Exhibition view: Liam Gillick, The Work Life Effect, Gwangju Museum of Art, 2021
Photo © Gwangju Museum of Art, Korea
Welcome to this month's Letter from Berlin which presents two major solo exhibitions, Liam Gillick's just-opened The Work Life Effect at the Gwangju Museum of Art in Korea, and Ryan Gander's Natural and Conventional Signs installed in his impromptu Kunsthalle-like space Solid Haus, part of his studio complex in Suffolk and currently only accessible virtually.
Our dedicated Online Viewing Rooms for Isa Melsheimer and Rosa Barba remain open and our new series Spotlight and All Access highlight works and exhibitions accessible virtually.
Under the title Sun Rise | Sun Set an ambition group exhibition with a multi-layered responses to the fast unfolding eco-catastrophe opens exclusively digitally today at Berlin's Schinkel Pavillon with a major work by Pierre Huyghe.
Rounding up our Letter is a selection of publications, among them a beautiful new catalogue for the 2017-2018 group exhibition Like a Moth to a Flame curated by Liam Gillick, Tom Eccles, and Mark Rappolt. Details can be found below.
Read the full Letter from Berlin here