• Thomas Demand – Centro Botín

    Centro Botín, Santander October 9, 2021 – March 6 2022 www.centrobotin.org
    Thomas Demand – Centro Botín

    Thomas Demand, Pond, 2020, C-Print / Diasec, 200 x 399 cm, edition of 6. Image © the artist

     

    Thomas Demand presents Mundo de Papel at Centro Botín, Santander. The exhibition is conceived as an installation combining photographs not previously shown and others selected by the artist and Udo Kittelmann, curator of the exhibition.

    For Mundo de Papel, Demand has designed an entire simulated urban landscape, composed of eight pavilions surrounded by wallpaper installations. Each pavilion hangs from the ceiling and serves as a display for his photographs and video works dating from 1996 to the most recent from 2021.

    Subjects include Whitney Houston’s last meal at the Beverly Hilton Hotel; the control room at Fukushima’s nuclear power plant; the recent Diamond Princess cruise ship stuck in quarantine; a pond with waterlilies like an impressionist painting; a red bow glowing in the sun or discarded plastic cups stuck on a mesh fence. Each scene is reconstructed with paper and cardboard using intricate folding and cutting techniques. After the model is built, he photographs them and discards the objects he created leaving only a visual narrative.

    Accompanying the exhibition will be a unique pop-up book including an essay by Nobel Prize-winning author Mario Vargas Llosa and with three-dimensional representations of the pavilions, produced by Thomas Demand and co-edited in collaboration with Fundación Botín and London-based publishers Mack Books. Demand will lead a special workshop in Santander during the exhibition.

  • Julia Scher – MAMCO, Geneva

    MAMCO, Geneva October 6, 2021 – January 30, 2022 www.mamco.ch
    Julia Scher – MAMCO, Geneva

    Julia Scher, Hidden Camera (Architectural Vagina), 1991/2018, JVC camcorder, bracket, organic fronds, (optional: monitor output, archival video footage), dimensions variable, unique in a series of three variations. MAMCO Collection, Geneva. Photo © Julien Gremaud

     

    The work of Julia Scher, which first appeared in the 1980s, is noteworthy for its systematic use of surveillance techniques, particularly CCTV. Scher’s technical background provided her with in-depth knowledge of a range of surveillance systems. She worked at a well-known security firm for a period of time before setting up her own company, Safe and Secure Productions. 

     

    Further information

  • Rosa Barba’s Open-Air Cinema and Premiere: Inside the Outset: Evoking a Space of Passage, 2021

    UN Buffer Zone, Deryneia, Cyprus Friday September 10, 2021, 8:30 pm
    Rosa Barba’s Open-Air Cinema and Premiere: Inside the Outset: Evoking a Space of Passage, 2021

    Rosa Barba, Inside the Outset: Evoking a Space of Passage, Cyprus, 2021. Open-air cinema installation. Courtesy the artist and Point Centre for Contemporary Art, Nicosia. Photo: Marios Stylianou. © Rosa Barba

     

    Esther Schipper is is pleased to announce the inaugural ceremony of Rosa Barba’s Open-Air Cinema and premiere of her film Inside the Outset: Evoking a Space of Passage, 2021.

    Inside the Outset is a project that consists of two parts: a film and a long-term open-air cinema installation within the 180-kilometer UN-controlled "Green Line Buffer Zone" in Cyprus. This area divides the island between North and South, and forms the starting point of Rosa Barba’s artistic intervention.

    The project started seven years ago when Barba was invited by Point Centre for Contemporary Art in Nicosia and by the curator Mirjam Varadinis to Cyprus and proposed a cinema sculpture for the Buffer Zone. The inaugural ceremony of the Open-Air Cinema will take place in the presence of His Excellency the Ambassador of Italy to Cyprus on September 10, 2021, with the projection of Barba's film Inside the Outset: Evoking a Space of Passage along with films selected by the project’s Advisory Board of artists from each side of the Green Line and beyond. Visitors from both sides of the island will be able to enter the Buffer Zone, which is usually closed to civilians.

    In a recent article for The Brooklyn Rail, Rosa Barba discusses this project as well as her other current projects – Read it here

     

     

    Rosa Barba, Inside the Outset: Evoking a Space of Passage (2021)
    Open-Air Cinema and 16mm film transferred to digital and 8k film, sound, 31:15 min
    Produced by Point Centre for Contemporary Art, funded by the Italian Council.
    A collaboration with Famagusta Avenue Garage.
    Image: Marios Stylianou © Rosa Barba

  • Esther Schipper is pleased to announce the representation of Sarah Buckner

    Esther Schipper is pleased to announce the representation of Sarah Buckner

    Photo © Michael Trier

     

    Sarah Buckner was born in 1984 in Frankfurt, Germany. She studied at the Accademia di Belle Arti in Palermo and at the Kunstakademie Düsseldorf. Buckner lives and works in Cologne.

    Sarah Buckner's image world is inspired by multiple sources: real-life encounters, books, films and imagination. She has developed an intuitive and fluid approach that transforms these impressions through her material practice. Her works distil narratives into images full of mystery, their atmospheric scenes resonating with emotional potency—the exact nature of which remains elusive, even to the artist, she says.

    As Meret Held has written: “Between the concrete and the non-concrete, between the said and unsaid, she forms pictorial worlds that come very close to that of the dream. Like the dream, Sarah Buckner's paintings are determined by a mixture of (past) experienced, (present) acting and (forward-looking) premonition. We are taken from the real space into the dream world by certain, peculiarly present picture elements, but especially by the materiality of the paintings themselves, the oil paint, which carries the trace of painting in itself and with it the liveliness of the painter herself.”

    In 2020, Sarah Buckner was awarded the Residence NRW+ grant, and at the conclusion of the residency period presented her work in the solo exhibition Head over Heels at the Westfälischer Kunstverein in Münster in 2021.

    In 2021, Buckner's work was included in Esther Schipper's group exhibition L'Invitation au voyage. Buckner’s work has been exhibited in solo and group exhibitions across Europe and the US. Among her participations in institutional exhibitions are: Salon des Amateurs, Tramps, London (2018), Lia Pasqualino Noto / Casa Studio, Manifesta 12, Palermo (2018); 1001 Bild, Villa de Bank, Enschede (2018), Eggy and Seedy, Munchies, London (2017), Petto, L’Ascensore, Palermo (2015), Beyond the Stage, Canongate Venture Edinburgh (2013).

    Click here for German text

  • steirischer herbst ’21 with Tino Sehgal and Hito Steyerl

    steirischer herbst ’21, Graz and Styria
    steirischer herbst ’21 with Tino Sehgal and Hito Steyerl

    Portrait, left © Trevor Paglen
    Portrait, right © Joachim Gern

     

    Esther Schipper is pleased to announce the participation of Tino Sehgal and Hito Steyerl in the festival steirischer herbst ’21 – The Way Out.

     

    Read about each project here

  • Ann Veronica Janssens – Metamorphosis

    Design Week, Galleria d'Arte Moderna, Milan September 4 – 10, 2021
    Ann Veronica Janssens – Metamorphosis

    Ann Veronica Janssens, Venetian Blind, 2007-2021, aluminum Venetian blinds, gold leaf, 400 x 190 x 2 cm
    Exhibition view: Ann Veronica Janssens, gam gam gam, Galleria d'Arte Moderna – GAM, Milan, 2021. 
    Photo © Ann Veronica Janssens

     

    On the occasion of Milan Design Week, Italian luxury house Bulgari presents Metamorphosis, an immersive journey inside the iconic Serpenti jewelry collection in dialogue with the work of four renowned contemporary artists, including Ann Veronica Janssens. 

    Playfully titled gam gam gam, Janssens‘ site-specific installation conceived for the Galleria d’Arte Moderna, Milan, uses natural light and a composition of new works characterized by a minimalist aesthetic in contrast with the maximalism and the sumptuous decor of the museum's architecture. The exhibition includes a golden Venetian blind which was specially produced for the windows of the room, and six of her iconic aquariums, where optical physical phenomena are used to expand the observers' perception.

    A bilingual catalogue titled Serpenti. Il Potere delle Metamorfosi – The Power of Metamorphosis, published by Silvana Editoriale, is forthcoming.

     

  • Thomas Demand – Garage MCA, Moscow

    Garage Museum of Contemporary Art, Moscow September 10, 2021 – January 30, 2022 www.garagemca.org
    Thomas Demand – Garage MCA, Moscow

    Thomas Demand, Ballot, 2018, C-Print/Diasec, 180 x 280 cm
    Image © Thomas Demand, VG Bild-Kunst, Bonn/UPRAVIS, Moscow

     

    Mirror Without Memory is the first solo exhibition of Thomas Demand in Russia. Borrowing images of events from the press other sources (or organizing technical shoots), Demand reproduces these scenes in life size from cardboard and paper—basically making sculptures—after which he photographs them and subsequently destroys the models.

  • Rosa Barba. In a Perpetual Now

    Neue Nationalgalerie, Berlin August 22, 2021 – January 16, 2022 www.smb.museum
    Rosa Barba. In a Perpetual Now

    Rosa Barba, Plastic Limits, For the Projections of Other Architectures, 2021, 35mm film, color, optical sound, duration: 14:30 min. Film still © Rosa Barba

     

    The Neue Nationalgalerie celebrates its reopening after six years of renovation with a solo exhibition by Rosa Barba, opening to the public from August 22, 2021.

    Under the title In a Perpetual Now, Barba will present key works of her oeuvre from the years 2009–2021, as well as a new film created on the occasion of the exhibition. An expansive steel structure referring in its architectural structure to Mies van der Rohe's early project Brick Country House will host 15 of Barba's cinematic and sculptural works. Specially produced for the architecture of the Neue Nationalgalerie, this major solo exhibition follows the principle of cinematic montage, which plays a pivotal role in the artist’s work as well as her conceptual approach to cinema itself.

  • Who’s Online! An online experience from Simon Fujiwara

    Fondazione Prada, Milan who.fondazioneprada.org
    Who’s Online! An online experience from Simon Fujiwara

    Who’s Online! is an online experience conceived in close collaboration with artist Simon Fujiwara as part of his major exhibition Who the Bær currently on view at Fondazione Prada, Milan through September 27, 2021.

    In this unique digital experience, Fujiwara has conceived an interactive tour of the exhibition that brings viewers into the world of Who the Bær - an original cartoon character he created in 2020. Using a specially developed technique that presents the exhibition tour as a user driven stop-frame animation, audiences dive into the coming-of-age story of a cartoon bear in search for an authentic self in a world of images.

    While the physical exhibition Who the Bær brings viewers into a giant labyrinthine cardboard structure in the shape of a bear, the interactive digital experience broadens the scope of the exhibition with detailed images, animations and artist interviews.

    Whether you have already visited the exhibition or are experiencing it remotely for the first time, Who’s Online! is a digital experience that offers unprecedented perspectives into the original universe of Who the Baer.

    Discover the “Who the Bær” digital experience on your mobile phone via who.fondazioneprada.org

  • Esther Schipper in Taipei

    PPP / PPAPER Space, Taipei August 19 – September 10, 2021
    Esther Schipper in Taipei

    Andrew Grassie, Car Door 1, 2020, tempera on paper on board, 14,8 x 18,8 cm (image), 31,1 x 35,2 x 3 cm (framed). Image © the artist

     

    Esther Schipper is pleased to announce the opening of a seasonal pop-up exhibition in Taipei.

    Visit us from August 19 through September 10 at PPP / PPAPER Space, in Zhongshan District, for a special exhibition of new and major works by twelve artists of the gallery. The exhibition will span various media, from installation, sculpture, video, to painting, photography, and works on paper.

    With this project, the gallery aims at developing and anchoring the solid relationship it has built with Taiwan’s vibrant cultural art scene over the past decade.

    "In the past decade we've built up a very solid relationship with collectors in Asia," says Muchi Shaw, Director, Asia and based in Taiwan. "We are always looking for different projects in the region from museum exhibitions to art fairs, and have strong connections with collectors in Taiwan," Shaw says.

    With works by: Martin Boyce, Thomas Demand, Simon Fujiwara, Ryan Gander, General Idea, Andrew Grassie, Pierre Huyghe, Ann Veronica Janssens, Gabriel Kuri, Roman Ondak, Philippe Parreno, and Ugo Rondinone.

    Should you have any questions about this special exhibition, please contact Muchi Shaw: shaw@estherschipper.com


    施博爾・台北

    PPP / PPAPER 空間
    台北市中山區中山北路二段26巷2号

    2021年8月19日—9月10日

    施博爾藝廊欣喜地宣佈我們在台北舉辦的夏季 pop-up 展覽即將開幕。

    8月19日至9月10日期間,我們將在位於台北市中山區的 PPP / PPAPER 空間舉辦一場特別策劃的展覽,屆時將呈現12位藝廊代理藝術家的重要作品以及新作。展覽作品將跨越多種媒介,從裝置、雕塑、影像,到繪畫、攝影和紙上作品。

    施博爾藝廊旨在通過該展覽項目來拓展和鞏固我們在過去十年中與充滿活力的台灣文化藝術界所建立的緊密聯繫。

    「我們在過去十年裡與亞洲不同地區的藏家建立了緊密的關係。」施博爾藝廊亞洲總監蕭牧齊說。「我們在亞洲地區一直以來不斷尋找各種展覽項目的可能性,從美術館展覽到藝博會,並且與台灣藏家有著密切聯繫。」

    本次展覽參展藝術家包括:馬丁・博伊斯、托馬斯・德曼、藤原西芒、瑞安・甘德、普遍概念、安德魯・格拉西、皮耶・雨格、安・維羅尼卡・詹森斯、加布里埃爾・庫里、羅曼・昂達克、菲利普・帕雷諾 ,以及烏戈・羅迪納。

    如需瞭解更多展覽詳情,請聯絡
    蕭牧齊:shaw@estherschipper.com

  • Etienne Chambaud, Inexistence - Online Viewing Room

    Through August 28, 2021 www.estherschipper.com
    Etienne Chambaud, Inexistence - Online Viewing Room

    Exhibition view: Etienne Chambaud, Inexistence, Esther Schipper, Berlin, 2021. Photo © Andrea Rossetti

     

    Esther Schipper is pleased to present an Online Viewing Room dedicated to Etienne Chambaud’s exhibition Inexistence, the artist’s first with the gallery. The works included in the exhibitions are a scent and a sound installation, a sculptural work generating a pattern of temperatures, three light installations, glass works, bronze sculptures and modified panel paintings.

    Visit our OVR here


    The Online Viewing Room features an exhibition film in which Chambaud takes you through the exhibition. 

  • Anri Sala at Kunsthaus Bregenz

    Kunsthaus Bregenz, Bregenz July 17 – October 10, 2021 www.kunsthaus-bregenz.at
    Anri Sala at Kunsthaus Bregenz

    Anri Sala, AS YOU GO, 2019, 13-channel HD video and 22-channel discrete sound installation, color, 39:24 min. Exhibition view: Anri Sala, AS YOU GO, Castello di Rivoli, Turin, 2019. Photo © Antonio Maniscalco

     

    From July 17 through October 10, Kunsthaus Bregenz dedicates a major solo exhibition to Anri Sala.

    Musical phenomena play a major role in Sala’s work, his transformative, time-based works develop from a dense network of relations between sound, image, and architecture. A recurring medium in Sala's exhibition is film. In contrast to conventional cinema, Sala does not employ a strict narrative or even actors, it is rather musical pieces that become the real protagonists in the works. The cinematic results from the musical and not, as is customary, vice versa, enabling visitors to immerse themselves in a both visual and acoustic experience of the space.

    Recent and entirely new works will be on view in the exhibition at Kunsthaus Bregenz. A record player, floating freely in an abandoned space capsule, a subtle alternating between the architecture's contours being sharp or blurred, a garden snail slowly moving along a viola bow, a vintage wallpaper-printing roller whose metal pattern is translated into spectral sounds. All of these are elements and imagery that Anri Sala will be employing in engendering creative shifts and to probe existing interpretive relations.

  • Tino Sehgal at Blenheim Park & Gardens

    Blenheim Park & Gardens, Oxfordshire July 9 – August 15, 2021 www.blenheimartfoundation.org.uk
    Tino Sehgal at Blenheim Park & Gardens

    Blenheim Park and Gardens. Landscaping by Capability Brown. Courtesy of Blenheim Art Foundation

     

    Esther Schipper is is pleased to announce a major solo exhibition by Tino Sehgal at Blenheim Park and Gardens, Oxfordshire. Organised by Blenheim Art Foundation, this will be the first exhibition at Blenheim designed specifically for the Park and Gardens.

    Tino Sehgal is known for artworks composed exclusively using the human body, voice, and social interaction. His artistic practice focuses on the fleeting gestures and subtleties of social encounters, with participation and open exchange as the subjects of value, rather than material objects. For this project, Sehgal will present a complex, roaming choreography imagined for Blenheim, involving more than 30 participants.

    Conceived as a series of scenes rather than works with fixed locations, the exhibition will move fluidly throughout the Park and Gardens like a game of encounters, responding to specific conditions such as the number of visitors, the location or the weather. Akin to a swarm or flock, the group of participants – the majority of whom are local residents cast specially for this project – will gather and disperse in a fluid and porous choreography, enacting moments of connection with visitors and their surroundings.

  • Simon Fujiwara, Who the Bær - Online Viewing Room

    Through July 14, 2021 www.estherschipper.com
    Simon Fujiwara, Who the Bær - Online Viewing Room

    Video still: Simon Fujiwara, Who for President, 2021, sculptural video installation, duration: 1:33 min. Video © Simon Fujiwara

     

    Esther Schipper and Dvir Gallery are pleased to present parallel Online Viewing Rooms on the occasion of Simon Fujiwara's solo exhibition at Kunstinstituut Melly, Rotterdam (on view through September 12, 2021).

    Visit our OVR here.

    For his first solo exhibition in the Netherlands, Simon Fujiwara presents works from his most recent project Who the Bær. Developed during the lockdown in the spring of 2020, Fujiwara created a unique cartoon character in the form of a denim wearing bear with a golden heart and an uncontrollably long tongue, that seemingly has no gender, race, sexuality or even a clear design. Without an identity, Who exists only as an image, a status that allows them the freedom to roam a world of online images, appropriating characters, identities, aesthetics and guises in a greedy search for a "self".

    Who the Bær is also at the centre of a major solo exhibition currently presented at Fondazione Prada in Milan, through September 27.

    Who the Bær can also be followed via their official Instagram account, @whothebaer.

     

     

  • Ari Benjamin Meyers at 7th Beaufort Triennial

    Beaufort Triennial, Flanders Through October 17, 2021 www.beaufort21.be
    Ari Benjamin Meyers at 7th Beaufort Triennial

    Ari Benjamin Meyers, The Long Parade (Day 1, De Panne to Koksijde), 2021. Performed at Beaufort 21: 7th Beaufort Triennial, Flanders, 2021. Photo © Kristien Daem

     

    For the seventh edition of the Beaufort Triennial, Beaufort 21, Ari Benjamin Meyers, in collaboration with the walking orchestra "Die Verdammte Spielerei", presents The Long Parade.

    The Long Parade is a music-based durational performance that is inspired by the brutal history of the Belgian coast, memory and forgetting, and the children’s game "Telephone". Over the course of the summer, the Flemish fanfare band "Die Verdammte Spielerei" will be marching from the French-Belgian border in De Panne to the Belgian-Dutch border of Knokke, performing a new composition by Ari Benjamin Meyers over ten musical parades. For each performance, they are joined by a different local group of musicians that have made their own adaptations of the piece and, in a ritualized manner, will pass the music — and a specially commissioned flag — from one municipality to the next. This performance, in essence an evolving, moving rehearsal, continues over the coming months, undergoing further mutations until the work reaches its finale in Knokke-Heist in October.

    With The Long Parade Meyers unites the identities and histories of the Belgian coastal municipalities in one new composition that gets adapted by all, celebrating collaboration and recognizing the individuality of each place, while at the same time highlighting the fog of memory as it pertains to the past – both recent and more distant.

    Participation is free and open to the public.

    Upcoming performance dates and locations:
    July 4: Koksijde - Showkorps El Fuerte, Imperior De Percussion and Koninklijke Gemeentelijke Harmonie Koksijde
    August 1: Nieuwpoort - Koninklijke Katholieke Harmonie Nieuwpoort
    August 8: Middelkerke - Drawing Pins
    August 15: Ostend - Melody Makers Ostend
    August 29: Bredene - accordion group with Alain Billiouw
    September 12: De Haan - Saxophone Quartet Beaufort
    September 19: Blankenberge - Shanty Choir Blankenberge
    September 25: Zeebrugge - Koninklijke Harmonie Vermaak na Arbeid Koolkerke
    October 17: Knokke - Koninklijke Harmonie Sint-Cecilia Heist

  • Dominique Gonzalez-Foerster at Vienna Secession

    Vienna Secession, Vienna July 2 – September 5, 2021 www.secession.at
    Dominique Gonzalez-Foerster at Vienna Secession

    Dominique Gonzalez-Foerster & Camille Vivier, Gorgone 1 (apparition), 2021, snakes, hair and make-up by Melanie Gerbeaux. © Dominique Gonzalez-Foerster & Camille Vivier

     

    For her exhibition VOLCANIC EXCURSION (A VISION) at the Vienna Secession, Dominique Gonzalez-Foerster has conceived an environment that addresses the specific site while also reflecting on the extraordinary time of a global pandemic. Invoking role models from the past and the present, friends and colleagues who share her ideas, Gonzalez-Foerster counters the fissures that have come to mar the social fabric with a tableau exuding strength and confidence, optimism and courage.

    Her exhibitions are often site-specific productions in which she engages with distinctive features of the venue and its history, weaving in literary references. Objects feature in subsidiary roles, as props that let her establish a particular atmosphere, rather than as ends in themselves and definitive creative output. Evolving narratives await discovery by the beholder who takes the time to pick up on the clues hidden in the fragmentary set pieces, photographs, peculiar interior arrangements, and personal details. Transporting the visitors to fictional scenarios from the past and future, her environments are the scenes of distinctive experiences in which yearnings, utopian wishes, fears, and dreams come to life.

  • LUMA Arles

    LUMA Arles, Arles From June 26, 2021 www.luma.org
    LUMA Arles

    Photo © Adrian Deweerdt

     

    With Liam GillickDominique Gonzalez-Foerster, Pierre HuyghePhilippe ParrenoAnri Sala, and Tino Sehgal.

     

    LUMA Arles, a 27-acre creative campus at the Parc des Ateliers in the city of Arles, opened to the public on June 26. Work by over 45 artists and designers is featured in the opening programme, with special new commissions for LUMA by major international artists.

    At the heart of the site is Frank Gehry’s 15,000-square-metre tower, a twisting geometric structure finished with 11,000 stainless steel panels. The Tower houses exhibition galleries, project spaces and the LUMA’s research and archive facilities, alongside workshop and seminar rooms.

    The Tower houses Philippe Parreno’s permanent commission Danny and Liam Gillick’s design for communal areas, entitled Laguna Gloria. In addition, on view in the Tower are a commissioned work by Tino SehgalThis Element, and works from the collection, among them, Anri Sala’s 2018 film If and Only If, and Dominique Gonzalez-Foerster’s Virtual Reality Environment, Endodrome, presented at the 2019 Venice Biennale. The Library is on Fire, a new commissioned work by Dominique Gonzalez-Foerster and Charles Arsène-Henry, will be inaugurated in September 2021. In the industrial Grande Halle in the Parc des Ateliers, Pierre Huyghe’s exhibition After UUmwelt will be on view through October 2021.

    The campus is also home to seven former railway factories, four of which have been renovated by Selldorf Architects as exhibition and performance spaces. The surrounding gardens and public park are designed by landscape architect Bas Smets.

  • Paradise Kortrijk

    various locations, Kortrijk June 26 – October 24, 2021 www.paradisekortrijk.be
    Paradise Kortrijk

    Ugo Rondinone, long last happy, 2020, neon, acrylic glass, translucent foil, aluminum, 313 x 768 x 15 cm. Image © Studio Rondinone

     

    From June 26 to October 24, 2021 the second Kortrijk Triennial will take place. Titled Paradise Kortrijk 2021, it includes works by Ryan Gander and Ugo Rondinone.

    Paradise Kortrijk 2021 invites contemporary artists to participate and reflect on modern questions. What are meaningful values today and how can we construct a better society? By installing artworks in the heart of the dynamic city, the significance of the artists’ vision becomes present in public. The participative element is crucial in the project: through an active experience, interaction is activated by the visitor. Through this experience, the visitor is offered the opportunity to modify their way of thinking, both about themselves and about our current society.

    During Paradise Kortrijk 2021, two immense, brightly colored, rainbow-shaped neons by Ugo Rondinone will appear on the roof of the Budatoren and the Heilig Hart Woon- en Zorghotel. While cry me a river (1997) is the first rainbow neon ever produced by the artist, long last happy is a new commission conceived specifically for the occasion.

  • 58th October Salon

    various locations, Belgrade June 25 – August 22, 2021 www.oktobarskisalon.org
    58th October Salon

    Daniel Steegmann Mangrané, A Dream Dreaming a Dream, 2020, video projection (real-time procedural computer-generated animation), infinite duration, 4-channel sound, black and white, edition of 3. Commissioned and produced by Thyssen-Bornemisza Art Contemporary (TBA21). Exhibition view: How to Tread Lightly. st_age expanded, an exhibition, Museo Nacional Thyssen-Bornemisza, Madrid, Spain, 2020. Photo © Roberto Ruiz | TBA21

     

    October Salon is a representative manifestation of accomplishments in the field of visual art in Serbia, found and funded by the City of Belgrade.

    This year, the exhibition titled The Dreamers intends to question not only the misleading and ambiguous nature of the real but the space occupied by dreams—intended as the metaphorical embodiment of a space of freedom—which is able to challenge the certainty of the real world, of acquired knowledge and of our own beliefs.

    The largest part of the exhibition of the 58th October Salon | Belgrade Biennale 2021 which includes works by 63 artists, among them Pierre HuygheAnri Sala and Daniel Steegmann Mangrané, will be presented at the Belgrade City Museum, galleries of the Belgrade Cultural Centre, the Movie Theatre of the Belgrade Cultural Centre, the park of the Museum of Yugoslavia and a number of public spaces all over the city. It is planned for this year’s edition of the Salon to involve television and radio platforms as exhibition venues.

  • ROHKUNSTBAU 26

    Schloss Lieberose, Brandenburg June 19 – October 3, 2021
    ROHKUNSTBAU 26

    Etienne Chambaud, Nameless, 2019, coyote, squirrel and rabbit urine, various chemicals, copper powder, acrylic and acrylic varnish on LW. Photo © Jan Brockhaus / Friends of Rohkunstbau e.V.

    Photo © Jan Brockhaus / Friends of Rohkunstbau e.V.

     

    This year's edition of ROHKUNSTBAU 26 presents the works of 22 artists including Etienne ChambaudDavid ClaerboutPhilippe Parreno and Daniel Steegmann Mangrané.

    The exhibition title I am Nature – Of Vulnerability. Survival in the risk society defines a common thread running through the exhibited works. How are deep, existential insecurities after and during the Corona pandemic connected with the human understanding of nature, which is shaped by ideas of omnipotence? What are the consequences of this attitude?

  • Ugo Rondinone at Belvedere, Vienna

    Belvedere Palace Garden, Vienna through November 1, 2021 www.belvedere.at
    Ugo Rondinone at Belvedere, Vienna

    Exhibition view: Ugo Rondinone, your age, my age, and the age of the rainbow, Belvedere Palace Garden, Vienna, 2021. Photo © Johannes Stoll / Belvedere, Vienna

     

    In Ugo Rondinone's work, the rainbow features prominently as a recurring motif with multiple meanings. It is not only an impressive spectacle of nature but also a symbol of peace, equality, tolerance, and the connection between heaven and earth. 

    Together with the Belvedere, Rondinone invited children aged 6 to 12 years to paint rainbow pictures. This hope-filled project was launched in the spring of 2021 by the Belvedere's art education team in collaboration with elementary schools throughout Austria.

    The result is the participatory work your age and my age and the age of the rainbow, which consists of 1,085 rainbow panels. The 70-meter-long installation is on view through November 1, 2021 in the Belvedere Palace Garden between the Belvedere and Belvedere 21.

  • Simon Fujiwara at AMTSALON Berlin

    AMTSALON, Kantstraße 79, Berlin June 17 – 24, 2021 www.amtsalonberlin.com
    Simon Fujiwara at AMTSALON Berlin

    Simon Fujiwara, Who’s Childhood?, 2021, sculptural video installation (cardboard, electrical tape, Plexiglas, antique tripod, projector, projection screen), 164 x 73 x 73 cm (64 5/8 x 28 3/4 x 28 3/4 in) (projector on tripod). 
    Image © Jörg von Bruchhausen

     

    Esther Schipper is pleased to announce our participation in the inaugural edition of AMTSALON Berlin, with a solo presentation of works by Simon Fujiwara from the artist's most recent project Who the Bær. 

    The presentation will include the sculptural video installation, Who’s Childhood, with an animation depicting a revisionist history of Who's childhood as well as a series of new collages and drawings centring around the early identity development of Who the Bær. Housed in the premises of the former district court of Charlottenburg, AMTSALON will open its doors to the public as a pop-up of twenty-four Berlin galleries from June 17 – 24 only.

    Who the Bær can also be followed via their official Instagram account @whothebaer.

  • Diversity United with Roman Ondak, Ugo Rondinone and Anri Sala

    Flughafen Tempelhof, Berlin June 9 – September 19, 2021 www.stiftungkunst.de
     Diversity United with Roman Ondak, Ugo Rondinone and Anri Sala

    Roman Ondak, Perfect Society, 2018, exhibition view: Diversity United, Flughafen Tempelhof, Berlin, 2021. Photos: Silke Briel © Stiftung für Kunst and Kultur, Bonn⁠


    Diversity United presents an artistic tour d'horizon of Europe currently. The trans-national exhibition shows paintings, sculptures, videos, new media, photographies, installations, drawings and object of art by about 90 artists from 34 countries, including Roman Ondak, Ugo Rondinone, and Anri Sala. They represent different generations, genders and regions and their work reflects the phenomenal diversity and vitality of Europe's contemporary art scene – from Portugal to Russia, from Norway to Turkey. 

    The works on display shed light on themes such as freedom and democracy, migration and territory, political and personal identity, utopias and fears, which also revolve around the current pandemic. Diversity United reflects the complexity of the European idea and its social realities in a globalized world.

  • David Claerbout at De Pont Museum, Tilburg

    De Pont Museum, Tilburg June 5 – August 29, 2021 www.depont.nl
    David Claerbout at De Pont Museum, Tilburg

    David Claerbout, Aircraft (FAL), 2015-2021, single channel video projection, black & white, stereo audio. Still © David Claerbout © c/o Pictoright Amsterdam 2021

     

    In disquieting video installations David Claerbout tries to come to grips with the passage of time. He lengthens time, allows the present and past to fuse, and sometimes even seems to bring time to a halt. His latest video, Aircraft (FAL), will have its world première at De Pont. The presentation will be accompanied by other video works, drawings and storyboards of his that the museum has been collecting since 2005.

  • Gabriel Kuri – Saint-Martin Bookshop, Brussels

    Saint-Martin Bookshop, Brussels June 3 – July 8, 2021 www.saint-martin-bookshop.com
    Gabriel Kuri – Saint-Martin Bookshop, Brussels

    Gabriel Kuri, Offering, 2021, mixed media in customised crate 125 x 170 x 50 cm, variable combinations, variable dimensions. Photo © Gabriel Kuri

     

    Gabriel Kuri's Offering is a multi part sculpture commissioned by Saint-Martin Bookshop. This will stem from an array of sculptural props (some found, some purchased, some fabricated by the artist) snugly nestled in a crate lined with customized foam.

    On the occasion of Kuri's exhibition at Saint-Martin Bookshop, curator and writer Dieter Roelstraete has written a short text entitled A Neighborhood of Things  Read it here.

  • Simon Fujiwara – Kunstinstituut Melly, Rotterdam

    Kunstinstituut Melly, Rotterdam June 5 – August 22, 2021 www.kunstinstituutmelly.nl
    Simon Fujiwara – Kunstinstituut Melly, Rotterdam

    Simon Fujiwara, Who Loves Who?, 2021, sculptural video installation, foam core, cardboard, monitor, video duration: 1:02 min, dimensions: 97,5 x 115 x 12,5 cm, hanging key and chain: variable, depicted: 90 cm high. 
    Exhibition view: Simon Fujiwara, Who the Baer, Kunstinstituut Melly, Rotterdam, 2021. Photo © Simon Fujiwara

     

    For his first solo exhibition in the Netherlands, Simon Fujiwara presents works from his most recent project Who the Bær. Developed during the lockdown in the spring of 2020, Fujiwara created a unique cartoon character in the form of a denim wearing bear with a golden heart and an uncontrollably long tongue, that seemingly has no gender, race, sexuality or even a clear design. Without an identity, Who exists only as an image, a status that allows them the freedom to roam a world of online images, appropriating characters, identities, aesthetics and guises in a greedy search for a ‘self’.

    Who the Bær can also be followed via their official Instagram account, @whothebaer.

  • Hito Steyerl – Centre Pompidou, Paris

    Centre Pompidou, Paris through July 5, 2021 www.centrepompidou.fr
    Hito Steyerl – Centre Pompidou, Paris

    Hito Steyerl, SocialSim, 2020. Exhibition view: Hito Steyerl: I Will Survive, Centre Pompidou, Paris, 2021. Photo © Centre Pompidou, Bertrand Prévost, © VG Bild-Kunst, Bonn, 2021

     

    The Centre Pompidou presents, in collaboration with K21 in Düsseldorf, I Will Survive: the first large-scale exhibition dedicated to the work of Hito Steyerl in France.

    Spreading out over the entire space of the Galerie 2 of the Centre Pompidou, the survey exhibition brings together a group of major works, articulated around SocialSim (2020), a new production that imagines the future of the world in the era of social simulation technologies. The retrospective retraces a path that began in the 1990s in the field of documentary cinema and that has been developing, for the past ten years, particularly inventive multimedia installations, dedicated to joyfully transforming the immersive character of our visual culture into a space for reflection. Pointing out the failures and paradoxes of the image, Hito Steyerl experiments with new ways of talking about reality and critically addresses nationalism, capitalism and artificial intelligence.

    The exhibition is accompanied by a catalogue.

  • Rodney Graham – Garage MCA, Moscow

    Garage Museum, Moscow through July 5, 2021 www.garagemca.org
    Rodney Graham – Garage MCA, Moscow

    Rodney Graham, Phonokinetoscope, 2001, 16mm looped film
    Film still © Rodney Graham

     

    For Rodney Graham’s first showcase in Russia, Garage will present one of his key works, Phonokinetoscope (2001), which highlights the Canadian artist and musician’s idiosyncratic understanding of the relationship between moving images, sound, and narrative building.

    Phonokinetoscope is a complex symbiotic experiment where the traditional synchronization of sound with image and narrative is disrupted not only by the limitations imposed by the specially-built equipment but also by the random intervention of the audience. In the 16mm looped film we see a solitary Graham on a bicycle ride through Tiergarten in Berlin, evoking Albert Hofmann’s historic bike ride home from his laboratory in 1943 after making an interesting scientific discovery.

    Loop after loop, the artist takes us on a ride of our own through the carefully choreographed constellation of sonic correlations, poetic congruences, and cinematic and literary associations.

  • Simon Fujiwara – Fondazione Prada, Milan

    Fondazione Prada, Milan Through September 27, 2021 www.fondazioneprada.org
    Simon Fujiwara – Fondazione Prada, Milan

    Simon Fujiwara, Skölstrejk för Whö?, 2021. Mixed media sculpture, paper, plastic, wood, plush, metal, printer
    Photo © Jörg von Bruchhausen

     

    Fondazione Prada reopens from April 29

    Visitor information can be found here.

     

    For this new site-specific project conceived for the ground floor of the Podium in the Milan premises of Fondazione Prada, Simon Fujiwara introduces audiences to the fairytale world of Who the Bær, an original cartoon character created by the artist. Who the Bær is a cartoon bear without a clear character – “Who” as they are known, seems to have not yet developed a strong personality or instincts, they have no history, defined gender or even sexuality. Who the Bær only knows that they are an image, and they seek to define themselves in a world of other images.

     

    Who the Bær’s adventures are presented at Fondazione Prada in a giant labyrinth made almost entirely from cardboard and recyclable materials and forming the shape of a giant bear. As visitors travel through the bear-like installation, they are introduced to the basic design and formation of the cartoon character of Who the Bær before embarking on a series of adventures that follow Who the Bær around their fairytale world. Told through drawings, collages, sculptures and animations, we witness Who the Bær in their perennial quest for an identity.

     

    Inspired by the tradition of fairytales as well as modern animation movies, Fujiwara uses the mechanisms of fantasy to explore some of the joys and traumas we face as a society possessed with images and spectacle.

  • Martin Boyce – haubrok foundation, Berlin

    FAHRBEREITSCHAFT, haubrok foundation, Berlin May 1 – September 4, 2021 www.haubrok.org
    Martin Boyce – haubrok foundation, Berlin

    Exhibition view: Martin Boyce, Recurring Dreams, FAHRBEREITSCHAFT, haubrok foundation, Berlin, 2021

     

    In the “kantine” of FAHRBEREITSCHAFT the haubrok foundation show works by Scottish artist Martin Boyce. The lyrical objects and installations from the haubrok collection are largely based on the formal language of the brothers Jan and Joël Martel, who worked together with the architect Robert Mallet-Stevens in Paris on the intersection of Art Deco, Cubism, and Bauhaus. The concrete trees, to which Martin refers in various works, are particularly well known. The exhibition entitled Recurring Dreams consists exclusively of works from the haubrok collection.

    Please note due to Covid-19 restrictions, a visit of the upcoming exhibitions at the hauberk foundation will probably only be possible from May on and by prior registration and the allocation of time slots. If you have any questions, do not hesitate to contact visit@haubrok.org.

  • The Nature of Art with David Claerbout at Busan Museum of Art

    Busan Museum of Art, Busan April 23 – September 12, 2021 https://art.busan.go.kr
    The Nature of Art with David Claerbout at Busan Museum of Art

    David Claerbout, Wildfire (meditation on fire), 2019-2020, single channel video projection, 3D animation (stereo audio, color), duration: 24 min
    © David Claerbout & VG Bild-Kunst, Bonn, 2021

     

    David Claerbout presents two major film installations: Wildfire (meditation on fire), 2019-2020 and Die reine Notwendigkeit/The Pure Necessity, 2016 as part of the exhibition The Nature of Art at the Busan Museum of Art, Busan, South Korea. 

    This exhibition was conceived to convey the message of comfort and healing that art gives to us living in the Corona era, and to awaken the courage to face a new era. The Nature of Art consists of three sections: "Imagine from Today", "Contemplate from Emptiness", and "Empowered by Mother Nature".

  • David Claerbout at Garage Museum

    Garage Museum, Moscow March 26 – May 2, 2021 www.garagemca.org
    David Claerbout at Garage Museum

    David Claerbout, the “confetti” piece, 2015-2018, video still, double channel video projection, 3D animation, silent, color, 18’ 25”
    Film still © David Claerbout & VG Bild-Kunst, Bonn, 2021

     

    Unseen Sound is the first solo exhibition of Belgian artist David Claerbout in Russia. His work is best defined as a hybrid, where media dissolve into one another using video, photography, film, and 3D to create images that question our perceptions and expectations.

    The exhibition brings together four works that span a period of more than ten years, and show the artist’s increasing occupation with what he describes as “dark optics,” a term he uses to describe the contemporary state of the image. All of the works presented in Unseen Sound capture single moments stretched in time and space. This expansion reveals new layers of reality behind seemingly trivial images, and new characters emerge.

    As the title of the exhibition—Unseen Sound—indicates, these works visualize sound as a central event that, nevertheless, remains beyond aural perception. Sections of a Happy Moment (2007) and The Algiers' Sections of a Happy Moment (2008) capture moments of a street ball game. The Quiet Shore (2011) is a series of beach scenes shot during a loud splash. Set at a grand reception, the “confetti” piece (2015–2018 ) shows the second when the fireworks of confetti rain down. For Claerbout, digital materiality will not remain as virtual reality but will attempt to penetrate as many aspects of life as possible, altering optical and material habits. Lens-based images are already part of the past, and will be replaced by dark optics.

     

    More information

  • All Access – Schinkel Pavillon, Berlin

    Schinkel Pavillon, Berlin
    All Access – Schinkel Pavillon, Berlin

    Photo © Rex Chu

     

    All Access is a series of online visits to exhibitions which currently have restricted public access. As museums and galleries around the world are mostly closed, the series takes us into these spaces with the artists and curators as guides.

    Here, curator Agnes Gryczkowska introduces a section of the exhibition Sun Rise | Sun Set at the Schinkel Pavillon Berlin.

    Sun Rise | Sun Set brings together contemporary and 20th century artists to form a multi-layered response to the fast unfolding ecocatastrophe. The selected works permeate one another, creating small organisms and turning Schinkel Pavillon into a surreal landscape, highlighting the interconnectivity between humans, animals, plants, inanimate objects, technologies and non-beings.

    The exhibition includes two works by Pierre Huyghe. The video tour below focuses on the room in which "Circadian Dilemma (Dia del Ojo)" is installed. The work is part of a series of aquarium works in which the artist creates cyclically-oriented underwater scenarios. The landscape of the water basin is modelled on a Mexican cave and is populated by six fish of the species Astyanax mexicanus, along with microscopic bacteria and algae.

     

    Click here to watch the tour

  • Anri Sala at Buffalo Bayou Park Cistern, Houston

    Buffalo Bayou Park Cistern, Houston March 12 – December 12, 2021 www.buffalobayou.org
    Anri Sala at Buffalo Bayou Park Cistern, Houston

    Photo © Lawrence Elisabeth⁠

     

    Buffalo Bayou Park Cistern, Houston, presents a newly commissioned artwork for the by Anri Sala. This immersive new film and sound installation, titled Time No Longer, will occupy the Cistern for a period of nine months, transporting visitors into an other-worldly environment within this vast, subterranean reservoir.⁠⁠

    Time No Longer will incorporate film projected onto a translucent, 22 by 150-foot (7 by 45-meter) screen with a soundtrack emanating throughout the space, its reverberations creating ripples on the surface of the water. Visitors will encounter the work in 360 degrees by making their way around the full perimeter of the 87,500-square-foot Cistern.⁠⁠

    The film depicts a weathered turntable floating in a space station. It is tethered only by its electric cord, which allows it to keep playing a vinyl record. There appears to be no human presence to listen to it, and an uneasy quiescence around it suggests it may be spinning in the aftermath of a catastrophe – a custodian of that absent humanity.⁠

     

    Read more

  • Liam Gillick at Gwangju Museum of Art

    Gwangju Museum of Art February 25 – June 27, 2021 www.artmuse.gwangju.go.kr
    Liam Gillick at Gwangju Museum of Art

    The Work Life Effect is Liam Gillick’s first major solo museum exhibition in Asia. The exhibition continues the artist’s interest in questions of production, various modes of work and an endless search for a contemporary abstraction. The title directly refers to this – alluding to the complex tensions between work and life. The Work Life Effect proposes a zone where we sense the effects of the merging of work and life that has accelerated in the digital period and under the conditions of the Covid-19 pandemic. The exhibition does not directly illustrate such processes, rather it evokes a twilight mood of lights, forms and affects that bring forward how emotional and formal aspects of perception and experience are altered when we are subjected to new modes of mediated existence.

    Animated lamps lure us into a liminal space where work and life have merged. The outside has been brought inside. Large neon mathematical formulas flood the museum with colored light and show ways to calculate human happiness. Two large “storefronts” are sited in the centre of the space. Each appears to have large glazed illuminated panels. In fact the windows are empty and lead us into a space of abstraction and a space where a piano sits while black snow softly falls.

    An important aspect of the exhibition extends to the lobby of the museum and the book lounge. These spaces will be furnished with low tables and stools that provide spaces for informal gathering, study and research. A program of education, performance and video streaming will be produced in these spaces and in the exhibition itself.

    An exhibition catalogue is forthcoming.

  • FIAC Online Viewing Room

    March 4 – 7, 2021 https://fiac.viewingrooms.com/
    FIAC Online Viewing Room

    Martin Boyce, After Light, 2021, acrylic paint on perforated steel, aluminium, cellulose paint on cast bronze and bronze wire, 166,5 x 110 x 18 cm. Photo © Martin Boyce

     

    We are pleased to announce our participation in the first iteration of FIAC Online Viewing Room where we will present major works by Rosa BarbaMartin BoyceAngela BullochEtienne ChambaudGeneral IdeaAnn Veronica Janssens, Isa MelsheimerRoman OndakPhilippe Parreno, and Ugo Rondinone.

     

    More information

  • Simon Fujiwara at Fondazione Prada

    Fondazione Prada, Milan March 2 – September 27, 2021 www.fondazioneprada.org
    Simon Fujiwara at Fondazione Prada

    Simon Fujiwara, Sculpture for Who the Bær, 2020
    Photo © Jörg von Bruchhausen

     

    For this new site-specific project conceived for the ground floor of the Podium in the Milan premises of Fondazione Prada, Simon Fujiwara introduces audiences to the fairytale world of Who the Bær, an original cartoon character that inhabits a fantasy universe created by the artist. Who the Bær is a cartoon bear without a clear character – “Who” as they are known, seems to have not yet developed a strong personality or instincts, they have no history, defined gender or even sexuality. Who the Bær only knows that they are an image, and they seek to define themselves in a world of other images.

    The world of Who the Bær is a flat, online world of pictures, yet one full of endless possibilities. Who the Bær can transform or adapt into any image they encounter, taking on the attributes and identities of those depicted within the image – human, animal or even object. In this sense the fantastical world of Who the Bær is a world of freedom: Who can be whoever they wish to be, Who can transcend time and place, Who can be both subject and object. Yet Who the Bær may never be able to overcome their one true challenge – to become anything more than just an image.

    Who the Bær’s fantasy adventures are presented at Fondazione Prada in a giant labyrinth made almost entirely from cardboard and recyclable materials and forming the shape of a giant bear. As visitors travel through the bear-like installation, they are introduced to the basic design and formation of the cartoon character of Who the Bær before embarking on a series of adventures that follow Who the Bær around their fairytale world. Told through drawings, collages, sculptures and animations, we witness Who the Bær in their perennial quest for an authentic self.

    Inspired by the tradition of fairytales as well as modern animation movies, Fujiwara uses the mechanisms of fantasy to explore some of the joys and traumas we face as a society possessed with images and spectacle.

    The exhibition is completed by a publication, which is part of Fondazione Prada’s Quaderni series. Conceived as an illustrated story book, it includes a conversation with the artist.

    The adventures of Who the Bær can be experienced on Instagram following their official account @whothebaer.

     

    Read more

  • All Access

    haubrok foundation, Fahrbereitschaft, Berlin
    All Access

    All Access is a new series of online visits to exhibitions that are currently closed to the public. As museums and galleries around the world remain closed, the series takes us into these spaces with the artists and curators as guides.

     

    For the first All Access, Jeanne Tremsal introduces her exhibition at FAHRBEREITSCHAFT together with Christopher Roth.

    FAHRBEREITSCHAFT in Berlin-Lichtenberg is one of the locations of the Haubrok foundation. In changing exhibition spaces throughout the dynamic arts and industrial yard, the foundation shows works from its collection, from artists working on site, or from guest curators and artists.


    The exhibition Mein Vater, meine Nachbarn, meine Freunde und deren Freunde was curated by Jeanne Tremsal around the work of her father, Benoit. Their father-daughter relationship was always centered on art, and upon finding out that he had a terminal illness, Jeanne initiated an exhibition that responded to Benoit’s tree sculptures. The title refers to the community of artists that contributed responses to the trees: neighbors, friends, and their friends.

     

    Mein Vater,
    meine Nachbarn,
    meine Freunde,
    und deren Freunde
    with Angela Bulloch, Isa Melsheimer, and Christopher Roth
    haubrok foundation, Fahrbereitschaft, Berlin

     

    Click the image to watch the tour

  • Ryan Gander at SOLID HAUS

    Online Exhibition A recorded tour of the exhibition will be available to view on-demand from February 5–26, 2021 www.arts.princeton.edu
    Ryan Gander at SOLID HAUS

    Ryan Gander, The Silent Majority / The Vocal Minority, 2021, brown paper, plastic envelope, A4 printer paper, inkjet ink
    Photo © Studio Ryan Gander

     

    Natural and Conventional Signs is an exhibition in which Ryan Gander presents a selection of new works directly guided by his research at Princeton undertaken during his time as a Hodder Fellow (2019-2020) and made during a period of reflection while the world paused amid a global pandemic.

    Gander invites an audience into his studio-cum-gallery, Solid Haus in rural Suffolk, a two-hour drive east of London, digitally for the first time. There he has assembled a show in which the works have duality in meaning and utility; subverting the signs, tropes, and markers seen in the everyday world to shine new light on how we position ourselves in relation to the values of time, money, opportunity, attention and privilege.

     

    See inside the exhibition

  • Interview with Ann Veronica Janssens at Centre Pompidou–Metz

    Centre Pompidou–Metz
    Interview with Ann Veronica Janssens at Centre Pompidou–Metz

    On the occasion of the exhibition Chagall: The Emissary of Light, which explores the importance of light and of stained-glass window in Marc Chagall' work, the Centre Pompidou–Metz has invited Ann Veronica Janssens to present a new triptych from her gaufrettes series. By an effect of absorption and diffusion of the light rays, these ribbed glass plates, which contain an overlay of different iridescent and colored filters, produce chromatic vibratory variations.

     

    Watch the full interview here! 

  • Esther Schipper is pleased to announce the representation of Cemile Sahin

    Esther Schipper is pleased to announce the representation of Cemile Sahin

    Photo © Paul Niedermayer

     

    Cemile Sahin was born in Wiesbaden, Germany, in 1990. She studied Fine Arts at Central Saint Martins College of Art and Design in London and at the Universität der Künste in Berlin. She lives and works in Berlin.⁠

     

    Sahin's artistic practice operates between film, photography, sculpture and text. Points of departure include both images and stories, which she stages in multimedia video installations. Her work questions the instrumentalization of media and the significance of diverse perspectives for the writing of history. Working with a variety of media, she explores how history and its narration changes when it is constructed through diverse—or even contradictory—points of view.⁠ ⁠

     

    Her debut novel TAXI was published in 2019, followed by her book Alle Hunde Sterben in 2020, both of which are important components of her artistic practice. In 2019 she was awarded the ars viva 2020 prize for Visual Arts. The same year she was a fellow of the JUNGE AKADEMIE at the Akademie der Künste Berlin.⁠ ⁠

     

    Click here for German text

  • Alaina Boukedes on Philippe Parreno’s "Echo"

    Alaina Boukedes on Philippe Parreno’s

    In the latest online edition of MoMA’s ArtSpeaks program, a member of MoMA staff shares personal impressions of an artwork in the galleries. Here, Alaina Boukedes, a guest specialist in the Department of Visitor Engagement, talks about the “unpredictability” of her favorite piece in the Museum, Philippe Parrenos installation Echo: “She’s always talking, she’s always interacting...she’s never the same.”

     

    Click here to watch!

  • Esther Schipper is pleased to announce the representation of Rosa Barba

    Esther Schipper is pleased to announce the representation of Rosa Barba

    Photo © Sara Masüger

     

    Rosa Barba was born in 1972 in Agrigento, Italy. She currently lives and works in Berlin.

    She studied at the Academy of Media Arts Cologne and has completed her PhD at the Malmö Faculty of Fine and Performing Arts, Lund University in 2018.

    She has been a visiting professor at MIT, ACT (Program in Art, Culture and Technology), in Cambridge, Massachusetts. Barba holds a professorship in Fine Arts at the University of the Arts, Bremen.

    Rosa Barba engages within the medium of film through a sculptural approach. In her works, Barba creates installations and site-specific interventions to analyze the ways film articulates space, placing the work and the viewer in a new relationship. Questions of composition, physicality of form and plasticity play an important role for the artist as Barba examines the industry of cinema and its staging vis-à-vis gesture, genre, information and documents. Her film works are situated between experimental documentary and fictional narrative. They often focus on natural landscapes and human-made interventions into the environment and explore the relationship of historical records, personal anecdotes, and filmic representation, creating spaces of memory and uncertainty.

  • Hito Steyerl's "We Will Survive TV"

    November 15, 19, 21, 26, 2020 www.e-flux.com
    Hito Steyerl's

    Hito Steyerl, SocialSim, 2020, single channel HD video and live computer simulation Dancing Mania, duration: 18:19 min (single channel), Dancing Mania duration variable

    © VG Bild-Kunst, Bonn, 2020
    Film still © Hito Steyerl

     

    What happens to the art at the museum at night? 
    A weird-ass visual podcast

     

    During the corona-related shutdown in November 2020, Hito Steyerl’s exhibition I Will Survive at K21 (September 26, 2020—January 10, 2021) transforms into a livestream format. The project 4 Nights at the Museum developed by the artist, filmmaker, and author Hito Steyerl, provides some background and conversations about the works in the exhibition.

     

    In five episodes (each lasting ca. 45 minutes), selected works and themes in I Will Survive will be discussed in more detail. Participants in the works, such as the New York-based graphic designer Ayham Ghraowi or the Hamburg-based actress Heja Netirk, will talk about their perspectives. In addition, Steyerl will present alternative versions of exhibited works and previously unedited archival material. Short guided tours by the curators will accompany visitors into the exhibition spaces, which are abandoned at night. They will take a look at some of the works and prove that there is nothing going on inside the museum during the shutdown. 

     

    The episodes will livestream on e-flux Video & Film starting Sunday, November 15. All episodes air at 8pm CET, 2pm EST.

     

    More information here

  • Hito Steyerl's "SocialSim" Live Stream

    Twitch TV Wednesday, November 4, 2020
    Hito Steyerl's

    Hito Steyerl, SocialSim, 2020⁠. © VG Bild-Kunst, Bonn, 2020⁠
    Film still © Hito Steyerl⁠

     

    Hito Steyerl's simulation Social Sim screening live from a locked down K21 to reflect the current political climate.⁠

     

    Watch the live stream here!

  • Online Tour with Andrew Grassie

    Instagram Live Sunday, November 1, 2020, 11:30 am
    Online Tour with Andrew Grassie

    Photo © Andrea Rossetti

     

    Online Tour of Still Frame with Andrew Grassie and Manuel Miseur, Director at Esther Schipper

    Sunday November 1, 2020, 11:30 am
    On Instagram live

     

    Andrew Grassie’s paintings are based on photographs he has taken himself or that he, in some cases, has found. Often they have been elaborately staged, although this effort is veiled by the ostensibly unassuming matterof-factness the small, precisely painted works exude. The works are executed with tempera, a technique associated with pre-Renaissance panel paintings anteceding the development of oil paint. Tempera dries very rapidly and remains relatively sheer. To create cover and solid colors, many layers are needed.

     

    Click here to watch!

  • Rodney Graham at Serlachius Museum

    Serlachius Museum, Mänttä October 24, 2020 – April 18, 2021 www.serlachius.fi
    Rodney Graham at Serlachius Museum

    Rodney Graham, Vacuuming the Gallery 1949, 2018, painted aluminium lightbox with transmounted chromogenic transparency. 
    Courtesy Museum Voorlinden, Wassenaar
    Photo © Ken Adlard

     

    In his exhibition, Artists and Models, Rodney Graham brings to the Serlachius Museums his disguise self-portraits for which he is best known. Graham’s exhibition at Serlachius Museum Gösta is his first in Finland.

    In his works, Graham explores the layers of Western culture, both everyday life and collective memory. He draws on wide-ranging references to philosophy, psychoanalysis, and the art and popular culture of different eras.

    He is best known for his disguise self-portraits, monumental photographic works in which he smoothly assumes various fictional roles. His art is characterised not only by subtle nostalgia and melancholy, but also gentle humour, poetic irony and meticulous finishing of the works.

    Purchase the supporting exhibition catalogue HERE

  • Thomas Demand at M Museum

    M Museum, Leuven October 9, 2020 – April 18, 2021 www.mleuven.be
    Thomas Demand at M Museum

    Thomas Demand, Bluethroat, 2020, pigment print, 172 x 135 cm
    © VG Bild-Kunst, Bonn, 2020
    Photo © Thomas Demand

     

    House of Card offers an overview of various approaches to construction in Thomas Demand’s oeuvre from the past fifteen years. His work related to models, scenography and even buildings are closely related to architecture. At the same time House of Card shows the connection between Demand’s projects and those of other influential artists, architects and designers like Martin Boyce, Arno Brandlhuber, Caruso St John en Rirkrit Tiravanija.

    The title House of Card refers to the precariousness of Demand's practice as a builder. Whereas architecture generally equates with permanence, Demand prefers to explore the limits of the ephemeral, as is evidenced in his use of paper and cardboard.

     

    More inforiaton can be found HERE

  • MONOCULTURE – A Recent History with Matti Braun

    M HKA, Museum of Contemporary Art Antwerp September 25, 2020 – January 24, 2021 www.muhka.be
    MONOCULTURE – A Recent History with Matti Braun

    Matti Braun, Bunta Garbo, 2002, wooden screen and digital prints mounted on forex
    Exhibition view: MONOCULTURE – A Recent History, M HKA, Museum of Contemporary Art Antwerp, 2020
    Photo © MHKA

     

    The group exhibition MONOCULTURE – A Recent History begins from the principle that any understanding of ‘multiculture’, should necessitate an investigation of ‘monoculture’. The societal understanding of monoculture can be defined as the homogeneous expression of the culture of a single social or ethnic group. The project seeks to approach the notion of monoculture with an open mind. It will thus aim for an analysis of, rather than an antithesis to, monoculture, approaching it not only from historical, social, cultural and ideological perspectives, but also philosophical, linguistic and agricultural ones.

    Through the works of more than 40 artists, including Matti Braun, the exhibition will provide a tentative mapping, allowing for a comparative analysis of different manifestations of monoculture, as well as their reflections in art and propaganda, seeking to draw some conclusions that might be relevant for society and culture at large.

    The exhibition includes Matti Braun’s Pierre, 2009 and Pierre Pierre, 2010, several silk paintings, as well as Bunta Garbo, 2002, a project on the Belgian writer Andrea Juste.

    Two publications accompany the exhibition: MONOCULTURE – A Recent History, exhibition catalogue published by M HKA, and The Aesthetics of Ambiguity – Understanding and Addressing Monoculture, co-edited by Pascal Gielen and Nav Haq, published by Valiz as part of the Antennae – Arts in Society series.

     

    More information can be found HERE

  • Hito Steyerl at K21

    K21, Düsseldorf September 26, 2020 – January 10, 2021⁠ www.kunstsammlung.de
    Hito Steyerl at K21
    Hito Steyerl, This is the Future, 2019, video installation (single channel HD video, color, sound), environment, duration: 16 min
    © VG Bild-Kunst, Bonn, 2020
    Film still © Hito Steyerl
     
    Hito Steyerl⁠
    I Will Survive
    September 26, 2020 – January 10, 2021⁠
    The Kunstsammlung Nordrhein-Westfalen is presenting the first comprehensive exhibition dedicated to the artist, filmmaker, and author Hito Steyerl. Steyerl is currently regarded as one of the most advanced artists in terms of the current reflection on the social role of art and museums, the development of artificial intelligence, and experimentation with media-based forms of presentation. ⁠
    With early works exemplary of the “documentary turn”, the exhibition begins with a different conception of the documentary, the conceptual change of which Steyerl has decisively co-conceived, formulated, and practiced.⁠
     
    More information can be found HERE

     

  • Ann Veronica Janssens at South London Gallery

    South London Gallery, London September 23, 2020 – November 29, 2020 www.southlondongallery.org
    Ann Veronica Janssens at South London Gallery

    Ann Veronica Janssens, Untitled (Blue Glitter), 2015 – ongoing
    © VG Bild-Kunst, Bonn, 2020
    Photo © Dirk Pauwels

     

    Ann Veronica Janssens has created an extensive body of work over four decades spanning installations, projections, immersive environments and sculptures. At the core of her practice is an interest in light and its impact on our perception and experience.

    This exhibition will be the first major presentation of Janssens’ work in London. Across three floors of the Fire Station, sculptures, projections, light works and installations continue Janssens’ exploration of perception and ephemerality.

    Janssens’ Untitled (Blue Glitter), an expanse of reflective, blue glitter scattered across the floor of the gallery, will occupy the Main Space for the first half of the show, after which it will be replaced by Janssens’ reflective wheeled Bikes, 2001. Visitors are invited to cycle round the Main Gallery on one of five custom-made bicycles with mirrored wheels, which will reflect light on the surrounding gallery walls and floor as the wheels turn.

    Hot Pink Turquoise is presented in collaboration with Louisiana Museum, Copenhagen

  • Daniel Steegmann Mangrané at Kunsthalle Münster

    Kunsthalle Münster September 13 – November 22, 2020 www.kunsthallemuenster.de
    Daniel Steegmann Mangrané at Kunsthalle Münster

    Daniel Steegmann Mangrané, Fog Dog (Eye), 2019-2020 (detail), giclée print. Image © Daniel Steegmann Mangrané

     

    With Dog Eye, on view from September 13 through November 22, the Kunsthalle Münster is presenting the first solo exhibition in a German institution of Daniel Steegmann Mangrané. His works—comprising installations, films, sound-based works, photographs, drawings, holograms and sculptures—are marked by a poetic approach of overlapping geometric and abstract forms with organic elements: branches, leaves, insects and recently also dogs serve as integral components of the artist's works. He combines and intertwines these to create an overall structure that subtly brings us to question our own position in the world, and thus also our attitude toward our environment. We are called upon to re-think the prevailing western perception based on binary thinking, in terms of subject and object, nature and culture.

     

    More information can be found HERE

  • A Reading by Philippe Parreno at ESPACE DIAPHANES, Berlin

    ESPACE DIAPHANES, Berlin
    A Reading by Philippe Parreno at ESPACE DIAPHANES, Berlin

    Video © Zoran Terzić

     

    Philippe Parreno reading an excerpt of Eden, Eden, Eden by Pierre Guyotat. Recorded at ESPACE DIAPHANES on September 9, 2020.

    Marking the 50th anniversary of Pierre Guyotat’s Eden, Eden, Eden (1970), this video is part of a series of 50 readings organized by the Association Pierre Guyotat in collaboration with contemporary art institutions and galleries around the world.

    Since its release on 9 September 1970, this provocative novel has attracted a mixture of scandal and fascination. The work of a young author, it was prefaced with texts by influential French philosophers Michel Leiris, Roland Barthes, and Philippe Sollers, and endorsed by Michel Foucault. Its immediate censorship attracted further international support from leading cultural figures including Pier Paolo Pasolini and Joseph Beuys.

    Fifty years later, the work of Pierre Guyotat remains impactful and Eden, Eden, Eden has proven to be prescient of a world on the verge of transformation – through violence, sexuality, decolonization, and cosmology. The texts herald the endpoint of colonial history as well as the starting point of a new history.

    Click the image to watch the full reading!

     

  • Book Launch with Liam Gillick

    Museo Madre, Naples Wednesday, September 9, 2020 at 6.30 pm www.madrenapoli.it
    Book Launch with Liam Gillick

    On Wednesday September 9, at 18.30, the Museo Madre will present the new publication by Liam Gillick: Standing On Top of a Building: Films 2008-2019 published in June 2020 by Edizioni Madre and arte’m.⁠

    After an introduction by the president of the Fondazione Donnaregina per le arti contemporanee, Laura Valente, Liam Gillick will be joined in conversation with the curators, Alberto Salvadori and Andrea Viliani.⁠

    The publication is the first retrospective dedicated exclusively to Liam Gillick’s film production.⁠

     

    RSVP HERE

  • David Claerbout at Kunst Museum Winterthur

    Kunst Museum Winterthur September 12 – November 15, 2020 www.kmw.ch
    David Claerbout at Kunst Museum Winterthur

    David Claerbout, Wildfire (Meditation on Fire), 2020
    © VG Bild-Kunst, Bonn, 2020. Courtesy Musea Brugge
    Film still © David Claerbout

     

    David Claerbout has distinguished himself in recent years with video works that are as spectacular as they are multi-layered. The artist's multimedia oeuvre – located, so to speak, between the media – aims at a fundamental reflection on visual genres. In his concentrated output, time becomes the decisive dimension of perception. The artist plays ingeniously with the forms of temporality in images, their possible elongations and condensations between moment and duration.

    Claerbout's new film, Wildfire (Meditation on Fire), will premier at Kunst Museum Winterthur on September 11 and Musea Brugge on September 30, 2020.

     

    Click here for more information

  • Ugo Rondinone Featured in new Beyoncé Video

    Ugo Rondinone Featured in new Beyoncé Video

    Earlier this summer, Beyoncé released her new music video ALREADY (in collaboration with Ghanaian singer Shatta Wale and Jamaican-American trio Major Lazer), as part of the artist's much anticipated visual album and musical film, Black is King, which she wrote, directed, and executive produced. The film serves as a visual companion to the 2019 album The Lion King: The Gift, a tie-in album conceived by Beyoncé for the 2019 remake of The Lion King released by Disney Plus.

     

    The video clip was in part shot on location in Ugo Rondinone's solo exhibition sunny days, on view during the summer of 2019 at Guild Hall, in East Hampton, NY. 'ALREADY' features Beyoncé and her dancers engaging in a powerful choreography in Rondinone's large-scale installation of 'sun' sculptures: circular rings made from vine branches which were cast in aluminum and then gilded. The vine is seen here as a symbol of renewal because of its life cycle from growth to dormancy and rebirth to a fruitful state every year—reminiscent of the solar cycle—thus reflecting the 'circle of life' theme of The Lion King.

     

    Click here to watch!

  • Down to Earth with Tino Sehgal

    Gropius Bau, Berlin August 13 – September 13, 2020 www.berlinerfestspiele.de
    Down to Earth with Tino Sehgal

    Down to Earth will focus on the boundary between nature and culture and how it can become porous. An important element will be its audit of our own “operating system”: 20 degrees Celsius, 50 % humidity in the exhibition hall – how did that come about? How did our predecessors come to prescribe this standard of modernity for museums? How did they work in this building before air conditioning? How does our air conditioning work and where is it exactly? Which hotels are ecologically viable, which energy companies, how will our programme change if the people working with us have to come here by train?

     

    More information can be found HERE

  • Grönlund-Nisunen at Minsheng Art Museum, Shanghai

    Minsheng Art Museum, Shanghai July 17 – November 29, 2020 www.minshengart.com
    Grönlund-Nisunen at Minsheng Art Museum, Shanghai

    Grönlund-Nisunen, Pneumatic Landscape, 2004/2020, polyester fabric, chipboard, timber, fans, digital dimmer, computer, 24,4 x 11 x 3,5 m
    Exhibition view: Grönlund-Nisunen, Flow With Matter, Minsheng Art Museum, Shanghai, 2020
    Photo © Shanghai Minsheng Art Museum

     

    On July 17, 2020 Tommi Grönlund and Petteri Nisunen's major solo presentation opened at the Minsheng Art Museum in Shanghai and will continue through the end of November. Delayed by the recent closures, the exhibition occupies the entire museum's 2,500-square-meter exhibition space on two floors and features more than twenty works, mainly large-scale installations using kinetics, light and sound. The selection of works spans the artists' entire career, including new site-specific works created specifically for the museum space.

  • SUNDAY OPEN

    Sunday July 26, 2020
    SUNDAY OPEN

    Wir freuen uns, an der dritten Ausgabe von SUNDAY OPEN teilzunehmen, einer Initiative von INDEX Berlin. Unsere Ausstellung ist noch bis 26. Juli zu sehen wird am kommenden Sonntag von 12 bis 18 Uhr geöffnet sein.⁠

    -⁠

    We are pleased to participate in the third iteration of SUNDAY OPEN, initiated by INDEX Berlin. For its final day, our exhibition PS81E will be open this Sunday, July 26, from 12 through 6 pm.

  • Anri Sala – Take Over (Marseillaise), 2017

    Anri Sala – Take Over (Marseillaise), 2017

    Film still: Anri Sala, Take Over (Marseillaise), 2017, HD video projection, color, stereo sound, duration 7:56 min
    © VG Bild-Kunst, Bonn, 2020

     

    We celebrate Bastille Day with Anri Sala and an excerpt from his 2017 video Take Over (Marseillaise)!

     

    Watch as the pianist and Disklavier play the French national anthem in a carefully choreographed moment of ghostly harmony, evoking the timelessness of the tune.

     

    Both this video and its counterpart, Take Over (Internationale), pair the two eponymous musical works, powerful political anthems that are affiliated by an entangled political and cultural history.

     

    Click here to watch!

     

     

  • State of the Arts with Simon Fujiwara

    Bundeskunsthalle, Bonn June 16 – August 16, 2020 www.bundeskunsthalle.de
    State of the Arts with Simon Fujiwara

    Simon Fujiwara, Empathy I, 2018, 5D simulator installation (with video, sound, motion, water, and wind), duration 3:49 min, outer dimensions of box: 3,71 x 7,6 x 5,35 meters
    Exhibition view: Simon Fujiwara, Empathy I, Esther Schipper, Berlin, 2018
    Photo © Andrea Rossetti

     

    The exhibition presents one of the most intriguing artistic phenomena of our time: the fusion of the visual and the performing arts. Today, more often than not, a visit to an exhibition does not merely offer new visual impressions. Instead, it is a more comprehensive experience that involves all the senses. Artists combine video, performance, dance, language and music, creating intermedial works. In some cases, this results in giving the visitors the opportunity to give up the distanced position of the viewer and become part of the work.

    State of the Arts brings together the work of 16 artists, among them Simon Fujiwara and his multi-sensory Empathy I. Developed in close collaboration with a company that produces theme park rides, Empathy I is a 5d simulator that takes audiences on a journey back into the ‘real world’ on a physically immersive ride through the world of Youtube.

     

    More information HERE.

  • Immersive Ping-Pong with Gabriel Kuri

    Immersive Ping-Pong with Gabriel Kuri

    Currently exhibited as part of our exhibition PS81E, Gabriel Kuri’s untitled (AE DEC 18) consists of a number of objects in different colors made from hard plastic that have been arranged in a loose grouping. Their shape is taken from a standard fastening clip, a closure best-known for use on packages of sliced bread (but also used to seal bags of fruit and other perishables). In this case the found object, the bread-clips, has been scaled to an almost monstrous size, removing all functionality.

     

    The artists characteristic combination of precision and playfulness surfaced with a recent short video in which he plays ping-pong in his studio, felling the giant bread-clips one by one!

     

    Made in confinement in Gabriel Kuri’s studio in Brussels. Much gratitude to Cristian Manzutto for his selfless help with the iPhone camera and editing. And thanks to Jonas Kuri.

     

    Click the image to watch the video!

  • Online Performance – Ari Benjamin Meyers

    Online Performance – Ari Benjamin Meyers

    Photo © Joachim Koltzer

     

    Forecast (Part I/Concert Version)⁠
    by Ari Benjamin Meyers
    From Thursday June 4, 2020, 6pm, for 48 hours⁠

    American artist and composer Ari Benjamin Meyers works at the intersection of music, theatre, performance and live installation, aiming to exploit each genre’s particular register and make new connections between their different mechanisms of action.⁠

    Forecast, his work that was scheduled to premiere on April 23 but whose rehearsal process and premiere had to be postponed to next season due to the coronavirus pandemic, is dedicated to the weather as phenomena and a starting point for an evening about predictability, and humans as the creators of the future with their need for forecasts, control and imagination.⁠

    From May 11-15, the Forecast ensemble met in the Volksbühne to record an excerpt of the performance as a concert-style session on video.⁠

    Click here to watch the performance! ⁠

  • Karin Sander at Museion, Bolzano

    Museion, Bolzano May 30 – September 20, 2020 www.museion.it
    Karin Sander at Museion, Bolzano

    Exhibition view: Karin Sander, Skulptur / Sculpture / Scultura, Museion, Bolzano, 2020
    © VG Bild-Kunst, Bonn, 2020
    Photo © Luca Meneghel

     

    In her exhibitions Karin Sander humorously refers to existing situations and addresses their institutional and historical context. She intervenes in the structures of the institutions, changes them, highlights facts and invites the public to participate. The apparently familiar is rethought, it becomes the starting point of an exploratory process. Sander’s solo exhibition at Museion is designed specifically for the space allotted in the museum and will feature both existing as well as new works created exclusively for the exhibition.

    An artist talk with Karin Sander will mark the launch of a new publication featuring a comprehensive overview of the artist’s sculptural oeuvre, published on the occasion of the exhibition, will take place on September 18, 2020, from 7 pm.

     

    A 3D virtual tour of the exhibition can be viewed here

  • Film Screening – Anri Sala, Long Sorrow (2005) & Answer Me (2008)

    www.scharaun.de
    Film Screening – Anri Sala, Long Sorrow (2005) & Answer Me (2008)

    Anri Sala, Answer Me, 2008, HD Video, color, stereo, duration 4:50 min
    © VG Bild-Kunst, Bonn, 2020
    Film still © Anri Sala

     

    Programm #1:

    Anri Sala

    Long Sorrow (2005) & Answer Me (2008)

     

    Friday 29. May, 2020, for one week

    From 6 pm

     

    Click here to watch

  • Isa Melsheimer About the Whale Hearts at KINDL

    Isa Melsheimer About the Whale Hearts at KINDL

    We are very happy to announce that Isa Melsheimer's exhibition at KINDL, Berlin, is re-opening today!⁠

    In this clip, Isa Melsheimer speaks about about the whale hearts on currently on view at KINDL, a motif which refers to Melsheimer's artist residency on Fogo Island Arts, a popular whale-watching location in Newfoundland.⁠

    Click here to watch the full video!⁠

  • The Reading Corner with Ryan Gander

    The Reading Corner with Ryan Gander

    In this week’s Reading Corner, Ryan Gander reads I Am for an Art by Claes Oldenburg (1961) to his two daughters, Penny and Olive.

     

    Click here to watch the full reading

  • Studio Visit with David Claerbout

    Studio Visit with David Claerbout

    “I’ve always thought that one of the privileges that an artist has is to have time to waste.”

     

    Louisiana Channel visited David Claerbout in his studio in Antwerp, Belgium, where he spoke about some of his intriguing projects – from creating a 360-degree journey around a room with Elvis Presley, to a completely different take on a classic animated Disney film.

     

    Claerbout works with what he describes as “virtual image making.” Early on, he knew that his work would be a sort of resistance against information in images as well as a fight between “clock-time” and the plurality of duration: “Which is frightening in a way because it means that you no longer can define a space of time.”

     

    Watch the full video here

  • Matti Braun – A Video and a Reading

    Matti Braun – A Video and a Reading

    A video of the publication edited by Bodhisattva Chattopadhyay, Beth Citron, and Matti Braun with a reading by Joëlle Bargel of an excerpt from the biographical essay Traveling in a Time Machine to the Golden Age of Science Fiction in Kolkata (1963 - 1985) by Ranen Ghosh with additions by Santu Bag.

     

    Ranen Ghosh was a Bengali writer, editor and publisher from India. In 1963 he began writing science fiction (or kalpavigyan as the genre is known in Bengali) for the first Bengali science fiction magazine Aschorjo, working with his mentor Adrish Bardhan. After Aschorjo ceased publication, Ghosh edited the short-lived Bismay science fiction magazine with Sujit Dhar and Amitananda Das. After Bismay, Ghosh acted as a co-editor for Adrish Bardhan’s SF magazine Fantastic. Beside kalpavigyan, Ghosh was also an admirer of popular science. He passed away in Kolkata on April 7th, 2019.

     

    The book brings together texts by Parashuram, Beth Citron, Bodhisattva Chattopadhyay, Dip Ghosh, Ranen Ghosh, Soham Guha, Sudhir Kakar, Sami Ahmad Khan, Matthia Löbke, Amrita Shah and presents Matti Braun’s artistic production of the last ten years.


    Designed by Yvonne Quirmbach, Berlin. Published by Kunstverein Heilbronn and Snoeck, 2020

     

    Watch the full video here

  • Online Concert & Interview – New Order with Liam Gillick

    Friday April 17, 2020, 7:30 pm
    Online Concert & Interview – New Order with Liam Gillick

    New Order’s collaboration with artist Liam Gillick was the hottest ticket at MIF17 and one of the most in-demand shows in Festival history. Now, the Manchester International Festival are given you a chance to relive this MIF classic at 7.30pm (UK) on Friday 17 April!⁠

    At MIF17, New Order took over Stage 1 of the iconic Old Granada Studios for a limited series of intimate shows created in collaboration with visual artist Liam Gillick and composer-arranger Joe Duddell.⁠

    Join from the comfort of your sofas for this one-night-only revival of the original live stream from the event which begins with a conversation between Dave Haslam and Liam Gillick and then joins the performance for the second half of the show. Broadcast exclusively through MIF Live on Friday 17 April.⁠

     

    Following immediately the concert Liam will be live in conversation with Peter Saville at 8:15 pm (UK).

     

    Tune in here

  • Messages from Home – Jean-Pascal Flavien

    Messages from Home – Jean-Pascal Flavien

    Under the heading Messages from Home artists are sharing videos from their (temporary) studios or homes.⁠

    Here, Jean-Pascal Flavien presents fostering architecture. Deep green, his model of "Greenhouse" has a striking floor plan that, seen from above, is reminiscent of a plant from which four limbs extend.⁠

     

    Click the image to watch the full video!

  • Online Tour – Liu Ye, Storytelling

    Online Tour – Liu Ye, Storytelling

    The Fondazione Prada has produced a walk-through of Liu Ye’s exhibition entitled Storytelling with an engaging and thoughtful commentary by the artist and the curator Udo Kittelmann. Following the first iteration held in 2018 at Prada Rong Zhai in Shanghai, Liu Ye's solo exhibition in Milan features a selection of 35 paintings realized from 1992 onwards.

     

    The exhibition is currently closed but scheduled to remain on view through September 28, 2020.

     

    Click the image to see inside the exhibition

  • Messages from Home – Isa Melsheimer

    Messages from Home – Isa Melsheimer

    Under the heading Messages from Home, we are sharing videos from our artists as they open their (temporary) studios and share short messages on how they’re handling these uncertain times.⁠

    This week, Isa Melsheimer takes her plants out for some fresh air and to get some of that springtime sun.

     

    Click the image to watch the full video!

  • Behind the Scenes – Nathan Carter

    Behind the Scenes – Nathan Carter

    A behind the scenes look into Nathan Carter’s new film, LA GNARLIES, which features surfing & skating, a magic quesadilla and an infamous Haggis Monster…

     

    “The video shows the scene in my studio and my workspace at home where I am currently making the images and music for my next film called LA GNARLIES. Using hand painted paper cutouts and dioramas and music made in a dirty Brooklyn basement, the film tells the story of four women from Ventura California who, depending on the waves either surf or skate. One day they eat a magic quesadilla and get teleported to Thurso Scotland where they must defeat the infamous Haggis Monster in order to re-enter the Tesseract Portal and teleport back home on a giant wave to sunny California. " – Nathan Carter

     

    Click the image to watch the full video!

  • Messages from Home – Christoph Keller

    Messages from Home – Christoph Keller

    Under the heading Messages from Home, we are sharing videos from our artists as they open their (temporary) studios and share short messages on how they’re handling these uncertain times.⁠

    This week Christoph Keller shares this playful DIY starter-kit on how to make a mask.

     

    Click the image to watch the full video!

  • Messages from Home – Anri Sala

    Messages from Home – Anri Sala

    In times like these it’s never felt more important to stay connected with one another. With this in mind, we’ve asked our artists to share short messages on how they’re handling these uncertain times.⁠

    First to share is Anri Sala, who sent a message juxtaposing the closeness and remoteness between all of us right now. Based on the idea of a prolonged “life line” by using protection, it hints at social distancing as well as nodding to previous works by Sala.⁠

     

    Click the image to watch the full video!

  • Tomás Saraceno at Palazzo Strozzi

    Palazzo Strozzi, Florence February 22 – July 19, 2020 www.palazzostrozzi.org
    Tomás Saraceno at Palazzo Strozzi

    Tomás Saraceno. Aria, on view at Fondazione Palazzo Strozzi in Florence, Italy, through Feb 22 – July 19 2020, curated by Arturo Galasino
    Image © Studio Tomás Saraceno

     

    Tomás Saraceno
    Aria
    Palazzo Strozzi, Florence
    February 22 – July 19, 2020

     

    Artist Talk
    February 22, 2020, 3:30 pm
    Cinema Odeon, Florence

     

    The starting point of the exhibition Tomás Saraceno. Aria is Thermodynamic Constellation, a monumental site-specific installation created by Tomás Saraceno for the courtyard of Palazzo Strozzi as a metaphor of the new age of solidarity between human and the environment expressed by the Aerocene epoch.

  • Karin Sander at Base

    Base / Progetto per l'arte, Florence February 8 – March 21, 2020 www.baseitaly.org
    Karin Sander at Base

    Karin Sander, Brushstroke, Fluorescent Red, 2019, mobile acrylic paint
    © VG Bild-Kunst, Bonn, 2020
    Photo © Studio Karin Sander

     

    Base / Progetti per arte presents the solo exhibition from Karin Sander entitled 43°45'51.8"N 11°15'46.8"E, opening on Saturday February 8 2020 from 6.30 pm.

     

     

  • Liu Ye at Fondazione Prada

    Fondazione Prada, Milan January 30 – September 28, 2020 www.fondazioneprada.org
    Liu Ye at Fondazione Prada

    Liu Ye, Bauhaus No. 5, 2018, acrylic on canvas, 15 x 20 cm
    Photo © Andrea Rossetti

     

    A solo show by Chinese painter Liu Ye curated by Udo Kittelmann. Following the first iteration held in 2018 at Prada Rong Zhai in Shanghai, the exhibition travels to Milan for a new presentation, featuring a selection of 35 paintings realized from 1992 onwards.

     

    More information HERE.

  • Gabriel Kuri at The Douglas Hyde Gallery

    The Douglas Hyde Gallery, Dublin January 31 – March 28, 2020 www.douglashydegallery.com
    Gabriel Kuri at The Douglas Hyde Gallery
    Exhibition view: Gabriel Kuri, spending static to save gas, Oakville Galleries at Centennial Square, Ontario, 2018-2019
    Photo © Jimmy Limit
     
    For his first solo exhibition in Ireland, Gabriel Kuri presents a new site-specific installation that recasts the cavernous architecture of the Douglas Hyde Gallery, creating a static field to reduce the building's energy use during the run of the exhibition.
     
    The large-scale installation drastically transforms the space. It is made up of a makeshift dropped ceiling littered, in a seemingly accidental accumulation, with residues of human interactions and life; coins, cigarette butts, and moths. Each smoked cigarette or coin becomes a remnant, a punctuation mark in human interaction.
     
    More information can be found HERE.
  • David Claerbout at Galerie Rudolfinum

    Galerie Rudolfinum, Prague January 29 – April 12, 2020 www.galerierudolfinum.cz
    David Claerbout at Galerie Rudolfinum

    David Claerbout, Olympia (The Real Time Disintegration Into Ruins Of The Berlin Olympic Stadium Over The Course Of A Thousand Years) (Horizontal), 2016, single channel video installation (color, silent, HD animation), duration: 1000 years
    Exhibition view: David Claerbout, Olympia, KINDL – Centre for Contemporary Art, Berlin, 2016–2017
    © VG Bild-Kunst, Bonn, 2020
    Photo © Andrea Rossetti

     

    David Claerbout
    Olympia
    Galerie Rudolfinum, Prague
    January 29 – April 12, 2020

     

    Artist Talk
    The Laziness of Action
    Galerie Rudolfinum, Prague
    January 29, 2020, 5 – 6 pm

     

    More information on the exhibition can be found HERE

  • Ann Veronica Janssens at DDP–Dongdaemun Design Plaza

    DDP–Dongdaemun Design Plaza, Seoul January 28 – March 20, 2020 www.connect-bts.com
    Ann Veronica Janssens at DDP–Dongdaemun Design Plaza

    Ann Veronica Janssens, Rose, 2007, 7 light projectors, artificial haze, pink filters, ø 360-400 cm approx. Depth 250 cm
    Exhibition view: mars, IAC Villeurbanne/Rhône-Alpes, 2017
    © VG Bild-Kunst, Bonn, 2020
    Photo © Blaise Adilon

     

    CONNECT, BTS is a global initiative developed in collaboration with curators from five major cities—London, Berlin, Buenos Aires, Seoul and New York. The ultimate goal of the project is to connect individuals across the world as they reevaluate their present circumstances, attitudes, and potentialities. CONNECT, BTS draws motifs from parts of BTS' philosophy that center around diversity, love and care for the periphery. By connecting with 22 contemporary artists, BTS is creating the opportunity for a fruitful and democratic cross-pollination between the worlds of rarefied visual art and pop music. This project adds support for contemporary art to their practice, setting ground for great new synergies.

    At Dongdaemun Design Plaza (DDP), a cultural hub conceived by Zaha Hadid in a historic district of Seoul, Ann Veronica Janssens will present two major installations. Green, Yellow and Pink is a mysterious disorienting sensory environment filled with a haze of colored artificial mist. It appears to abolish all spatial and temporal markers and the forces specific to a given context. At the same time, however, the installation seems to impart a sense of materiality and tactility to light itself. Beams of light form a seven-pointed star in Rose, which morphs between palpable geometry and amorphous atmospheric effects as visitors move about the space. Rose is part of Janssens’ Fog Star series, which explores the capacity of haze to give sculptural form to light.

     

    More information HERE.

  • Ann Veronica Janssens at Louisiana Museum of Modern Art

    Louisiana Museum of Modern Art, Humlebæk January 23 – May 17, 2020 www.louisiana.dk
    Ann Veronica Janssens at Louisiana Museum of Modern Art

    Ann Veronica Janssens, Blue, Red and Yellow, 2001 - open date, steel, wood, polycarbonate, blue, red, and yellow films, artificial fog, dimensions variable
    Exhibition view: Ann Veronica Janssens, Are You Experienced?, Espai d’Art Contemporani de Castelló, 2009
    © VG Bild-Kunst, Bonn, 2020

    Photo © Pascual Mercé

     

    Opening on January 23, 2020, Hot Pink Turquoise is Ann Veronica Janssens' first survey exhibition in Denmark.

     

    As an artist, Janssens works almost scientifically to push the boundaries of the known. Although her art is not easy to classify, its effect on us as viewers is not to be mistaken. For her, it's not about confirming what we already know. In fact, it aims to locate us precisely at the spot where we open ourselves up again.

     

    While the artist openly acknowledges her inspiration from the Californian Light and Space artists of the 1960s, for her it has always been about conveying an experience of art by simultaneously stimulating the eyes, body and consciousness, and not about observing art from a distance.

     

    More information HERE.

  • Out of Order | Works from the Haubrok Collection Part 2

    Neues Museum–Staatliches Museum für Kunst und Design Nürnberg, Nuremberg January 17 – March 1, 2020 www.nmn.de
    Out of Order | Works from the Haubrok Collection Part 2

    Ari Benjamin Meyers, The Lightning and its Flash, 2011, digital print on natural paper, thread bound, music stand, 22 pages, 32 x 45 cm
    Photo © Sebastiano Pellion di Persano

     

    Opening Performance
    Ari Benjamin Meyers
    The Lightning and its Flash (Solo for Conductor)
    Thursday, January 16, 2020, 6 pm

     

    Barbara and Axel Haubrok began collecting professionally at the end of the 1980s, and their collection now contains over 1000 works. Their focus is on international conceptual art at the turn of the millennium, covering the contemporary art of the last three decades. With their keen eye for thoughtful artists, they have made a name for themselves.

    Neues Museum has invited the Haubroks to develop a highly personal presentation for the main exhibition hall. The title Out of Order reflects the humor and non-conformity of these collectors who have a special appreciation for “untidy”, ambiguous and enigmatic work.

    In two parts following on from one another, the exhibition showcases the main focuses of the collection: sculpture, painting, drawings and photography. As Axel Haubrok explains, "Part 1 features only free-standing readymades and sculptures, Part 2 only hanging pictures, both underlining the conceptual approach of the collection and creating many new links between the works, especially since several artists are represented in both parts of the exhibition".

     

    More information can be found HERE.

  • Playing Doctor: General Idea Multiples

    Agnes Etherington Art Centre, Queen's University, Ontario January 16 – April 12, 2020 www.agnes.queensu.ca
    Playing Doctor: General Idea Multiples

    General Idea, Playing Doctor, 1992, chromogenic print, 76,2 x 53,3 cm (unframed), 89 x 66,5 x 3,5 cm (framed)
    Photo © The Estate of General Idea

     

    Affordable and ubiquitous, General Idea multiples were an activist means of disseminating activism. The Canadian collective, comprising AA Bronson, Felix Partz and Jorge Zontal, was an international artistic force. From the 1970s through early 1990s, they sent into the world art editions in various media that played upon consumerism, collaboration, media culture, queer counterculture and AIDS. Playing Doctor samples three decades of multiples-making from the Agnes collection, revealing the interconnectedness of General Idea’s ironic, often humorous, and self-referential practice.

     

    More information on the exhibition HERE.

  • Anri Sala at Centro Botín

    Centro Botín, Santander December 14, 2019 – May 3, 2020
    Anri Sala at Centro Botín

    Anri Sala, Take Over, 2017, back-to-back HD video projections, colour, 8-channel sound, glass elements, duration 7:56 min, 258 x 873 x 873 cm.
    Exhibition view: Anri Sala, Take Over, Esther Schipper, Berlin, 2017
    © VG Bild-Kunst, Bonn, 2019
    Photo © Andrea Rossetti

     

    Opening on December 14, Centro Botín in Santander presents AS YOU GO (Châteaux en Espagne), by Anri Sala.

    The title of the exhibition, AS YOU GO, implies the idea of movement: that of a time-based work, informed by music and moving images; and that of the visitors, who Sala implicitly encourages to keep moving and hence partake in the making of their own individual experience of an exhibition that bears a certain resemblance to a performative stage.

     

    More information HERE.

  • Hito Steyerl at Neuer Berliner Kunstverein

    n.b.k. – Neuer Berliner Kunstverein, Berlin November 23, 2019 – January 26, 2020 www.nbk.org
    Hito Steyerl at Neuer Berliner Kunstverein

    Hito Steyerl, This is the Future, 2019, video installation, environment, single-channel HD video, color, sound, duration: 16 min, dimensions variable
    Exhibition view: May You Live In Interesting Times, 58th International Art Exhibition – La Biennale di Venezia, 2019
    © VG Bild-Kunst, Bonn, 2019
    Photo © Andrea Rossetti

     

    Online Presentation
    MISSION ACCOMPLISHED: BELANCIEGE
    Stream of the lecture by Giorgi Gago Gagoshidze, Hito Steyerl, and Miloš Trakilović
    November 21, 2019, 7 pm
    Stream at www.nbk.org

    Panel Discussion
    Image and Representation in the Work of Hito Steyerl
    With Nora M. Alter (Professor of Film and Media Art, Temple University, Philadelphia) and Klaus Theweleit (Cultural theorist, Freiburg), moderated by Doreen Mende (Curator and theorist, Harun Farocki Institute, Berlin / University of Art and Design, Geneva)
    In German and English
    November 28, 2019, 7 pm

     

    Hito Steyerl, who artistically and socially reflects our world in times of hypercapitalism, digital lifestyles, globalization, and growing political crises, is one of the most influential artists of our time. In 2009, she presented her first solo exhibition in a German institution at Neuer Berliner Kunstverein (n.b.k.).

    In 2019, which marks the 50th anniversary of the founding of the institution, n.b.k. is again dedicating a solo exhibition to her work, presenting the video installation This is the Future (2019) together with the large-scale site-specific installation MISSION ACCOMPLISHED: BELANCIEGE. In cooperation with the artists Giorgi Gago Gagoshidze and Miloš Trakilović, Steyerl has developed a new lecture, in which her preoccupation with the conditions of capitalist production, consumer culture, and the mechanisms of commodification is continued.

  • In the Spotlight of the Night – Life in the Gloom with Martin Boyce, Rodney Graham & Philippe Parreno

    Marta Herford Museum for Art, Architecture, Design, Herford October 26, 2019 – February 9, 2020 www.marta-herford.de
    In the Spotlight of the Night – Life in the Gloom with Martin Boyce, Rodney Graham & Philippe Parreno

    Martin Boyce, An Interior, With a Window; Afterwards a Lake, 2014, blackened steel, painted steel, powder coated steel, chain, rusted chain, light components. Mobile: 221.5 x 108 x 33 cm, daybed: 109 x 107 x 24.3
    Photo © Stefan Altenburger Photography, Zurich

     

    The invention of the light bulb is an achievement of the 19th century which, particularly in the pulsating metropolises of the world, put an end to the natural alternation of day and night. Glaringly illuminated filling stations, shopping centers, shift work and night clubs are just some aspects of this development.

     

    The night without boundaries is the focus of this major exhibition, presenting works from early modernism to the present in pursuit of the question of how the natural order of bright and dark, of activity and sleep has been turned on its head, how perception and everyday routine change fundamentally and intermediate worlds are created. In pictures, sculptures and installations, visitors can experience how the twilight can inspire the imagination and how the masquerade of nocturnal actors is brightly exposed in the glare of artificial light.

     

    For more information click HERE.

  • Hito Steyerl at Art Gallery of Ontario

    Art Gallery of Ontario, Toronto October 24, 2019 – February 23, 2020 www.ago.ca
    Hito Steyerl at Art Gallery of Ontario

    Hito Steyerl, Hell Yeah We Fuck Die, 2016, video installation, environment. Hell Yeah We Fuck Die: Three-channel HD video file: 4:35 min. Robots Today: Single channel HD video file: 8:02 min.
    Exhibition view: This is the Future, Art Gallery of Ontario, Toronto, 2019
    © Art Gallery of Ontario & VG Bild-Kunst, Bonn, 2019
    Photo © Dean Tomlinson

     

    Artist Talk
    with Hito Steyerl
    Wednesday October 23, 2019, 6:30 pm
    Tickets

    Hito Steyerl is an artist, theorist and acute observer of our contemporary world. This survey exhibition, the largest of its kind in Canada, brings together a significant number of her works from the last 15 years.

    Steyerl's playful explorations of technology and power structures result in darkly ironic cultural critiques that feel particularly relevant today. She blends the personal with the political, the satirical with the serious, while addressing a range of topics from economic collapse to globalization. Steyerl draws us into her world, asking us to reflect on our own roles in shaping the not-so-distant future.

  • Ryan Gander at Kunsthalle Bern

    Kunsthalle Bern, Bern October 19 – December 8, 2019 www.kunsthalle-bern.ch
    Ryan Gander at Kunsthalle Bern

    Ryan Gander, Embrace Your Mistakes... Your Mistakes Are the Markers of Your Time, 2019, calligraphy ink on 130 gsm cartridge paper, 59,4 x 42 cm
    © VG Bild-Kunst, Bonn, 2019. Photo © Studio Ryan Gander

     


    The title Ryan Gander has chosen for his exhibition asserts an inconceivable temporal dimension. A collaboration over 500 million years? Between man and earth? Is it a look into the past or to the future? “Stone upon Stone upon Fallen Stone”, Lawrence Weiner wrote on the building of the Kunsthalle in 1983. In view of such dimensions, the rich hundred-year history of the Kunsthalle Bern is infinitesimally nothing.

     

    Read more about the exhibition HERE.

  • Angela Bulloch at Museum Art. Plus

    Museum Art. Plus, Donaueschingen October 17, 2019 – November 17, 2019 www.museum-art-plus.com
    Angela Bulloch at Museum Art. Plus

    Angela Bulloch, Elliptical Song Drawing Machine, 2014, drawing machine with Red Lipstick pen and MP3 player, 213 x 259 x 13 cm
    Photo © Eberle & Eisfeld

     

    Complementing the Donaueschingen Music Festival, Museum Art.Plus is showing works by Angela Bulloch in the 2-Raum. Bulloch will present a number of sound-activated drawing machines that respond to the sound of music. 

     

    More information can be found HERE.

  • Anri Sala at MUDAM

    MUDAM – Musée d’Art Moderne Grand-Duc Jean, Luxemburg October 12, 2019 – January 5, 2020 www.mudam.com
    Anri Sala at MUDAM

    Anri Sala, The Last Resort, 2017, 42-channel sound installation including 38 altered snare drums, loudspeaker parts, snare stands, drumsticks, soundtrack and 4 speakers, duration 58:28 min., looped, ø 850 cm. Exhibition view: The Last Resort, Garage Museum of Contemporary Art, Moscow, 2018. The Last Resort originally premiered at Kaldor Public Art Projects, Sydney
    © VG Bild-Kunst, Bonn, 2019. Photo © Ivan Erofeev

     

    Over the past two decades Anri Sala has created an exceptional body of films and installations in which sound, music and the projected image come together to express themes of lived and historic time. This exhibition presents major installations, film works and drawings by Sala from the past five years. The title Le Temps coudé, borrows from the French phrase ‘faire un coude’ and refers to warps or bends in our experience of what we see, hear and know.

    More information HERE

  • Esther Schipper congratulates Philippe Parreno

    MoMA, New York October 21, 2019 www.moma.org
    Esther Schipper congratulates Philippe Parreno

    Photo © Andrea Rossetti

     

    Esther Schipper congratulates Philippe Parreno for his MoMA commission.

     

    Re-opening to the public on October 21st, after undergoing substantial renovation and a major expansion, The Museum of Modern Art in New York will present six site-specific commissions including Echo (Danny the Street), a large-scale installation by Parreno for the museum’s main lobby.

     

    Read more about the re-opening HERE.

  • More–Than–Humans with Dominique Gonzalez-Foerster & Tomás Saraceno

    El Museo Nacional Thyssen-Bornemisza, Madrid September 25 – December 1, 2019 www.museothyssen.org
    More–Than–Humans with Dominique Gonzalez-Foerster & Tomás Saraceno

    Dominique Gonzalez-Foerster, OPERA (QM.15), 2016, HD video, projector, screens, media player, amplifier, speakers, lights, curtains, duration 8:30 min
    Exhibition view: QM.15, Esther Schipper, Berlin, 2016
    Photo © Andrea Rossetti

  • Ari Benjamin Meyers at MCASB

    MCASB–Museum of Contemporary Art, Santa Barbara September 21 – November 3, 2019 www.mcasantabarbara.org
    Ari Benjamin Meyers at MCASB

    Ari Benjamin Meyers, Anthem, 2017
    Exhibition view: Tacet, Kasseler Kunstverein, Kassel, 2019
    Photo © Andrea Rossetti

     

    Museum of Contemporary Art Santa Barbara (MCASB) is pleased to announce the United States solo institutional debut of Ari Benjamin Meyers. Kunsthalle for Music, co-founded with the Witte de With Center of Contemporary Art, Rotterdam and Spring Workshop, Hong Kong, is an itinerant institution dedicated to the presentation of music and music performance within the histories and environments of the visual arts.

    For Kunsthalle for Music, an especially selected ensemble performs an on-site exhibition of musical works, which are drawn from a repertoire or “collection” that includes existing and newly commissioned solos, duets, and group pieces composed by Meyers as well as other artists. Ari Benjamin Meyers: Kunsthalle for Music at MCASB will transform the museum into a contemporary space for live performance of musical work, eluding the barriers between rehearsal and performance, performers and audience.

  • AA Bronson at the Toronto Biennial of Art

    59 Lake Shore Blvd E, Toronto September 21 – December 1, 2019 www.torontobiennial.org
    AA Bronson at the Toronto Biennial of Art

    Archdeacon John W. Tims, ca. 1896-1899
    Courtesy the Glenbow Archives, Calgary, Alberta

     

    A Public Apology to Siksika Nation, AA Bronson's project for the first Toronto Biennial of Art, originates in family stories about his great-grandfather, the first missionary to the Siksika (Blackfoot) Nation, stories that do not agree with recorded (white) history. Many years of research have resulted in a book, a performance and an installation that together explore the generational trauma that has resulted from the colonization of the Canadian Prairies. Adrian Stimson is the great-grandson of Old Sun, the famous chief of the same period; he responds to AA Bronson's Apology with an installation and sculptures, generated in close dialogue with residential school survivors and leaders, to reveal the layers of colonization and Indigenous resistance in his community.

     

    More information can be found HERE.

  • Simon Fujiwara at the 16th Istanbul Biennial

    Various venues, Istanbul September 14 – November 10, 2019 www.bienal.iksv.org
    Simon Fujiwara at the 16th Istanbul Biennial

    Simon Fujiwara, It's a Small World, 2019 (detail)
    Photo © Sahir Uğur Eren

     

    It’s a Small World, Simon Fujiwara's project for the 16th Istanbul Biennial, began after he discovered a large quantity of semi-ruined figures of pop icons in the trash of an attractions’ manufacturer near Istanbul. He salvaged these figures and combined them with thirteen architectural miniatures. A prison revolving around Batman’s the Joker’s face, a museum built among the ruins of Disney characters or a hospital buried in the legs of Iron Man. In these sculptural works, the functions of everyday civic architecture are blended with symbols from the mass-entertainment world. Fujiwara’s miniature city draws attention to the ways in which fantasy and escapism have bled into the core structures of our everyday lives, often masking the brutal pragmatism of globalized capitalism.

     

    More information on the 16th Istanbul Biennial can be found HERE.

  • Daniel Steegmann Mangrané at Pirelli HangarBicocca

    Pirelli HangarBicocca, Milan September 12, 2019 – January 19, 2020 www.pirellihangarbicocca.org
    Daniel Steegmann Mangrané at Pirelli HangarBicocca

    Daniel Steegmann Mangrané, Mano con hojas, 2013, Yves Gentet Holographic plates, 25 ×18 cm
    Photo © Andrea Rossetti

     

    Opening at Pirelli HangarBicocca on September 11, Daniel Steegmann Mangrané's first exhibition in Italy will present more than twenty works made from 1998 to the present time, ranging from films, virtual reality devices, 3D holograms, sculptures, and installations. The artist will place the physical and sensory dimension of the viewer at the heart of the exhibition project, offering new visions of his entire corpus of works as they dialogue with one another.

    The exhibition will be characterized by a shift between material and immaterial experiences, expanded further through a site-specific intervention that will redefine the industrial quality of Pirelli HangarBicocca, while both concealing and revealing the exhibited works.

     

    More information about the exhibition can be found HERE.

  • Tino Sehgal – This Process

    Accelerator, Frescativägen 26A, Stockholm University September 06, 2019 – October 20, 2019 www.acceleratorsu.art
    Tino Sehgal – This Process

    Photo © Asad Raza

  • Gabriel Kuri at WIELS

    WIELS – Contemporary Art Centre, Brussels September 6, 2019 – January 5, 2020 www.wiels.org
    Gabriel Kuri at WIELS

    Gabriel Kuri, Untitled (scratch lotto oysters), 2019, stainless steel and Plexiglas lightbox, oyster shells, scratchcards

    Photo © Andrea Rossetti

     

    Gabriel Kuri creates sculptures that embody questions of value, arresting usually intangible flows of information in witty and engaging forms. His exhibition at WIELS — his first institutional solo show in Brussels, where he has lived for the past 16 years — highlights the hybrid nature of his playful work. sorted, resorted will comprise over 60 works, including new pieces produced for the occasion, revealing both the diversity of Kuri’s formal approach and the consistency of his underlying themes: notions of commercial and cultural value as well as material and its poetic (mis)use.

  • Simon Fujiwara at ARKEN Museum of Modern Art

    ARKEN Museum of Modern Art, Ishøj August 31 – February 2, 2020 www.uk.arken.dk
    Simon Fujiwara at ARKEN Museum of Modern Art

    Simon Fujiwara, Joanne, 2016/2018 (detail), three free-standing aluminium-clad structures: one with in-built LED monitors screening video (duration 12:06 min) and digital print, two lightboxes with digital prints on foil. Dimensions variable. Commissioned by FVU, The Photographers’ Gallery and Ishikawa Foundation. Supported by Arts Council England. Exhibition view: Joanne, Galerie Wedding - Raum für zeitgenössische Kunst, Berlin, 2018
    Photo © Andrea Rossetti

     

    From August 31 Simon Fujiwara's Joanne is on view for the first time in Denmark at ARKEN Museum of Modern Art.

     

    Presented as film and image environment, Joanne depicts the many faces of Joanne Salley, Simon Fujiwara’s former secondary school teacher. Winner of the 1998 Miss Northern Ireland beauty pageant, artist, teacher and champion boxer, Joanne Salley had a formative influence on Fujiwara as a scholarship student at the prestigious Harrow School for boys in Britain. Several years later, she became the victim of a tabloid newspaper scandal after students discovered and circulated topless photographs of her that had been taken privately. The ongoing media campaign that followed destroyed her career and public image. 

     

    In 2016, Fujiwara and Salley embarked on the production of a short film that aimed, through the use of advertising and marketing techniques, to restore her image.

     

    More information HERE.

  • Simon Fujiwara at Hamburger Bahnhof – Museum für Gegenwart

    Hamburger Bahnhof – Museum für Gegenwart, Berlin August 16, 2019 – February 16, 2020 www.preisdernationalgalerie.de
    Simon Fujiwara at Hamburger Bahnhof – Museum für Gegenwart

    Simon Fujiwara, Likeness, 2018, wax sculpture, vintage desk, chair, lamp and objects, handrail, two-channel video (4K, color,sound), dimensions variable, video duration: 19:34 min
    Exhibition view: Simon Fujiwara: Revolution, Lafayette Anticipations, Paris 2018
    Photo © Andrea Rossetti

     

    Simon Fujiwara has been nominated for the Preis der Nationalgalerie 2019 by an international jury. The museum prize is awarded every two years and pays tribute to artists under 40 who live and work in Germany. The four artists will be presented in a joint exhibition at the Hamburger Bahnhof – Museum für Gegenwart – Berlin from August 16, 2019 to February 16, 2020. All four artists show spatial ensembles in which they combine existing and new works. The tonality and handwriting of the four spatial work presentations is very different; what they have in common is an explicit reference to aspects of our contemporary European society.

     

    More information on the prize can be found HERE

     

  • Ugo Rondinone at Guildhall

    Guild Hall, East Hampton, New York August 10 – October 14, 2019 www.guildhall.org
    Ugo Rondinone at Guildhall

    Ugo Rondinone, the sun, 2017, gilded bronze, ø 500 cm
    Photo © Domaine des Etangs & Studio Rondinone

     

    Opening on August 10, Guild Hall presents sunny days, a solo exhibition by Ugo Rondinone featuring sun-themed sculpture and paintings, as well as a collaboration with area school children. The exhibition, which explores the sun as a motif and metaphor, is divided into three parts: paintings, sculptures, and a community art project.

    More information can be found HERE.

  • Stinking Dawn with Liam Gillick

    Kunsthalle Wien, Vienna July 5 – October 6, 2019 www.kunsthallewien.at
    Stinking Dawn with Liam Gillick

    Photo © Liam Gillick

     

    Stinking Dawn is a movie by Gelitin and Liam Gillick that will be filmed at the Kunsthalle Wien. Monumental modular architecture sets the location. Directed by Gillick and based on his script, Gelitin will play the leading roles in this experimental film that explores the limits of human tolerance in the face of oppression, political crises and excessive self-deception.

     

    More information can be found HERE.

  • Simon Fujiwara, Ryan Gander, Liam Gillick, Pierre Huyghe and Anri Sala at MO.CO

    MO.CO. – Montpellier Contemporain, Hôtel de Collections, Montpellier June 29 – September 29, 2019 www.moco.art
    Simon Fujiwara, Ryan Gander, Liam Gillick, Pierre Huyghe and Anri Sala at MO.CO

    Pierre Huyghe, Zoodrum 4, 2011, live marine ecosystem, resin shell after Constantin Brancusi’s Sleeping Muse (1910) Ishikawa Foundation, Okayama, Japan. © Pierre Huyghe
    Photo © Guillaume Ziccarelli

     

    Coinciding with the inauguration of the Hôtel des Collections on June 29, the MO.CO. unveils the first public presentation of masterpieces from the Ishikawa Collection. This outstanding and relatively recent private collection begun in 2011 by Yasuharu Ishikawa, a Japanese entrepreneur born in 1970 at Okayama, is characterized by exceptional coherence and a Japanese feel that derives primarily from its emphasis on minimal, understated, subtle forms.

     

    The exhibition Intimate Distance, curated by Yuko Hasegawa, Artistic Director of the Museum of Contemporary Art, Tokyo (MOT) features nearly 30 works by artists such as Simon Fujiwara, Ryan Gander, Liam Gillick, Pierre Huyghe, and Anri Sala.

     

    Read more

     

  • Hito Steyerl at Park Avenue Armory

    Park Avenue Armory, New York June 20 – July 21, 2019 www.armoryonpark.org
    Hito Steyerl at Park Avenue Armory

    Hito Steyerl, Drill, 2019, 3 channel digital video (color, sound)
    Film still © Hito Steyerl

     

    Artist Talk: Drill

    Hito Steyerl
    Park Avenue Armory, New York 
    June 20, 2019, 6 pm

     

    This summer, Hito Steyerl reveals her most recent installation in the U.S. to date, commissioned by the Armory and curated by Park Avenue Armory’s visual arts curator Tom Eccles. ⠀

     

    Steyerl utilizes both the Wade Thompson Drill Hall and historic interiors of the building in mounting both pre-existing works as well as new projects commissioned by the Armory in her ongoing illumination of the world’s power structures, inequalities, obscurities, and delights. When viewed collectively, this material allows the viewer to zoom in on and out from some of the most complex and pressing issues of our time.⠀

     

    For more information and tickets click HERE

  • Dominique Gonzalez-Foerster & Anri Sala at Centre Pompidou-Metz

    Centre Pompidou-Metz, Metz June 22, 2019 – January 27, 2019 www.centrepompidou-metz.fr
    Dominique Gonzalez-Foerster & Anri Sala at Centre Pompidou-Metz

    Dominique Gonzalez-Foerster, Helen & Gordon, Safety Curtain, Vienna State Opera, 2015/2016
    © museum in progress (www.mip.at) © Adagp, Paris 2019
    Photo © Andreas Scheiblecker

     

    Opera as the World is a journey through the history of opera in the 20th and 21st centuries, and specifically its relations with the visual arts. Anything but a conventional reading of its subject and much more than a presentation of set designs by artists, it seeks to relate – either echoing or in opposition to the legacy of Wagner’s Gesamtkunstwerk – how the visual arts and opera have nurtured and, on occasion, radically influenced each other. From the experimental staging of the first avant-garde production to the works of contemporary artists such as Dominique Gonzalez-Foerster and Anri Sala, the exhibition maps interdisciplinarity from a different perspective.

  • Ceal Floyer at UMMA

    University of Michigan Museum of Art, Michigan June 15 – September 22, 2019 www.umma.umich.edu
    Ceal Floyer at UMMA

    Ceal Floyer, Things, 2009, 25 Audio-CDs, 25 CD-Players, amplifiers, cables, 50 speakers, wood, dimensions variable
    Exhibition view: Show, KW Institute for Contemporary Art, Berlin, 2009
    Photo © Uwe Walter

     

    Upon entering the large-scale installation, visitors encounter a collection of identical plinths that would ordinarily be used to display art objects in a museum. In place of visible objects, each plinth is equipped with a speaker from which visitors can hear the word “thing” sung—edited out of and isolated from a range of pop songs. The result is a playful and thoughtful exploration of language, meaning, and the conventions of museum presentation and spectatorship.

     

    More information

     

     

  • Liam Gillick at Madre

    Madre · museo d’arte contemporanea Donnaregina, Naples June 22 – October 14, 2019 www.madrenapoli.it
    Liam Gillick at Madre

    Liam Gillick, Hamilton, 2014, HD video, duration 27:43 min, screen 69 x 122,5 cm, mirrored room 300 x 238,5 x 480 cm
    Exhibition view: Revenons à nos moutons, Esther Schipper, Berlin, 2014
    Photo © Andrea Rossetti

     

    Standing on Top of a Building: Films 2008-2019 is the first retrospective dedicated exclusively to Liam Gillick’s film production. The exhibition, curated by Alberto Salvadori and Andrea Viliani, presents for the first time a selection of the most important videos and films made by the artist, in a setting specifically designed to integrate the vision of his works in the architecture of the museum. Each room will be marked by different but mutually connected works (posters, wall paintings and the soundtracks of the films that randomly switch among the galleries), outlining a real cognitive journey. A fully illustrated book documenting the films and the installation will be published on the occasion of the exhibition.

     

    More information on the exhibition HERE

     

     

  • Matti Braun & Ugo Rondinone at The Fellbach Small Sculpture Triennial 2019

    Fellbach Triennial, Fellbach June 1 – September 29, 2019
    Matti Braun & Ugo Rondinone at The Fellbach Small Sculpture Triennial 2019

    Ugo Rondinone, moonrise. east. april, 2005, cast aluminium, brown enamel, wood plinth, 187 x 105 x 110 cm (sculpture), 58 x 121,5 x 119,5 cm (plinth)
    Photo © Studio Rondinone

     

    The 14th Small Sculpture Triennial will take place in Fellbach from June 1 through September 29, 2019. Titled 40,000 – A Museum of Curiosity this year's Triennial draws inspiration from the spectacular findings of the prehistoric figurines in the caves of the nearby Swabian Jura, which, dating back some 40,000 years, include the lion-man and the Venus of Hohle Fels. Curated by Dr Brigitte Franzen, the triennial includes works by more than 50 artists, including Matti Braun and Ugo Rondinone.

     

    More information

  • Martin Boyce at Mount Stuart

    Mount Stuart, Isle of Bute May 26 – November 18, 2019 www.mountstuart.com
    Martin Boyce at Mount Stuart

    Martin Boyce, An Inn For Phantoms Of The Outside And In, 2019

     

    Inspired by the memory of a tennis court long since dismantled, Martin Boyce's ongoing interest in abandoned and disused spaces is awakened in An Inn For Phantoms of the Outside and In Mount Stuart.

  • Philippe Parreno at Espace Louis Vuitton Venezia

    Espace Louis Vuitton Venezia, Venice May 11 – November 24, 2019 www.labiennale.org
    Philippe Parreno at Espace Louis Vuitton Venezia

    Philippe Parreno, Bioreactor. Bioreactor and probes: peristaltic pump, scales, air compressor, air filter, silicon tubing and fitting, electric devices, servo controller, Plexiglas box Bioreactor: 50 × 50 × 62 cm, overall dimensions: 215 × 250 × 150 cm
    Exhibition view: Philippe Parreno, Gropius Bau, Berlin, 2018
    Photo © Andrea Rossetti

     

     

    As part of the Collateral Events of the 58th International Art Exhibition – La Biennale di Venezia, Elsewhen has been produced in the framework of the Fondation Louis Vuitton “Hors-lesmurs” programme. This programme, inaugurated in 2014, showcases previously unseen holdings of the Collection in the Espaces Louis Vuitton in Tokyo, Munich, Beijing and Venice, thus realizing the Fondation’s commitment to mount international projects and make them accessible to a broader public.

     

    In Elsewhen, Philippe Parreno creates an experience where memory of the past comes together in a disruptive temporality. The familiar markers of perception are annihilated in favour of a stimulating process of inventing new ways of understanding, defying rational categories and the established order.

  • May You Live in Interesting Times with Dominique Gonzalez-Foerster, Tomás Saraceno and Hito Steyerl

    58th International Art Exhibition – La Biennale di Venezia, Venice May 11 – November 24, 2019 www.labiennale.org
    May You Live in Interesting Times with Dominique Gonzalez-Foerster, Tomás Saraceno and Hito Steyerl

    Hito Steyerl, Leonardo’s Submarine, 2019, 3 channel HD video, color, sound, environment: 3 curved screens made of LED panels, dimensions variable, duration: 9:30 min
    Exhibition view: May You Live In Interesting Times, 58th International Art Exhibition – La Biennale di Venezia, Venice, 2019
    Photo © Andrea Rossetti

     

    Dominique Gonzalez-Foerster, Tomás Saraceno and The Work of Hito Steyerl, are participating in the 58th International Art Exhibition - La Biennale di Venezia, May You Live in Interesting Times, curated by Ralph Rugoff.

  • Karin Sander and Harald Welzer: Telling Art and Futures – Die Dialektik des Utopischen

    Akademie der Künste, Hanseatenweg, Berlin April 28 – June 2, 2019 www.adk.de
    Karin Sander and Harald Welzer: Telling Art and Futures – Die Dialektik des Utopischen

    Zukunftsbilder workshop, in preparation of the exhibition Karin Sander: Telling Art and Futures – Die Dialektik des Utopischen
    Photo © Dana Giesecke

     

    The utopian is at the centre of the exhibition project by concept artist Karin Sander. There is a lot of unfulfilled future in the past, and visions of the future grow on the layers of the past. Together with sociologist Harald Welzer, the results of two surveys pointing both to the past and to the future will be presented and staged. In the process, scientific and artistic classifications cross over, taking on new and unexpected roles.

     

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  • Hito Steyerl at Serpentine Galleries

    Serpentine Galleries, London April 11 – May 6, 2019 www.serpentinegalleries.org
    Hito Steyerl at Serpentine Galleries

    Exhibition view: Power Plants, Serpentine Galleries, London, 2019. Serpentine Galleries AR application design by Ayham Ghraowi, developed by Ivaylo Getov, Luxloop⁣⠀
    Photo © 2019 readsreads.info⁣

     

    Hito Steyerl’s new project for the Serpentine Galleries considers power and inequality in society, mapping unequal wealth distribution in the communities surrounding the Serpentine which has been recorded as one of the most socially uneven areas in Europe. Power Plants will see an augmented reality app designed to expand our social vision of some local communities to reveal what Steyerl calls Actual Reality, a series of guided neighbourhood ‘power walks’, and a new video installation created using artificial intelligence trained to predict the future. 

    Beginning with the premise that "power’" is the necessary condition for any digital technology’, Steyerl considers the multiple meanings of the word, including electrical currents, the ecological powers of plants or natural elements, and the complex networks of authority that shape our environments.

  • Animal – Human – Robot with the Work of Hito Steyerl

    MO Museum, Vilnius April 6 – August 25, 2019 www.mo.lt
    Animal – Human – Robot with the Work of Hito Steyerl

    Hito Steyerl, Liquidity Inc., 2014, HD video file, single channel in architectural environment, duration: 30 minutes, 15 seconds 

    Exhibition view: Animal – Human – Robot, MO Museum, Vilnius, 2019

    Photo © Kęstutis Stoškus

     

    Animal – Human – Robot will explore explores the ever-changing relationship between humans and other beings: from animal species to organic and mechanical entities created by humans, such as genetically modified organisms or artificial intelligence. 

     

    Read more about the exhibition here.

  • An Opera for Animals with Tao Hui

    Para Site, Hong Kong March 23 – June 9, 2019 www.para-site.art
    An Opera for Animals with Tao Hui

    Tao Hui, Joint Images, 2016, single channel HD video (color, sound), duration: 14:27 min

    Exhibition view: An Opera For Animals, Para Site, Hong Kong, 2019

    Photo © Eddie Lam, Image Art Studio

     

    An Opera for Animals, curated by Cosmin Costinas and Claire Shea, explores the way in which the future is now projected less as the rational thinking commonly remembered from the post-war era – advanced machinery, design, and social forms – but once more as a place of amorphous fear, of animals that might take over in artificial landscapes. The future it seems, will again be an opera for animals.

     

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  • Legislating Architecture: Architecting After Politics. A project by Brandlhuber+ and Christopher Roth

    Aut. Architecture and Tyrol, Innsbruck March 14 – June 8, 2019 www.aut.cc
    Legislating Architecture: Architecting After Politics. A project by Brandlhuber+ and Christopher Roth

    Christopher Roth & Brandlhuber+, Architecting after Politics, 2018

    Duration: 86 min
    Film still © Christopher Roth & Brandlhuber+

     

    Read more about the exhibition here.

  • Ari Benjamin Meyers at OGR

    OGR, Turin March 1 – April 14, 2019 www.ogrtorino.it
    Ari Benjamin Meyers at OGR

    Image: Ari Benjamin Meyers, K Club (Logo), 2019
    Graphic design: Mirjam Schlottner

     

    Ari Benjamin Meyers’ first institutional solo exhibition in Italy, In Concert, curated by Valentina Lacinio and Judith Waldmann, fills the space of OGR - Officine Grandi Riparazioni from March 1 to April 14, 2019 with something that goes beyond music: a variety of social interactions and experiences.

     

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  • Anri Sala at Castello di Rivoli

    Castello di Rivoli, Turin February 26 – June 23, 2019 www.castellodirivoli.org
    Anri Sala at Castello di Rivoli

    Anri Sala, Take Over (Marseillaise), 2017, HD video projection, color, stereo sound, duration 7:56 min
    Film still © Anri Sala

     

     

     

  • Hito Steyerl Receives the Käthe Kollwitz Prize, 2019

    Akademie der Künste, Berlin February 21 – April 14, 2019 www.adk.de
    Hito Steyerl Receives the Käthe Kollwitz Prize, 2019

    Photo © Trevor Paglen

     

    We are delighted to announce the exhibition opening and award ceremony of Hito Steyerl for the Käthe Kollwitz Prize 2019 at the Akademie der Künste, Berlin.

     

    Read more about the exhibition here.

  • Christoph Keller at Gropius Bau

    Gropius Bau, Berlin February 21, 2019, 7.30pm https://www.berlinerfestspiele.de/
    Christoph Keller at Gropius Bau

    Christoph Keller, Ceppo sradicato (uprooted tree), 2018, dimensions variable
    Photo © Christoph Keller

     

    For one night only on February 21, 2019, at 7.30pm, Christoph Keller will present Ceppo sradicato in the group exhibition Villa Massimo zu Gast im Gropius Bau at Gropius Bau, Berlin.

  • Daniel Steegmann Mangrané at Institut d'Art Contemporain

    Institut d'Art Contemporain, Villeurbanne/Rhône-Alpes February 20 – April 28, 2019 www.i-art-c.org
    Daniel Steegmann Mangrané at Institut d'Art Contemporain

    Exhibition view: Ne voulais prendre ni forme, ni chair, ni matière, Institut d'Art Contemporain, Villeurbanne/Rhône-Alpes, 2019
    Photo © Teresa Estrada

     

    Daniel Steegmann Mangrané intends to totally and profoundly transform the space of the IAC. And so, the path of the exhibition, Ne voulais prendre ni forme, ni chair, ni matière, generates new vanishing lines. Defined by a sensitive geometry, driven only by rays of natural light that penetrate the gloom, it encourages exploration and groping and fumbling. 

    This path through the exhibition also translates the artist’s fascination for the notion of dissolution of the self in its surroundings. By placing all of these relationships in space, the artist provides us with a sharp and critical tool: “if there are no more subjects nor objects, then there are no longer spectators or works of art, but rather processes of relationships of mutual transformation. Combinations of agents which influence one another”.

     

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  • Daniel Steegmann Mangrané at Nottingham Contemporary

    Nottingham Contemporary, Nottingham February 16 – May 6, 2019 https://www.nottinghamcontemporary.org
    Daniel Steegmann Mangrané at Nottingham Contemporary

    Daniel Steegmann Mangrané, Spiral Forest (Kingdom Of All The Animals And All The Beasts Is My Name), 2014-2015, 16 mm film, duration 11:41 min, silent, 125 x 170 cm approx. (projector screen), 480 cm approx. (distance to projector), 138 x 30 x 47 cm (plinth)
    Film still © Daniel Steegmann Mangrané

     

    Through a new immersive installation, architectural interventions, a 16mm film and a virtual reality work, the Rio-based Catalan artist looks at how diverse mediums and technologies can represent aspects of the Mata Atlântica.

     

    Mata Atlântica, a rainforest stretching along the Atlantic coast of Brazil, is one of the most important biodiverse areas on Earth, yet is highly endangered, with only 7% of its original surface left. Steegmann Mangrané looks at how this complex environment has been subjected to conflicting pressures: economic, ecological, geographic, scientific, historical and territorial.

     

    More information on the exhibition here.

  • Is This Tomorrow? with Simon Fujiwara

    Whitechapel Gallery, London February 14 – May 12, 2019 www.whitechapelgallery.org
    Is This Tomorrow? with Simon Fujiwara

    Simon Fujiwara, Salvator Mundi Experience, 2019 (detail), mixed media installation. Simon Fujiwara in collaboration with David Kohn architects Photo © Simon Fujiwara

     

    Opening on February 14, Is This Tomorrow? takes as its model Whitechapel Gallery’s landmark exhibition This Is Tomorrow (1956), which featured 37 British architects, painters and sculptors working collaboratively in small groups.

     

    Whitechapel Gallery has invited ten groups of artists, architects and other cultural practitioners, including Simon Fujiwara, to explore the potential of collaboration and offer their visions of the future. 

     

    Read more about the exhibition here.

  • Tino Sehgal at Stedelijk Museum

    Stedelijk Museum, Amsterdam February 4 – March 3, 2019 www.stedelijk.nl
     Tino Sehgal at Stedelijk Museum

    Opening on February 4, the Stedelijk Museum presents Tino Sehgal’s 2012 work This Variation. Originally conceived for Documenta 13 and recently acquired by the Stedelijk Museum, This Variation will be on view through March 3, 2019.

  • Karin Sander at Haus am Waldsee

    Haus am Waldsee, Berlin January 26 – March 3, 2019 www.hausamwaldsee.de
    Karin Sander at Haus am Waldsee

    Karin Sander, Patina Painting, 2019, Haus am Waldsee, Berlin
    Photo © Studio Karin Sander

     

    On the occasion of Haus am Waldsee’s re-opening, the institution presents a comprehensive and site-specific solo exhibition by Karin Sander. Sander often works with the spatial and historical conditions of her exhibition venues. Not only does her upcoming exhibition at Haus am Waldsee document the evolution of her work since the early 1990s, but it also addresses its location, the building itself, which has been freshly renovated 73 years after its inauguration.

     

    Artist Talk with Karin Sander and Prof. Dr. Philip Ursprung, ETH Zurich
    Haus am Waldsee, Berlin
    February 25, 2019, 7:30pm

     

    Read more about the exhibition here.

  • Apologia della storia - The Historian's Craft with Ryan Gander

    ICA Milano January 24 – March 15, 2019 www.icamilano.it
    Apologia della storia - The Historian's Craft with Ryan Gander

    Image: Ryan Gander, 2000 year collaboration (The Prophet), 2018. Exhibition view: Apologia della storia - The Historian's Craft, with Ryan Gander, ICA Milano, Milan, 2019
    Photo © Ryan Gander

     

    Works by Ryan Gander will be on view until March 15, 2019, in the group exhibition "Apologia della storia - The Historian's Craft" at the ICA Milano.

     

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  • Ann Veronica Janssens at Musée de l’Orangerie

    Musée de l’Orangerie, Paris January 23 – April 29, 2019 www.musee-orangerie.fr
    Ann Veronica Janssens at Musée de l’Orangerie

    Ann Veronica Janssens, Hot Pink Turquoise, 2006, two halogen spotlights with dichroic filter, variable dimensions
    Exhibition view: mars, Institut d’art contemporain, Villeurbanne/Rhône-Alpes, 2017. Courtesy the artist, IAC - Institut d'Art Contemporain, Villeurbanne and kamel mennour, Paris/London. Photo © Blaise Adilon

     

     

    Through various media (installations, projections, immersive environments, urban interventions, sculptures), Ann Veronica Janssens invites the viewer to cross into a new sensory space on the borderline of dizziness and dazzlement in the solo exhibition Contemporary Counterpoint

    In a register inspired by cognitive processes (perception, sensation, memory, representation), her works tend towards minimalism, emphasising the fleeting, ephemeral and fragile nature of the environments she invites us to enter.

    In her desire to create a dialogue with Monet’s work, the artist will create a specific luminous immersive environment for the exhibition Contemporary Counterpoint at the Musée de l’Orangerie, Paris. 

  • Ryan Gander & Hito Steyerl: Time Kills – Time Based Art from the Julia Stoschek Collection

    São Paulo, Brazil March 23 – June 16, 2019 www.sescsp.org.br
  • Ari Benjamin Meyers at Kasseler Kunstverein

    Kasseler Kunstverein, Kassel Opening January 17, 2019 www.kasselerkunstverein.de
    Ari Benjamin Meyers at Kasseler Kunstverein

    Ari Benjamin Meyers, Duet, 2014, 2 scores on paper, 2 music stands, pdf file, instructions

    Photo © Paula Winkler

     

    Tacet, from Latin tacere, is a playing instruction in music. If it appears in a score, the instrumentalist or singer is required to pause during the marked interval – to remain silent. 

    Absence, silence and the idiosyncratic power of imagination and memory are performed in the first institutional solo survey exhibition of the American artist and composer – Ari Benjamin Meyers – in Germany. In Meyers’ enactment, the visitor enters a staged situation rather than an exhibition space. She or he inevitably becomes part of the scenario invoked in Tacet. Meyers – who in his work explores, transgresses and shifts the boundaries between the disciplines of music and art – combines in the Kasseler Kunstverein aspects of immersive theater with questions of contemporary art and music. 

    The installation refers to a selection of performances by the artist, all of which are missing the corresponding characteristics of music, sound and movement. Two voices eventually break through the silence in Tacet: the voice of the peculiar archivist performed by art historian Jörn Schafaff, and that of the visitor her or himself. 

  • Ugo Rondinone at MICAS

    MICAS, Malta October 13 – March 31, 2019 www.micas.art
    Ugo Rondinone at MICAS

    Image: Ugo Rondinone, the radiant, 2018⁣
    Photo © Studio Rondinone⁣

  • Pierre Huyghe Named Artistic Director of the 2019 Okayama Art Summit

    Ishikawa Foundation, Okayama Fall 2019
    Pierre Huyghe Named Artistic Director of the 2019 Okayama Art Summit

    Pierre Huyghe.

     

    Okayama Art Summit 2019, the second iteration of the large-scale international art exhibition, will be held in the fall of 2019.

     

    Pierre Huyghe, a participant of the Okayama Art Summit 2016, has been appointed artistic director. The exhibition will be produced by Ishikawa Foundation’s president, Yasuharu Ishikawa.

     

  • Roman Ondak included in Sequences VIII: Elastic Hours

    The Living Art Museum, Reykjavik October 6–15, 2017 www.sequences.is
    Roman Ondak included in Sequences VIII: Elastic Hours

    We're pleased to announce Roman Ondak's participation in the eigth edition of Sequences.

     

    While Sequences uses the term “real time” to refer to time-based media, Sequences VIII: Elastic Hours considers how the term might be applied to the experience of art making, exploring how artists manipulate time as a raw material. Stretching, echoing, and inverting hours, the works included in Sequences VIII often go beyond standardized metrics such as clocks to investigate alternative systems for measuring and experiencing time.

     

    Find out more about the festival here: sequences.is

  • David Claerbout at BFI London Film Festival 2017

    BFI Southbank, NFT3 London October 14, 2017 at 9:20pm www.bfi.org.uk
    David Claerbout at BFI London Film Festival 2017

    Film still: David Claerbout, Die Reine Notwendigkeit/The Pure Necessity, 2016

     

     

    David Claerbout's work Die Reine Notwendigkeit/The Pure Necessity is included in this year's BFI London Film Festival.

     

    "A hypnotic and lyrical reworking of The Jungle Book, that removes its anthropomorphism and its human characters to give the animals back their dignity. The artist redrew all the animated animals and deconstructed the narrative arc to render it eventless, thus giving the impression of watching the animals in their natural surroundings and unaware of any human presence. The effect is one of rekindling a fond memory of childhood, but with the shades of commercial and cultural exploitation removed."

    Helen de Witt, bfi.org.uk

  • V-A-C Live: Tino Sehgal

    Moscow August 1 – September 14, 2017 www.v-a-c.ru
    V-A-C Live: Tino Sehgal

    Tino Sehgal

    Photo: Robin Roger, 2017

     

     

    V-A-C Foundation presents V-A-C Live: Tino Sehgal, an exhibition of seven works by Tino Sehgal. From 1 August to 14 September 2017, the New Tretyakov Gallery and Schusev State Museum of Architecture will host works by the internationally renowned artist, who de es art as material production and constructs immersive situations that reinvent the traditional museum environment. This will be the first large-scale appearance of Sehgal’s work in Russia and parallel to the exhibition, an educational programme exploring the exhibition themes will run at the New Tretyakov Gallery and the Solyanka State Gallery.

  • FRONT International: Cleveland Triennial for Contemporary Art with Dominique Gonzalez-Foerster

    Cleveland July 14 – September 30, 2018 www.frontart.org
    FRONT International: Cleveland Triennial for Contemporary Art with Dominique Gonzalez-Foerster

    Cleveland, Ohio. Courtesy FRONT International.

     

    We congratulate Dominique Gonzalez-Foerster and Tino Sehgal for their inclusion in the upcoming FRONT International: Cleveland Triennial for Contemporary Art.

     

    FRONT's first edition, titled An American City: Eleven Cultural Exercises, will run from July 14, 2018 through September 30, 2018. Conceived by FRONT’s Artistic Directors Michelle Grabner and Jens Hoffmann, this multipart presentation of interconnected “cultural exercises” will investigate the significance and meaning of staging a large-scale international triennial in the contemporary context. Bringing together more than 55 local, national and international artists across mediums and disciplines, FRONT will partner with sites throughout the city of Cleveland and beyond to explore artistic collaborations, intellectual exchanges and curatorial dialogues connecting the city and the Great Lakes region to broader global, political and economic networks. FRONT’s ambitious program will weave critical approaches to museum exhibitions, public and educational programs, residencies, publications and research strategies in a complex presentation.

     

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  • Prabhavathi Meppayil participating in 21st Biennale of Sydney

    Sydney March 15 – June 11, 2018 www.biennaleofsydney.com.au
    Prabhavathi Meppayil participating in 21st Biennale of Sydney

    We congratulate Prabhavathi Meppayil for her participation in the 21st Biennale of Sydney!

     

    Artistic Director of the 21st Biennale of Sydney Mami Kataoka has announced the title of the 2018 Biennale of Sydney is SUPERPOSITION: Art of Equilibrium and Engagement and shared the names of additional artists from Asia selected to present their works in the multi-venue event.

     

  • Viva Arte Viva: The 57th Venice Biennale, with Liu Ye, Philippe Parreno, Anri Sala

    Venice, Italy May 13 – November 26, 2017 www.labiennale.org

     

    The 57th International Art Exhibition, VIVA ARTE VIVA, will take place at the Giardini and the Arsenale in Venice, from May 13 to November 26, 2017. Curated by Christine Macel, it will feature 120 artists from 51 countries, including Liu Ye, Philippe Parreno, and Anri Sala.

     

    The exhibition will offer a route that unfolds over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. Each of the nine chapters or families of artists of the Exhibition will represent a Pavilion in itself, or rather a Trans-Pavilion as it is trans-national by nature but echoes the Biennale's historical organization into pavilions, the number of which has never ceased to grow since the end of the 1990s. From the "Pavilion of Artists and Books" to the "Pavilion of Time and Infinity", these nine episodes will tell a story that is often discursive and at times paradoxical, with detours that mirror the world's complexities, a multiplicity of approaches and a wide variety of practices.

  • Tomás Saraceno: Aerosolar Journeys

    Haus Konstruktiv, Zurich Through September 3, 2017 www.hauskonstruktiv.ch
    Tomás Saraceno: Aerosolar Journeys

    Tomás Saraceno, Arachno Concert, with Arachne (Nephila senegalensis), Cosmic Dust (Porus Chondrite) and the Breathing Ensemble, 2016

    Photo: © Studio Tomás Saraceno

  • Tino Sehgal

    Fondation Beyeler Through October 31, 2017 www.fondationbeyeler.ch
    Tino Sehgal

    Fondation Beyeler, Basel

    Photo: © Mark Niedermann

  • Pierre Huyghe: Skulptur Projekte Münster 2017

    Eis Palast Münster, Münster June 10 – October 1, 2017 www.skulptur-projekte.de
    Pierre Huyghe: Skulptur Projekte Münster 2017

    Pierre Huyghe, artist's plan, Skulptur Projekte Münster 2017

    Image: © Pierre Huyghe

  • General Idea: Photographs (1962-1982)

    MAMCO, Geneva Through January 28, 2018 www.mamco.ch
    General Idea: Photographs (1962-1982)

    General Idea, Portrait of AA Bronson, 1973, vintage silver gelatin print, 12,5 x 17,5 cm (unframed), 15,5 x 20,5 x 4 cm (framed)

    Photo: © The Estate of General Idea

  • Duet With Artists: with Angela Bulloch, Rodney Graham, Pierre Huyghe, and Tino Sehgal

    Museum Morsbroich, Leverkusen Through August 27, 2017 www.museum-morsbroich.de
  • David Claerbout: Olympia

    Schaulager, Basel Through October 22, 2017 www.schaulager.org
    David Claerbout: Olympia

    David Claerbout, Olympia (The Real Time Disintegration Into Ruins Of The Berlin Olympic Stadium Over The Course Of A Thousand Years), 2016

    Single-channel video installation (color, silent, HD animation), duration 1000 years

    Film still

  • Karin Sander: Identities on Display

    Kunstmuseum Villa Zanders, Bergisch Gladbach Through June 18, 2017 www.villa-zanders.de
    Karin Sander: Identities on Display

    Karin Sander, Exhibiton Space 1.7, 1:2, 2017

    Carpet, wool, 2 x 525 x 341 cm
    Photo: © Martin Lauffer
  • Karin Sander: Cappadox Festival 2017

    Cappadox 2017, Cappadocia, Turkey May 18–21, 2017

    Karin Sander will participate in Cappadox Festival 2017

    Karin Sander’s practice has consistently explored the intersection between art and the public realm, revealing nuanced reflections of spaces and situations through subtle alterations that expose new perspectives for viewers. In rendering often invisible aspects that escape perception, she draws attention to other ways of seeing. Beyond formal aesthetics, Sander’s work can be seen as a reduction or distillation process that heighten our senses, ushering viewers into a new experience of familiar environments.

    Sander’s project for the Cappadox Contemporary Art programme aspires to play with the perception and preconceptions of the audiences of a concert, gathering or a festival. Her performance Project, “Hitting the Highest Notes” will be realized in collaboration with the Nevşehir Hacı Bektaş Veli University, Music and Performing Arts Department.

     

    Performance: Karin Sander / Blitz Concert, Incollaboration with the Nevşehir Hacı Bektaş Veli Üniversitesi Painting Department

    May 19, 2017

    5:30 PM to 6:00 PM

    Bezirhane, Argos

     

    Blitz Concert

    Total darkness on stage and in the audience. The musicians quietly take position on stage, each holding a camera with a flashlight. The audience sits quietly, awaiting the performance. Now the musicians start to photograph in the direction of the viewers, each following the rhythm of a children’s song that they remember. Countless flashes are sent into the dark, as seen in a thunderstorm or on the red carpet around pop stars. No sound is audible except the rustling of the camera shutters. Sharp flashes hit the eyes of the audience, while the players are simultaneously documenting it on their cameras.

     

    Performance: Karin Sander / Hitting the Highest Notes, Incollaboration with the Nevşehir Hacı Bektaş Veli Üniversitesi Music and Performing Arts Department

    May 20, 7PM – 7:30PM

    İbrahimpaşa Bridge

     

    Hitting the highest notes

    The performance consists of a piece of music played by as many professional musicians as possible – an orchestra or an ensemble in which each member strives to elicit from whatever instrument he or she is playing the highest notes of which it is capable. Using the lower notes as a kind of springboard, the musicians aim to play ever higher notes, perhaps even exceeding the normal technical range of their instruments. The music is created both by this desire to achieve an impossibly high range of notes and by the different rhythms of the musical sequences that arise.

     

    Source: cappadox.com

    Karin Sander: Cappadox Festival 2017

    Hitting the highest notes on the Highest Peaks, 2017

    Cappadox 2017, Cappadocia, Turkey

    Musical piece, played by a number of professional musicians, an ensemble or an orchestra, in which everyone strives to elicit the highest possible notes from his or her instrument.

    Visualization © Studio Karin Sander

     

  • Ugo Rondinone: let's start this day again

    CAC–Contemporary Arts Center, Cincinnati May 6 – August 20, 2017 www.contemporaryartscenter.org
    Ugo Rondinone: let's start this day again

    Ugo Rondinone, let's start this day again

    Image: © Ugo Rondinone

     

     

    Starting May 6, 2017, CAC–Contemporary Arts Center in Cincinnati will present let's start this day again, a solo exhibition by Ugo Rondinone. This hypnotic installation will be carefully layered in groups that include a neon rainbow, colored gels on the windows, floating mandalas, blurred target paintings, painted windows, gradient color walls and a surreal cast of life-size, clown sculptures. Presented as a constellation, Rondinone marries elements he has used in the past to “bring all those groups together in a colorful symphony.”

  • Ryan Gander: These wings aren't for flying

    The National Museum of Art, Osaka April 29–July 2, 2017 www.nmaogo.jp
    Ryan Gander: These wings aren't for flying

    Ryan Gander, Echo from Culturefield, 2016, 13 x 75 cm, wall plugs and dust

    Photo: © Andrea Rossetti

     

     

    Ryan Gander's solo exhibition These wings aren't for flying (April 29 – July 2, 2017) will present approximately 60 new works at the National Museum of Art, Osaka. At the same time, Gander will curate an exhibit made up of works from the museum collection. Using the human tendency to think in comparisons as a premise, Gander will present the works in numerous pairs. Though the pairings will be based on a physical resemblance, they will be derived from different genres and eras.

  • Christopher Roth: The Property Drama (Trailer)

    Chicago Architecture Biennial 2017 September 16, 2017 – January 7, 2018 www.chicagoarchitecturebiennial.org
    Christopher Roth: The Property Drama (Trailer)

    Legislating Architecture Chicago Architecture Biennal, Chicago, 2017

  • Zwischen Räumen, with Isa Melsheimer and Tomás Saraceno

    ZKR Schloss Biesdorf, Berlin April 28 – October 8, 2017 www.zkr-berlin.de
    Zwischen Räumen, with Isa Melsheimer and Tomás Saraceno

    Isa Melsheimer

    Kallmorgen (Kaispeicher), 2015
    Reinforced concrete

    Photo © Andreas Weiss

  • The Transported Man, with Ceal Floyer, Ryan Gander and Ugo Rondinone

    Broad Art Museum, Michigan State University, Lansing, MI April 29 – October 22, 2017 www.broadmuseum.msu.edu
    The Transported Man, with Ceal Floyer, Ryan Gander and Ugo Rondinone

    Ugo Rondinone

    clockwork for oracles II, 2008

    Photo © Studio Ugo Rondinone

  • Socle du Monde Biennale 2017, with Tomás Saraceno

    Heart-Herning Museum of Contemporary Art, Herning April 21 – August 27, 2017 www.socledumonde.org
    Socle du Monde Biennale 2017, with Tomás Saraceno

    Tomás Saraceno

    Aerocene Gemini, Free Flight, 2016

    Photo © Tomás Saraceno

  • Shanghai Project Chapter 2: Seeds of Time, with Liam Gillick and Dominique Gonzalez-Foerster

    Shanghai Himalayas Museum, Shanghai April 22 – July 30, 2017 www.shanghai-project.org

    Performance by Researchers

    April 22, 2017 at 6pm

    Shanghai Project Chapter 2: Seeds of Time, with Liam Gillick and Dominique Gonzalez-Foerster

    Liam Gillick

    Construcción de Uno (A Prequel), 2006

    Volkswagen (Golf Mk 1 or equivalent), texts, participants

    Exhibition view: Tate, London, 2006

  • Ryan Gander: These wings aren't for flying

    The National Museum of Art, Osaka April 29 – July 2, 2017 www.nmao.go.jp
    Ryan Gander: These wings aren't for flying

    Ryan Gander

    Portrait of a colour blind artist obscured by flowers, 2016 (film still)

    HD video (color, stereo sound), duration 13:09 min
  • Roman Ondak

    Villa Tugendhat, Brno May 1 – 7, 2017 www. tugendhat.eu
    Roman Ondak

    Roman Ondak

    Tugendhat 1, Villa Tugendhat, Brno

    Photo © Roman Ondak

  • Meeting Points 8: Both Sides of the Curtain, with Jean-Pascal Flavien

    Beirut Art Center, Beirut April 12 – June 4, 2017 www.mophradat.org
    Meeting Points 8: Both Sides of the Curtain, with Jean-Pascal Flavien
    Jean-Pascal Flavien, statement house (temporary title), 2015 standard wooden material, 366 x 549 x 549 cm
    Photo © Studio Flavien
  • Fully Awake, with Andrew Grassie

    blip blip blip, Leeds April 6 – 21, 2017 www.blipblipblip.co.uk
    Fully Awake, with Andrew Grassie

    Exhibition view of Andrew Grassie's works at Blipblipblip Gallery, Leeds, 2017

  • David Claerbout: Olympia

    MUHKA, Antwerp From April 28, 2017 www.muhka.be
    David Claerbout: Olympia
    David Claerbout
    Olympia (The Real Time Disintegration Into Ruins Of The Berlin Olympic Stadium Over The Course Of A Thousand Years), 2016 (film still)
    Single-channel video installation (color, silent, HD animation)
    Duration: 1000 years
  • Tomás Saraceno: How To Entangle The Universe In A Spider Web

    Museo de Arte Moderno, Buenos Aires From April 7, 2017 www.buenosaires.gob.ar
    Tomás Saraceno: How To Entangle The Universe In A Spider Web

    Tomás Saraceno

    Arachno Concert With Arachne (Nephila senegalensis), Cosmic Dust (Porus Chondrite) and the Breathing Ensemble, 2016

    Nephila senegalensis silk, carbon frame, light beam, cosmic dust, stellar wind, sonic waves, video camera, loudspeakers, video projector
    Photo © Andrea Rossetti

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