• A Reading by Philippe Parreno at ESPACE DIAPHANES, Berlin

    ESPACE DIAPHANES, Berlin
    A Reading by Philippe Parreno at ESPACE DIAPHANES, Berlin

    Video © Zoran Terzić

     

    Philippe Parreno reading an excerpt of Eden, Eden, Eden by Pierre Guyotat. Recorded at ESPACE DIAPHANES on September 9, 2020.

    Marking the 50th anniversary of Pierre Guyotat’s Eden, Eden, Eden (1970), this video is part of a series of 50 readings organized by the Association Pierre Guyotat in collaboration with contemporary art institutions and galleries around the world.

    Since its release on 9 September 1970, this provocative novel has attracted a mixture of scandal and fascination. The work of a young author, it was prefaced with texts by influential French philosophers Michel Leiris, Roland Barthes, and Philippe Sollers, and endorsed by Michel Foucault. Its immediate censorship attracted further international support from leading cultural figures including Pier Paolo Pasolini and Joseph Beuys.

    Fifty years later, the work of Pierre Guyotat remains impactful and Eden, Eden, Eden has proven to be prescient of a world on the verge of transformation – through violence, sexuality, decolonization, and cosmology. The texts herald the endpoint of colonial history as well as the starting point of a new history.

    Click the image to watch the full reading!

     

  • Ugo Rondinone Featured in new Beyoncé Video

    Ugo Rondinone Featured in new Beyoncé Video

    Earlier this summer, Beyoncé released her new music video ALREADY (in collaboration with Ghanaian singer Shatta Wale and Jamaican-American trio Major Lazer), as part of the artist's much anticipated visual album and musical film, Black is King, which she wrote, directed, and executive produced. The film serves as a visual companion to the 2019 album The Lion King: The Gift, a tie-in album conceived by Beyoncé for the 2019 remake of The Lion King released by Disney Plus.

     

    The video clip was in part shot on location in Ugo Rondinone's solo exhibition sunny days, on view during the summer of 2019 at Guild Hall, in East Hampton, NY. 'ALREADY' features Beyoncé and her dancers engaging in a powerful choreography in Rondinone's large-scale installation of 'sun' sculptures: circular rings made from vine branches which were cast in aluminum and then gilded. The vine is seen here as a symbol of renewal because of its life cycle from growth to dormancy and rebirth to a fruitful state every year—reminiscent of the solar cycle—thus reflecting the 'circle of life' theme of The Lion King.

     

    Click here to watch!

  • Cooking with Artists – Nathan Carter

    Cooking with Artists – Nathan Carter

    “When I was a kid, I drew and built my worlds. I would make maps and models of places. I would mix toys together and there was a lot of masking tape, pencils, matchboxes, thread, string, and Elmer’s glue—sticking legos to pine cones and things like that. As an adult, as a childish adult, I’m still doing that storytelling through drawing maps and world-building.”⁠

    Nathan Carter shared his recipe for a refreshing, tangy salad of cucumbers, mangoes, pineapples, lime, and spicy Thai chilis for MoMA PS1's new instalment of Cooking with Artists with Chef Mina Stone⁠

    Click the link for the full recipe!

  • Anri Sala – Take Over (Marseillaise), 2017

    Anri Sala – Take Over (Marseillaise), 2017

    Film still: Anri Sala, Take Over (Marseillaise), 2017, HD video projection, color, stereo sound, duration 7:56 min
    © VG Bild-Kunst, Bonn, 2020

     

    We celebrate Bastille Day with Anri Sala and an excerpt from his 2017 video Take Over (Marseillaise)!

     

    Watch as the pianist and Disklavier play the French national anthem in a carefully choreographed moment of ghostly harmony, evoking the timelessness of the tune.

     

    Both this video and its counterpart, Take Over (Internationale), pair the two eponymous musical works, powerful political anthems that are affiliated by an entangled political and cultural history.

     

    Click here to watch!

     

     

  • Immersive Ping-Pong with Gabriel Kuri

    Immersive Ping-Pong with Gabriel Kuri

    Currently exhibited as part of our exhibition PS81E, Gabriel Kuri’s untitled (AE DEC 18) consists of a number of objects in different colors made from hard plastic that have been arranged in a loose grouping. Their shape is taken from a standard fastening clip, a closure best-known for use on packages of sliced bread (but also used to seal bags of fruit and other perishables). In this case the found object, the bread-clips, has been scaled to an almost monstrous size, removing all functionality.

     

    The artists characteristic combination of precision and playfulness surfaced with a recent short video in which he plays ping-pong in his studio, felling the giant bread-clips one by one!

     

    Made in confinement in Gabriel Kuri’s studio in Brussels. Much gratitude to Cristian Manzutto for his selfless help with the iPhone camera and editing. And thanks to Jonas Kuri.

     

    Click the image to watch the video!

  • Online Performance – Ari Benjamin Meyers

    Online Performance – Ari Benjamin Meyers

    Photo © Joachim Koltzer

     

    Forecast (Part I/Concert Version)⁠
    by Ari Benjamin Meyers
    From Thursday June 4, 2020, 6pm, for 48 hours⁠

    American artist and composer Ari Benjamin Meyers works at the intersection of music, theatre, performance and live installation, aiming to exploit each genre’s particular register and make new connections between their different mechanisms of action.⁠

    Forecast, his work that was scheduled to premiere on April 23 but whose rehearsal process and premiere had to be postponed to next season due to the coronavirus pandemic, is dedicated to the weather as phenomena and a starting point for an evening about predictability, and humans as the creators of the future with their need for forecasts, control and imagination.⁠

    From May 11-15, the Forecast ensemble met in the Volksbühne to record an excerpt of the performance as a concert-style session on video.⁠

    Click here to watch the performance! ⁠

  • Tune In – Gabriel Kuri – Bedtime Stories, The New Museum

    Tune In – Gabriel Kuri – Bedtime Stories, The New Museum

    Only a few weeks ago, Gabriel Kuri wrote in our Letter from Berlin about his love of books. Now he has recorded a story by Umberto Eco as part of the New Museum's series Bedtime Stories (in English and in Spanish).

     

    Listen to the story here

  • Guess Whose Studio Pt.5

    Guess Whose Studio Pt.5

    Welcome to the next instalment of the series where our artists open their studio doors and invite you to guess whose studio.⁠

     

    To give a helping hand to figure out whose studio you’re peeking into, we’ve put together a number of clues to get you on the right track: 1

    1. Everything on their desktop⁠

    2. A Scotsman in London⁠

    3. Only thing missing are the eggs⁠

    4. Worlds within worlds⁠

     

    Click here to find out the answer!

  • Film Screening – Anri Sala, Long Sorrow (2005) & Answer Me (2008)

    www.scharaun.de
    Film Screening – Anri Sala, Long Sorrow (2005) & Answer Me (2008)

    Anri Sala, Answer Me, 2008, HD Video, color, stereo, duration 4:50 min
    © VG Bild-Kunst, Bonn, 2020
    Film still © Anri Sala

     

    Programm #1:

    Anri Sala

    Long Sorrow (2005) & Answer Me (2008)

     

    Friday 29. May, 2020, for one week

    From 6 pm

     

    Click here to watch

  • Messages from Home – Francesco Gennari

    Messages from Home – Francesco Gennari

    Photo © Francesco Gennari, 15 aprile 2020⁠

     

    VIAGGI DA CAMERA is the new online project from the Fondazione Nicola Trussardi. "Viaggi da camera" collects and distributes daily images, videos and texts, chosen by artists invited to tell their home and private space. Every day a new contribution will be published on the Foundation's website and social channels.⁠

    Inspired by Xavier de Maistre's famous 18th century novel "Journey around my room" - written during a 42-day obligatory stay in a room in Turin - "Viaggi da camera" invites artists to open the doors of their real and imaginary rooms. Taken from day #39, Francesco Gennari shared a glimpse into his home life in the midst of lockdown.⁠

  • Guess Whose Studio Pt.4

    Guess Whose Studio Pt.4

    Welcome to the next instalment of the series where our artists open their studio doors and invite you to guess whose studio.⁠

    To give a helping hand to figure out whose studio you’re peeking into, we’ve put together a number of clues to get you on the right track:

     

    ⁠⁠1. Has been with the gallery for over 30 years
    ⁠2. The sky's the limit⁠
    3. Loves rules
    ⁠4. Enjoys heavy metal⁠

     

    Click here to find out the answer!

  • Journey Through the Gallery – Tomás Saraceno, Algo-r(h)i(y)thms

    Journey Through the Gallery – Tomás Saraceno, Algo-r(h)i(y)thms

    Exhibition view: Tomás Saraceno, Algo-r(h)i(y)thms, Esther Schipper, Berlin, 2019⁠
    Photo © Andrea Rossetti

     

    In this next instalment of Journey Through the Gallery, we look back to November 2019 where we presented Algo-r(h)i(y)thms, Tomás Saraceno's third solo exhibition with the gallery. ⁠

     

    See inside the exhibition here

  • Journey Through the Gallery – Ugo Rondinone, Slow Graffiti

    Journey Through the Gallery – Ugo Rondinone,  Slow Graffiti

    Ugo Rondinone, If there were anywhere but desert, Monday, 2000, fiberglass, paint, clothing, glitter, 86 x 76 x 122 cm. Photo © Studio Rondinone

     

    Ugo Rondinone's 2001 exhibition Slow Graffiti consisted of two new works. The exhibition space was dominated by a tessellated mirror partition (5 x 5 meters) which is positioned in a way to reflect the whole room in fragments, or rather to display a distorted picture of the room in which the sculpture, a clown figure made of polyester, leans passively against the wall.

    Integrated into the partition there were four loudspeakers playing a dialogue typical of Rondinone. To be heard is a woman's voice from the left and a man's voice from the right channel. The Beckett-like one-minute dialogue of the two voices talking at cross-purposes, fitted together to make a loop, expresses a depressing purposelessness, regarding content as well as formal aspects.

     

    See inside the exhibition here

  • Isa Melsheimer About the Whale Hearts at KINDL

    Isa Melsheimer About the Whale Hearts at KINDL

    We are very happy to announce that Isa Melsheimer's exhibition at KINDL, Berlin, is re-opening today!⁠

    In this clip, Isa Melsheimer speaks about about the whale hearts on currently on view at KINDL, a motif which refers to Melsheimer's artist residency on Fogo Island Arts, a popular whale-watching location in Newfoundland.⁠

    Click here to watch the full video!⁠

  • Messages from Home – A Recipe from Tao Hui

    Messages from Home – A Recipe from Tao Hui

    Under the heading Messages from Home artists are sharing videos from their (temporary) studios or homes.⁠

     

    Here, Tao Hui shares a recipe of his take on a Chinese-style ice plant salad!

     

    See the full recipe here!

  • The Reading Corner with Ryan Gander

    The Reading Corner with Ryan Gander

    In this week’s Reading Corner, Ryan Gander reads I Am for an Art by Claes Oldenburg (1961) to his two daughters, Penny and Olive.

     

    Click here to watch the full reading

  • Studio Visit with David Claerbout

    Studio Visit with David Claerbout

    “I’ve always thought that one of the privileges that an artist has is to have time to waste.”

     

    Louisiana Channel visited David Claerbout in his studio in Antwerp, Belgium, where he spoke about some of his intriguing projects – from creating a 360-degree journey around a room with Elvis Presley, to a completely different take on a classic animated Disney film.

     

    Claerbout works with what he describes as “virtual image making.” Early on, he knew that his work would be a sort of resistance against information in images as well as a fight between “clock-time” and the plurality of duration: “Which is frightening in a way because it means that you no longer can define a space of time.”

     

    Watch the full video here

  • Matti Braun – A Video and a Reading

    Matti Braun – A Video and a Reading

    A video of the publication edited by Bodhisattva Chattopadhyay, Beth Citron, and Matti Braun with a reading by Joëlle Bargel of an excerpt from the biographical essay Traveling in a Time Machine to the Golden Age of Science Fiction in Kolkata (1963 - 1985) by Ranen Ghosh with additions by Santu Bag.

     

    Ranen Ghosh was a Bengali writer, editor and publisher from India. In 1963 he began writing science fiction (or kalpavigyan as the genre is known in Bengali) for the first Bengali science fiction magazine Aschorjo, working with his mentor Adrish Bardhan. After Aschorjo ceased publication, Ghosh edited the short-lived Bismay science fiction magazine with Sujit Dhar and Amitananda Das. After Bismay, Ghosh acted as a co-editor for Adrish Bardhan’s SF magazine Fantastic. Beside kalpavigyan, Ghosh was also an admirer of popular science. He passed away in Kolkata on April 7th, 2019.

     

    The book brings together texts by Parashuram, Beth Citron, Bodhisattva Chattopadhyay, Dip Ghosh, Ranen Ghosh, Soham Guha, Sudhir Kakar, Sami Ahmad Khan, Matthia Löbke, Amrita Shah and presents Matti Braun’s artistic production of the last ten years.


    Designed by Yvonne Quirmbach, Berlin. Published by Kunstverein Heilbronn and Snoeck, 2020

     

    Watch the full video here

  • The Reading Corner with Gabriel Kuri pt.2

    The Reading Corner with Gabriel Kuri pt.2

    Gabriel Kuri, Reduce to Improper Fraction, 2018. 32 x 24 cm. Published by Three Star Books, Paris

     

    "I love books. By making my own, I learned that they do not have to be second to nor a derivative of my sculptural practice. Whether they are linked to a body or period of work, or exist completely independently, I always make an effort for them to have a life of their own. Books are material memory and register, key concepts in my understanding of what art is and what art can do. Books allow me to see my work as a collection of images. Images as pieces of evidence, metaphors, or signs, or simply—but no less importantly—as an essay of colour. I can see my practice through the narrative resulted from turning pages, which is quite different to pacing around a space.⁠

    Books have clear boundaries of size, format, material and binding that I always find helpful rather than limiting. I like to look at my practice through the limited structure of a book format. This shift of mind frame and optics is always helpful and never constraining. After the visible choices of colour, paper and layout in a few of my books, I guess one can see an inclination towards an aesthetics that embraces ordering and didactic principles. Making books is methodical, like my work. The methodology, the technique and of course the teamwork they involve, give me great pleasure, topped by the always welcome sense of surprise of finally holding the embodiment of an idea. I love it that books are mostly consumed intimately. And of course, I love paper." – Gabriel Kuri

  • Journey Through the Gallery – Ugo Rondinone, two men contemplating the moon 1830

    Journey Through the Gallery – Ugo Rondinone, two men contemplating the moon 1830

    Exhibition view: Ugo Rondinone, two men contemplating the moon 183, Esther Schipper, Berlin⁠⠀
    Photo © Andrea Rossetti

     

    In 2016, Esther Schipper presented two men contemplating the moon 1830, Ugo Rondinone’s fifth solo exhibition with the gallery. 

     

    Taken from a painting by Caspar David Friedrich, the exhibition’s title makes manifest Rondinone’s long-standing indebtedness both to the iconography and philosophy of German Romanticism. “The German Romantic movement was the first to blur the line between reality and illusion. In this sense I’m very attached to the idea of art and art making as an environment that is itself outside of time and inaccessible to a linear logic.“ (The Brooklyn Rail, 2013).

     

    Rondinone modified the exhibition space to create a self-contained environment: new walls cover the existing windows. The works themselves index architectural barriers between outside and inside—a monumental new series of aluminum-cast windows, a large-scale brick-wall painting and a new series of concrete sculptures cast from the corners of urban buildings—collectively comprising the space of an inner world. 

     

    See inside the exhibition here

  • Guess Whose Studio Pt.3

    Guess Whose Studio Pt.3

    Welcome to the next instalment of the series where our artists open their studio doors and invite you to guess whose studio.⁠

     

    To give a helping hand to figure out whose studio you’re peeking into, we’ve put together a number of clues to get you on the right track: 

     

    - mollusks galore

    - lock up your wedges

    - everything’s sorted

    - no Marie Kondo

     

    Click here to find out the answer!

  • Messages from Home – Tao Hui

    Messages from Home – Tao Hui

    Under the heading Messages from Home artists are sharing videos from their (temporary) studios or homes.

     

    Here, Tao Hui shares snapshots of his life from his hometown, Yunyang, Chongqing, as well as his journey back to Beijing.

  • Online Concert & Interview – New Order with Liam Gillick

    Friday April 17, 2020, 7:30 pm
    Online Concert & Interview – New Order with Liam Gillick

    New Order’s collaboration with artist Liam Gillick was the hottest ticket at MIF17 and one of the most in-demand shows in Festival history. Now, the Manchester International Festival are given you a chance to relive this MIF classic at 7.30pm (UK) on Friday 17 April!⁠

    At MIF17, New Order took over Stage 1 of the iconic Old Granada Studios for a limited series of intimate shows created in collaboration with visual artist Liam Gillick and composer-arranger Joe Duddell.⁠

    Join from the comfort of your sofas for this one-night-only revival of the original live stream from the event which begins with a conversation between Dave Haslam and Liam Gillick and then joins the performance for the second half of the show. Broadcast exclusively through MIF Live on Friday 17 April.⁠

     

    Following immediately the concert Liam will be live in conversation with Peter Saville at 8:15 pm (UK).

     

    Tune in here

  • Journey Through the Gallery – Ugo Rondinone, primal

    Journey Through the Gallery – Ugo Rondinone, primal

    Exhibition view: Ugo Rondinone, primal, Esther Schipper, Berlin, 2013

    Photo © Andrea Rossetti

     

    In the next instalment of our team's favorite exhibitions from the history of the gallery, Tara K.Reddi, Senior Sales Director, shares why Ugo Rondinone’s 2013 exhibition primal stands out for her:

     

    "In 2013 for the exhibition of Ugo Rondinone’s primal the gallery space which was then at Schoeneberger Ufer became the stage for a series of new sculptures by Ugo Rondinone: 34 cast bronze horses, each individual in their form and size. The space was transformed with the installation of plywood flooring spread across the rooms of the gallery, uniting the space and introducing an active natural element into the white-cube environment. The white washed windows diffused the daylight and isolated the exhibition from the world outside. Suspended translucent discs of stained-glass clocks hung over the window panes. These colored, perfectly divided stained glass clock-faces, stripped of their hands, augmented the impression of an isolated environment, arrested in time and space.⁠

     

    The gallery, appeared to be transformed into a time capsule, occupied by small cast bronze horses not more than 20 cm in height, each of them spread across the wood flooring and each facing in a different direction. Each horse was modelled in clay by the artist and then cast in bronze leaving the surface raw and unfinished after the casting. Both the uniqueness and the rough, hand-made character of the sculptures are emphasized by the titles given to each of the works, introducing a romantic undertone to the exhibition. The horses “names” rather than “titles”, refer to primordial natural phenomena: the lava, the cosmos, the foliage, the sunrise etc."⁠⠀

     

    See inside the exhibition here.

  • Messages from Home – Jean-Pascal Flavien

    Messages from Home – Jean-Pascal Flavien

    Under the heading Messages from Home artists are sharing videos from their (temporary) studios or homes.⁠

    Here, Jean-Pascal Flavien presents fostering architecture. Deep green, his model of "Greenhouse" has a striking floor plan that, seen from above, is reminiscent of a plant from which four limbs extend.⁠

     

    Click the image to watch the full video!

  • Behind the Scenes – Jac Leirner

    Behind the Scenes – Jac Leirner

    Jac Leirner has been working from her home in Sao Paulo on a new body of work. Fascinated by often overlooked objects and materials, she recently embraced pens from museums, airlines, and hotels, which had been left aside until the last couple of weeks, creating humorous and peculiar sculptures. Clay forms the base of several of these new pieces and is embedded with pen tops, springs, and cartridges.

     

    Here, Jac reminds us that there are inherent, magical qualities even in the most seemingly banal of materials. Along with artist Adriano Costa, the #quarantineshow project was launched on Instagram, and every single day they each post a new work. Follow Jac Leirner (@jacleirner) and Adriano Costa (@adrianocostaluis) to visit their everyday #quarentineshow

  • Journey Through the Gallery – General Idea, ¥en Boutique

     Journey Through the Gallery – General Idea, ¥en Boutique

    On the occasion of the re-launch of our website with extensive archive material celebrating over 230 exhibitions in 30 years, over the next weeks we will be sharing archival material from some of our past exhibitions!⁠

     

    To begin, we're starting with General Idea's ¥en Boutique exhibition from 1989.⁠

     

    Under the guise of pseudonyms, 3 Canadian artists called AA Bronson, Felix Partz and Jorge Zontal work together in the group 'General Idea'.

     

    Read more here

     

  • Online Tour – Liu Ye, Storytelling

    Online Tour – Liu Ye, Storytelling

    The Fondazione Prada has produced a walk-through of Liu Ye’s exhibition entitled Storytelling with an engaging and thoughtful commentary by the artist and the curator Udo Kittelmann. Following the first iteration held in 2018 at Prada Rong Zhai in Shanghai, Liu Ye's solo exhibition in Milan features a selection of 35 paintings realized from 1992 onwards.

     

    The exhibition is currently closed but scheduled to remain on view through September 28, 2020.

     

    Click the image to see inside the exhibition

  • Guess Whose Studio Pt.2

    Guess Whose Studio Pt.2

    Welcome to the second instalment of our new series where our artists open their studio doors and invite you to guess whose studio.⁠

     

    To give a helping hand to figure out whose studio you’re peeking into, we’ve put together a number of clues to get you on the right track: 

     

    1. Kids are frequent inspiration⁠

    2. Plants have been art too⁠

    3. The studio has a proper name⁠

    4. I... I... I…⁠

     

    Click here to find out the answer!

  • Messages from Home – Isa Melsheimer

    Messages from Home – Isa Melsheimer

    Under the heading Messages from Home, we are sharing videos from our artists as they open their (temporary) studios and share short messages on how they’re handling these uncertain times.⁠

    This week, Isa Melsheimer takes her plants out for some fresh air and to get some of that springtime sun.

     

    Click the image to watch the full video!

  • Connections – Gabriel Kuri

    Connections – Gabriel Kuri

    "Looking at the bookshelf across my table I noticed Gabriel Kuri’s catalogue Sorted/Resorted published for his Wiels exhibition. Home office has advantages and disadvantages. As work is for the most part done remotely, on a computer far from the offices, my surroundings have become richer, alive. All the objects collected in more than a decades start to speak again.

     

    I like to listen to these objects – to reconnect with the reality in which I found them. It is something I’ve always liked since I was going to the beach in summer: I found the things people left in the sand very fascinating – especially because they were also completely out of context. It was an idiosyncratic place, a desert land.

     

    When I met Gabriel in 2015 for his most recent solo exhibition at the gallery, this sense of research was activated in the same way. Among the works he made, there was a series of sculptures that were hosting found objects. In the heat of the summer, I was looking for a coffee cup, the one you use to take the coffee with you, and you realize that a plain one, the one that contains just the right sense he was looking for did not exist in Kreuzberg, at least in the surrounding 10 blocks or so of his studio at the time.

     

    This research became a way to map the city and ordering a coffe-to-go was no longer about the taste of the coffee but about the shape of the cup." – Emiliano Pistacchi

  • Journey Through the Gallery – Gabriel Kuri, carbon index compost copy

    Journey Through the Gallery – Gabriel Kuri, carbon index compost copy

     

    In the second installment of our team's favorite exhibitions from the history of the gallery, Andrea Rossetti, photographer and dear friend, speaks about why the 2011 Gabriel Kuri exhibition carbon index compost copy is particularly special to him.⁠

     

    “This was the very first exhibition I documented at Esther Schipper, so I have very special feelings when I think about it and remember the installations and artworks very vividly. It was also the very first show at the Schöneberger Ufer location, and I like the idea that both myself and the gallery have a shared milestone together.”

     

    In carbon index compost copy Gabriel Kuri fused formal and material aspects in a dichotomy of physical shape, object nature, and reduction. The work incorporated a complex combination of minimalist formal language and veiled biographical reference into a very personal and often poetic discourse. Contemporary references of mundane applications, casually dispersed among the work, such as bank notes, plastic bags, official queuing tickets linked his timeless objects to the contemporary universe as well as creating a critical reference to current value systems.

     

    See inside the exhibition here

  • Guess Whose Studio Pt.1

    Guess Whose Studio Pt.1

    A paintbrush, a camera, a robot, disregarded doorstops or even a ouija board – how much can you tell from an artist by what’s in their studio? We’re putting your knowledge to the test in this new series where our artists open the doors and invite you to work out whose studio you’re peering into…⁠

     

    To help you out, we’ve put together a number of clues to get you on the right track.

     

    1. Carp skeletons have featured in work in past.

    2. A lot of stretching is done here

    3. Lives in Germany⁠

    4. Recent fondness for the color grey⁠

     

    Click here to find out the answer!

  • Behind the Scenes – Nathan Carter

    Behind the Scenes – Nathan Carter

    A behind the scenes look into Nathan Carter’s new film, LA GNARLIES, which features surfing & skating, a magic quesadilla and an infamous Haggis Monster…

     

    “The video shows the scene in my studio and my workspace at home where I am currently making the images and music for my next film called LA GNARLIES. Using hand painted paper cutouts and dioramas and music made in a dirty Brooklyn basement, the film tells the story of four women from Ventura California who, depending on the waves either surf or skate. One day they eat a magic quesadilla and get teleported to Thurso Scotland where they must defeat the infamous Haggis Monster in order to re-enter the Tesseract Portal and teleport back home on a giant wave to sunny California. " – Nathan Carter

     

    Click the image to watch the full video!

  • Messages from Home – Christoph Keller

    Messages from Home – Christoph Keller

    Under the heading Messages from Home, we are sharing videos from our artists as they open their (temporary) studios and share short messages on how they’re handling these uncertain times.⁠

    This week Christoph Keller shares this playful DIY starter-kit on how to make a mask.

     

    Click the image to watch the full video!

  • Messages from Home – Anri Sala

    Messages from Home – Anri Sala

    In times like these it’s never felt more important to stay connected with one another. With this in mind, we’ve asked our artists to share short messages on how they’re handling these uncertain times.⁠

    First to share is Anri Sala, who sent a message juxtaposing the closeness and remoteness between all of us right now. Based on the idea of a prolonged “life line” by using protection, it hints at social distancing as well as nodding to previous works by Sala.⁠

     

    Click the image to watch the full video!

  • Journey Through the Gallery – Pierre Huyghe, Influants

    Journey Through the Gallery – Pierre Huyghe, Influants

    Exhibition view: Pierre Huyghe, Influants, Esther Schipper, Berlin, 2011⁠⠀
    © VG Bild-Kunst, Bonn, 2020⁠
    Photos © Andrea Rossetti

     

    We’d like to take you on a journey through the history of the gallery.

     

    Each week we will be sharing moments from Esther Schipper’s 30 year history that are personal favourites from the team. Founded in in Cologne in 1989, the gallery celebrated its 30th anniversary last year, and to mark this occasion we have relaunched our website with extensive archive material, celebrating over 230 exhibitions in 30 years.

     

    The first to be featured is, Pierre Huyghe’s 2011 Influants, chosen by Marek Obara, Associate Director. “It was an exhibition constructed of seemingly simple means, but at the same time related the inside to the outside within the context of an exhibition.⁠"

     

    See inside the exhibition here

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