Born 1966 in Munich.
Lives and works in Berlin.
Education |
|
| 2001–2003 | Postgraduate Studies in Philosophy, Academy of Fine Arts, Vienna |
| 1992–1998 | University of Television and Film, Munich |
| 1987–1990 | Academy of Visual Arts in Tokyo |
Solo Exhibitions (selection) |
|
| 2019 | Hito Steyerl: This is the Future, Art Gallery of Ontario, Toronto |
| Drill, Park Avenue Armory, New York | |
| Power Plants, Serpentine Galleries, London | |
| Hito Steyerl: Käthe Kollwitz Prize 2019, Akademie der Künste, Berlin | |
| 2018 | Hito Steyerl: The City of Broken Windows, Castello di Rivoli, Turin |
| Martha Rosler & Hito Steyerl: War Games, Kunstmuseum, Basel | |
| 2017 | Hito Steyerl: Liquidity Inc., The Institute of Contemporary Art, Boston |
| 2016 | Hito Steyerl: Factory of the Sun, HMKV, Dortmund |
| Hito Steyerl: Factory of the Sun, Museum of Contemporary Art, Los Angeles, CA | |
| The Distributed Image, LUMA Foundation, Arles | |
| Number Thirteen: Factory of the Sun, Julia Stoschek Collection, Düsseldorf | |
| 2015 | Duty-Free Art, Museo Nacional Centro de Arte Reina Sofia, Madrid |
| Liquidity Inc., Tensta Konsthall, Spånga | |
| Too Much World, Institute of Modern Art, Brisbane | |
| Hito Steyerl, Artists Space, New York | |
| Concentrations 59: Mirror Stage-Visualizing the Self After the Internet, Dallas Museum of Art | |
| 2014 | Hito Steyerl, Van Abbemuseum, Eindhoven |
| Hito Steyerl, Institute of Contemporary Arts, London | |
| HNTBS, Künstlerhaus Stuttgart, Stuttgart | |
| Circulacionismo, Museo Universitario de Arte Contemporaneo, Mexico City | |
| Junktime, Home Workspace Program, Ashkal Alwan, Beirut | |
| 2013 | Hito Steyerl: Guards, Museum of Contemporary Art San Diego |
| Adorno’s Grey, Audain Gallery, Goldcorp Centre for the Arts, Vancouver | |
| Guards, Svilova, Gothenburg | |
| 2012 | Focus: Hito Steyerl, Art Institute of Chicago |
| The Kiss, Overgaden Institute of Contemporary Art, Copenhagen | |
| 2011 | Hito Steyerl: Journal No. 1 – An Artist's Impression, Studiengalerie 1.357, Goethe University Frankfurt, Frankfurt |
| 2010 | RICOCHET #3, Museum Villa Stuck, Munich |
| 2009 | Hito Steyerl, Neuer Berliner Kunstverein, Berlin |
| Der Bau, Linz Kulturhauptstadt, Linz | |
| 2008 | The 1st at Moderna: Hito Steyerl, Moderna Museet, Stockholm |
| Red Alert, Kunsthalle Winterhur, Winterhur | |
Group Exhibitions (selection) |
|
| 2019 | May You Live In Interesting Times, 58th Venice Biennale, Venice |
| 2018 | Busan Biennial, Busan, Korea |
| Art in the Age of the Internet, 1989 to Today, The Institute of Contemporary Art, Boston | |
| 2017 | Skulptur Projekte 2017, Münster |
| ARS17, Kiasma– The Museum of Contemporary Art Helsinki | |
| Like a Moth to a Flame, curated by Tom Eccles, Marl Rappolt and Liam Gillick, Fondazione Sandretto re Rebaudengo, Turi | |
| 2016 | Gwangju Biennial, Gwangju |
| Dreamlands: Immersive Cinema and Art, 1905-2016, Whitney Museum of American Art, New York | |
| São Paulo Biennial, São Paulo | |
| 9th Berlin Biennale, Berlin | |
| 2015 | 56th Venice Biennale, German Pavilion, Venice |
| Global Control and Censorship, Zentrum für Kunst and Medientechnologie Karlsruhe | |
| 4th Dojima River Biennale, Osaka | |
| 2014 | Cut to Swipe, Museum of Modern Art, New York |
| Smart New World, Kunsthalle Düsseldorf | |
