Spiral Forest (1-11), 2015 (detail; wall)

6 Fiber-based gelatin silver prints, 5 analog C-prints

This body of work draws on the notion of Amerindian Perspectivism, a term developed by the anthropologist Eduardo Viveiros de Castro to describe indigenous cosmologies that assume the world to be inhabited by different beings, animal and human animal, who perceive reality from distinct points of view of which none is privileged.

Systemic Grid 61-b (Puddle 5), 2015 (floor)

Mirrored-finish polished stainless steel

In combination with the overall shape, which recalls that of a liquid puddle, the linear pattern destabilizes the distinction between fluidity and rigidity. The shape, a rectangle from which one corner has been removed (in effect a square with a triangle), creates layers of geometric patterns.

Photo © Andrea Rossetti