Born 1962 in Paris, France.
Lives and works in New York.
Education |
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| 1982–1985 | École nationale supérieure des arts décoratifs, Paris |
Awards |
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| 2017 | Nasher Prize, Nasher Sculpture Center, United States |
| 2015 | Kurt Schwitters Award, Germany |
| 2013 | Roswitha Haftmann Award, Switzerland |
| 2010 | Contemporary Artist Award, Smithsonian American Art Museum, United States |
| 2005 | Art Awards Beaux-Arts Magazine (prix du meilleur artiste français), France |
| 2002 | Hugo Boss Prize, United States |
| 2001 | Special Award of the Jury, 49th Venice Biennial, Italy |
| 1999–2000 | DAAD, Artists-in-Berlin, Germany |
Solo Exhibitions (selection) |
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| 2019 | UUmwelt, Serpentine Galleries, London |
| 2018 | Pierre Huyghe – From Xue Bing's Collection, Pond Society, organised by the New Century Art Foundation, Shanghai |
| 2017 | Pierre Huyghe: 2017 Nasher Prize Laureate, Dallas Museum of Art, Dallas, TX |
| Pierre Huyghe: Untitled (Human Mask), Copenhagen Contemporary, Copenhagen | |
| Pierre Huyghe: Untitled (Human Mask), Museo Guggenheim Bilbao, Bilbao | |
| Pierre Huyghe: Untitled (Human Mask), David Winton Bell Gallery, Brown University, Providence | |
| 2016 | Pierre Huyghe Part I: Untilled Host, Espace Louis Vuitton, Tokyo |
| Pierre Huyghe Part II: A Journey That Wasn't – Creature, Espace Louis Vuitton, Tokyo | |
| Orphan Patterns, Sprengel Museum, Hannover | |
| La Saison des Fêtes, Bröller-Müller Museum, Otterlo | |
| Pierre Huyghe's "Untilled" (Liegender Frauenakt), AGO Art Gallery of Ontario, Toronto | |
| 2015 | Pierre Huyghe: Tarrawarra International 2015, Tarrawarra Museum of Art, Healesville |
| The Roof Garden Commission, Metropolitan Museum of Art, New York, NY | |
| Pierre Huyghe’s Untilled (Liegender Frauenakt), The Museum of Modern Art, New York, NY | |
| 2014 | Pierre Huyghe, Los Angeles County Museum of Art, Los Angeles |
| Pierre Huyghe, Museum Ludwig, Cologne | |
| Pierre Huyghe: The Host and The Cloud, MACBA Museu d'Art Contemporani de Barcelona, Barcelona | |
| Pierre Huyghe, The Artist's Institute, New York | |
| 2013 | Pierre Huyghe, Centre Pompidou, Paris |
| The Host and The Cloud, David Roberts Art Foundation, London | |
| 2012 | El Dia del Ojo, Museo Tamayo Arte Contemporáneo, Mexico City |
| 2011 | Pierre Huyghe: Werke der Sammlung, Kunstmuseum Basel, Basel |
| 2010 | Pierre Huyghe. La saison des fêtes, Museo Nacional Centro de Arte Reina Sofia, Palacio de Cristal, Madrid |
| The Host and The Cloud, Episode 3, Musée des arts et traditions populaires, Paris | |
| Les Grands Ensembles (The Housing Projects), The Art Institute of Chicago, Chicago | |
| 2008 | Forest of Lines, Sydney Opera House, Sydney |
| 2007 | Show as Exhibition, Reykjavik Art Museum, Reykjavik |
| A Time Score, MUSAC Museo de Arte Contemporáneo de Castilla y León, León | |
| 2006 | Celebration Park, Tate Modern, London |
| Celebration Park, ARC, Musée d’art moderne de la Ville de Paris | |
| 2005 | Streamside Day, Moderna Museet, Stockholm |
| Streamside Day, IMMA Irish Museum of Modern Art, Dublin | |
| 2004 | This is not a Time for Dreaming, Carpenter Center, Harvard University, Cambridge, MA |
| Pierre Huyghe, Castello di Rivoli Museo d'Arte Contemporanea, Turin | |
| One Million + Kingdoms, Modern Art Museum of Fort Worth, Texas | |
| 2003 | Streamside Day Follies, Dia Center for the Arts, New York, NY |
| The Hugo Boss Prize 2002 Exhibition, Solomon R. Guggenheim Museum, New York, NY | |
| 2002 | L’expédition scintillante. A musical, Kunsthaus, Bregenz |
| 2001 | Pierre Huyghe, Interludes, Van Abbemuseum, Eindhoven |
| Two Minutes Out of Time, Musée d'Art Moderne et Contemporain, Geneva | |
| 2000 | The Third Memory, Centre Pompidou, Paris |
| The Third Memory, Musée d'Art Contemporain, Montréal | |
| The Third Memory, Renaissance Society, Chicago | |
| Pierre Huyghe, Kunsthalle Zürich, Zürich | |
Group Exhibitions (selection) |
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| 2019 | Creatures. When Species Meet, Contemporary Arts Center, Cincinnati |
| Préhistoire et la Modernité, Centre Pompidou, Paris | |
| 2018 | Au diapason du monde, Fondation Louis Vuitton, Paris |
| GIVE UP THE GHOST, Baltic Triennial 13, Contemporary Art Centre, Vilnius | |
| Au diapason du monde, Fondation Louis Vuitton, Paris | |
| Art in the Age of the Internet, 1989 to Today, Institute of Contemporary Art, Boston | |
| 2017 | Infinite Garden. From Giverny to Amazonia, Centre Pompidou-Metz, Metz |
| Variable Dimensions – artists and architecture, MAAT Museum of Art, Architecture and Technology, Lisbon | |
| Field Guide, Remai Modern, Saskatoon | |
| Take Me (I'm Yours), Pirelli / Hangar Biccoca, Milan | |
| 2016 | Development, Okayama Summit, Okayama |
| Dreamlands: Immersive Cinema and Art, 1905-2016, Whitney Museum, New York | |
| Live Uncertainty, 32nd Bienal de São Paulo, São Paulo | |
| Are We Human?, 3rd Istanbul Design Biennial, Istanbul | |
| Decor, Boghossian Foundation, Villa Empain, Brussels | |
| Daniel Buren. A Fresco, Bozar Centre for Fine Arts, Brussels | |
| Organismi, Galleria Civica d'Arte Moderna e Contemporanea, Turin | |
| Historical Exhibition: Sites Under Construction, Manifesta 11 – The European Biennial of Contemporary Art, Zurich | |
| GLOBALE: Reset Modernity, ZKM Karlsruhe, Karlsruhe | |
| 2015 | Salt Water: A theory of thought forms, 14th Istanbul Biennial, Istanbul |
| The heart is a lonely hunter, YARAT Contemporary Art Center, Baku | |
| Experience infinita, MALBA, Buenos Aires | |
| 2014 | 1984-1999. La Décennie, Centre Pompidou-Metz, Metz |
| The Human Factor: Uses of the Figure in Contemporary Sculpture, Hayward Gallery, London | |
| Burning Down The House, 10th Gwangju Biennale, Gwangju | |
| The Vincent Award 2014, Gemeentemuseum Den Haag, The Hague | |
| 2013 | Reading Cinema, Finding Words: Art after Marcel Broodthaers, The National Museum of Modern Art, Kyoto |
| Expo 1: New York, MoMA PS1, New York | |
| Yes Naturally, Gemeentemuseum Den Haag, The Hague | |
| 2012 | dOCUMENTA (13), Kassel |
Huyghe’s practice spans many media, including live situations, films, objects and drawings. His exhibitions are living organisms, in which interdependent, biotic and abiotic, real and symbolic agents — animals, humans, machines — are co-evolving. Those, indistinguishable, are self-organizing in a dynamic and unstable mesh, navigating between necessity and contingency.
