Born 1966 in Munich.
Lives and works in Berlin.
Education |
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2001–2003 | Postgraduate Studies in Philosophy, Academy of Fine Arts, Vienna |
1992–1998 | University of Television and Film, Munich |
1987–1990 | Academy of Visual Arts in Tokyo |
Solo Exhibitions (selection) |
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2020 | Hito Steyerl: I Will Survive, K21, Düsseldorf |
2019 | Hito Steyerl: This is the Future, Art Gallery of Ontario, Toronto |
Drill, Park Avenue Armory, New York | |
Power Plants, Serpentine Galleries, London | |
Hito Steyerl: Käthe Kollwitz Prize 2019, Akademie der Künste, Berlin | |
2018 | Hito Steyerl: The City of Broken Windows, Castello di Rivoli, Turin |
Martha Rosler & Hito Steyerl: War Games, Kunstmuseum, Basel | |
2017 | Hito Steyerl: Liquidity Inc., The Institute of Contemporary Art, Boston |
2016 | Hito Steyerl: Factory of the Sun, HMKV, Dortmund |
Hito Steyerl: Factory of the Sun, Museum of Contemporary Art, Los Angeles, CA | |
The Distributed Image, LUMA Foundation, Arles | |
Number Thirteen: Factory of the Sun, Julia Stoschek Collection, Düsseldorf | |
2015 | Duty-Free Art, Museo Nacional Centro de Arte Reina Sofia, Madrid |
Liquidity Inc., Tensta Konsthall, Spånga | |
Too Much World, Institute of Modern Art, Brisbane | |
Hito Steyerl, Artists Space, New York | |
Concentrations 59: Mirror Stage-Visualizing the Self After the Internet, Dallas Museum of Art | |
2014 | Hito Steyerl, Van Abbemuseum, Eindhoven |
Hito Steyerl, Institute of Contemporary Arts, London | |
HNTBS, Künstlerhaus Stuttgart, Stuttgart | |
Circulacionismo, Museo Universitario de Arte Contemporaneo, Mexico City | |
Junktime, Home Workspace Program, Ashkal Alwan, Beirut | |
2013 | Hito Steyerl: Guards, Museum of Contemporary Art San Diego |
Adorno’s Grey, Audain Gallery, Goldcorp Centre for the Arts, Vancouver | |
Guards, Svilova, Gothenburg | |
2012 | Focus: Hito Steyerl, Art Institute of Chicago |
The Kiss, Overgaden Institute of Contemporary Art, Copenhagen | |
2011 | Hito Steyerl: Journal No. 1 – An Artist's Impression, Studiengalerie 1.357, Goethe University Frankfurt, Frankfurt |
2010 | RICOCHET #3, Museum Villa Stuck, Munich |
2009 | Hito Steyerl, Neuer Berliner Kunstverein, Berlin |
Der Bau, Linz Kulturhauptstadt, Linz | |
2008 | The 1st at Moderna: Hito Steyerl, Moderna Museet, Stockholm |
Red Alert, Kunsthalle Winterhur, Winterhur | |
Group Exhibitions (selection) |
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2019 | May You Live In Interesting Times, 58th Venice Biennale, Venice |
2018 | Busan Biennial, Busan, Korea |
Art in the Age of the Internet, 1989 to Today, The Institute of Contemporary Art, Boston | |
2017 | Skulptur Projekte 2017, Münster |
ARS17, Kiasma– The Museum of Contemporary Art Helsinki | |
Like a Moth to a Flame, curated by Tom Eccles, Marl Rappolt and Liam Gillick, Fondazione Sandretto re Rebaudengo, Turi | |
2016 | Gwangju Biennial, Gwangju |
Dreamlands: Immersive Cinema and Art, 1905-2016, Whitney Museum of American Art, New York | |
São Paulo Biennial, São Paulo | |
9th Berlin Biennale, Berlin | |
2015 | 56th Venice Biennale, German Pavilion, Venice |
Global Control and Censorship, Zentrum für Kunst and Medientechnologie Karlsruhe | |
4th Dojima River Biennale, Osaka | |
2014 | Cut to Swipe, Museum of Modern Art, New York |
Smart New World, Kunsthalle Düsseldorf |