Sahin's artistic practice operates between film, photography, sculpture and text. Points of departure include both images and stories, which she stages in multimedia video installations. Her work questions the instrumentalization of media and the significance of diverse perspectives for the writing of history. Working with a variety of media, she explores how history and its narration changes when it is constructed through diverse—or even contradictory—points of view.
Her debut novel TAXI was published in 2019, followed by her book Alle Hunde Sterben in 2020, both of which are important components of her artistic practice. In 2019 she was awarded the ars viva 2020 prize for Visual Arts. The same year she was a fellow of the JUNGE AKADEMIE at the Akademie der Künste Berlin.
Spotlight: Philippe Parreno
Spotlight is a weekly presentation focusing on an artwork or a group of works. This week in the spotlight is Philippe Parreno’s lightboxes Invisibleboy.Invisibleboy, 2020 consists of seven light boxes, all featuring a still taken from Philippe Parreno's film Invisibleboy", 2010–2015, that has been enlarged and printed on a Duratrans transparency, mounted in a light box.Invisibleboy portrays the world of a Chinese child immigrant in New York's Chinatown. The narrow streets and cramped spaces in which the local community lives are populated by monstrous imaginary figures. In Invisibleboy, reality and fiction overlap: monsters creep into the images of the urban fabric and city life, taking on alien forms. Scratched directly into the film stock, these monsters spring to life out of its frames. Parreno tries to give an image to people generally described as "invisible," who fall outside of any legal framework.For this new series of light boxes, the artist has delicately scratched the transparencies to add texture and presence to the existing monstrous figures of the film. Each image features a different creature, named by the artist: in this case, The Hanger.The work is unique in a series of five variations. Every variation is customized by the artist with unique hand-scratches.
"The Challenge: We are in this together" – Esther Schipper for The New Institute
For its December newsletter, titled "The Challenge: We are in this together", The New Institute asked Esther Schipper – among other thinkers and practitioners – to share her insights and analysis on the current global pandemic. For the occasion, Esther Schipper selected artworks by the gallery artists showing that the questions of viruses and pandemics have been among us for a long time.
Letter from Berlin – December 18, 2020
To conclude this extraordinary year, we present a special film screening from Rosa Barba whose representation we just announced.
Take a tour alongside Isa Melsheimer and Jan Kage who met last weekend in the artist's exhibition at the gallery in Berlin for a lively conversation.
We present our first online exhibition with Hito Steyerl and introduce materials from K21's digital guide.
Projects by Daniel Steegmann Mangrané and Jean-Pascal Flavien have real-life iterations and a strong digital presence: Steegmann Mangrané's work is currently on view in Madrid, Flavien's will be accessible in Hannover in 2021.
And don’t miss the online artists’ conversation on occasion of Jeanne Tremsal’s exhibition with works by Angela Bulloch, Isa Melsheimer and Christopher Roth taking place on Saturday, December 18th.
Online Tour with Isa MelsheimerInstagram Live Saturday December 12, 2020, 12 noon
Online Tour of Isa Melsheimer's false ruins and lost innocence
with Isa Melsheimer and Jan Kage
Saturday December 12, 2020, 12 noon
The tour will be held in German
Join the tour on Instagram Live
Join Isa Melsheimer and author, musician, and curator, Jan Kage as they take you on a tour of false ruins and lost innocence, Isa Melsheimer's current exhibition at the gallery.
Esther Schipper is pleased to announce the representation of Rosa Barba
Rosa Barba was born in 1972 in Agrigento, Italy. She currently lives and works in Berlin.
She studied at the Academy of Media Arts Cologne and has completed her PhD at the Malmö Faculty of Fine and Performing Arts, Lund University in 2018.
She has been a visiting professor at MIT, ACT (Program in Art, Culture and Technology), in Cambridge, Massachusetts. Barba holds a professorship in Fine Arts at the University of the Arts, Bremen.
Rosa Barba engages within the medium of film through a sculptural approach. In her works, Barba creates installations and site-specific interventions to analyze the ways film articulates space, placing the work and the viewer in a new relationship. Questions of composition, physicality of form and plasticity play an important role for the artist as Barba examines the industry of cinema and its staging vis-à-vis gesture, genre, information and documents. Her film works are situated between experimental documentary and fictional narrative. They often focus on natural landscapes and human-made interventions into the environment and explore the relationship of historical records, personal anecdotes, and filmic representation, creating spaces of memory and uncertainty.
Hito Steyerl's "We Will Survive TV"November 15, 19, 21, 26, 2020 www.e-flux.com
What happens to the art at the museum at night?
A weird-ass visual podcast
During the corona-related shutdown in November 2020, Hito Steyerl’s exhibition I Will Survive at K21 (September 26, 2020—January 10, 2021) transforms into a livestream format. The project 4 Nights at the Museum developed by the artist, filmmaker, and author Hito Steyerl, provides some background and conversations about the works in the exhibition.
In five episodes (each lasting ca. 45 minutes), selected works and themes in I Will Survive will be discussed in more detail. Participants in the works, such as the New York-based graphic designer Ayham Ghraowi or the Hamburg-based actress Heja Netirk, will talk about their perspectives. In addition, Steyerl will present alternative versions of exhibited works and previously unedited archival material. Short guided tours by the curators will accompany visitors into the exhibition spaces, which are abandoned at night. They will take a look at some of the works and prove that there is nothing going on inside the museum during the shutdown.
The episodes will livestream on e-flux Video & Film starting Sunday, November 15. All episodes air at 8pm CET, 2pm EST.
Letter from Berlin – November 13, 2020
Welcome to the Letter from Berlin!
Our focus is Andrew Grassie’s exhibition Still Frame with an essay introducing the Online Viewing Room and an online tour the artist and Manuel Miseur, director at the gallery, conducted.
While Thomas Demand’s exhibition at M Leuven is currently closed, we want to draw your attention to the artist's conversation with the museum’s curator Valerie Verhack, Demand’s recent interview with German Public Radio, and the final cover for DOMUS as part of his collaboration with the magazine’s 2020 guest editor David Chipperfield.
Recent press includes a comprehensive article on AA Bronson’s A Public Apology to Siksika Nation and an interview with Gabriel Kuri on life in Brussels.
Hito Steyerl's "SocialSim" Live StreamTwitch TV Wednesday, November 4, 2020
Hito Steyerl's simulation Social Sim screening live from a locked down K21 to reflect the current political climate.
Online Tour with Andrew GrassieInstagram Live Sunday, November 1, 2020, 11:30 am
Online Tour of Still Frame with Andrew Grassie and Manuel Miseur, Director at Esther Schipper
Sunday November 1, 2020, 11:30 am
On Instagram live
Andrew Grassie’s paintings are based on photographs he has taken himself or that he, in some cases, has found. Often they have been elaborately staged, although this effort is veiled by the ostensibly unassuming matterof-factness the small, precisely painted works exude. The works are executed with tempera, a technique associated with pre-Renaissance panel paintings anteceding the development of oil paint. Tempera dries very rapidly and remains relatively sheer. To create cover and solid colors, many layers are needed.
Artist Talk with Philippe ParrenoMoMA Online Wednesday, October 14, 2020, 12 pm (EST) www.moma.org
Enjoy a discussion with artist Philippe Parreno, creator of the installation Echo, a "sensible and sentient automaton" that "lives" in MoMA's lobby and interacts with visitors, and hear about what he's working on and thinking about these days.
An online lecture/panel discussion with Philippe Parreno
Wednesday, October 14, 2020, 12 pm (EST)
Letter from Berlin – October 9, 2020
This Letter from Berlin introduces new documentation for Philippe Parreno’s Manifestations and Ugo Rondinone’s nuns + monks. Both exhibitions remain on view through October 17.
This weekend the Lenbachhaus presents Ari Benjamin Meyers' K Club at Blitz Club in Munich. Also in Munich, Gabriel Kuri's exhibition as part of Various Others remains on view at Walter Storms Galerie through October 31. Please find detailed information below.
Body, Identity, Performance: Films by Tao Hui and Monira Al QadiriBi’bak, Berlin October 8, 2020, 8 pm www.bi-bak.de
Film screening with Tao Hui
October 8, 2020, 8 pm
Artist Talk & Online Opening with Thomas DemandM Museum, Leuven October 8 , 2020, 8 – 9 pm https://fb.me/e/2SSLBGtY4
Starting 9 October M is presenting the new exhibition HOUSE OF CARD by Thomas Demand. In order to limit the spread of the coronavirus there will be no physical opening event. Instead, there will be a livestream on Facebook on Thursday evening 8 October.
8 pm – Première of the film M and Thomas Demand made on the exhibition (English, subtitles in Dutch and French)
8:15 pm – Conversation between curator Valerie Verhack and Thomas Demand (English) on the exhibition at M and the accompanying book.
Click HERE to attend the online event
Art in 2020 - Live Broadcast by Art Basel with Simon Fujiwara and Ryan GanderTuesday, September 22, 2020, 10 AM ET / 4PM CET / 10HKT www.artbasel.comOVR:2020, which opens on September 23, is dedicated to art made in 2020. On the eve of its launch, Art Basel and the Financial Times invite leading artists to discuss their new work, and how their practice has responded to these extraordinary times.Moderator Jan Dalley, Arts Editor, Financial Times, will be joined by Sadie Barnette, Ryan Gander, Ebony G. Patterson and Simon Fujiwara.Register here!
Podcast: AA Bronson speaks with The Art Newspaper
On the occasion of Berlin Art Week 2020, The Art Newspaper spoke with AA Bronson about participating in one of the big shows opening during the week, at the legendary Berghain nightclub, and about his experience of living in the city.
Book Launch with Liam GillickMuseo Madre, Naples Wednesday, September 9, 2020 at 6.30 pm www.madrenapoli.it
On Wednesday September 9, at 18.30, the Museo Madre will present the new publication by Liam Gillick: Standing On Top of a Building: Films 2008-2019 published in June 2020 by Edizioni Madre and arte’m.
After an introduction by the president of the Fondazione Donnaregina per le arti contemporanee, Laura Valente, Liam Gillick will be joined in conversation with the curators, Alberto Salvadori and Andrea Viliani.
The publication is the first retrospective dedicated exclusively to Liam Gillick’s film production.
Ari Benjamin Meyers – Solo (Social Distance Version)Collegium Hungaricum & Yellow Solo, Berlin www.yellowsolo.de
Solo by Ari Benjamin Meyers was first presented in Berlin in 2009 by Soundfair at Loge. In line with the basic concept of the work, only one person at a time was allowed to enter the space, to experience a live vocal performance of ca. seven minutes, delivered by a solo singer. In the first version of the performance the soloist and the solo audience were in one space, a small room which created, in fact provoked, an inevitably intimate connection between the two.
In Solo (Social Distance Version)—presented first at CHB-Collegium Hungaricum Berlin and later at Yellow Solo—the soloist and the solo audience are separated by a wall, and thus the show, experienced in complete solitude, is comprised not of hearing, but overhearing.
CHB – Collegium Hungaricum Berlin
Dorotheenstraße 12, 10117 Berlin
September 11, 12, both days 4 pm - 10 pm
Duration of the performance: 10 min
The performance takes place in continuous repetition from 4 pm till 10 pm on the 11th and 12th of September. A solo visitor is allowed to enter the space following a short break after each performance.
From 4 pm to 7 pm, the performance can only be visited at a pre-booked time slot. It is not necessary to register between 7 pm and 10 pm, entry is in the order of arrival.
Danziger Straße 162a, 10407 Berlin
September 19, 26, October 4, 11, on all four days 4 pm – 8 pm
Duration of the performance: 10 min
The performance can only be visited here at a pre-booked time slot.
Artist Talk with Gabriel KuriThe Douglas Hyde Gallery (online) Thursday September 3, 2020, 7:30 pm (CET) www.douglashydegallery.com
Gabriel Kuri in conversation with Georgina Jackson
Thursday 3 September 2020, 7.30 pm (CET)
Join Gabriel Kuri and The Douglas Hyde Gallery Director Georgina Jackson as they discuss Kuri's practice, in particular his current exhibition The Douglas Hyde Gallery "spending static to save gas". The conversation will be live cast on The Douglas Hyde Gallery YouTube channel.
Online Artist Talk with AA Bronson & Adrian StimsonHirshhorn Museum (online) August 19 2020, 2–3 pm www.hirshhorn.si.edu
(At Home) On Art And Healing: Online Artist Talk
With AA Bronson And Adrian Stimson
Hirshhorn Museum (online)
August 19 2020, 2–3 pm
Artists AA Bronson and Adrian Stimson join Hirshhorn assistant curator Betsy Johnson for a discussion on their work and recent collaboration to address the fundamental role that art can play in helping us to face unspeakable atrocities, rebuild relationships and trust, and find healthy ways to heal and move forward together. Through this conversation, the artists approach the unanswerable question—one posed by Bronson in his work A Public Apology to Siksika Nation—of how one can apologize for genocide, if at all.
Cooking with Artists – Nathan Carter
“When I was a kid, I drew and built my worlds. I would make maps and models of places. I would mix toys together and there was a lot of masking tape, pencils, matchboxes, thread, string, and Elmer’s glue—sticking legos to pine cones and things like that. As an adult, as a childish adult, I’m still doing that storytelling through drawing maps and world-building.”
Nathan Carter shared his recipe for a refreshing, tangy salad of cucumbers, mangoes, pineapples, lime, and spicy Thai chilis for MoMA PS1's new instalment of Cooking with Artists with Chef Mina Stone
Click the link for the full recipe!
The Reading Corner: Roman Ondak
Published on occasion of the Roman Ondak's exhibition History Repeats Itself at Kunsten Museum of Modern Art Aalborg in 2017 and is published Verlag der Buchhandlung König. It is a personal and metaphysical journey into the landscapes of history and youth of Roman Ondak.
Roman Ondak works with conceptual art, that is: art based on an idea. Like the father of conceptual art, Marcel Duchamp, Roman Ondak works with found objects. He revitalises the genre by placing the "object" in a broader context, which allows new stories to arise - with both personal, poetic and political power.
SUNDAY OPENSunday July 26, 2020
Wir freuen uns, an der dritten Ausgabe von SUNDAY OPEN teilzunehmen, einer Initiative von INDEX Berlin. Unsere Ausstellung ist noch bis 26. Juli zu sehen wird am kommenden Sonntag von 12 bis 18 Uhr geöffnet sein.
We are pleased to participate in the third iteration of SUNDAY OPEN, initiated by INDEX Berlin. For its final day, our exhibition PS81E will be open this Sunday, July 26, from 12 through 6 pm.
Instagram Takeover: Daniel Steegmann Mangrané
"What do a dog and a tree have in common? Their bark!” Joke, anonymous.
"An animal is classified as feral when it is a former domestic animal living in a wild habitat, without food or shelter provided by humans, and showing some resistance to people”, biologists state. Some of the most common species that turn feral are cats, dogs, horses, and pigs. Once companion species, when the pact established thousands of years ago by codomestication is broken, they have the ability not to go back to being wolves, their wild ancestors in the case of dogs, but to become something else. They become feral. Claude Lévi-Strauss coined the concept of pensée sauvage (not la pensée des sauvages, as we are often reminded), a type of “untamed” thought, kept alive in the modern western world within “natural reserves” of art, as he would say. Dogs are not often considered wildlife; they are mostly a species-with-humans. Messmates. That does not mean they could not experience their own kind of pensée sauvage – or even a domesticated thought, who knows. But what mode of thought is expressed when these two worlds collapse, pacts are broken, their world is wounded, they become without-humans and thus feral? Is it possible that la pensée férale is one that makes surviving in the Anthropocene feasible?
Text Juliana Fausto, images Daniel Steegmann Mangrané
For each week in 2020, curator Maria Lind invites 52 artists to inhabit this account to make weekly proposals for the 2020s. See Daniel Steegmann Mangrané's takeover at @52proposalsforthe20s.
Anri Sala – Take Over (Marseillaise), 2017
We celebrate Bastille Day with Anri Sala and an excerpt from his 2017 video Take Over (Marseillaise)!
Watch as the pianist and Disklavier play the French national anthem in a carefully choreographed moment of ghostly harmony, evoking the timelessness of the tune.
Both this video and its counterpart, Take Over (Internationale), pair the two eponymous musical works, powerful political anthems that are affiliated by an entangled political and cultural history.
Letter from Berlin – July 3, 2020
This week we take the exhibition of several major works of Anri Sala’s (at ARoS, in Aarhus, the Kienzle Art Foundation in Berlin, and at the gallery) as occasion to focus on the artist and also screen his Take Over (Marseillaise) as our weekly online film.
As part of Festival! Isa Melsheimer and N.Dash’s exhibition continues through next Thursday. The following weekend, July 11th, Sala’s exhibition with Saâdane Afif will open.
We want to draw your attention to a comprehensive exhibition by Grönlund-Nisunen at the Shanghai Minsheng Art Museum and reprint from an interview and an essay on the two Finnish artists.
And beginning July 14th, Simon Fujiwara will exhibit Joanne as part of the 2020 Seoul Photo Festival. Details can be found below.
The weekly Letter from Berlin will break for summer! After a travel issue in late July, we will return with new stories in the fall.
The Reading Corner: Daniel Steegmann Mangrané
“If there are no more subjects nor objects, then there are no longer spectators or works of art, but rather processes of relationships of mutual transformation. Combinations of agents which influence one another”. – Daniel Steegmann Mangrané
Profoundly transforming the space of the IAC Daniel Steegmann Mangrané's solo exhibition, Ne voulais prendre ni forme, ni chair, ni matière, generated new vanishing lines. Defined by a sensitive geometry, driven only by rays of natural light that penetrate the gloom, the exhibition encouraged exploration.
This artist book has been published on occasion of the exhibition Ne voulais prendre ni forme, ni chair, ni matière at the Institut d'art contemporain, Villeurbanne/Rhône-Alpes from 20 February to 28 April 2019.
Letter from Berlin – June 26, 2020
This week we continue to focus on new projects and re-opening exhibitions.
On occasion of Isa Melsheimer's exhibition with N.Dash as part of Festival!, we introduce her short video Wasserballett für Marl and reprint from her interview with Collectors Agenda. Isa Melsheimer's solo exhibition at the KINDL closes next weekend, on July 5th.
We want to draw your attention to an exhibition with Karin Sander opening this weekend, present recent interviews with Gabriel Kuri, and also take a closer look at the artists' works in our exhibition PS81E.
Immersive Ping-Pong with Gabriel Kuri
Currently exhibited as part of our exhibition PS81E, Gabriel Kuri’s untitled (AE DEC 18) consists of a number of objects in different colors made from hard plastic that have been arranged in a loose grouping. Their shape is taken from a standard fastening clip, a closure best-known for use on packages of sliced bread (but also used to seal bags of fruit and other perishables). In this case the found object, the bread-clips, has been scaled to an almost monstrous size, removing all functionality.
The artists characteristic combination of precision and playfulness surfaced with a recent short video in which he plays ping-pong in his studio, felling the giant bread-clips one by one!
Made in confinement in Gabriel Kuri’s studio in Brussels. Much gratitude to Cristian Manzutto for his selfless help with the iPhone camera and editing. And thanks to Jonas Kuri.
Letter from Berlin – June 19, 2020
This week we continue to focus on new projects and re-opening exhibitions.
On occasion of Angela Bulloch’s exhibition with Gerwald Rockenschaub Festival!, we introduce her collaboration with David Grubbs The Wired Salutation with an excerpt from Grubbs essay.
This coming Sunday, June 21, the gallery will be open as part of SUNDAY OPEN, as we also continue participating in the now extended Basel by Berlin.
Please visit our new Online Viewing Room for PS81E and the presentation of our Art Basel Online Viewing Room.
We want to draw your attention to exhibitions with Simon Fujiwara and Roman Ondak opening next week in Bonn and Aalborg, respectively, and also take a closer look at their works in our exhibition PS81E.
In the Studio – Simon Fujiwara
This week the art magazine Collectors Agenda published an extinsive interview with Simon Fujiwara. Below excerpts from their conversation in which Simon also spoke about his fascination for female characters, among them Marie Antoinette who is the subject of his work currently on view as part of PS81E, A Dramatically Enlarged Set of Golden Guillotine Earrings Depicting the Severed Heads of Marie Antoinette and King Louis XVI, 2019.
Letter from Berlin – June 12, 2020
Welcome to our Letter from Berlin!
This week we focus on new projects and re-opening exhibitions.
This week’s film screening presents two works by Liam Gillick, Construction of One, 2016, and Pelin Tan A Film by Liam Gillick, 2019. We also introduce his contribution to A Fair Land Pforzheim, a project organized by Robert Eikmeyer
Please note these weekly viewing links are temporary: The films are available to view only through Sunday night, Berlin time.
Anything you may have missed from our social media channels can be found on Continuity, our digital platform.
Read this in good health.
The Art World Works From Home: Gabriel Kuri
An extensive interview with Gabriel Kuri published by artnet on June 5, 2020.
Letter From Berlin – June 5, 2020
This week we take the film screening Christoph Keller’s 3 Self-Experiments as occasion to present an essay on his practice which focuses on the way in which knowledge is gathered and organized across disciplines.
Podcast on Julia Scher's Security by Julia
In this podcast series Prof Dr Astrid Mania, students, and colleagues from HFBK in Hamburg as well as special guests talk about art works that resonate with what’s currently on our minds, that might be thought-provoking, comforting and also a little entertaining every now and again. In this fifty-second episode Astrid Mania talks about Julia Scher's Security by Julia.
Online Performance – Ari Benjamin Meyers
Forecast (Part I/Concert Version)
by Ari Benjamin Meyers
From Thursday June 4, 2020, 6pm, for 48 hours
American artist and composer Ari Benjamin Meyers works at the intersection of music, theatre, performance and live installation, aiming to exploit each genre’s particular register and make new connections between their different mechanisms of action.
Forecast, his work that was scheduled to premiere on April 23 but whose rehearsal process and premiere had to be postponed to next season due to the coronavirus pandemic, is dedicated to the weather as phenomena and a starting point for an evening about predictability, and humans as the creators of the future with their need for forecasts, control and imagination.
From May 11-15, the Forecast ensemble met in the Volksbühne to record an excerpt of the performance as a concert-style session on video.
Click here to watch the performance!
Tune In – Gabriel Kuri – Bedtime Stories, The New Museum
Only a few weeks ago, Gabriel Kuri wrote in our Letter from Berlin about his love of books. Now he has recorded a story by Umberto Eco as part of the New Museum's series Bedtime Stories (in English and in Spanish).
Letter from Berlin – May 29, 2020
This week we focus on the work of AA Bronson and General Idea in this Letter from Berlin. There is much to discover: a film, God is My Gigolo, two recent interviews the artist gave on the parallels of the health crises regarding AIDS and COVID19, past exhibitions, his ongoing project A Public Apology to Siksika Nation, presented in an excerpted essay by Ben Miller, and notes on the recurring motif of the poodle in General Idea’s oeuvre.
Another highlight is AA Bronson’s powerful text I Love Berlin!
The weekly film screening features General Idea’s God is my Gigolo from 1969-70. (Please note these weekly viewing links are temporary: The film is available to view only through Sunday night, Berlin time.)
We also want to draw your attention to the opening of Karin Sander’s major solo exhibition at the Museion in Bolzano and to the online screening by the Berlin-based project space Scharaun of films by Anri Sala premiering today.
The Reading Corner: Liu Ye
"It is no accident that the simplified paintings by Liu Ye are reminiscent of cartoons and illustrations in children’s books: the artist’s father wrote books for children and possessed a box filled with Western, often prohibited classic children’s literature. The pictures in them influenced Liu Ye at an early age. After studying at the Central Academy of Fine Arts in Beijing and the Berlin University of the Arts, the artist discovered his own distinct style, which plays with viewers’ visual expectations and catches them unawares with surprising pictorial compositions. His small-format paintings of Miffy the rabbit, the character created by Dick Bruna, are unmistakable, often painted against a dismal background that recalls the Old Masters or combined with elements borrowed from Piet Mondrian, as are his pastel compositions with innocent yet challenging female characters."⠀
This first catalogue raisonné featuring the sensitive works by Liu Ye provides an overview of his creative output from 1991 to 2015.
Guess Whose Studio Pt.5
Welcome to the next instalment of the series where our artists open their studio doors and invite you to guess whose studio.
To give a helping hand to figure out whose studio you’re peeking into, we’ve put together a number of clues to get you on the right track: 1
1. Everything on their desktop
2. A Scotsman in London
3. Only thing missing are the eggs
4. Worlds within worlds
Film Screening – Anri Sala, Long Sorrow (2005) & Answer Me (2008)www.scharaun.de
Long Sorrow (2005) & Answer Me (2008)
Friday 29. May, 2020, for one week
From 6 pm
Letter from Berlin – May 22, 2020
This week we take the launch of our Ari Benjamin Meyers Online Viewing Room as occasion to loosely focus on music in this Letter from Berlin.
We introduce Meyers’ with a film streaming of his 2018 Four Liverpool Musicians and a text by Alexander Abdelilah. You can also find Meyers recent talk with Michael Langer in German public radio linked. (Please note these weekly viewing links are temporary: The film is available to view only through Sunday night, Berlin time.)
In a recent conversation with the Vienna-based curator Alexandra Grimmer, Liu Ye spoke about listening to music in his studio.
Ryan Gander has practiced his DJ-ing skills. See, and listen to, his broadcast, recorded on his birthday.
Messages from Home – Francesco Gennari
VIAGGI DA CAMERA is the new online project from the Fondazione Nicola Trussardi. "Viaggi da camera" collects and distributes daily images, videos and texts, chosen by artists invited to tell their home and private space. Every day a new contribution will be published on the Foundation's website and social channels.
Inspired by Xavier de Maistre's famous 18th century novel "Journey around my room" - written during a 42-day obligatory stay in a room in Turin - "Viaggi da camera" invites artists to open the doors of their real and imaginary rooms. Taken from day #39, Francesco Gennari shared a glimpse into his home life in the midst of lockdown.
Letter from Berlin – May 16, 2020
This week we continue our film streaming with Tao Hui’s Mongolism from 2010. (Please note these weekly viewing links are temporary: The film is available to view only through Sunday night, Berlin time.)
As Spring turns into Summer, in this Letter from Berlin Isabelle Moffat presents two outdoor projects: Martin Boyce’s 2019 commission at Mount Stuart on the Isle of Bute and Pierre Huyghe’s La Saison des Fêtes from 2010, including an exclusive screening of Huyghe's film on his Documenta project, A Way in Untilled!
In four short videos, Isa Melsheimer speaks about her transformative experience on the coast of Newfoundland.
This week’s theme was loosely inspired by Para Site’s large-scale group exhibition entitled Garden of Six Seasons that includes Dominique Gonzalez-Foerster’s work Gloria. More information below.
Guess Whose Studio Pt.4
Welcome to the next instalment of the series where our artists open their studio doors and invite you to guess whose studio.
To give a helping hand to figure out whose studio you’re peeking into, we’ve put together a number of clues to get you on the right track:
1. Has been with the gallery for over 30 years
2. The sky's the limit
3. Loves rules
4. Enjoys heavy metal
Journey Through the Gallery – Tomás Saraceno, Algo-r(h)i(y)thms
In this next instalment of Journey Through the Gallery, we look back to November 2019 where we presented Algo-r(h)i(y)thms, Tomás Saraceno's third solo exhibition with the gallery.
The Reading Corner: Anri Sala
This book, published for the exhibition Anri Sala. Le Temps coudé, presented at Mudam in fall 2019, comprises four essays by the philosopher and musicologist Peter Szendy that consider the artist’s major works since 2013.
Demonstrating the strong intellectual connections that has developed between the two over the course of their collaborations, these essays draw on a sensory experience of the works of Anri Sala to analyze the way that music nourishes them, in their connection to image, space, history, and time.
Journey Through the Gallery – Ugo Rondinone, Slow Graffiti
Ugo Rondinone's 2001 exhibition Slow Graffiti consisted of two new works. The exhibition space was dominated by a tessellated mirror partition (5 x 5 meters) which is positioned in a way to reflect the whole room in fragments, or rather to display a distorted picture of the room in which the sculpture, a clown figure made of polyester, leans passively against the wall.
Integrated into the partition there were four loudspeakers playing a dialogue typical of Rondinone. To be heard is a woman's voice from the left and a man's voice from the right channel. The Beckett-like one-minute dialogue of the two voices talking at cross-purposes, fitted together to make a loop, expresses a depressing purposelessness, regarding content as well as formal aspects.
Letter from Berlin – May 7, 2020
This week we continue our weekly film streaming with David Claerbout’s Die Reine Notwendigkeit / The Pure Necessity and also highlight the artist’s recent interviews and lectures. The film is available to view through Sunday night, Berlin time.
This Letter from Berlin introduces three recent projects across magazines and the internet: Thomas Demand’s covers for the Italian architecture magazine Domus, Anri Sala’s contribution to M, the magazine of Le Monde, and the enthusiastically received "polite hack" of the website of this year’s Copenhagen Architecture Festival.
We also want to draw your attention to an online screening of a work by Hito Steyerl, the Guggenheim Museum’s offer of virtual backgrounds and our new German language Online Viewing Room for Angela Bulloch.
Messages from Home – A Recipe from Tao Hui
Under the heading Messages from Home artists are sharing videos from their (temporary) studios or homes.
Here, Tao Hui shares a recipe of his take on a Chinese-style ice plant salad!
Letter from Berlin – April 30, 2020
This week we focus on film in our Letter from Berlin. As this is a holiday weekend in Germany, we have assembled a program that adopts the format of a magazine. We hope you enjoy browsing its sections. The films are available to stream through Sunday night, Berlin time.
In a postscript to last week’s book-themed edition, Etienne Chambaud introduces another format of films on books: the film on a book about a film.
Letter from Berlin – April 24, 2020
The gallery has re-opened and we have extended Daniel Steegmann Mangrané’s exhibition Fog Dog. We look forward to welcoming you at the gallery again soon!
This week everything turns around books in our Letter from Berlin. Our bookstore, opened in 2018 with an overview of the publications of General Idea and AA Bronson, has seen a number of very special artist projects and has also become a site for readings and book launches. As its function as meeting place is on hold for now, we highlight past projects and focus on our artists’ relationship to books.
Matti Braun presents a virtual reading, in image and sound. Our Head of Content Isabelle Moffat takes his video as starting point to write about a new type of looking at books. And Gabriel Kurispeaks about his particular fondness for the conception and design of his own books and catalogues.
We present a number of outstanding recent publications and end with the round-up of this week’s social media contributions from our artists.
The Reading Corner with Gabriel Kuri pt.2
"I love books. By making my own, I learned that they do not have to be second to nor a derivative of my sculptural practice. Whether they are linked to a body or period of work, or exist completely independently, I always make an effort for them to have a life of their own. Books are material memory and register, key concepts in my understanding of what art is and what art can do. Books allow me to see my work as a collection of images. Images as pieces of evidence, metaphors, or signs, or simply—but no less importantly—as an essay of colour. I can see my practice through the narrative resulted from turning pages, which is quite different to pacing around a space.
Books have clear boundaries of size, format, material and binding that I always find helpful rather than limiting. I like to look at my practice through the limited structure of a book format. This shift of mind frame and optics is always helpful and never constraining. After the visible choices of colour, paper and layout in a few of my books, I guess one can see an inclination towards an aesthetics that embraces ordering and didactic principles. Making books is methodical, like my work. The methodology, the technique and of course the teamwork they involve, give me great pleasure, topped by the always welcome sense of surprise of finally holding the embodiment of an idea. I love it that books are mostly consumed intimately. And of course, I love paper." – Gabriel Kuri
Journey Through the Gallery – Ugo Rondinone, two men contemplating the moon 1830
In 2016, Esther Schipper presented two men contemplating the moon 1830, Ugo Rondinone’s fifth solo exhibition with the gallery.
Taken from a painting by Caspar David Friedrich, the exhibition’s title makes manifest Rondinone’s long-standing indebtedness both to the iconography and philosophy of German Romanticism. “The German Romantic movement was the first to blur the line between reality and illusion. In this sense I’m very attached to the idea of art and art making as an environment that is itself outside of time and inaccessible to a linear logic.“ (The Brooklyn Rail, 2013).
Rondinone modified the exhibition space to create a self-contained environment: new walls cover the existing windows. The works themselves index architectural barriers between outside and inside—a monumental new series of aluminum-cast windows, a large-scale brick-wall painting and a new series of concrete sculptures cast from the corners of urban buildings—collectively comprising the space of an inner world.
Guess Whose Studio Pt.3
Welcome to the next instalment of the series where our artists open their studio doors and invite you to guess whose studio.
To give a helping hand to figure out whose studio you’re peeking into, we’ve put together a number of clues to get you on the right track:
- mollusks galore
- lock up your wedges
- everything’s sorted
- no Marie Kondo
Messages from Home – Tao Hui
Under the heading Messages from Home artists are sharing videos from their (temporary) studios or homes.
Here, Tao Hui shares snapshots of his life from his hometown, Yunyang, Chongqing, as well as his journey back to Beijing.
Letter from Berlin – April 17, 2020
First off, we are very happy to announce that we plan to open our exhibition space middle of next week - pending the clarification of local governmental regulations.
This week’s letter focuses on new additions and long collaborations: we introduce Etienne Chambaud whose representation was announced this week and highlight Angela Bulloch’s thirty-year history with the gallery. Below you find excerpts from her interview with Suzanne Cotter and from an essay by Alexander Provan, as well as a dedicated Online Viewing Room detailing her exhibitions with Esther Schipper since 1989.
We continue our collaboration with Zapp Magazine which is making available rare footage from the landmark group exhibition in which Angela Bulloch and many more of the gallery's artists participated: Traffic, curated by Nicolas Bourriaud at the CAPC Musée d’Art Contemporain, Bordeaux in 1996.
The theme continues as we present Jac Leirner’s recent work and Ugo Rondinone’s 2013 gallery exhibition from our social media posts.
This week we have two recommendations: Don’t miss Liam Gillick’s conversation with Peter Saville on occasion of the Manchester International Festival’s streaming of ∑(No,12K,Lg,17Mif) New Order + Liam Gillick: So It Goes..
And on Sunday Ari Benjamin Meyers is featured on German Public Radio.
A Conversation with Ari Benjamin MeyersSunday April 19, 2020, 1:30 pm
On Sunday April 19 at 1.30 pm Ari Benjamin Meyers will be the guest of the two-hour program Zwischentöne on Deutschlandfunk, German Public Radio. Hosted by Michael Langer, conversation alternates with musical works specially chosen by Meyers.
Tune in this Sunday April 19, 2020 at 1:30 pm!
Journey Through the Gallery – Ugo Rondinone, primal
In the next instalment of our team's favorite exhibitions from the history of the gallery, Tara K.Reddi, Senior Sales Director, shares why Ugo Rondinone’s 2013 exhibition primal stands out for her:
"In 2013 for the exhibition of Ugo Rondinone’s primal the gallery space which was then at Schoeneberger Ufer became the stage for a series of new sculptures by Ugo Rondinone: 34 cast bronze horses, each individual in their form and size. The space was transformed with the installation of plywood flooring spread across the rooms of the gallery, uniting the space and introducing an active natural element into the white-cube environment. The white washed windows diffused the daylight and isolated the exhibition from the world outside. Suspended translucent discs of stained-glass clocks hung over the window panes. These colored, perfectly divided stained glass clock-faces, stripped of their hands, augmented the impression of an isolated environment, arrested in time and space.
The gallery, appeared to be transformed into a time capsule, occupied by small cast bronze horses not more than 20 cm in height, each of them spread across the wood flooring and each facing in a different direction. Each horse was modelled in clay by the artist and then cast in bronze leaving the surface raw and unfinished after the casting. Both the uniqueness and the rough, hand-made character of the sculptures are emphasized by the titles given to each of the works, introducing a romantic undertone to the exhibition. The horses “names” rather than “titles”, refer to primordial natural phenomena: the lava, the cosmos, the foliage, the sunrise etc."⠀
The Reading Corner: Gabriel Kuri
On the occasion of his first institutional exhibition in Germany, Gabriel Kuri created four new groups of works, which provide an insight into different aspects of his practice. Accordingly, Kuri is showing sculptures and installation; all of them are made out of found materials or industrially manufactured products, including marble slabs, sand, paper, cigarette butts, or body care products.
A precise and deliberate positioning and a surprising casualness always characterize the presentation of his objects in the exhibition. With their humor and lightness of touch, his works level criticism as well as political, economic, and social conditions. In the sense of an extended notion of sculpture, he shifts the boundaries of art and the everyday, as the viewers and the everyday become part of the aesthetic form.
This catalogue is published on the occasion of Gabriel Kuri’s solo exhibition at Bielefelder Kunstverein and Kunstverein Freiburg.
Behind the Scenes – Jac Leirner
Jac Leirner has been working from her home in Sao Paulo on a new body of work. Fascinated by often overlooked objects and materials, she recently embraced pens from museums, airlines, and hotels, which had been left aside until the last couple of weeks, creating humorous and peculiar sculptures. Clay forms the base of several of these new pieces and is embedded with pen tops, springs, and cartridges.
Here, Jac reminds us that there are inherent, magical qualities even in the most seemingly banal of materials. Along with artist Adriano Costa, the #quarantineshow project was launched on Instagram, and every single day they each post a new work. Follow Jac Leirner (@jacleirner) and Adriano Costa (@adrianocostaluis) to visit their everyday #quarentineshow
Letter from Berlin – April 9, 2020
This week we are inaugurating several new features on our website.
Continuity, our new digital platform, features a variety of news, messages and online stories by our artists and the gallery staff. It also hosts our weekly e-mailing, Letter from Berlin.
We have added Selected Works section to each artist’s page on our website. It gives an overview of major works, spanning throughout the entire careers of the represented artists.
A separate section integrates of all historical exhibitions at Johnen Galerie since 2004. In the course of last year’s thirtieth anniversary of the gallery’s founding in Cologne in 1989, extensive archive material was published on the gallery’s website. The online-accessible exhibition history documents over 230 internal gallery and countless external institutional exhibitions.
Journey Through the Gallery – General Idea, ¥en Boutique
On the occasion of the re-launch of our website with extensive archive material celebrating over 230 exhibitions in 30 years, over the next weeks we will be sharing archival material from some of our past exhibitions!
To begin, we're starting with General Idea's ¥en Boutique exhibition from 1989.
Under the guise of pseudonyms, 3 Canadian artists called AA Bronson, Felix Partz and Jorge Zontal work together in the group 'General Idea'.
Guess Whose Studio Pt.2
Welcome to the second instalment of our new series where our artists open their studio doors and invite you to guess whose studio.
To give a helping hand to figure out whose studio you’re peeking into, we’ve put together a number of clues to get you on the right track:
1. Kids are frequent inspiration
2. Plants have been art too
3. The studio has a proper name
4. I... I... I…
The Reading Corner: OneStar
In a generous gesture of bringing art into life, OneStar has made available pdfs of all their artists’ books published since 2000. We salute them!
Letter from Berlin – April 3, 2020
"A few years ago, I gave Nathan Carter a short text I had written on his work. He was visiting Berlin for the opening of the gallery’s new space and I was updating his profile. In response he gave me a list that I took as a kind of manifesto. Similar perhaps to the famous Pop Art list by the Independent Group, it is a mission statement, and as he recently noted,
“It was a defiant list of all the things that I as an artist will play with when I make art. The use of the word “play” means to experiment, touch, examine, alter and use in a fluid active way. The list is a license to be an artist and to make work about all of those things. Consequences n’all.” From abstraction to violence via bad weather, dancing, espionage, excitement, fear, love, pain, punk rock, shame, tequila & guacamole bar, among others—it’s all there.
I came across that list three weeks ago when I was preparing to work from home, and, on a whim, took it with me. It seemed like a good antidote to impending isolation.
The short video Carter sent last week, a behind-the-scenes view of his studio where he is currently working on a new film entitled LA GNARLIES, has a similar exuberance, a defiance of darkness."
Connections – Gabriel Kuri
"Looking at the bookshelf across my table I noticed Gabriel Kuri’s catalogue Sorted/Resorted published for his Wiels exhibition. Home office has advantages and disadvantages. As work is for the most part done remotely, on a computer far from the offices, my surroundings have become richer, alive. All the objects collected in more than a decades start to speak again.
I like to listen to these objects – to reconnect with the reality in which I found them. It is something I’ve always liked since I was going to the beach in summer: I found the things people left in the sand very fascinating – especially because they were also completely out of context. It was an idiosyncratic place, a desert land.
When I met Gabriel in 2015 for his most recent solo exhibition at the gallery, this sense of research was activated in the same way. Among the works he made, there was a series of sculptures that were hosting found objects. In the heat of the summer, I was looking for a coffee cup, the one you use to take the coffee with you, and you realize that a plain one, the one that contains just the right sense he was looking for did not exist in Kreuzberg, at least in the surrounding 10 blocks or so of his studio at the time.
This research became a way to map the city and ordering a coffe-to-go was no longer about the taste of the coffee but about the shape of the cup." – Emiliano Pistacchi
Journey Through the Gallery – Gabriel Kuri, carbon index compost copy
In the second installment of our team's favorite exhibitions from the history of the gallery, Andrea Rossetti, photographer and dear friend, speaks about why the 2011 Gabriel Kuri exhibition carbon index compost copy is particularly special to him.
“This was the very first exhibition I documented at Esther Schipper, so I have very special feelings when I think about it and remember the installations and artworks very vividly. It was also the very first show at the Schöneberger Ufer location, and I like the idea that both myself and the gallery have a shared milestone together.”
In carbon index compost copy Gabriel Kuri fused formal and material aspects in a dichotomy of physical shape, object nature, and reduction. The work incorporated a complex combination of minimalist formal language and veiled biographical reference into a very personal and often poetic discourse. Contemporary references of mundane applications, casually dispersed among the work, such as bank notes, plastic bags, official queuing tickets linked his timeless objects to the contemporary universe as well as creating a critical reference to current value systems.
Guess Whose Studio Pt.1
A paintbrush, a camera, a robot, disregarded doorstops or even a ouija board – how much can you tell from an artist by what’s in their studio? We’re putting your knowledge to the test in this new series where our artists open the doors and invite you to work out whose studio you’re peering into…
To help you out, we’ve put together a number of clues to get you on the right track.
1. Carp skeletons have featured in work in past.
2. A lot of stretching is done here
3. Lives in Germany
4. Recent fondness for the color grey
Online Tour – Isa Melsheimer
An exclusive behind the scene tour while the exhibition is closed due to the temporary closure of KINDL – Centre for Contemporary Art, Berlin.
Letter from Berlin – March 27, 2020
Isa Melsheimer’s works are quite fun to unpack: clusters of far-reaching associations--personal, literary, historical, philosophical, architectural—are massed into their intense materiality, as unexpected details pop out and demand an immediate response which can include curiosity, disbelief, laughter—and even a bit anxiety when the works are colossal mountains made of shards of glass.
This is why my virtual visit will focus on a few works: heaping the detailed references onto each of them undermines the artist’s light touch, the playful arrangement she has created at the KINDL. The references—which building is cited and why—and, many more views and close-ups of details can be found in our dedicated Online Viewing Room.
Journey Through the Gallery – Pierre Huyghe, Influants
We’d like to take you on a journey through the history of the gallery.
Each week we will be sharing moments from Esther Schipper’s 30 year history that are personal favourites from the team. Founded in in Cologne in 1989, the gallery celebrated its 30th anniversary last year, and to mark this occasion we have relaunched our website with extensive archive material, celebrating over 230 exhibitions in 30 years.
The first to be featured is, Pierre Huyghe’s 2011 Influants, chosen by Marek Obara, Associate Director. “It was an exhibition constructed of seemingly simple means, but at the same time related the inside to the outside within the context of an exhibition."
Letter from Berlin – March 20, 2020
By now a tenuous routine begins to set in and many of us may very well begin to miss our outings into the world of art and ideas. To give respite to the unsettling onslaught of coronavirus news we want to visit exhibitions with you. If you cannot come in person, we will accompany you on virtual tours. In the Letter from Berlin we will bring you stories about exhibitions, our artists, about works that have touched us, hidden gems and all-time favourites of our team.
For our first Letter From Berlin, our Head of Content Isabelle Moffat takes you into Fog Dog, Daniel Steegmann's exhibition at the gallery. Leah Turner, Director and Artist Liaison remembers her experiences at Art Basel Hong Kong, and we watch the wildly popular K-Pop band BTS disappear in Ann Veronica Janssens' fog room, Green Yellow and Pink, currently installed in Seoul as part of the Connect, BTS project.
Simon Fujiwara wins Audience Award at Preis der Nationalgalerie Shortlist Exhibition 2019Hamburger Bahnhof – Museum für Gegenwart, Berlin
Esther Schipper congratulates Simon Fujiwara who has won the Audience Award for the Preis der Nationalgalerie shortlist exhibition at the Hamburger Bahnhof,
For the Preis der Nationalgalerie 2019, Simon Fujiwara presented a compilation of five works that stem from his investigation of contemporary mass phenomena and their economic, socio-political, and media aspects. The very different works illustrate the extent to which these phenomena have an emotional component of their own. For instance, the video installation Likeness (2018) focuses on the figure of Anne Frank and her media-effective staging and instrumentalization.
Book Launch & Reading with Matti BraunEsther Schipper Bookstore Saturday February 22, 2020, 4 pm www.estherschipper.com
On occasion of the publication of Matti Braun’s new monograph, edited in cooperation with Bodhisattva Chattopadhyay and Beth Citron, the artist will read from the Bengali science fiction story “Mangalik” by Parashuram, translated by co-editor Bodhisattva Chattopadhyay. This pioneering 1955 text is published for the first time in English.
The book brings together texts by Parashuram, Beth Citron, Bodhisattva Chattopadhyay, Dip Ghosh, Ranen Ghosh, Soham Guha, Sudhir Kakar, Sami Ahmad Khan, Matthia Löbke, Amrita Shah, highlighting the myriad interconnections of the work of Rabindranath Tagore, Vikram Sarabhai, Satyajit Ray, and Indian and Bengali science fiction. Richly illustrated, the publication focuses on Matti Braun’s artistic production of the last ten years.
Following the reading, Matti Braun and Isabelle Moffat will discuss related topics.
The reading will be in English, the discussion in German and English.
The event is free and open to the public. As seating is limited, please register HERE
Dhaka Art Summit 2020 with Prabhavathi Meppayil & Daniel Steegmann MangranéShilpakala Academy, Dhaka February 7 – 15, 2020 www.dhakaartsummit.org
Convening a critical mass of artists, thinkers, and participants, Dhaka Art Summit 2020: Seismic Movements will provoke us to reconsider (art)histories, movement, borders and fault lines. From February 7–15, Dhaka, Bangladesh will be the epicenter of a radical upheaval of how we think about art, activated by intellectual and curatorial contributions, spanning four floors of the Shilpakala Academy in the city’s vibrant University belt.
Observing the interplay and occasional confrontation inherent among architectural spaces within an emergent nation-state, seventeen artists/collaboratives respond to the built and unbuilt legacy of the ground-breaking Bangladeshi architect Muzharul Islam (1923–2012). While Prabhavathi Meppayil’s newly commissioned works observe how Muzharul Islam’s reliance on both social and empirical structures informed the making and occupation of space, Daniel Steegmann Mangrané’s narrative film, Fog Dog, brings us into a community of human and inhuman inhabitants of Charukala, the Faculty of Fine Art, University of Dhaka (designed by Muzharul Islam from 1953–55).
Artist Talk with Dominique Gonzalez-Foerster4th Verbier Art Summit, Bagnes January 31, 2020, 4:50 pm www.verbierartsummit.org
4th Verbier Art Summit, Bagnes
January 31, 2020, 4:50 pm
The 2020 Verbier Art Summit will ask how to envision a way forward in finding harmony between art, ecology and resources.
View the full program HERE.
David Claerbout at Galerie RudolfinumGalerie Rudolfinum, Prague January 29 – April 12, 2020 www.galerierudolfinum.cz
Galerie Rudolfinum, Prague
January 29 – April 12, 2020
The Laziness of Action
Galerie Rudolfinum, Prague
January 29, 2020, 5 – 6 pm
More information on the exhibition can be found HERE
Artist Talk with David ClaerboutZuoz, Plazzet, Switzerland January 25, 2020, 12:30 – 12:45 pm www.engadin-art-talks.ch
E.A.T./Engadin Art Talks with David Claerbout
"SILENT - LISTEN" - 10 YEARS
Zuoz, Plazzet, Switzerland
January 25, 2020, 12:30 – 12:45 pm
Find the full program HERE.
Performance and Artist Talk with Ari Benjamin MeyersSchering Stiftung, Berlin January 18 – 19, 2020, 12 – 6 pm www.scheringstiftung.de
Ari Benjamin Meyers
Performance: Solo for Ayumi
January 18 – 19, 2020, 12 – 6 pm
Book Launch: Tacet in Concert
January 18, 2020, 6:15 pm
at Schering Stiftung, Berlin
More information on the performance and book launch can be found HERE.
Film Screening with Hito SteyerlThis Human World Film Festival Top Kino, Vienna December 9, 2019, 5:30 pm www.thishumanworld.com
Helin Celik, Nathalie Borgers, Tina Leisch and Hito Steyerl, four unlike filmmakers, initiated the film series Women Rise up For Rojava and want raise awareness for solidarity with mult-ethnical, multi-ideological and feminist self-government structures in kurdish regions in Syria (Rojava) in order to strengthen the international collaboration of women for the peace building process in the Middle East.
More information can be found HERE
Art Basel Conversations Program with AA BronsonArt Basel Miami Beach December 5, 2019, 5 pm
Stonewall at 50: Has LGBTQIA+ culture been normalized?
Art Basel Conversations Program with AA Bronson, Lotic, Carlos Motta, and Sharmistha Ray
Moderator: Stuart Comer, Chief Curator of the Department of Media and Performance at MoMA The Museum of Modern Art.
December 5, 2019, 5 pm – 6 pm
More information on the event can be found HERE.
Artist Talk with Dominique Gonzalez-FoersterKHM – Kunsthochschule für Medien Köln, Cologne November 28, 2019, 7 pm www.khm.de
Artist talk with Dominique Gonzalez-Foerster
Introduction by Julia Scher
For more information click HERE.
Film Screening with Hito SteyerlBar Laika, 224 Greene Ave, Brooklyn, New York Wednesday, November 27, 9 pm www.e-flux.com
In Free Fall incorporates a trio of works: Before the Crash, After the Crash and Crash, which tell the story of the current global economic crisis through the example of an aeroplane junkyard in the Californian desert. The aeroplane junkyard reveals the anatomy of all sorts of crashes: both fictional and real. This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle.
For more information click HERE.
Symposium with Ari Benjamin MeyersHGB Gallery, Academy of Fine Arts, Leipzig November 26 – 30, 2019 www.hgb-leipzig.de
Ari Benjamin Meyers
Symposium: Show and Try Again – Curatorial Program
More information HERE.
Artist Talk with Tomás SaracenoBauhaus-Museum, Weimar Friday November 22, 2019, 2 - 3pm
Tomás Saraceno in conversation with Franz Mauelshagen on a future after the Anthropocene.
Friday November 22, 2019, 2 - 3pm
Building upon the creative energies and legacy of Bauhaus, Tomás Saraceno’s site-specific installation Sundial for Spatial Echoes at the Bauhaus-Museum Weimar envisions the utopian reconfigurations of living and dwelling in the post-Anthropocene time. The artist will discuss his heritages of the past and the visions for future with the Anthropocene historian Franz Mauelshagen.
For more information click HERE.
Artist Talk with Tao HuiAlmanac Barcelona Hotel November 21, 2019, 10 am www.loop-barcelona.com
Tao Hui in conversation with Marko Daniel
Director, Fundació Joan Miró
Almanac Barcelona Hotel
Film Screening with Ari Benjamin MeyersBabylon, Berlin November 15, Midnight www.videoart-at-midnight.de
Screening: Four Liverpool Musicians (Bette, Budgie, Ken, Louisa), 2018
For the 2018 Liverpool Biennial, Ari Benjamin Meyers created a series of musical compositions that form the basis for film portraits of four musicians from Liverpool, or with musical ties to the city: Bette Bright (Deaf School), Budgie (Siouxsie and the Banshees/Big in Japan), Ken Owen (Carcass) and Louisa Roach (She Drew The Gun).
More information can be found HERE.
Artist Talk with Tomás SaracenoKulturquartier (Kuppelhalle), Gerichtstraße 35, 13347 Berlin Saturday November 9, 6:20 pm www.savvy-contemporary.com
Kulturquartier (Kuppelhalle), Gerichtstraße 35, 13347 Berlin
For more information click HERE.
Film Screening with Dominique Gonzales-Foerster and Philippe ParrenoBar Laika, 224 Greene Ave, Brooklyn, New York Thursday, November 7, 9 pm www.e-flux.com
e-flux video rental at Bar Laika by e-flux presents: Dominique Gonzales-Foerster and Philippe Parreno
Thursday, November 7, 2019, 9pm
Philippe Parreno, The Boy From Mars, 2003
Dominique González-Foerster, Plages, 2001
For more information click HERE
Artist Talk with Anri SalaMudam Luxembourg Sunday October 20, 2019, 3:30 pm www.mudam.com
On the occasion of his exhibition Le Temps coudé, and the launch of the catalogue Coudées : Quatre variations sur Anri Sala, Anri Sala will be discussing his work with Suzanne Cotter, director of Mudam and curator of the exhibition. The talk will be held in French.
To book tickets for the talk please click HERE.
Film Screening with Anri SalaBar Laika, 224 Greene Ave, Brooklyn, New York October 17, 2019, 9 pm www-e-flux.com
Anri Sala, Dammi I Colori, 2003, chronicles the work of Sala’s friend and former artist Edi Rama as Mayor of Tirana, Albania. Dammi i Colori evokes the city as canvas and champions art as a means for social transformation. Edi Rama became mayor of Tirana in 2000, and quickly went about re-painting the capital’s decaying buildings in brilliant, provocative colors and patterns. His aesthetic and political act was a powerful visualization of change—a source of both public debate and renewed civic pride.
Esther Schipper congratulates Philippe ParrenoMoMA, New York October 21, 2019 www.moma.org
Esther Schipper congratulates Philippe Parreno for his MoMA commission.
Re-opening to the public on October 21st, after undergoing substantial renovation and a major expansion, The Museum of Modern Art in New York will present six site-specific commissions including Echo (Danny the Street), a large-scale installation by Parreno for the museum’s main lobby.
Read more about the re-opening HERE.
IF THE SNAKEOkayama Art Summit, Okayama September 27 – November 24, 2019 www.okayamaartsummit.jp
IF THE SNAKE
Artistic Director: Pierre Huyghe
Okayama Art Summit, Okayama
September 27 – November 24, 2019
with Tino Sehgal among other artist
For more information click HERE.
Tino Sehgal – This ProcessAccelerator, Frescativägen 26A, Stockholm University September 06, 2019 – October 20, 2019 www.acceleratorsu.art
Artist Talk with Gabriel KuriWIELS – Contemporary Art Centre, Brussels September 5, 2019, 7 pm www.wiels.org
Gabriel Kuri in conversation with curator Zoë Gray at WIELS – Contemporary Art Centre, Brussels.
More information on the exhibition can be found HERE.
Disappearing Berlin with Christopher RothGipsstrasse, Berlin August 18, 2019 https://disappearingberlin.de/
The year-long DISAPPEARING BERLIN project will highlight some of Berlin’s most unique architecture and urban spaces that are currently at risk of disappearing or embody the rapid changes the city is going through. With a program of performances, installations and concerts Schinkel Pavillon will move into the city for the very first time and, together with the invited artists, creates a dialogue between performance, art and architecture to allow us to experience these places once more in a new way.
For more information and to RSVP click HERE
Philippe Parreno at Reborn Art FestivalOshika peninsula, Ajishima, Central Ishinomaki, and Matsushima Bay, Japan August 3 – September 29, 2019
We are pleased to announce Philippe Parreno’s participation in the Reborn Art Festival, curated by Etsuko Watari and Koichi Watari. For this occasion, Parreno will present a new configuration of Mont Analogue.
More information can be found HERE.
Artist Talk with Ryan GanderMerrivale Model Village, Great Yarmuth July 10, 2019, 5.30-7.30 pm www.eventbrite.co.uk
A discussion between Ryan Gander and Will Self about Ryan's 1:12 scale commission for Merrivale Model Village
one-twelfth is a series of 12 annual 1:12 scale public art commissions organised by originalprojects;. Each one will be sited at Merrivale Model Village for one season then sited at a public location within the Borough of Great Yarmouth, creating a trail of miniature artworks exploring ideas of scale, transformation and relationship to place.
For tickets and more information click HERE.
Artist Talk with Ceal Floyer44møen, Askeby July 28, 2019, 2 pm www.44moen.de
An artist talk with Ceal Floyer to mark the opening of the third chapter of 44møen's summer trilogy Exercises in Harmony.
Dominique Gonzalez Foerster – Helen & Gordon / Marienbad électriqueOpéra-Théâtre de Metz Métropole, Metz
As part of a joint commission from the Centre Pompidou Metz and the Opera de Paris, Dominique Gonzalez-Foerster imagines a new "apparition", entitled Marienbad électrique at the Metz Metropole Opera-Theater, taking place on the following dates:
June 27 – 28, from 10.15 pm – 12 amJuly 18 – 20, July 25 – 27, August 1 – 3, August 8 – 10, from 9.30 pm – 12 amAugust 15 – 17, August 22 – 24, August 29 – 31, from 9 pm – 12 amSeptember 5 – 7, from 8.30 pm – 12 am
More information can be found HERE.
Hito Steyerl at Park Avenue ArmoryPark Avenue Armory, New York June 20 – July 21, 2019 www.armoryonpark.org
Artist Talk: Drill
Park Avenue Armory, New York
June 20, 2019, 6 pm
This summer, Hito Steyerl reveals her most recent installation in the U.S. to date, commissioned by the Armory and curated by Park Avenue Armory’s visual arts curator Tom Eccles. ⠀
Steyerl utilizes both the Wade Thompson Drill Hall and historic interiors of the building in mounting both pre-existing works as well as new projects commissioned by the Armory in her ongoing illumination of the world’s power structures, inequalities, obscurities, and delights. When viewed collectively, this material allows the viewer to zoom in on and out from some of the most complex and pressing issues of our time.⠀
For more information and tickets click HERE.
Artist Talk with Liam Gillick & Hito Steyerle-flux, New York June 14, 2019, 7-9 pm & June 15, 2019, 10:30 am - 8 pm www.e-flux.com
e-flux journal presents: Art After Culture? cumulative conference in New York featuring Liam Gillick and Hito Steyerl.
For more information and tickets click HERE.
Film Screening with Hito SteyerlBar Laika by e-flux, New York June 13, 2019, 9 pm
Film Screening: Lovely Andrea (2007)
Bar Laika by e-flux, New York
Thursday June 13, 2019, 9 pm
Lovely Andrea follows the artist’s quest to find a bondage photograph she posed for while in Tokyo as a film student. The film explores ideas of bondage and domination as they extend to self-identification, popular culture, and politics.
Liam Gillick In Conversation With Museum Executive and Curator Defne AyasFogo Island Arts, Fogo Island May 18, 2019, 5 – 6 pm www.fogoislandarts.ca
Liam Gillick Releases New Album with New OrderJuly 12, 2019
New Order announce live album together with Liam Gillick. The album, recorded in 2017, is a collaboration with Liam Gillick and a 12-piece synthesizer orchestra, and is titled ∑(No,12k,Lg,17Mif) New Order + Liam Gillick: So it goes.. and is available from July 12, 2019.
Hear a track from the new album HERE.
Book Launch and Artist Talk with Angela BullochEsther Schipper Bookstore, Berlin May 16, 2019, 5 – 7 pm
Euclid in Europe
Published by Hatje Cantz Verlag, 2019
Thursday May 16, 2019, 5 – 7 pm
Angela Bulloch in conversation with Dr. Isabelle Moffat
Esther Schipper Bookstore
Thursday May 16, 2019, 5.30 pm
Anri Sala in conversation with Marcella Beccaria and Carolyn Christov-BakargievCastello di Rivoli, Turin May 12, 2019, 11 am www.castellodirivoli.org
A public talk with Anri Sala about the exhibition AS YOU GO, which was specifically designed for the spaces on the third floor of the Castello di Rivoli, will be the starting point for the conversation.⠀
Concert with Angela Bulloch and Karin SanderAkademie der Künste, Hanseatenweg, Berlin April 28, 2019, 7 pm www.adk.de
Music for Future Images
Concert with Angela Bulloch and Karin Sander
Akademie der Künste, Hanseatenweg, Berlin
April 28, 2019, 7 pm
Arachno Concert with Tomás Saraceno & Silvia BolognesiCivic Planetarium Ulrico Hoepli, Milan April 9th, 7 pm www.comube.milano.it
Weaving the Cosmos
Civic Planetarium Ulrico Hoepli, Milan
April 9 – 14, 2019
Arachno Concert with Silvia Bolognesi
April 9th, 7 pm
Book Launch with Liam GillickGerman Embassy, Ottawa April 8, 2019 www.fogoislandarts.ca
Liam Gillick in conversation with Zita Cobb
A selection of international book launches and discussions to mark the release of the Fogo Island Arts 2019 publication of the 65th Jahresring What do we know? What do we have? What do we miss? What do we love?
Read more about the publication here.
Tao Hui shortlisted for the inaugural Sigg Prize
Esther Schipper congratulates Tao Hui, shortlisted for the inaugural Sigg Prize. Established by M+ in Hong Kong, the prize recognizes outstanding artistic practice in the Greater China region.
The six shortlisted artists will be invited to present works from the past two years in the Sigg Prize exhibition, which will be held at the M+ Pavilion, West Kowloon Cultural District, from December 6, 2019 – April 13, 2020. The winner will be announced in January 2020.
Tao Hui creates immersive video-installations that bend the boundaries of fiction and reality to address cultural and identity related issues. His works are visceral and provocative, yet enlightening and always imbued with a strong emotional power and a sense of displacement, inviting the viewers to confront themselves with their own cultural history, ways of living and social identities.
Artist Talk with Christopher RothLa Loge, Brabant March 20, 2019, 7:30 pm www.la-loge.be
The second edition of Temple Talks focuses on the role of television in broadcasting ideas about art and architecture. Inspired by collectives such as TVTV, the Videofreex and the The Raindance Foundation, as well as live television and the communicative power of YouTube, Berlin artist Christopher Roth will discuss the potential of TV for architecture and urban planning as opposed to maps and models to share future visions and ideas.
BPA // Berlin Program for Artists mentored by Angela BullochITALIC, Beach Office and FRAGILE, Berlin Through March 11, 2019 www.berlinprogramforartists.org
BPA facilitates exchange between emerging and experienced Berlin-based artists, through coordinated studio visits and meetings.
Artist Talk with Ryan GanderArmory Live Theater on Pier 94 March 9, 2019, 1:00pm www.thearmoryshow.com
On Saturday March 9 at 1pm, Ryan Gander will join the panel discussion Biennials Then and Now during The Armory Show together with Liverpool Biennial director, Sally Tallant, to discuss the relevancy of biennials today.
Simon Fujiwara shortlisted for the 2019 Preis der Nationalgalerie
Esther Schipper congratulates Simon Fujiwara, shortlisted for the 2019 Preis der Nationalgalerie.
Established in 2000 by the Freunde der Nationalgalerie, the Preis is awarded biennially and promotes young, important positions in contemporary art that reflect the internationality and vitality of the art scene in Germany. The four shortlisted artists will present their work in a joint exhibition in fall 2019 at Hamburger Bahnhof – Museum für Gegenwart, Berlin.
Simon Fujiwara’s work takes multiple forms including theme park style rides, wax figures, robotic cameras, ‘make-up’ paintings and short films that address the complexity and contradictions of identity in a post-internet, hyper-capitalist world. Fujiwara often investigates themes of popular interest such as tourist attractions, famous icons, historic narratives and mass media imagery and has collaborated with the advertising and entertainment industries to produce his work in a process he describes as ‘hyper-engagement’ with dominant forms of cultural production. His work can be seen as a complex response to the human effects of image fetish, technology and social media on his generation.
Artist Talk with Thomas DemandLenbachhaus und Kunstbau München, Munich Friday March 1, 2019, 7pm www.lenbachhaus.de
To mark the release of the new publication of the monograph "The Complete Papers", Thomas Demand will join filmmaker and author Alexander Kluge in a conversation about Demand's artistic career.
Artist Talk with Karin SanderHaus am Waldsee, Berlin February 25, 2019, 7:30 pm www.hausamwaldsee.de
On February 25, 2019, 7:30 pm, Karin Sander will give an artist talk with Prof. Dr. Ursprung, ETH Zurich, at Haus am Waldsee, Berlin.
Read more here.
Concert with Dominique Gonzalez-Foerster in collaboration with Julien PerezGreengo, Palace Hotel, Palacestrasse 28, Gstaad February 1, 2019, 7:30 – 8:45pm www.elevation1049.org
A live concert with Dominique Gonzalez-Foerster in collaboration with Julien Perez as part of Elevation1049: Frequencies in Gstaad.
Artist Talk with Julia ScherFreie Universitat, Berlin January 30 2019, 6 – 8pm www.fu-berlin.de
On Wednesday January 30, from 6–8pm, Julia Scher will give a talk titled “Databound Vaginal Architectures” at the Freie Universitat, in Hörsaal 1B (Habelschwerdter Allee 45)
Master Talk Philippe ParrenoInternational Film Festival Rotterdam January 26 2019, 13:30 – 14:30pm www.iffr.com
On Saturday, January 26 2019 at 13:30pm, Philippe Parreno will host a Master Talk at the International Film Festival Rotterdam.
Read more about the event here.
Conversation with Enrique Vila-Matas and Dominique Gonzalez-FoersterWhitechapel Gallery, London January 17 2019, 7pm www.whitechapelgallery.org
Join long-time friends – the renowned Spanish novelist Enrique Vila-Matasand artist Dominique Gonzalez-Foerster – for a conversation celebrating the first in a year of displays from la Caixa Collection of Contemporary Art.
Read more about the event here.
Anri Sala and N1N4E win the European Prize for Urban Public SpaceJune 19, 2018
Esther Schipper congratulates Anri Sala and the architecture firm 51N4E, who have won the European Prize for Urban Public Space for their renovation of Skanderbeg Square in Sala's native Tirana, Albania.
Like no other public space, Skanderbeg Square, Tirana’s nerve centre and symbolic site for the whole country, reflects Albania’s complex, convulsive history. Finalised in 2017, the rennovation has turned Skanderbeg Square into a public space of more than ten hectares exclusively for the pedestrian use. In the centre of the square there is a clear esplanade of almost 40,000 square metres. Rather than being flat, the esplanade is shaped like a four-sided Roman pyramid with a slope of 2.5% and a height of two metres at its tip. A fountain at the top lets water trickle down the sides, thus bringing out the colours of the mosaic paving which is made from stones from all over Albania.
Pierre Huyghe Named Artistic Director of the 2019 Okayama Art SummitIshikawa Foundation, Okayama Fall 2019
Okayama Art Summit 2019, the second iteration of the large-scale international art exhibition, will be held in the fall of 2019.
Pierre Huyghe, a participant of the Okayama Art Summit 2016, has been appointed artistic director. The exhibition will be produced by Ishikawa Foundation’s president, Yasuharu Ishikawa.
Conversation with Felix Utting and Jean-Pascal FlavienHeidelberger Kunstverein March 14, 2018, 6pm www.hdkv.de
Felix Utting is the inhabitant of the house with things behind. The public is invited to meet with him on March 14th at 18:00. He will prepare tea and introduce them to the house.
Myth, Music & ElectricityHerkulessaal, Residenstraße 1, 80333 Munich November 29, 8pm www.artgeneve.ch
artgenève presents, Myth, Music and Electricity, part of “contemporary art as concert”, a series of events focused on musical and ephemeral works by artists invited by Augustin Maurs.
This event will take place at Munich's Herkulessaal and plays with the adventurous and puzzling construction of myths. The concert hall will host a series of musical and perfomative works, including a bass guitar ensemble by Angela Bulloch and performances by Karin Sander.
Admission: 8 EUR / 12 EUR
Liam Gillick in conversation with Nicola RicciardiOGR–Officine Grandi Riparazioni, Turin November 4, 2017, 11:30am www.amaci.org
The Association of Italian Contemporary Art Museums (AMACI) and OGR–Officine Grandi Riparazioni in Turin announce Museums at The ‘Post-Digital’ Turn, the first major symposium conceived by AMACI.
Museums at the ‘Post-Digital’ Turn will take place at the OGR in Turin over two days, November 3–4, and will encompass seven panels including a conversation between Liam Gillick and Nicola Ricciardi (Artistic Director, OGR, Turin).
Read more about the symposium here
This event is concurrent to Like a Moth to a Flame, an exhibition curated by Tom Eccles, Mark Rappolt and Liam Gillick at OGR–Officine Grandi Riparazioni and Fondazione Sandretto Re Rebaudengo in Turin (November 4, 2017 – January 14, 2018).
Find out more about the exhibition here.
An Evening with Gabriel KuriHarold M. William Auditorium, Getty Center, Los Angeles November 14, 2017, 7pm www.getty.edu
This special event will explore the work of two artists with a cutting edge, experimental practice: Analia Saban and Gabriel Kuri. The evening will begin with viewing of two short documentaries featuring each artist, created as part of the Artist Dialogues series, followed by a conversation among the artists and Rachel Rivenc.
The movies and conversation will focus on the artists' material practice and how it relates to meaning, their approach to making and finding objects, their playful use or misuse of materials, as well as their thoughts on longevity, the future of their work, and the role of conservation.
Presented as part of Pacific Standard Time: LA/LA
DRAMASTICS Revue Rock Concert and Film ScreeningThe Grapevine Bar, Dallas October 27, 2017, 9PM
Mixing fictional representation and real-life celebration, on October 27 a screening of The DRAMASTICS are Loud (2016) will be followed by the Dramastics Revue, a live concert by Nathan Carter and The DRAMASTICS at the legendary Grapevine Bar, as featured in his film and dioramas.
The presentation will include hand-made Dramastics t-shirts and performace capes produced in collaboration with the artist Dan Estabrook and Featherweight Studio.
Angela Bulloch & David Grubbs: The Wired SalutationMuseu Serralves, Serralves Auditorium, Porto October 26, 2017, 10pm–11:30pm www.serralves.ptThe Wired Salutation results from a collaboration between Angela Bulloch and composer and musician David Grubbs.Bulloch sets into motion the process by which images and ideas degrade–decline, simplify–while expanding to encompass video, live performance, and a composition for theatre lighting, taking the audience on a trip inside the image. David Grubbs stresses and strains an initially coherent piece of music until its constituent parts agree to peacefully disassemble. The live musical component is undertaken by a group featuring Grubbs (electric guitar and voice) and Italian musicians Andrea Belfi (drums and electronics) and Stefano Pilia (electric guitar).Find more about this event here
Anri Sala in conversation with Maud PageCourtyard Marquee, Sydney Observatory, Millers Point October 14, 2017, 12pm www.kaldorartprojects.org.au
On October 14, Anri Sala will share his insights into the conceptual and creative development of The Last Resort in a conversation with Maud Page, Deputy Director and Director of Collections, Art Gallery of New South Wales.
Read more about the event here
Tomás Saraceno in conversation with Yasmil RaymondChicago Cultural Center, Randolph Square, 78 E. Washington, Chicago October 5, 2017, 6pm www.arts.uchicago.edu
On Thursday, October 5 at 6pm, Tomás Saraceno will be joined in convesation by Yasmil Raymond, Associate Curator at the Museum of Modern Art.
This event is presented by Arts, Science + Culture Initiative and the Gray Center for Arts and Inquiry at the University of Chicago, the Chicago Architecture Biennial, and the Goethe Institut.
Find out more about this event here.
Tomás Saraceno at Columbia University New YorkThe Lantern, Lenfest Center for the Arts October 10, 2017, 6:30pm to 8pm www.lenfest.arts.columbia.edu
Join Tomás Saraceno for a lecture at The Lantern, Lenfest Center for the Arts in New York.
This Event is co-presented by Columbia University School of the Arts; the Fu Foundation School of Engineering and Applied Science; and the School of International and Public Affairs as part of Saraceno’s Fall 2017 visit to at Columbia University.
Read more here: lenfest.arts.columbia.edu
Roman Ondak included in Sequences VIII: Elastic HoursThe Living Art Museum, Reykjavik October 6–15, 2017 www.sequences.is
We're pleased to announce Roman Ondak's participation in the eigth edition of Sequences.
While Sequences uses the term “real time” to refer to time-based media, Sequences VIII: Elastic Hours considers how the term might be applied to the experience of art making, exploring how artists manipulate time as a raw material. Stretching, echoing, and inverting hours, the works included in Sequences VIII often go beyond standardized metrics such as clocks to investigate alternative systems for measuring and experiencing time.
Find out more about the festival here: sequences.is
David Claerbout at BFI London Film Festival 2017BFI Southbank, NFT3 London October 14, 2017 at 9:20pm www.bfi.org.uk
David Claerbout's work Die Reine Notwendigkeit/The Pure Necessity is included in this year's BFI London Film Festival.
"A hypnotic and lyrical reworking of The Jungle Book, that removes its anthropomorphism and its human characters to give the animals back their dignity. The artist redrew all the animated animals and deconstructed the narrative arc to render it eventless, thus giving the impression of watching the animals in their natural surroundings and unaware of any human presence. The effect is one of rekindling a fond memory of childhood, but with the shades of commercial and cultural exploitation removed."
Helen de Witt, bfi.org.uk
Conversation with Ryan GanderLaguna Gloria, The Contemporary Austin September 23, 2017 at 12pm www.thecontemporaryaustin.org
The Contemporary Austin presents new outdoor works by Ryan Gander. On occasion his permanent exhibition The Day to Day Accumulation of Hope, Failure and Ecstasy, the artist and Senior Curator Heather Pesanti will talk about Gander's work, his evasion of visual style, and his voracious practice ranging across styles and forms.
Read more here
Talk with Isa Melsheimer: Fading ArchitecturesZKR–Center for Art and Public Space, Schloss Biesdorf Berlin August 10, 2017, 6:30 PM
Join Isa Melsheimer for an artist talk at ZKR–Center for Art and Public Space, Schloss Biesdorf in Berlin. Entitled "Fading Architectures, Melsheimer will talk about the present and future of urban cityscapes and architectures. Read more about the event here: zkr-berlin.de
Christoph Keller receives scholarship of German Academy Rome Villa MassimoVilla Massimo, Rome www.villamassimo.de
Christoph Keller will receive the prestigious scholarship of German Academy Rome Villa Massimo. The artist has been awarded numerous grants and residencies and will begin his stipend in September 2017.
Roman Ondak to receive 2018 Lovis Corinth PrizeKunstforum Ostdeutsche Galerie Regensburg www.kunstforum.net
Esther Schipper congratulates Roman Ondak, recipient of the 2018 Lovis Corinth Prize.
Screening of David Claerbout's Die Reine Notwendigkeit/The Pure NecessityCinema Zuid, Antwerp August 5, 2017 at 7 PM www.cinemazuid.be
Cinema Zuid in Antwerp will present an exclusive screening of David Claerbout's work Die Reine Notwendigkeit/The Pure Necessity, 2016.
Die reine Notwendigkeit/The Pure Necessity is a color animated cartoon by David Claerbout, based on the classic 1967 animated adaptation of Rudyard Kipling's Jungle Book. The 60-minute-long film follows the tradition of the frame-by-frame animation, re-creating the historical characters with the most faithful precision. Claerbout's film focuses exclusively on the animals: Bagheera the panther, Baloo the bear, Kaa the snake, among others. Although the 1967 film depicted them as speaking animals, well-known for their witty dialogues, dances and jokes, they are here seen as “realistic” animals without any anthropomorphic characteristics. Claerbout represents them wandering in the jungle, drinking from a water spring, sleeping on tree branches, observing one another. Each of their movements is followed with precision and duration, giving the spectator the opportunity to observe every detail of the drawings. The title of Clearbout's work refers to the famous song, Bare Necessities, performed by Baloo in the 1967 film.
Viva Arte Viva: The 57th Venice Biennale, with Liu Ye, Philippe Parreno, Anri SalaVenice, Italy May 13 – November 26, 2017 www.labiennale.org
The 57th International Art Exhibition, VIVA ARTE VIVA, will take place at the Giardini and the Arsenale in Venice, from May 13 to November 26, 2017. Curated by Christine Macel, it will feature 120 artists from 51 countries, including Liu Ye, Philippe Parreno, and Anri Sala.
The exhibition will offer a route that unfolds over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. Each of the nine chapters or families of artists of the Exhibition will represent a Pavilion in itself, or rather a Trans-Pavilion as it is trans-national by nature but echoes the Biennale's historical organization into pavilions, the number of which has never ceased to grow since the end of the 1990s. From the "Pavilion of Artists and Books" to the "Pavilion of Time and Infinity", these nine episodes will tell a story that is often discursive and at times paradoxical, with detours that mirror the world's complexities, a multiplicity of approaches and a wide variety of practices.
Ugo Rondinone Included In Art Basel Film ProgramStadtkino Basel June 14, 10 Pm www.artbasel.com
David Claerbout And Gabriel Kuri Included In Art Basel Unlimited 2017Messe Basel, Basel June 15 – 18, 2017 www.artbasel.com
Ari Benjamin Meyers: Music Is Not!Witte de With Centre for Contemporary Art, Rotterdam May 26-27, 2017 www.kunsthalleformusic.org
Kunsthalle for Music and its Artistic Director Ari Benjamin Meyers continue the unfolding of Kunsthalle for Music by addressing fundamental questions through a symposium of multiple modes: lectures, auditions, open workshops, and performances.
The two-day symposium at Witte de With Center for Contemporary Art in Rotterdam will feature international practitioners from the fields of contemporary art, music, and theory. As part of the symposium, Witte de With will host a casting of the Kunsthalle for Music's future ensemble, which will invite selected performers to collaborate with composers towards the creation of music and performance works.
The program was conceived by Ari Benjamin Meyers, Armen Avanessian, and Witte de With's Defne Ayas, Samuel Salemakers, and Rosa de Graaf.
Karin Sander: Cappadox Festival 2017Cappadox 2017, Cappadocia, Turkey May 18–21, 2017
Karin Sander will participate in Cappadox Festival 2017
Karin Sander’s practice has consistently explored the intersection between art and the public realm, revealing nuanced reflections of spaces and situations through subtle alterations that expose new perspectives for viewers. In rendering often invisible aspects that escape perception, she draws attention to other ways of seeing. Beyond formal aesthetics, Sander’s work can be seen as a reduction or distillation process that heighten our senses, ushering viewers into a new experience of familiar environments.
Sander’s project for the Cappadox Contemporary Art programme aspires to play with the perception and preconceptions of the audiences of a concert, gathering or a festival. Her performance Project, “Hitting the Highest Notes” will be realized in collaboration with the Nevşehir Hacı Bektaş Veli University, Music and Performing Arts Department.
Performance: Karin Sander / Blitz Concert, Incollaboration with the Nevşehir Hacı Bektaş Veli Üniversitesi Painting Department
May 19, 2017
5:30 PM to 6:00 PM
Total darkness on stage and in the audience. The musicians quietly take position on stage, each holding a camera with a flashlight. The audience sits quietly, awaiting the performance. Now the musicians start to photograph in the direction of the viewers, each following the rhythm of a children’s song that they remember. Countless flashes are sent into the dark, as seen in a thunderstorm or on the red carpet around pop stars. No sound is audible except the rustling of the camera shutters. Sharp flashes hit the eyes of the audience, while the players are simultaneously documenting it on their cameras.
Performance: Karin Sander / Hitting the Highest Notes, Incollaboration with the Nevşehir Hacı Bektaş Veli Üniversitesi Music and Performing Arts Department
May 20, 7PM – 7:30PM
Hitting the highest notes
The performance consists of a piece of music played by as many professional musicians as possible – an orchestra or an ensemble in which each member strives to elicit from whatever instrument he or she is playing the highest notes of which it is capable. Using the lower notes as a kind of springboard, the musicians aim to play ever higher notes, perhaps even exceeding the normal technical range of their instruments. The music is created both by this desire to achieve an impossibly high range of notes and by the different rhythms of the musical sequences that arise.
David Claerbout in conversation with J.J. CharlesworthFundació Antoni Tàpies, Barcelona March 15, 2017 at 3pm www.fundaciotapies.org
Shanghai Project Chapter 2: Seeds of Time, with Liam Gillick and Dominique Gonzalez-FoersterShanghai Himalayas Museum, Shanghai April 22 – July 30, 2017 www.shanghai-project.org
Performance by Researchers
April 22, 2017 at 6pm
Christopher Roth: J.G. Ballard Screening and Conversation with Christopher PetitDecad, Berlin April 29, 2017 at 3pm www.decad.org