"The Challenge: We are in this together" – Esther Schipper for The New Institute
For its December newsletter, titled "The Challenge: We are in this together", The New Institute asked Esther Schipper – among other thinkers and practioners – to share her insights and analysis on the current global pandemic. For the occasion, Esther Schipper selected artworks by the gallery artists showing that the questions of viruses and pandemics have been among us for a long time.
Hito Steyerl's "We Will Survive TV"November 15, 19, 21, 26, 2020 www.e-flux.com
What happens to the art at the museum at night?
A weird-ass visual podcast
During the corona-related shutdown in November 2020, Hito Steyerl’s exhibition I Will Survive at K21 (September 26, 2020—January 10, 2021) transforms into a livestream format. The project 4 Nights at the Museum developed by the artist, filmmaker, and author Hito Steyerl, provides some background and conversations about the works in the exhibition.
In five episodes (each lasting ca. 45 minutes), selected works and themes in I Will Survive will be discussed in more detail. Participants in the works, such as the New York-based graphic designer Ayham Ghraowi or the Hamburg-based actress Heja Netirk, will talk about their perspectives. In addition, Steyerl will present alternative versions of exhibited works and previously unedited archival material. Short guided tours by the curators will accompany visitors into the exhibition spaces, which are abandoned at night. They will take a look at some of the works and prove that there is nothing going on inside the museum during the shutdown.
The episodes will livestream on e-flux Video & Film starting Sunday, November 15. All episodes air at 8pm CET, 2pm EST.
Podcast: AA Bronson speaks with The Art Newspaper
On the occasion of Berlin Art Week 2020, The Art Newspaper spoke with AA Bronson about participating in one of the big shows opening during the week, at the legendary Berghain nightclub, and about his experience of living in the city.
Cooking with Artists – Nathan Carter
“When I was a kid, I drew and built my worlds. I would make maps and models of places. I would mix toys together and there was a lot of masking tape, pencils, matchboxes, thread, string, and Elmer’s glue—sticking legos to pine cones and things like that. As an adult, as a childish adult, I’m still doing that storytelling through drawing maps and world-building.”
Nathan Carter shared his recipe for a refreshing, tangy salad of cucumbers, mangoes, pineapples, lime, and spicy Thai chilis for MoMA PS1's new instalment of Cooking with Artists with Chef Mina Stone
Click the link for the full recipe!
The Reading Corner: Roman Ondak
Published on occasion of the Roman Ondak's exhibition History Repeats Itself at Kunsten Museum of Modern Art Aalborg in 2017 and is published Verlag der Buchhandlung König. It is a personal and metaphysical journey into the landscapes of history and youth of Roman Ondak.
Roman Ondak works with conceptual art, that is: art based on an idea. Like the father of conceptual art, Marcel Duchamp, Roman Ondak works with found objects. He revitalises the genre by placing the "object" in a broader context, which allows new stories to arise - with both personal, poetic and political power.
Instagram Takeover: Daniel Steegmann Mangrané
"What do a dog and a tree have in common? Their bark!” Joke, anonymous.
"An animal is classified as feral when it is a former domestic animal living in a wild habitat, without food or shelter provided by humans, and showing some resistance to people”, biologists state. Some of the most common species that turn feral are cats, dogs, horses, and pigs. Once companion species, when the pact established thousands of years ago by codomestication is broken, they have the ability not to go back to being wolves, their wild ancestors in the case of dogs, but to become something else. They become feral. Claude Lévi-Strauss coined the concept of pensée sauvage (not la pensée des sauvages, as we are often reminded), a type of “untamed” thought, kept alive in the modern western world within “natural reserves” of art, as he would say. Dogs are not often considered wildlife; they are mostly a species-with-humans. Messmates. That does not mean they could not experience their own kind of pensée sauvage – or even a domesticated thought, who knows. But what mode of thought is expressed when these two worlds collapse, pacts are broken, their world is wounded, they become without-humans and thus feral? Is it possible that la pensée férale is one that makes surviving in the Anthropocene feasible?
Text Juliana Fausto, images Daniel Steegmann Mangrané
For each week in 2020, curator Maria Lind invites 52 artists to inhabit this account to make weekly proposals for the 2020s. See Daniel Steegmann Mangrané's takeover at @52proposalsforthe20s.
Anri Sala – Take Over (Marseillaise), 2017
We celebrate Bastille Day with Anri Sala and an excerpt from his 2017 video Take Over (Marseillaise)!
Watch as the pianist and Disklavier play the French national anthem in a carefully choreographed moment of ghostly harmony, evoking the timelessness of the tune.
Both this video and its counterpart, Take Over (Internationale), pair the two eponymous musical works, powerful political anthems that are affiliated by an entangled political and cultural history.
The Reading Corner: Daniel Steegmann Mangrané
“If there are no more subjects nor objects, then there are no longer spectators or works of art, but rather processes of relationships of mutual transformation. Combinations of agents which influence one another”. – Daniel Steegmann Mangrané
Profoundly transforming the space of the IAC Daniel Steegmann Mangrané's solo exhibition, Ne voulais prendre ni forme, ni chair, ni matière, generated new vanishing lines. Defined by a sensitive geometry, driven only by rays of natural light that penetrate the gloom, the exhibition encouraged exploration.
This artist book has been published on occasion of the exhibition Ne voulais prendre ni forme, ni chair, ni matière at the Institut d'art contemporain, Villeurbanne/Rhône-Alpes from 20 February to 28 April 2019.
Immersive Ping-Pong with Gabriel Kuri
Currently exhibited as part of our exhibition PS81E, Gabriel Kuri’s untitled (AE DEC 18) consists of a number of objects in different colors made from hard plastic that have been arranged in a loose grouping. Their shape is taken from a standard fastening clip, a closure best-known for use on packages of sliced bread (but also used to seal bags of fruit and other perishables). In this case the found object, the bread-clips, has been scaled to an almost monstrous size, removing all functionality.
The artists characteristic combination of precision and playfulness surfaced with a recent short video in which he plays ping-pong in his studio, felling the giant bread-clips one by one!
Made in confinement in Gabriel Kuri’s studio in Brussels. Much gratitude to Cristian Manzutto for his selfless help with the iPhone camera and editing. And thanks to Jonas Kuri.
In the Studio – Simon Fujiwara
This week the art magazine Collectors Agenda published an extinsive interview with Simon Fujiwara. Below excerpts from their conversation in which Simon also spoke about his fascination for female characters, among them Marie Antoinette who is the subject of his work currently on view as part of PS81E, A Dramatically Enlarged Set of Golden Guillotine Earrings Depicting the Severed Heads of Marie Antoinette and King Louis XVI, 2019.
The Art World Works From Home: Gabriel Kuri
An extensive interview with Gabriel Kuri published by artnet on June 5, 2020.
Podcast on Julia Scher's Security by Julia
In this podcast series Prof Dr Astrid Mania, students, and colleagues from HFBK in Hamburg as well as special guests talk about art works that resonate with what’s currently on our minds, that might be thought-provoking, comforting and also a little entertaining every now and again. In this fifty-second episode Astrid Mania talks about Julia Scher's Security by Julia.
Online Performance – Ari Benjamin Meyers
Forecast (Part I/Concert Version)
by Ari Benjamin Meyers
From Thursday June 4, 2020, 6pm, for 48 hours
American artist and composer Ari Benjamin Meyers works at the intersection of music, theatre, performance and live installation, aiming to exploit each genre’s particular register and make new connections between their different mechanisms of action.
Forecast, his work that was scheduled to premiere on April 23 but whose rehearsal process and premiere had to be postponed to next season due to the coronavirus pandemic, is dedicated to the weather as phenomena and a starting point for an evening about predictability, and humans as the creators of the future with their need for forecasts, control and imagination.
From May 11-15, the Forecast ensemble met in the Volksbühne to record an excerpt of the performance as a concert-style session on video.
Click here to watch the performance!
The Reading Corner: Liu Ye
"It is no accident that the simplified paintings by Liu Ye are reminiscent of cartoons and illustrations in children’s books: the artist’s father wrote books for children and possessed a box filled with Western, often prohibited classic children’s literature. The pictures in them influenced Liu Ye at an early age. After studying at the Central Academy of Fine Arts in Beijing and the Berlin University of the Arts, the artist discovered his own distinct style, which plays with viewers’ visual expectations and catches them unawares with surprising pictorial compositions. His small-format paintings of Miffy the rabbit, the character created by Dick Bruna, are unmistakable, often painted against a dismal background that recalls the Old Masters or combined with elements borrowed from Piet Mondrian, as are his pastel compositions with innocent yet challenging female characters."⠀
This first catalogue raisonné featuring the sensitive works by Liu Ye provides an overview of his creative output from 1991 to 2015.
Film Screening – Anri Sala, Long Sorrow (2005) & Answer Me (2008)www.scharaun.de
Long Sorrow (2005) & Answer Me (2008)
Friday 29. May, 2020, for one week
From 6 pm
The Reading Corner: Anri Sala
This book, published for the exhibition Anri Sala. Le Temps coudé, presented at Mudam in fall 2019, comprises four essays by the philosopher and musicologist Peter Szendy that consider the artist’s major works since 2013.
Demonstrating the strong intellectual connections that has developed between the two over the course of their collaborations, these essays draw on a sensory experience of the works of Anri Sala to analyze the way that music nourishes them, in their connection to image, space, history, and time.
A Conversation with Ari Benjamin MeyersSunday April 19, 2020, 1:30 pm
On Sunday April 19 at 1.30 pm Ari Benjamin Meyers will be the guest of the two-hour program Zwischentöne on Deutschlandfunk, German Public Radio. Hosted by Michael Langer, conversation alternates with musical works specially chosen by Meyers.
Tune in this Sunday April 19, 2020 at 1:30 pm!
The Reading Corner: Gabriel Kuri
On the occasion of his first institutional exhibition in Germany, Gabriel Kuri created four new groups of works, which provide an insight into different aspects of his practice. Accordingly, Kuri is showing sculptures and installation; all of them are made out of found materials or industrially manufactured products, including marble slabs, sand, paper, cigarette butts, or body care products.
A precise and deliberate positioning and a surprising casualness always characterize the presentation of his objects in the exhibition. With their humor and lightness of touch, his works level criticism as well as political, economic, and social conditions. In the sense of an extended notion of sculpture, he shifts the boundaries of art and the everyday, as the viewers and the everyday become part of the aesthetic form.
This catalogue is published on the occasion of Gabriel Kuri’s solo exhibition at Bielefelder Kunstverein and Kunstverein Freiburg.
The Reading Corner: OneStar
In a generous gesture of bringing art into life, OneStar has made available pdfs of all their artists’ books published since 2000. We salute them!
Online Tour – Isa Melsheimer
An exclusive behind the scene tour while the exhibition is closed due to the temporary closure of KINDL – Centre for Contemporary Art, Berlin.