The narrative is not completely linear. Or perhaps it can be? Ryan Gander’s Leporello N° 04 presents excerpts of his digital word compositions displayed as part of the 2020 work Staccato Refractions. Presented as concrete poetry, the prose reveals intentional glitches, making the reader question the nature of the narrator. Man or machine? Is the text, or parts of it, a message transmitted by a computer, or perhaps an example of distributed thinking?
The text is rendered in minuscule typography, transforming it to shape and form. For its transcription, the use of an included magnifying sheet is necessary. In the background, a pale sequence detailing the moon’s movement is rendered. Once lights are dimmed, the moons start to glow, moving from subordinate to superior.
Ryan Gander’s Leporello N° 04 is printed in both offset lithography and silk screened with glow in the dark ink.
Each copy includes an acrylic magnifying lens.
For The Leporello Series, ll’Editions has invited a select group of international artists to contribute. Each artist is given carte blanche, restricted only by the accordion format and its ten panels (recto). Leporello N° 01 was made by Heimo Zobernig, followed by Micah Lexier for Leporello N° 02 and Fiona Banner aka The Vanity Press for Leporello N° 03.
Inhabiting a space between book and paper sculpture, the Leporellos are printed on delicate Mohawk Superfine Eggshell paper. Each volume in the series is limited to 250 numbered copies and come in a bespoke rigid box, with the title hot foiled both on its front and on its spine, allowing it to sit comfortably in a bookshelf when not on display. Ryan Gander’s Leporello N° 04 concludes the first series of four volumes. The continuing series of four is currently in progress.