Spotlight: David Claerbout
For our Spotlight this week we present David Claerbout's Die reine Notwendigkeit/The Pure Necessity, 2016.
Die reine Notwendigkeit/The Pure Necessity is a work by David Claerbout, based on the classic 1967 animated adaptation of Rudyard Kipling's Jungle Book.
The 50-minute-long film follows the tradition of the frame-by-frame animation, and focuses almost exclusively on the animals: the panther, the bear, the snake, among others.
Over a period of 3 years, David Claerbout and a team of professional artists painstakingly redrew the frames of the original movie by hand, one by one, and then assembled them to create an entirely new, lifeless animation—a contradiction in terms—which stands in raw contrast to the lively and rhythmical original.
Spotlight: General Idea
For our Spotlight this week we present General Idea's, S/HE, 1976.
On the occasion of Frieze New York 2021 (May 5–9) and our solo presentation with General Idea in collaboration with Mitchell-Innes & Nash we are pleased to present General Idea's S/HE as part of our Spotlight series.
Playing with gender, the two groups of five black-and-white photographs show two models, one male, one female, both professional fashion models from General Idea’s circle of friends. Each model illustrates five roles more usually assigned as male or female: Celebrity, Architect, Muse, Olympian, and Empress.
Spotlight: Daniel Steegmann Mangrané
For our Spotlight this week we present Daniel Steegmann Mangrané's Summer Cloud, 2017.
The work is from Daniel Steegmann Mangrané's series of brightly colored aluminium curtains with differently shaped passageways made from Kriska aluminium chains. Widely used in Spain, Kriska curtains can function as flexible screens for entryways. They are light, often brightly colored and make a characteristic metallic sound when the chains touch.
The forms cut into the curtains relate to the artist's idea of "model forms", familiar but non-specific shapes that both trigger our imagination and leave us unable to identify them. The "continuation" of the aluminium chains below the openings appears counterintuitive, adding an element of surprise. Oscillating between appearing as diaphanous screen and semi-solid object, the curtains are both indications of a transition (meant to be traversed, marking the end of one space and the beginning of the next) as well as sculptural objects, existing in a hybrid state between corporeality and immateriality.
Spotlight: Nathan Carter
This week for our Spotlight we present Nathan Carter’s Rosa Rosaghetti in the Red Anemones Garden at Rougemont Castle., 2021,Syldavian Sallies née Succory at Snowdonia Llyn Gardens, Dolwyddelan., 2021, and
Royal Convulvulus Clementine at The Alnwick Castle Poison Garden., 2021.
Nathan Carter’s exuberant paintings continue a theme of playfully mixing abstract and organic shapes to create fantastical botanical compositions, named for flowers and recalling their distinct shapes. Painted in acrylic enamel, the works focus on flowers in the process of blossoming. Thus, among the tightly intertwined forms reminiscent of leaves and vines, are also stamen and stigma, evoking the complex reproductive apparatus of plants. The intersexual botanical beings are curious proliferations, spiky prideful panorama, petals, stamen and ovule tentatively intertwining and coupling in a self-stimulating dance. Emphasizing the phantasmagorical element of these constructions, they can also include hearts or a row of rainbow spikes, or, as Carter calls them: “visible deadly warnings to all away supporters and dream killers."
The titles of this series of works contain both scientific and common or fictional references to plants, paired with names or emotive qualifiers.
Spotlight: Karin Sander
This week for our Spotlight we present Karin Sander's Patina Painting 187/12, In The Garden During Building Renovation, Berlin-Zehlendorf, 2018.⠀
Patina Paintings (Gebrauchsbilder) are standard, mass-produced canvases in various formats that the artist has placed in specific locations for a certain time period, or given to collectors and institutions for their own use over a limited period of time.
As Harald Welzer noted in his text on Karin Sander's work “From the moment of its acquisition it is left to them whether they install such a work in their sports car or leave it in their basement or carry it about as a constant travel accessory (like a toiletries bag). In any case the canvas will be covered with some kind of a coat of dust, dirt, mould, notes or whatever else crosses the path of the wok and its owner. These works are also self-portraits of their owners, at least they show traces of a use that could only take place with this individual and his or her specific way of life. In the context of an exhibition they seem as auratic as any other painting; this can represent an affront to actual painters.”
Spotlight: Andrew Grassie
This week for our Spotlight we present Andrew Grassie's Giraffe, 2020.
Giraffe is from a new body of work exploring images from the artist’s image archive, among them decades old snapshots associated with personal memories, tied to a specific place, a moment in time. Andrew Grassie chose motifs that had held his attention for reasons he could not always explain: photos from his image archive, sometimes many decades old and exuding a vague awkwardness, became sources for these works.⠀
The intimately scaled, precisely painted work is executed in tempera, a painting technique associated with pre-Renaissance panel paintings anteceding the development of oil paint.⠀
Click here to see the full Spotlight!
Spotlight: Ann Veronica Janssens
This week for our Spotlight we present Ann Veronica Janssens' Green, Yellow and Pink, 2017.⠀
“(…) sometimes you have to erase reality, erase what’s visible in order to see something else, to make the invisible visible.” – Ann Veronica Janssens⠀
This site-specific work was created on occasion of the artist’s 2017 solo exhibition at Esther Schipper, Ich rede zu Dir wie Kinder reden in der Nacht. Once visitors pass the threshold of the exhibition space, they find themselves immersed in an immaterial colored abstraction where any spatial or temporal landmark has disappeared.⠀
Green, Yellow and Pink was most recently part of the artist's Connect, BTS project at DDP Design Exhibition Hall, Seoul in 2020.
All Access – Schinkel Pavillon, BerlinSchinkel Pavillon, Berlin
All Access is a series of online visits to exhibitions which currently have restricted public access. As museums and galleries around the world are mostly closed, the series takes us into these spaces with the artists and curators as guides.
Here, curator Agnes Gryczkowska introduces a section of the exhibition Sun Rise | Sun Set at the Schinkel Pavillon Berlin.
Sun Rise | Sun Set brings together contemporary and 20th century artists to form a multi-layered response to the fast unfolding ecocatastrophe. The selected works permeate one another, creating small organisms and turning Schinkel Pavillon into a surreal landscape, highlighting the interconnectivity between humans, animals, plants, inanimate objects, technologies and non-beings.
The exhibition includes two works by Pierre Huyghe. The video tour below focuses on the room in which "Circadian Dilemma (Dia del Ojo)" is installed. The work is part of a series of aquarium works in which the artist creates cyclically-oriented underwater scenarios. The landscape of the water basin is modelled on a Mexican cave and is populated by six fish of the species Astyanax mexicanus, along with microscopic bacteria and algae.
Spotlight: Isa Melsheimer
This week for our Spotlight we present Isa Melsheimer's false ruins and lost innocence 1, 2020.⠀
The large-scale ceramic takes as point of departure the so-called Cuckoo Coffee House in Da Nang, Vietnam, an airy building from 2019 designed by a young Vietnamese architectural firm called Tropical Space. Inside the multiple nestled shapes overlooking an enclosed courtyard, a small forest of trees appears to thrive, their trunks richly glazed.⠀
The new sculpture is one of the artist’s largest and technically complex ceramics to date. Similar to her idiosyncratic use of concrete, Melsheimer who began to work with the material in 2013, has pushed the boundaries of this craft in scale and technique, making the medium completely her own.⠀
Click the link below to see the full Spotlight!
Spotlight: Ugo Rondinone
This week for our Spotlight we present Ugo Rondinone's zweiteraprilzweitausendundsiebzehn, 2017 and the quick, 2019.⠀
Taking the universally recognized motif of a brick wall as point of departure, Ugo Rondinone's large scale zweiteraprilzweitausendundsiebzehn traverses the boundary between sculpture and painting.⠀
the quick is made of hewn bluestone. Five blocks have been stacked atop one another to form the basic shape of a human body—legs, waist, torso, and head. The stones, whose rough edges result of the quarry work, have not been modified. The marks left by weather, wind and corrosion contrast with the smooth surface of the poured concrete plinth.
Spotlight: Angela Bulloch
This week for our Spotlight we present Angela Bulloch's Pentagon Totem: Tree, 2020⠀
Pentagon Totem: Tree is the latest development in Angela Bulloch's ongoing series of sculptures. The work consists of five assembled geometrical figures known as regular dodecahedrons (each figure is made of 12 pentagons).⠀
Angela Bulloch's series of sculptures examines the connections formed by the convex geometrical shapes of their structure, together with their associations of colors and the gallery space. Made of painted Corian, the surface of the vertically assembled dodecahedrons creates an optical illusion of pushing and pulling planes. Conceived and designed within a digital imaging program, each superimposed module appears distinct while at the same time relating to the others.⠀
Click here to see the full Spotlight!
Spotlight: Roman Ondak
This week for our Spotlight we present Roman Ondak's Bad News, 2018.⠀
Bad News consists of a round table with three papier-mâché spheres placed on its tabletop. As is characteristic of Roman Ondak’s practice, the table, formerly a revolving worktable showing signs of wear, is a found object that most likely originates from an artisan’s workshop in Bratislava, where the artist works and lives.⠀
The three spheres were made by Ondak using pages from three different widely-read newspapers, the American The New York Times, the Russian Izvestia and the Slovakian SME. The artist collected the newspaper issues for the work throughout December 2018. The diameters of the spheres was determined by the number of printed pages of each newspaper. While the surface of each sphere appears as a cacophony of article headlines and text quotes, the artist’s selection of the visible headlines was deliberately random. It is the observer who, subtly nudged by the work’s title, might assume “bad news” when in fact they may not be any.⠀
Spotligt: Ryan Gander
This week for our Spotlight we present Ryan Gander's Y gêm (My neotonic contribution to Modernism), 2017.⠀
Y gêm (My neotonic contribution to Modernism) takes as point of departure a 1918 abstract sculpture by the Belgian Modernist artist George Vantongerloo (b. 1886, Antwerp; d. 1965, Paris). Vantongerloo, who was greatly influenced by his encounter with the Dutch De Stijl movement, pursued his interest in geometrical relationships and algebraic formulas beginning in 1918. Another art historical reference are Pop artist Claes Oldenburg's "soft sculptures" from the early 1960s.⠀
Ryan Gander short-circuits this development by first treating the older master's hard-edged sculpture with a computer program that enlarges the work and rounds angular shapes, before covering it in a thick layer of orange artificial fur balls, transforming the sculpture into a soft, fuzzy and inflated-looking form.⠀
All Accesshaubrok foundation, Fahrbereitschaft, Berlin
All Access is a new series of online visits to exhibitions that are currently closed to the public. As museums and galleries around the world remain closed, the series takes us into these spaces with the artists and curators as guides.
For the first All Access, Jeanne Tremsal introduces her exhibition at FAHRBEREITSCHAFT together with Christopher Roth.
FAHRBEREITSCHAFT in Berlin-Lichtenberg is one of the locations of the Haubrok foundation. In changing exhibition spaces throughout the dynamic arts and industrial yard, the foundation shows works from its collection, from artists working on site, or from guest curators and artists.
The exhibition Mein Vater, meine Nachbarn, meine Freunde und deren Freunde was curated by Jeanne Tremsal around the work of her father, Benoit. Their father-daughter relationship was always centered on art, and upon finding out that he had a terminal illness, Jeanne initiated an exhibition that responded to Benoit’s tree sculptures. The title refers to the community of artists that contributed responses to the trees: neighbors, friends, and their friends.
und deren Freunde
with Angela Bulloch, Isa Melsheimer, and Christopher Roth
haubrok foundation, Fahrbereitschaft, Berlin
Spotlight: Rosa Barba
This week for our Spotlight we present a selection of major works by Rosa Barba who recently joined the gallery, as well as an introduction to her new film and site-specific project, Inside the Outset: Evoking a Space of Passage, filmed in Cyprus, including the UN-Buffer Zone.
This summer, Rosa Barba will present an architectural film installation as part of the long-awaited reopening of the Neue Nationalgalerie, Berlin, after five years of closure for renovation work.
Ryan Gander at SOLID HAUSOnline Exhibition A recorded tour of the exhibition will be available to view on-demand from February 5–26, 2021 www.arts.princeton.edu
Natural and Conventional Signs is an exhibition in which Ryan Gander presents a selection of new works directly guided by his research at Princeton undertaken during his time as a Hodder Fellow (2019-2020) and made during a period of reflection while the world paused amid a global pandemic.
Gander invites an audience into his studio-cum-gallery, Solid Haus in rural Suffolk, a two-hour drive east of London, digitally for the first time. There he has assembled a show in which the works have duality in meaning and utility; subverting the signs, tropes, and markers seen in the everyday world to shine new light on how we position ourselves in relation to the values of time, money, opportunity, attention and privilege.
Interview with Ann Veronica Janssens at Centre Pompidou–MetzCentre Pompidou–Metz
On the occasion of the exhibition Chagall: The Emissary of Light, which explores the importance of light and of stained-glass window in Marc Chagall' work, the Centre Pompidou–Metz has invited Ann Veronica Janssens to present a new triptych from her gaufrettes series. By an effect of absorption and diffusion of the light rays, these ribbed glass plates, which contain an overlay of different iridescent and colored filters, produce chromatic vibratory variations.
Spotlight: Thomas Demand
Spotlight is a weekly presentation focusing on an artwork or a group of works. This week in the spotlight is Thomas Demand's Princess.
The work depicts a detail of the Diamond Princess, a cruise ship that gained notoriety when in early February 2020 several passengers were diagnosed with the novel coronavirus and Japanese health officials imposed a mandatory 14-day quarantine on the vessel which was then anchored in Yokohama, Japan. Aboard the ship were a total of 2,666 passengers and 1045 crew members whose daily activities were reported in worldwide news.
The image is part of a series produced in 2020 for the covers of the Italian architectural magazine DOMUS. The series depicts "architecture which got into trouble," as Demand puts it. These are designs which became symbolic architectural forms for current disputes without necessarily being built with any such intention.
Spotlight: Philippe Parreno
Spotlight is a weekly presentation focusing on an artwork or a group of works. This week in the spotlight is Philippe Parreno’s lightboxes Invisibleboy.Invisibleboy, 2020 consists of seven light boxes, all featuring a still taken from Philippe Parreno's film Invisibleboy", 2010–2015, that has been enlarged and printed on a Duratrans transparency, mounted in a light box.Invisibleboy portrays the world of a Chinese child immigrant in New York's Chinatown. The narrow streets and cramped spaces in which the local community lives are populated by monstrous imaginary figures. In Invisibleboy, reality and fiction overlap: monsters creep into the images of the urban fabric and city life, taking on alien forms. Scratched directly into the film stock, these monsters spring to life out of its frames. Parreno tries to give an image to people generally described as "invisible," who fall outside of any legal framework.For this new series of light boxes, the artist has delicately scratched the transparencies to add texture and presence to the existing monstrous figures of the film. Each image features a different creature, named by the artist: in this case, The Hanger.The work is unique in a series of five variations. Every variation is customized by the artist with unique hand-scratches.
Alaina Boukedes on Philippe Parreno’s "Echo"
In the latest online edition of MoMA’s ArtSpeaks program, a member of MoMA staff shares personal impressions of an artwork in the galleries. Here, Alaina Boukedes, a guest specialist in the Department of Visitor Engagement, talks about the “unpredictability” of her favorite piece in the Museum, Philippe Parreno’s installation Echo: “She’s always talking, she’s always interacting...she’s never the same.”
Click here to watch!
"The Challenge: We are in this together" – Esther Schipper for The New Institute
For its December newsletter, titled "The Challenge: We are in this together", The New Institute asked Esther Schipper – among other thinkers and practitioners – to share her insights and analysis on the current global pandemic. For the occasion, Esther Schipper selected artworks by the gallery artists showing that the questions of viruses and pandemics have been among us for a long time.
Hito Steyerl's "We Will Survive TV"November 15, 19, 21, 26, 2020 www.e-flux.com
What happens to the art at the museum at night?
A weird-ass visual podcast
During the corona-related shutdown in November 2020, Hito Steyerl’s exhibition I Will Survive at K21 (September 26, 2020—January 10, 2021) transforms into a livestream format. The project 4 Nights at the Museum developed by the artist, filmmaker, and author Hito Steyerl, provides some background and conversations about the works in the exhibition.
In five episodes (each lasting ca. 45 minutes), selected works and themes in I Will Survive will be discussed in more detail. Participants in the works, such as the New York-based graphic designer Ayham Ghraowi or the Hamburg-based actress Heja Netirk, will talk about their perspectives. In addition, Steyerl will present alternative versions of exhibited works and previously unedited archival material. Short guided tours by the curators will accompany visitors into the exhibition spaces, which are abandoned at night. They will take a look at some of the works and prove that there is nothing going on inside the museum during the shutdown.
The episodes will livestream on e-flux Video & Film starting Sunday, November 15. All episodes air at 8pm CET, 2pm EST.
Hito Steyerl's "SocialSim" Live StreamTwitch TV Wednesday, November 4, 2020
Hito Steyerl's simulation Social Sim screening live from a locked down K21 to reflect the current political climate.
Online Tour with Andrew GrassieInstagram Live Sunday, November 1, 2020, 11:30 am
Online Tour of Still Frame with Andrew Grassie and Manuel Miseur, Director at Esther Schipper
Sunday November 1, 2020, 11:30 am
On Instagram live
Andrew Grassie’s paintings are based on photographs he has taken himself or that he, in some cases, has found. Often they have been elaborately staged, although this effort is veiled by the ostensibly unassuming matterof-factness the small, precisely painted works exude. The works are executed with tempera, a technique associated with pre-Renaissance panel paintings anteceding the development of oil paint. Tempera dries very rapidly and remains relatively sheer. To create cover and solid colors, many layers are needed.
Podcast: AA Bronson speaks with The Art Newspaper
On the occasion of Berlin Art Week 2020, The Art Newspaper spoke with AA Bronson about participating in one of the big shows opening during the week, at the legendary Berghain nightclub, and about his experience of living in the city.
A Reading by Philippe Parreno at ESPACE DIAPHANES, BerlinESPACE DIAPHANES, Berlin
Philippe Parreno reading an excerpt of Eden, Eden, Eden by Pierre Guyotat. Recorded at ESPACE DIAPHANES on September 9, 2020.
Marking the 50th anniversary of Pierre Guyotat’s Eden, Eden, Eden (1970), this video is part of a series of 50 readings organized by the Association Pierre Guyotat in collaboration with contemporary art institutions and galleries around the world.
Since its release on 9 September 1970, this provocative novel has attracted a mixture of scandal and fascination. The work of a young author, it was prefaced with texts by influential French philosophers Michel Leiris, Roland Barthes, and Philippe Sollers, and endorsed by Michel Foucault. Its immediate censorship attracted further international support from leading cultural figures including Pier Paolo Pasolini and Joseph Beuys.
Fifty years later, the work of Pierre Guyotat remains impactful and Eden, Eden, Eden has proven to be prescient of a world on the verge of transformation – through violence, sexuality, decolonization, and cosmology. The texts herald the endpoint of colonial history as well as the starting point of a new history.
Ugo Rondinone Featured in new Beyoncé Video
Earlier this summer, Beyoncé released her new music video ALREADY (in collaboration with Ghanaian singer Shatta Wale and Jamaican-American trio Major Lazer), as part of the artist's much anticipated visual album and musical film, Black is King, which she wrote, directed, and executive produced. The film serves as a visual companion to the 2019 album The Lion King: The Gift, a tie-in album conceived by Beyoncé for the 2019 remake of The Lion King released by Disney Plus.
The video clip was in part shot on location in Ugo Rondinone's solo exhibition sunny days, on view during the summer of 2019 at Guild Hall, in East Hampton, NY. 'ALREADY' features Beyoncé and her dancers engaging in a powerful choreography in Rondinone's large-scale installation of 'sun' sculptures: circular rings made from vine branches which were cast in aluminum and then gilded. The vine is seen here as a symbol of renewal because of its life cycle from growth to dormancy and rebirth to a fruitful state every year—reminiscent of the solar cycle—thus reflecting the 'circle of life' theme of The Lion King.
Cooking with Artists – Nathan Carter
“When I was a kid, I drew and built my worlds. I would make maps and models of places. I would mix toys together and there was a lot of masking tape, pencils, matchboxes, thread, string, and Elmer’s glue—sticking legos to pine cones and things like that. As an adult, as a childish adult, I’m still doing that storytelling through drawing maps and world-building.”
Nathan Carter shared his recipe for a refreshing, tangy salad of cucumbers, mangoes, pineapples, lime, and spicy Thai chilis for MoMA PS1's new instalment of Cooking with Artists with Chef Mina Stone
Click the link for the full recipe!
The Reading Corner: Roman Ondak
Published on occasion of the Roman Ondak's exhibition History Repeats Itself at Kunsten Museum of Modern Art Aalborg in 2017 and is published Verlag der Buchhandlung König. It is a personal and metaphysical journey into the landscapes of history and youth of Roman Ondak.
Roman Ondak works with conceptual art, that is: art based on an idea. Like the father of conceptual art, Marcel Duchamp, Roman Ondak works with found objects. He revitalises the genre by placing the "object" in a broader context, which allows new stories to arise - with both personal, poetic and political power.
Instagram Takeover: Daniel Steegmann Mangrané
"What do a dog and a tree have in common? Their bark!” Joke, anonymous.
"An animal is classified as feral when it is a former domestic animal living in a wild habitat, without food or shelter provided by humans, and showing some resistance to people”, biologists state. Some of the most common species that turn feral are cats, dogs, horses, and pigs. Once companion species, when the pact established thousands of years ago by codomestication is broken, they have the ability not to go back to being wolves, their wild ancestors in the case of dogs, but to become something else. They become feral. Claude Lévi-Strauss coined the concept of pensée sauvage (not la pensée des sauvages, as we are often reminded), a type of “untamed” thought, kept alive in the modern western world within “natural reserves” of art, as he would say. Dogs are not often considered wildlife; they are mostly a species-with-humans. Messmates. That does not mean they could not experience their own kind of pensée sauvage – or even a domesticated thought, who knows. But what mode of thought is expressed when these two worlds collapse, pacts are broken, their world is wounded, they become without-humans and thus feral? Is it possible that la pensée férale is one that makes surviving in the Anthropocene feasible?
Text Juliana Fausto, images Daniel Steegmann Mangrané
For each week in 2020, curator Maria Lind invites 52 artists to inhabit this account to make weekly proposals for the 2020s. See Daniel Steegmann Mangrané's takeover at @52proposalsforthe20s.
Anri Sala – Take Over (Marseillaise), 2017
We celebrate Bastille Day with Anri Sala and an excerpt from his 2017 video Take Over (Marseillaise)!
Watch as the pianist and Disklavier play the French national anthem in a carefully choreographed moment of ghostly harmony, evoking the timelessness of the tune.
Both this video and its counterpart, Take Over (Internationale), pair the two eponymous musical works, powerful political anthems that are affiliated by an entangled political and cultural history.
The Reading Corner: Daniel Steegmann Mangrané
“If there are no more subjects nor objects, then there are no longer spectators or works of art, but rather processes of relationships of mutual transformation. Combinations of agents which influence one another”. – Daniel Steegmann Mangrané
Profoundly transforming the space of the IAC Daniel Steegmann Mangrané's solo exhibition, Ne voulais prendre ni forme, ni chair, ni matière, generated new vanishing lines. Defined by a sensitive geometry, driven only by rays of natural light that penetrate the gloom, the exhibition encouraged exploration.
This artist book has been published on occasion of the exhibition Ne voulais prendre ni forme, ni chair, ni matière at the Institut d'art contemporain, Villeurbanne/Rhône-Alpes from 20 February to 28 April 2019.
Immersive Ping-Pong with Gabriel Kuri
Currently exhibited as part of our exhibition PS81E, Gabriel Kuri’s untitled (AE DEC 18) consists of a number of objects in different colors made from hard plastic that have been arranged in a loose grouping. Their shape is taken from a standard fastening clip, a closure best-known for use on packages of sliced bread (but also used to seal bags of fruit and other perishables). In this case the found object, the bread-clips, has been scaled to an almost monstrous size, removing all functionality.
The artists characteristic combination of precision and playfulness surfaced with a recent short video in which he plays ping-pong in his studio, felling the giant bread-clips one by one!
Made in confinement in Gabriel Kuri’s studio in Brussels. Much gratitude to Cristian Manzutto for his selfless help with the iPhone camera and editing. And thanks to Jonas Kuri.
In the Studio – Simon Fujiwara
This week the art magazine Collectors Agenda published an extinsive interview with Simon Fujiwara. Below excerpts from their conversation in which Simon also spoke about his fascination for female characters, among them Marie Antoinette who is the subject of his work currently on view as part of PS81E, A Dramatically Enlarged Set of Golden Guillotine Earrings Depicting the Severed Heads of Marie Antoinette and King Louis XVI, 2019.
The Art World Works From Home: Gabriel Kuri
An extensive interview with Gabriel Kuri published by artnet on June 5, 2020.
Podcast on Julia Scher's Security by Julia
In this podcast series Prof Dr Astrid Mania, students, and colleagues from HFBK in Hamburg as well as special guests talk about art works that resonate with what’s currently on our minds, that might be thought-provoking, comforting and also a little entertaining every now and again. In this fifty-second episode Astrid Mania talks about Julia Scher's Security by Julia.
Online Performance – Ari Benjamin Meyers
Forecast (Part I/Concert Version)
by Ari Benjamin Meyers
From Thursday June 4, 2020, 6pm, for 48 hours
American artist and composer Ari Benjamin Meyers works at the intersection of music, theatre, performance and live installation, aiming to exploit each genre’s particular register and make new connections between their different mechanisms of action.
Forecast, his work that was scheduled to premiere on April 23 but whose rehearsal process and premiere had to be postponed to next season due to the coronavirus pandemic, is dedicated to the weather as phenomena and a starting point for an evening about predictability, and humans as the creators of the future with their need for forecasts, control and imagination.
From May 11-15, the Forecast ensemble met in the Volksbühne to record an excerpt of the performance as a concert-style session on video.
Click here to watch the performance!
The Reading Corner: Liu Ye
"It is no accident that the simplified paintings by Liu Ye are reminiscent of cartoons and illustrations in children’s books: the artist’s father wrote books for children and possessed a box filled with Western, often prohibited classic children’s literature. The pictures in them influenced Liu Ye at an early age. After studying at the Central Academy of Fine Arts in Beijing and the Berlin University of the Arts, the artist discovered his own distinct style, which plays with viewers’ visual expectations and catches them unawares with surprising pictorial compositions. His small-format paintings of Miffy the rabbit, the character created by Dick Bruna, are unmistakable, often painted against a dismal background that recalls the Old Masters or combined with elements borrowed from Piet Mondrian, as are his pastel compositions with innocent yet challenging female characters."⠀
This first catalogue raisonné featuring the sensitive works by Liu Ye provides an overview of his creative output from 1991 to 2015.
Film Screening – Anri Sala, Long Sorrow (2005) & Answer Me (2008)www.scharaun.de
Long Sorrow (2005) & Answer Me (2008)
Friday 29. May, 2020, for one week
From 6 pm
The Reading Corner: Anri Sala
This book, published for the exhibition Anri Sala. Le Temps coudé, presented at Mudam in fall 2019, comprises four essays by the philosopher and musicologist Peter Szendy that consider the artist’s major works since 2013.
Demonstrating the strong intellectual connections that has developed between the two over the course of their collaborations, these essays draw on a sensory experience of the works of Anri Sala to analyze the way that music nourishes them, in their connection to image, space, history, and time.
Isa Melsheimer About the Whale Hearts at KINDL
We are very happy to announce that Isa Melsheimer's exhibition at KINDL, Berlin, is re-opening today!
In this clip, Isa Melsheimer speaks about about the whale hearts on currently on view at KINDL, a motif which refers to Melsheimer's artist residency on Fogo Island Arts, a popular whale-watching location in Newfoundland.
Click here to watch the full video!
The Reading Corner with Ryan Gander
In this week’s Reading Corner, Ryan Gander reads I Am for an Art by Claes Oldenburg (1961) to his two daughters, Penny and Olive.
Studio Visit with David Claerbout
“I’ve always thought that one of the privileges that an artist has is to have time to waste.”
Louisiana Channel visited David Claerbout in his studio in Antwerp, Belgium, where he spoke about some of his intriguing projects – from creating a 360-degree journey around a room with Elvis Presley, to a completely different take on a classic animated Disney film.
Claerbout works with what he describes as “virtual image making.” Early on, he knew that his work would be a sort of resistance against information in images as well as a fight between “clock-time” and the plurality of duration: “Which is frightening in a way because it means that you no longer can define a space of time.”
Matti Braun – A Video and a Reading
A video of the publication edited by Bodhisattva Chattopadhyay, Beth Citron, and Matti Braun with a reading by Joëlle Bargel of an excerpt from the biographical essay Traveling in a Time Machine to the Golden Age of Science Fiction in Kolkata (1963 - 1985) by Ranen Ghosh with additions by Santu Bag.
Ranen Ghosh was a Bengali writer, editor and publisher from India. In 1963 he began writing science fiction (or kalpavigyan as the genre is known in Bengali) for the first Bengali science fiction magazine Aschorjo, working with his mentor Adrish Bardhan. After Aschorjo ceased publication, Ghosh edited the short-lived Bismay science fiction magazine with Sujit Dhar and Amitananda Das. After Bismay, Ghosh acted as a co-editor for Adrish Bardhan’s SF magazine Fantastic. Beside kalpavigyan, Ghosh was also an admirer of popular science. He passed away in Kolkata on April 7th, 2019.
The book brings together texts by Parashuram, Beth Citron, Bodhisattva Chattopadhyay, Dip Ghosh, Ranen Ghosh, Soham Guha, Sudhir Kakar, Sami Ahmad Khan, Matthia Löbke, Amrita Shah and presents Matti Braun’s artistic production of the last ten years.
Designed by Yvonne Quirmbach, Berlin. Published by Kunstverein Heilbronn and Snoeck, 2020
Online Concert & Interview – New Order with Liam GillickFriday April 17, 2020, 7:30 pm
New Order’s collaboration with artist Liam Gillick was the hottest ticket at MIF17 and one of the most in-demand shows in Festival history. Now, the Manchester International Festival are given you a chance to relive this MIF classic at 7.30pm (UK) on Friday 17 April!
At MIF17, New Order took over Stage 1 of the iconic Old Granada Studios for a limited series of intimate shows created in collaboration with visual artist Liam Gillick and composer-arranger Joe Duddell.
Join from the comfort of your sofas for this one-night-only revival of the original live stream from the event which begins with a conversation between Dave Haslam and Liam Gillick and then joins the performance for the second half of the show. Broadcast exclusively through MIF Live on Friday 17 April.
Following immediately the concert Liam will be live in conversation with Peter Saville at 8:15 pm (UK).
A Conversation with Ari Benjamin MeyersSunday April 19, 2020, 1:30 pm
On Sunday April 19 at 1.30 pm Ari Benjamin Meyers will be the guest of the two-hour program Zwischentöne on Deutschlandfunk, German Public Radio. Hosted by Michael Langer, conversation alternates with musical works specially chosen by Meyers.
Tune in this Sunday April 19, 2020 at 1:30 pm!
The Reading Corner: Gabriel Kuri
On the occasion of his first institutional exhibition in Germany, Gabriel Kuri created four new groups of works, which provide an insight into different aspects of his practice. Accordingly, Kuri is showing sculptures and installation; all of them are made out of found materials or industrially manufactured products, including marble slabs, sand, paper, cigarette butts, or body care products.
A precise and deliberate positioning and a surprising casualness always characterize the presentation of his objects in the exhibition. With their humor and lightness of touch, his works level criticism as well as political, economic, and social conditions. In the sense of an extended notion of sculpture, he shifts the boundaries of art and the everyday, as the viewers and the everyday become part of the aesthetic form.
This catalogue is published on the occasion of Gabriel Kuri’s solo exhibition at Bielefelder Kunstverein and Kunstverein Freiburg.
Messages from Home – Jean-Pascal Flavien
Under the heading Messages from Home artists are sharing videos from their (temporary) studios or homes.
Here, Jean-Pascal Flavien presents fostering architecture. Deep green, his model of "Greenhouse" has a striking floor plan that, seen from above, is reminiscent of a plant from which four limbs extend.
Click the image to watch the full video!
Online Tour – Liu Ye, Storytelling
The Fondazione Prada has produced a walk-through of Liu Ye’s exhibition entitled Storytelling with an engaging and thoughtful commentary by the artist and the curator Udo Kittelmann. Following the first iteration held in 2018 at Prada Rong Zhai in Shanghai, Liu Ye's solo exhibition in Milan features a selection of 35 paintings realized from 1992 onwards.
The exhibition is currently closed but scheduled to remain on view through September 28, 2020.
The Reading Corner: OneStar
In a generous gesture of bringing art into life, OneStar has made available pdfs of all their artists’ books published since 2000. We salute them!
Messages from Home – Isa Melsheimer
Under the heading Messages from Home, we are sharing videos from our artists as they open their (temporary) studios and share short messages on how they’re handling these uncertain times.
This week, Isa Melsheimer takes her plants out for some fresh air and to get some of that springtime sun.
Click the image to watch the full video!
Behind the Scenes – Nathan Carter
A behind the scenes look into Nathan Carter’s new film, LA GNARLIES, which features surfing & skating, a magic quesadilla and an infamous Haggis Monster…
“The video shows the scene in my studio and my workspace at home where I am currently making the images and music for my next film called LA GNARLIES. Using hand painted paper cutouts and dioramas and music made in a dirty Brooklyn basement, the film tells the story of four women from Ventura California who, depending on the waves either surf or skate. One day they eat a magic quesadilla and get teleported to Thurso Scotland where they must defeat the infamous Haggis Monster in order to re-enter the Tesseract Portal and teleport back home on a giant wave to sunny California. " – Nathan Carter
Click the image to watch the full video!
Messages from Home – Christoph Keller
Under the heading Messages from Home, we are sharing videos from our artists as they open their (temporary) studios and share short messages on how they’re handling these uncertain times.
This week Christoph Keller shares this playful DIY starter-kit on how to make a mask.
Click the image to watch the full video!
Online Tour – Isa Melsheimer
An exclusive behind the scene tour while the exhibition is closed due to the temporary closure of KINDL – Centre for Contemporary Art, Berlin.
Messages from Home – Anri Sala
In times like these it’s never felt more important to stay connected with one another. With this in mind, we’ve asked our artists to share short messages on how they’re handling these uncertain times.
First to share is Anri Sala, who sent a message juxtaposing the closeness and remoteness between all of us right now. Based on the idea of a prolonged “life line” by using protection, it hints at social distancing as well as nodding to previous works by Sala.
Click the image to watch the full video!