clock for oracles
Front:
twentyfourhours, 2004
Stained plywood, steel, speakers, sound
700 cm × 600 cm × 100 cm
Photo © ACCA Archives
Exhibition view: clockwork for oracles, Australian Centre for Contemporary Art, Melbourne, 2003
Photo © ACCA Archives
Exhibition view: clockwork for oracles, Australian Centre for Contemporary Art, Melbourne, 2003
Photo © ACCA Archives
Exhibition view: clockwork for oracles, Australian Centre for Contemporary Art, Melbourne, 2003
Photo © ACCA Archives
Exhibition view: clockwork for oracles, Australian Centre for Contemporary Art, Melbourne, 2003
Photo © ACCA Archives
clockwork for oracles, 2004
3 videowalls, 3 stencilled burlaps, 3 wooden bases, sound, carpet
354 cm × 233 cm × 45 cm each
Photo © ACCA Archives
clockwork for oracles, 2004 (detail)
3 videowalls, 3 stencilled burlaps, 3 wooden bases, sound, carpet
354 cm × 233 cm × 45 cm each
Photo © ACCA Archives
clockwork for oracles, 2004 (detail)
3 videowalls, 3 stencilled burlaps, 3 wooden bases, sound, carpet
354 cm × 233 cm × 45 cm each
Photo © ACCA Archives
zweiundzwanzigstermärzzweitausendundeins, 2001
Acrylic airbrush on canvas, silkscreen on plexiglass plaque
ø 220 cm
Photo © ACCA Archives
Left:
all MOMENTS stop here and together we become every memory that has ever been, 2002
Plexiglass
150 cm × 160 cm × 4 cm
Right:
if there were anywhere but desert. saturday, 2001
Fiberglass, paint, clothing, glitter
106 cm × 86 cm × 122 cm
Photo © ACCA Archives
left:
if there were anywhere but desert. saturday, 2001
fiberglass, paint, clothing, glitter
106 cm × 86 cm × 122 cm
Through the door:
leep, 1999 (detail)
white painted wooden wall, 167 white wooden frames, 167 c-prints, sound, 30 spots + with pvc foils, 15 speakers, 1 cd-player, 1 equalizer
Right:
zweiundzwanzigstermärzzweitausendundeins, 2001
acrylic airbrush on canvas, silkscreen on plexiglass plaque
ø 220 cm
Photo © ACCA Archives
leep, 1999 (detail)
white painted wooden wall, 167 white wooden frames, 167 c-prints, sound, 30 spots + with pvc foils, 15 speakers, 1 cd-player, 1 equalizer
Photo © ACCA Archives
clock for oracles
This major exhibition of new projects by internationally acclaimed Swiss artist, Ugo Rondinone, brought together new and older works in a series that contemplated time, love, despair, anonymity, aggression and alienation.
ACCA liaised in part with the Museum of Contemporary Art, Sydney on this venture and received support from the John Kaldor Foundation and the Pro Helvetica Fund.
