Born 1980 in Mulhouse, France.
Lives and works in Paris.
Education |
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| Since 2018 | PhD candidate, SACRe, PSL University, ENS and ENSBA, Paris |
| 2005 | DNSEP, Villa Arson, Nice |
| 2004–2005 | Post-graduate program of ENBA, Lyon |
| 2003 | DNAP, Villa Arson, Nice |
| 2003 | Graduated fom ECAL, Visual Arts, Lausanne |
Residencies |
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| 2017 | EMPAC, Troy, NY |
| 2014 | Fieldwork: Marfa, Marfa, TX |
| 2011 | International Studio & Curatorial Program, ISCP, Brooklyn, NY |
| 2003–2005 | Cité Internationale des Arts, Paris |
Solo Exhibitions (selection) |
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| 2018 | Nœuds Négatifs, La Kunsthalle, Mulhouse |
| 2012 | Undercuts, Forde, Geneva |
| 2010 | Contre-Histoire de la Séparation, CIAP, Vassivière |
| The Sirens’ Stage, David Roberts Art Foundation, London | |
| Le Stade des Sirènes, Kadist Art Foundation, Paris | |
| Lo Stato delle sirene, Nomas Foundation, Rome | |
| 2009 | Mais où est donc Ornicar?, Espace Blank, Paris |
| Color Suite, Palais de Tokyo, Paris | |
| 2004 | Le Troupeau du dehors/The Outside Herd, Circuit, Lausanne and Zoological Parc, Mulhouse |
Group Exhibitions (selection) |
|
| 2021 | I am Nature – Of Vulnerability. Survival in the risk society: ROHKUNSTBAU 26, Schloss Lieberose, Liberose/Spreewald |
| When in Doubt, Go to a Museum, City Museum of Ljubljana, Ljubljana | |
| 2019 | Foncteur d’Oubli, Le Plateau FRAC Île-de-France, Paris |
| If the Snake, Okayama Art Summit 2019, Okayama | |
| 2018 | Archipelago - A Problem (On Exactitude in Science), Tlön Project, The Hague |
| Persona Grata, Mac/Val, Vitry-sur-Seine | |
| The Radical Imaginary: The Social Contract, VOX, Montreal | |
| Killed Negatives: unseen images of 1930’s America, Whitechapel Gallery, London | |
| General Rehearsal, MMOMA, Moscow | |
| 2017 | Los Multinaturalistas, MAMM, Medellin |
| 2016 | Collection 31, MACBA, Barcelona |
| La collection mise à nue par ses artistes, même, Fondation Lab’Bel, Lons-le- Saunier | |
| 2015 | Nel Mezzo del Mezzo, Museo Riso, Palermo |
| After Dark, MAMCO, Geneva | |
| Futurs. Matisse, Miró, Calder..., Centre de la Vieille Charité, Marseilles | |
| Rituels, poétique des Origines, Le Parvis, Ibos | |
| 2014 | Anthropocène Monument, Les Abattoirs, Toulouse |
| Une Histoire, Art, architecture et design des années 1980 à nos jours, Musée national d’art moderne Centre Pompidou, Paris | |
| New Ways of Doing Nothing, Kunsthalle Wien, Vienna | |
| +/- (Pierre Huyghe’s Season), The Artist’s Institute, New York | |
| 2013 | When Attitudes Became Form Become Attitudes, Museum of Contemporary Art, Detroit |
| Archeologia, FRAC Bretagne, Rennes | |
| L’Origine des choses, Centrale for Contemporary Art, Brussels | |
| Sin motivo aparente, CA2M Centro de Artes Dos de Mayo, Madrid | |
| 2012 | When Attitudes Became Forms Become Attitude, CCA Wattis Institute for Contemporary Art, San Francisco |
| The Mystery Spot. La perception à l’oeuvre dans les collections du CNAP, Fondation d’entreprise Ricard, Paris | |
| COLLAGES, Espace de l’Art Concret et Centre d’Art Contemporain, Mouans-Sartoux | |
| 2011 | Danser sa vie, Musée national d’art moderne – Centre Pompidou, Paris |
| Jump Cut: Dialectic Dreams, The Barber Shop, Lisbon | |
| 2010 | Bild für Bild, Museum Ostwall im Dortmunder, Dortmund |
| Hic, Villa Arson, Nice | |
| Fun Palace, Musée national d’art moderne – Centre Pompidou, Paris | |
| Celebration, FRAC Auvergne, Clermont-Ferrand | |
| 2009 | Un Nouveau Festival, Musée national d’art moderne – Centre Pompidou, Paris |
| Radical Autonomy, Le Grand Café, Saint-Nazaire | |
| Le Jardin aux Sentiers qui Bifurquent, La Kunsthalle, Mulhouse | |
| L’Image Cabrée, Prix de la Fondation d’Entreprise Ricard, Espace Ricard, Paris | |
| Time as Activity, Netwerk, Aalst | |
| Mesure du désordre, Le Parvis, Pau | |
| Fax, The Drawing Center, New York | |
| Nous tournons en rond dans la nuit, Musée Départemental de Rochechouart, Rochechouart | |
| À la surface de l’infini, La Galerie, Centre d’Art contemporain de Noisy-Le-Sec | |
Etienne Chambaud works across a wide spectrum of media, exploring the categories we impose on experiences, objects and disciplines. Individual works, installations and exhibitions destabilize notions of what art is and can be, how an artist conceptualizes and produces a work, and the form, function, and history of the exhibition. Beautiful and complex, Chambaud's works can change the way we see and know.
